MR LEONARD WELSTED

thus wrote[181] to the unknown author, on the first publication of the said Essay:—'I must own, after the reception which the vilest and most immoral ribaldry hath lately met with, I was surprised to see what I had long despaired—a performance deserving the name of a poet. Such, sir, is your work. It is, indeed, above all commendation, and ought to have been published in an age and country more worthy of it. If my testimony be of weight anywhere, you are sure to have it in the amplest manner,' &c.

Thus we see every one of his works hath been extolled by one or other of his most inveterate enemies; and to the success of them all, they do unanimously give testimony. But it is sufficient, instar omnium, to behold the great critic, Mr Dennis, sorely lamenting it, even from the Essay on Criticism to this day of the Dunciad! 'A most notorious instance,' quoth he, 'of the depravity of genius and taste, the approbation this essay meets with.'[182] 'I can safely affirm, that I never attacked any of these writings, unless they had success infinitely beyond their merit. This, though an empty, has been a popular scribbler. The epidemic madness of the times has given him reputation.'[183] 'If, after the cruel treatment so many extraordinary men (Spencer, Lord Bacon, Ben. Jonson, Milton, Butler, Otway, and others) have received from this country, for these last hundred years, I should shift the scene, and show all that penury changed at once to riot and profuseness, and more squandered away upon one object than would have satisfied the greater part of those extraordinary men, the reader to whom this one creature should be unknown would fancy him a prodigy of art and nature, would believe that all the great qualities of these persons were centred in him alone. But if I should venture to assure him that the people of England had made such a choice, the reader would either believe me a malicious enemy and slanderer, or that the reign of the last (Queen Anne's) ministry was designed by fate to encourage fools.'[184]

But it happens that this our poet never had any place, pension, or gratuity, in any shape, from the said glorious queen, or any of her ministers. All he owed, in the whole course of his life, to any court, was a subscription, for his Homer, of £200 from King George I., and £100 from the Prince and Princess.

However, lest we imagine our author's success was constant and universal, they acquaint us of certain works in a less degree of repute, whereof, although owned by others, yet do they assure us he is the writer. Of this sort Mr Dennis[185] ascribes to him two farces, whose names he does not tell, but assures us that there is not one jest in them; and an imitation of Horace, whose title he does not mention, but assures us it is much more execrable than all his works.[186] The Daily Journal, May 11, 1728, assures us 'He is below Tom D'Urfey in the drama, because (as that writer thinks) the Marriage-Hater Matched, and the Boarding School, are better than the What-d'-ye-call-it,' which is not Mr P.'s, but Mr Gay's. Mr Gildon assures us, in his New Rehearsal, p. 48, 'That he was writing a play of the Lady Jane Grey;' but it afterwards proved to be Mr Howe's. We are assured by another, 'He wrote a pamphlet called Dr Andrew Tripe,'[187] which proved to be one Dr Wagstaff's. Mr Theobald assures us in Mist of the 27th April, 'That the Treatise of the Pro-found is very dull, and that Mr Pope is the author of it.' The writer of Gulliveriana is of another opinion, and says, 'The whole, or greatest part, of the merit of this treatise must and can only be ascribed to Gulliver.'[188] (Here, gentle reader! cannot I but smile at the strange blindness and positiveness of men, knowing the said treatise to appertain to none other but to me, Martinus Scriblerus.) We are assured, in Mist of June 8, 'That his own plays and farces would better have adorned the Dunciad than those of Mr Theobald, for he had neither genius for tragedy nor comedy;' which, whether true or not, is not easy to judge, inasmuch as he hath attempted neither—unless we will take it for granted, with Mr Cibber, that his being once very angry at hearing a friend's play abused was an infallible proof the play was his own, the said Mr Cibber thinking it impossible for a man to be much concerned for any but himself: 'Now let any man judge,' saith he, 'by this concern, who was the true mother of the child?'[189]

But from all that hath been said, the discerning reader will collect, that it little availed our author to have any candour, since, when he declared he did not write for others, it was not credited; as little to have any modesty, since, when he declined writing in any way himself, the presumption of others was imputed to him. If he singly enterprised one great work, he was taxed of boldness and madness to a prodigy;[190] if he took assistants in another, it was complained of, and represented as a great injury to the public.[191] The loftiest heroics, the lowest ballads, treatises against the State or Church, satires on lords and ladies, raillery on wits and authors, squabbles with booksellers, or even full and true accounts of monsters, poisons, and murders; of any hereof was there nothing so good, nothing so bad, which hath not at one or other season been to him ascribed. If it bore no author's name, then lay he concealed; if it did, he fathered it upon that author to be yet better concealed: if it resembled any of his styles, then was it evident; if it did not, then disguised he it on set purpose. Yea, even direct oppositions in religion, principles, and politics, have equally been supposed in him inherent. Surely a most rare and singular character! Of which, let the reader make what he can.

Doubtless most commentators would hence take occasion to turn all to their author's advantage; and, from the testimony of his very enemies, would affirm that his capacity was boundless, as well as his imagination; that he was a perfect master of all styles, and all arguments; and that there was in those times no other writer, in any kind, of any degree of excellence, save he himself. But as this is not our own sentiment, we shall determine on nothing, but leave thee, gentle reader, to steer thy judgment equally between various opinions, and to choose whether thou wilt incline to the testimonies of authors avowed, or of authors concealed—of those who knew him, or of those who knew him not.