II.
Such was the impression made upon a Spanish soldier and a good Catholic by the sight of the two chief deities of the Mexican people. To him they were simply two abominable inventions of Satan. Let us try to go a little further below the surface.
Uitzilopochtli signifies Humming-bird to the left, from Uizilin (Humming-bird), and opochtli (to the left). The latter part of the name is probably due to the position we have just seen noticed to the left of the other great deity, Tezcatlipoca. But why Humming-bird? What can there be in common between this graceful little creature and the monstrous idol of the Aztecs? The answer is given by the American mythology, in which the Humming-bird is a divine being, the messenger of the Sun. In the Aztec language it is often called the "sunbeam" or the "sun's hair." This charming little bird, with the purple, gold and topaz sheen of its lovely plumage, as it flits amongst the flowers like a butterfly, darts out its long tongue before it to extract their juices, with a burring of its wings like the humming of bees, whence it derives its English name. Moreover, it is extremely courageous, and will engage with far larger birds than itself in defence of its nest. In the northern regions of Mexico, the humming-bird is the messenger of spring, as the swallow is with us. At the beginning of May, after a cold and dry season that has parched the soil and blighted all verdure, the atmosphere becomes pregnant with rain, the sun regains his power, and a marvellous transformation sets in. The land arrays itself, before the very eyes, with verdure and flowers, the air is filled with perfumes, the maize comes to a head, and hosts of humming-birds appear, as if to announce that the fair season has returned. We may lay it down as certain that the humming-bird was the object of a religious cultus amongst the earliest Aztecs, as the divine messenger of the Spring, like the wren amongst our own peasantry, the plover amongst the Latins, and the crow amongst many tribes of the Red-skins. It was the emissary of the Sun.
It was in this capacity, and under the law of anthropomorphism to which all the Mexican deities were subject, that the divine humming-bird, as a revealing god, the protector of the Aztec nation, took the human form more and more completely in the religious consciousness of his worshippers. And indeed the Mexican mythology gives form to this idea that the divine humming-bird (of which those on earth were but the relatives or little brothers) was a celestial man like an Aztec of the first rank, in the following legend of his incarnation.
Near to Coatepec, that is to say the Mountain of Serpents,[10] lived the pious widow Coatlicue or Coatlantona (the ultimate meaning of which is "female serpent"). One day, as she was going to the temple to worship the Sun, she saw a little tuft of brilliantly coloured feathers fall at her feet. She picked it up and placed it in her bosom to present as an offering to the Sun. But when she was about to draw it forth, she knew not what had come upon her. Soon afterwards she perceived that she was about to become a mother. Her children were so enraged that they determined to kill her, but a voice from her womb cried out to her, "Mother, have no fear, for I will save thee, to thy great honour and my own great glory." And in fact Coatlicue's children failed in their murderous attempt. In due time Uitzilopochtli was born, grasping his shield and lance, with a plume of feathers shaped like a bird's beak on his head, with humming-birds' feathers on his left leg, and his face, arms and legs barred with blue. Endowed from his birth with extraordinary strength, while still an infant he put to death those who had attempted to slay his mother, together with all who had taken their part. He gave her everything he could take from them; and after accomplishing mighty feats on behalf of the Aztecs, whom he had taken under his protection, he re-ascended to heaven, bearing his mother with him, and making her henceforth the goddess of flowers.[11]
You will be struck by the analogy between this myth and more than one Greek counterpart. There is the same method of reducing to the conditions of human life, and concentrating at a single point of time and space, a permanent or regularly recurrent and periodic natural phenomenon. Uitzilopochtli, the humming-bird, has come from the Sun with the purpose of making himself man, and he has therefore taken flesh in an Aztec woman, Coatlicue, the serpent, who is no other than the spring florescence, and therefore the Mexican Flora. It is not only amongst the Mexicans that the creeping progress of the spring vegetation, stretching along the ground towards the North, has suggested the idea of a divine serpent crawling over the earth. The Athenian myth of Erichthonius is a conception of the same order. The celestial humming-bird, then, offspring of the Sun, valiant and warlike from the day of his birth, champion of his mother, plundering and ever victorious, is the symbol instinctively seized on by the Aztec people; for it, too, had sprung from humble beginnings, had been despised and menaced by its neighbours, and had grown so marvellously in power and in wealth as to have become the invincible lord of Anahuac. Uitzilopochtli had grown with the Aztec people. He bears, amongst other surnames, that of Mextli, the warrior, whence the name of Mexico. He protects his people and ever extends the boundaries of its empire. And thus, in spite of his bearing the name of a little bird, his statue as an incarnate deity had become colossal. Yet the Aztecs did not lose the memory of his original minuteness of stature. Did you observe, in the account given by Bernal Diaz, that there stood at the feet of the huge idol another quite small one, that served, according to the Spanish Captain, as his page? This was the Uitziton, or "little humming-bird," called also the Paynalton, or the "little quick one," whose image was borne by a priest at the head of the soldiers as they charged the enemy. On the day of his festival, too, he was borne at full speed along the streets of the city. He was, therefore, the diminutive Uitzilopochtli, or, more correctly speaking, the Uitzilopochtli of the early days, the portable idol of the still wandering tribe; and in fidelity to those memories, as well as to preserve the warlike rite to the efficacy of which they attached so much value, the Aztecs had kept the small statue by the side of the great one.
To sum up: Uitzilopochtli was a derivative form or determination of the Sun, and specifically of the Sun of the fair season. He had three great annual festivals. The first fell in May, at the moment of the return of the flowering vegetation. The second was celebrated in August, when the favourable season unfolded all its beauty. The third coincided with our month of December. It was the beginning of the cold and dry season. On the day of this third festival they made a statue in Uitzilopochtli's likeness, out of dough concocted with the blood of sacrificed infants, and, after all kinds of ceremonies, a priest pierced the statue with an arrow. Uitzilopochtli would die with the verdure, the flowers and all the beauteous adornments of spring and summer. But, like Adonis, like Osiris, like Atys, and so many other solar deities, he only died to live and to return again.[12]
It was now his brother Tezcatlipoca who took the direction of the world. His name signifies "Shining Mirror." As the Sun of the cold and sterile season, he turned his impassive glance upon all the world, or gazed into the mirror of polished crystal that he held in his hand, in which all the actions of men were reflected. He was a stern god of judgment, with whose being ideas of moral retribution were associated. He was therefore much dreaded. Up to a certain point he reminds us of the Vedic Varuna. His statue was made of dark obsidian rock, and his face recalled that of the bear or tapir. Suspended to his hair, which was plaited into a tail and enclosed in a golden net, there hung an ear, which was likewise made of gold, towards which there mounted flocks of smoke in the form of tongues. These were the prayers and supplications of mortals. Maladies, famines and death, were the manifestations of Tezcatlipoca's justice. Dry as the season over which he presided, he was not easily moved. And yet he was not absolutely inexorable. The ardent prayers, the sacrifices and the supplications of his priests might avert the strokes of his wrath. But in spite of all, he was pre-eminently the god of austere law. And this is why he was regarded as the civilizing and organizing deity of the Aztecs. It was he who had established the laws that governed the people and who watched over their observance. In this capacity he made frequent journeys of inspection, like an invisible prefect of police, through the city of Mexico, to see what was going on there. Stone seats had been erected in the streets for him to rest upon on these occasions, and no mortal would have dared to occupy them. At the same time a terrible and cruel subtlety in the means he employed to accomplish his ends was attributed to him; and the legend about him, which is far less brilliant than that of his brother Uitzilopochtli, led several Europeans to believe that he was simply an ancient magician who had spread terror around him by his sorceries. All this we see exemplified in his conflicts with a third great deity whom we shall next describe. In any case we may define Tezcatlipoca as another determination of the Sun, and specifically of the winter Sun of the cold, dry, sterile season.[13]
The third great deity is Quetzalcoatl, that is to say "the feathered serpent," or "the serpent-bird;" and it is specially noteworthy, in connection with the elevated rank which he occupied in the Mexican pantheon, that he was not an Aztec deity, but one of the ancient gods of the invaded country. He was in fact a Toltec deity, and we recognize in his name, as well as in the special notes in the legend concerning him, that god of the wind whom we know already in Central America under the varying names of Cuculcan, Hurakan, Gucumatz, Votan and so forth. He is almost always a serpent, and a serpent with feathers. His temple at Mexico departed altogether from the pyramidal type that we have described. It was dome-shaped and covered. The entrance was formed by a great serpent-mouth, wide open and showing its fangs, so that the Spaniards thought it represented a gate of hell. Quetzalcoatl's priests were clothed in white, whereas the ordinary garb of the Mexican priests was black. There was something mysterious and occult about the priesthood of this deity, as though it were possessed of divine secrets or promises, the importance of which it would be dangerous to undervalue. A special aversion to human sacrifice, and especially to the frightful abuse of the practice amongst the Aztecs, was attributed to this god and his priests, in passive protest, as it were, against the sanguinary rites to which the Aztecs attributed the prosperity of their empire.
The legend of Quetzalcoatl, as the Aztecs transmitted it to the Spaniards, is a motley concatenation of euhemerized myths. Its historical basis is the continuous retreat of the Toltecs before the northern invaders, with their god Tezcatlipoca. This latter deity becomes a magician, cunning and malicious enough to get the better of the gentle Quetzalcoatl on every occasion. I regret that time will not allow me to tell in detail of the combat between Tezcatlipoca and Quetzalcoatl. The latter was a sovereign who lived long ago at Tulla, the northern focus of Toltec civilization. Under his sceptre men lived in great happiness and enjoyed abundance of everything. He had taught them agriculture, the use of the metals, the art of cutting stone, the means of fixing the calendar; and being opposed to the sacrifice of human victims—note this—he had advised their replacement by the drawing of blood from the tongue, the lips, the chest, the legs, &c. Tezcatlipoca succeeded by his enchantments in destroying this rule of peace and prosperity, and forced Quetzalcoatl to quit Tulla, which thereupon fell in ruins. He then pursued him into Cholula, the ancient sacred city of the Toltecs, in which he had sought refuge, and in which he had again made happiness and abundance reign. Finally, he forced him to quit the continent altogether, and embark in a mysterious vessel not far from Vera Cruz, near to the very spot where Cortes disembarked. Since then Quetzalcoatl had disappeared; "But wait!" said his priests, "for he will return." This expectation of Quetzalcoatl's return furnishes a kind of parallel to the Messianic hope, or more closely yet to the early Christian expectation of the parousia or "second coming" of the Christ. For when he returned, it would be to punish his enemies, to chastise the wicked, the oppressors and the tyrants. And that is why the Aztecs dreaded his return, and why they had not dared to proscribe his cultus, but, on the contrary, recognized it and carried it on. And if you would know the real secret of the success of Fernando Cortes in his wild enterprize—for, after all, the Mexican sovereign could easily have crushed him and his handful of men, by making a hecatomb of them before they had had time to entrench themselves and make allies—you will find it in the fact that Montezuma, whose conscience was oppressed with more crimes than one, had a very lively dread of Quetzalcoatl's return; and when he was informed that at the very point where the dreaded god had embarked, to disappear in the unknown East, strange and terrible beings had been seen to disembark, bearing with them fragments of thunderbolts, in tubes that they could discharge whenever they would—some of them having two heads and six legs, swifter of foot than the fleetest men—Montezuma could not doubt that—it was Quetzalcoatl returning, and instead of sending his troops against Cortes, he preferred to negotiate with him, to allow him to approach, and to receive him in his own palace. And although doubts soon asserted themselves in his mind, yet he long retained, perhaps even to the last, a superstitious dread of Cortes, that enabled the latter to secure a complete ascendancy over him. This, I repeat, was the secret of the bold Spaniard's success; nor can we ever understand the matter rightly unless we take into consideration the significance of this worship of Quetzalcoatl that the Aztecs had continued to respect, though all the while flattering themselves that their own god, Tezcatlipoca, would be able once more to protect them against his ancient adversary. Years after the conquest, Father Sahagun had still to answer the question of the natives, who asked him what he knew of the country of Quetzalcoatl.[14]
What, then, was the fundamental significance of this feathered Serpent that so pre-occupied the religious consciousness of the Aztecs?
He was not the Sun. The Sun does not disappear in the East. He was a god of the wind, as Father Sahagun perfectly well understood, but of that wind in particular that brings over the parched land of Mexico the tepid and fertilizing exhalations of the Atlantic. And this is why Tezcatlipoca, the god of the cold and dry season, rather than Uitzilopochtli, is his personal enemy. It is towards the end of the dry season that the fertilizing showers begin to fall on the eastern shores, and little by little to reach the higher lands of the interior. The flying Serpent, then, the wind that comes like a huge bird upon the air, bringing life and abundance with it, is a benevolent deity who spreads prosperity wherever he goes. But he does not always breathe over the land, and does not carry his blessed moisture everywhere. Tezcatlipoca appears. The lofty plateaux of Tulla, of Mexico and of Cholula, are the first victims of his desolating force. Quetzalcoatl withdraws ever further and further to the East, and at last disappears in the great ocean.
Such is the natural basis of the myth of Quetzalcoatl, and the justification of my remark that we find in him the pendant of those deities, serpents and birds in one, who were adored in Central America, and who answered, like Quetzalcoatl, to the idea of the Atlantic wind. He was, in truth, the ancient deity that the Nahuas or Mayas of the civilized immigrations brought with them when they settled in Anahuac and still further North. Like all the other gods of these regions, Quetzalcoatl had assumed the human shape more and more completely. We still possess, especially in the Trocadero Museum at Paris, great blocks of stone on which he is represented as a serpent covered with feathers, coiled up and sleeping till the time comes for him to wake. But there are also statues of him in human form, save that his body is surmounted by a bird's head, with the tongue projected. Now in the Mexican hieroglyphie this bird's head, with the tongue put out, is no other than the symbol of the wind. Hence, too, his names of Tohil "the hummer" or "the whisperer," Ehecatl "the breeze," Nauihehecatl "the lord of the four winds," &c. The naturalistic meaning of Quetzalcoatl, then, cannot admit of the smallest doubt.
It is probably to the more gentle and humane religious tendency which was kept alive by the priesthood of this deity, that we must attribute the attempted reform of the king of Tezcuco, Netzalhuatcoyotl (the fasting coyote), who has been called the Mexican Solomon. He was a poet and philosopher as well as king, and had no love either of idolatry or of sanguinary sacrifices. He had a great pyramidal teocalli of nine stages erected in his capital for the worship of the god of heaven, to whom he brought no offerings except flowers and perfumes. He died in 1472, and, as far as we can see, his reformation made no progress. The ever-increasing preponderance of the Aztecs was as unfavourable as possible to this humane and spiritual tendency in religion.[15] Yet one loves to dwell upon the fact, that even in the midst of a religion steeped in blood, a protest was inspired by the sentiment of humanity, linked, as it should always be, with the progress of religious thought.