III
They crossed the hall and began to ascend the carpetless wooden stairs. They were in the well of the house and the air cut like ice. Garvey, the flickering candle in his hand throwing his face into strong outline, led the way across the first landing and opened a door near the mouth of a dark passage. A pleasant room greeted the visitor's eyes, and he rapidly took in its points while his host walked over and lit two candles that stood on a table at the foot of the bed. A fire burned brightly in the grate. There were two windows, opening like doors, in the wall opposite, and a high canopied bed occupied most of the space on the right. Panelling ran all round the room reaching nearly to the ceiling and gave a warm and cosy appearance to the whole; while the portraits that stood in alternate panels suggested somehow the atmosphere of an old country house in England. Shorthouse was agreeably surprised.
"I hope you'll find everything you need," Garvey was saying in the doorway. "If not, you have only to ring that bell by the fireplace. Marx won't hear it of course, but it rings in my laboratory, where I spend most of the night."
Then, with a brief good-night, he went out and shut the door after him. The instant he was gone Mr. Sidebotham's private secretary did a peculiar thing. He planted himself in the middle of the room with his back to the door, and drawing the pistol swiftly from his hip pocket levelled it across his left arm at the window. Standing motionless in this position for thirty seconds he then suddenly swerved right round and faced in the other direction, pointing his pistol straight at the keyhole of the door. There followed immediately a sound of shuffling outside and of steps retreating across the landing.
"On his knees at the keyhole," was the secretary's reflection. "Just as I thought. But he didn't expect to look down the barrel of a pistol and it made him jump a little."
As soon as the steps had gone downstairs and died away across the hall, Shorthouse went over and locked the door, stuffing a piece of crumpled paper into the second keyhole which he saw immediately above the first. After that, he made a thorough search of the room. It hardly repaid the trouble, for he found nothing unusual. Yet he was glad he had made it. It relieved him to find no one was in hiding under the bed or in the deep oak cupboard; and he hoped sincerely it was not the cupboard in which the unfortunate spaniel had come to its vile death. The French windows, he discovered, opened on to a little balcony. It looked on to the front, and there was a drop of less than twenty feet to the ground below. The bed was high and wide, soft as feathers and covered with snowy sheets—very inviting to a tired man; and beside the blazing fire were a couple of deep armchairs.
Altogether it was very pleasant and comfortable; but, tired though he was, Shorthouse had no intention of going to bed. It was impossible to disregard the warning of his nerves. They had never failed him before, and when that sense of distressing horror lodged in his bones he knew there was something in the wind and that a red flag was flying over the immediate future. Some delicate instrument in his being, more subtle than the senses, more accurate than mere presentiment, had seen the red flag and interpreted its meaning.
Again it seemed to him, as he sat in an armchair over the fire, that his movements were being carefully watched from somewhere; and, not knowing what weapons might be used against him, he felt that his real safety lay in a rigid control of his mind and feelings and a stout refusal to admit that he was in the least alarmed.
The house was very still. As the night wore on the wind dropped. Only occasional bursts of sleet against the windows reminded him that the elements were awake and uneasy. Once or twice the windows rattled and the rain hissed in the fire, but the roar of the wind in the chimney grew less and less and the lonely building was at last lapped in a great stillness. The coals clicked, settling themselves deeper in the grate, and the noise of the cinders dropping with a tiny report into the soft heap of accumulated ashes was the only sound that punctuated the silence.
In proportion as the power of sleep grew upon him the dread of the situation lessened; but so imperceptibly, so gradually, and so insinuatingly that he scarcely realised the change. He thought he was as wide awake to his danger as ever. The successful exclusion of horrible mental pictures of what he had seen he attributed to his rigorous control, instead of to their true cause, the creeping over him of the soft influences of sleep. The faces in the coals were so soothing; the armchair was so comfortable; so sweet the breath that gently pressed upon his eyelids; so subtle the growth of the sensation of safety. He settled down deeper into the chair and in another moment would have been asleep when the red flag began to shake violently to and fro and he sat bolt upright as if he had been stabbed in the back.
Someone was coming up the stairs. The boards creaked beneath a stealthy weight.
Shorthouse sprang from the chair and crossed the room swiftly, taking up his position beside the door, but out of range of the keyhole. The two candles flared unevenly on the table at the foot of the bed. The steps were slow and cautious—it seemed thirty seconds between each one—but the person who was taking them was very close to the door. Already he had topped the stairs and was shuffling almost silently across the bit of landing.
The secretary slipped his hand into his pistol pocket and drew back further against the wall, and hardly had he completed the movement when the sounds abruptly ceased and he knew that somebody was standing just outside the door and preparing for a careful observation through the keyhole.
He was in no sense a coward. In action he was never afraid. It was the waiting and wondering and the uncertainty that might have loosened his nerves a little. But, somehow, a wave of intense horror swept over him for a second as he thought of the bestial maniac and his attendant Jew; and he would rather have faced a pack of wolves than have to do with either of these men.
Something brushing gently against the door set his nerves tingling afresh and made him tighten his grasp on the pistol. The steel was cold and slippery in his moist fingers. What an awful noise it would make when he pulled the trigger! If the door were to open how close he would be to the figure that came in! Yet he knew it was locked on the inside and could not possibly open. Again something brushed against the panel beside him and a second later the piece of crumpled paper fell from the keyhole to the floor, while the piece of thin wire that had accomplished this result showed its point for a moment in the room and was then swiftly withdrawn.
Somebody was evidently peering now through the keyhole, and realising this fact the spirit of attack entered into the heart of the beleaguered man. Raising aloft his right hand he brought it suddenly down with a resounding crash upon the panel of the door next the keyhole—a crash that, to the crouching eavesdropper, must have seemed like a clap of thunder out of a clear sky. There was a gasp and a slight lurching against the door and the midnight listener rose startled and alarmed, for Shorthouse plainly heard the tread of feet across the landing and down the stairs till they were lost in the silences of the hall. Only, this time, it seemed to him there were four feet instead of two.
Quickly stuffing the paper back into the keyhole, he was in the act of walking back to the fireplace when, over his shoulder, he caught sight of a white face pressed in outline against the outside of the window. It was blurred in the streams of sleet, but the white of the moving eyes was unmistakable. He turned instantly to meet it, but the face was withdrawn like a flash, and darkness rushed in to fill the gap where it had appeared.
"Watched on both sides," he reflected.
But he was not to be surprised into any sudden action, and quietly walking over to the fireplace as if he had seen nothing unusual he stirred the coals a moment and then strolled leisurely over to the window. Steeling his nerves, which quivered a moment in spite of his will, he opened the window and stepped out on to the balcony. The wind, which he thought had dropped, rushed past him into the room and extinguished one of the candles, while a volley of fine cold rain burst all over his face. At first he could see nothing, and the darkness came close up to his eyes like a wall. He went a little farther on to the balcony and drew the window after him till it clashed. Then he stood and waited.
But nothing touched him. No one seemed to be there. His eyes got accustomed to the blackness and he was able to make out the iron railing, the dark shapes of the trees beyond, and the faint light coming from the other window. Through this he peered into the room, walking the length of the balcony to do so. Of course he was standing in a shaft of light and whoever was crouching in the darkness below could plainly see him. Below?—That there should be anyone above did not occur to him until, just as he was preparing to go in again, he became aware that something was moving in the darkness over his head. He looked up, instinctively raising a protecting arm, and saw a long black line swinging against the dim wall of the house. The shutters of the window on the next floor, whence it depended, were thrown open and moving backwards and forwards in the wind. The line was evidently a thickish cord, for as he looked it was pulled in and the end disappeared in the darkness.
Shorthouse, trying to whistle to himself, peered over the edge of the balcony as if calculating the distance he might have to drop, and then calmly walked into the room again and closed the window behind him, leaving the latch so that the lightest touch would cause it to fly open. He relit the candle and drew a straight-backed chair up to the table. Then he put coal on the fire and stirred it up into a royal blaze. He would willingly have folded the shutters over those staring windows at his back. But that was out of the question. It would have been to cut off his way of escape.
Sleep, for the time, was at a disadvantage. His brain was full of blood and every nerve was tingling. He felt as if countless eyes were upon him and scores of stained hands were stretching out from the corners and crannies of the house to seize him. Crouching figures, figures of hideous Jews, stood everywhere about him where shelter was, creeping forward out of the shadows when he was not looking and retreating swiftly and silently when he turned his head. Wherever he looked, other eyes met his own, and though they melted away under his steady, confident gaze, he knew they would wax and draw in upon him the instant his glances weakened and his will wavered.
Though there were no sounds, he knew that in the well of the house there was movement going on, and preparation. And this knowledge, inasmuch as it came to him irresistibly and through other and more subtle channels than those of the senses kept the sense of horror fresh in his blood and made him alert and awake.
But, no matter how great the dread in the heart, the power of sleep will eventually overcome it. Exhausted nature is irresistible, and as the minutes wore on and midnight passed, he realised that nature was vigorously asserting herself and sleep was creeping upon him from the extremities.
To lessen the danger he took out his pencil and began to draw the articles of furniture in the room. He worked into elaborate detail the cupboard, the mantelpiece, and the bed, and from these he passed on to the portraits. Being possessed of genuine skill, he found the occupation sufficiently absorbing. It kept the blood in his brain, and that kept him awake. The pictures, moreover, now that he considered them for the first time, were exceedingly well painted. Owing to the dim light, he centred his attention upon the portraits beside the fireplace. On the right was a woman, with a sweet, gentle face and a figure of great refinement; on the left was a full-size figure of a big handsome man with a full beard and wearing a hunting costume of ancient date.
From time to time he turned to the windows behind him, but the vision of the face was not repeated. More than once, too, he went to the door and listened, but the silence was so profound in the house that he gradually came to believe the plan of attack had been abandoned. Once he went out on to the balcony, but the sleet stung his face and he only had time to see that the shutters above were closed, when he was obliged to seek the shelter of the room again.
In this way the hours passed. The fire died down and the room grew chilly. Shorthouse had made several sketches of the two heads and was beginning to feel overpoweringly weary. His feet and his hands were cold and his yawns were prodigious. It seemed ages and ages since the steps had come to listen at his door and the face had watched him from the window. A feeling of safety had somehow come to him. In reality he was exhausted. His one desire was to drop upon the soft white bed and yield himself up to sleep without any further struggle.
He rose from his chair with a series of yawns that refused to be stifled and looked at his watch. It was close upon three in the morning. He made up his mind that he would lie down with his clothes on and get some sleep. It was safe enough, the door was locked on the inside and the window was fastened. Putting the bag on the table near his pillow he blew out the candles and dropped with a sense of careless and delicious exhaustion upon the soft mattress. In five minutes he was sound asleep.
There had scarcely been time for the dreams to come when he found himself lying side-ways across the bed with wide open eyes staring into the darkness. Someone had touched him, and he had writhed away in his sleep as from something unholy. The movement had awakened him.
The room was simply black. No light came from the windows and the fire had gone out as completely as if water had been poured upon it. He gazed into a sheet of impenetrable darkness that came close up to his face like a wall.
His first thought was for the papers in his coat and his hand flew to the pocket. They were safe; and the relief caused by this discovery left his mind instantly free for other reflections.
And the realisation that at once came to him with a touch of dismay was, that during his sleep some definite change had been effected in the room. He felt this with that intuitive certainty which amounts to positive knowledge. The room was utterly still, but the corroboration that was speedily brought to him seemed at once to fill the darkness with a whispering, secret life that chilled his blood and made the sheet feel like ice against his cheek.
Hark! This was it; there reached his ears, in which the blood was already buzzing with warning clamour, a dull murmur of something that rose indistinctly from the well of the house and became audible to him without passing through walls or doors. There seemed no solid surface between him, lying on the bed, and the landing; between the landing and the stairs, and between the stairs and the hall beyond.
He knew that the door of the room was standing open! Therefore it had been opened from the inside. Yet the window was fastened, also on the inside.
Hardly was this realised when the conspiring silence of the hour was broken by another and a more definite sound. A step was coming along the passage. A certain bruise on the hip told Shorthouse that the pistol in his pocket was ready for use and he drew it out quickly and cocked it. Then he just had time to slip over the edge of the bed and crouch down on the floor when the step halted on the threshold of the room. The bed was thus between him and the open door. The window was at his back.
He waited in the darkness. What struck him as peculiar about the steps was that there seemed no particular desire to move stealthily. There was no extreme caution. They moved along in rather a slipshod way and sounded like soft slippers or feet in stockings. There was something clumsy, irresponsible, almost reckless about the movement.
For a second the steps paused upon the threshold, but only for a second. Almost immediately they came on into the room, and as they passed from the wood to the carpet Shorthouse noticed that they became wholly noiseless. He waited in suspense, not knowing whether the unseen walker was on the other side of the room or was close upon him. Presently he stood up and stretched out his left arm in front of him, groping, searching, feeling in a circle; and behind it he held the pistol, cocked and pointed, in his right hand. As he rose a bone cracked in his knee, his clothes rustled as if they were newspapers, and his breath seemed loud enough to be heard all over the room. But not a sound came to betray the position of the invisible intruder.
Then, just when the tension was becoming unbearable, a noise relieved the gripping silence. It was wood knocking against wood, and it came from the farther end of the room. The steps had moved over to the fireplace. A sliding sound almost immediately followed it and then silence closed again over everything like a pall.
For another five minutes Shorthouse waited, and then the suspense became too much. He could not stand that open door! The candles were close beside him and he struck a match and lit them, expecting in the sudden glare to receive at least a terrific blow. But nothing happened, and he saw at once that the room was entirely empty. Walking over with the pistol cocked he peered out into the darkness of the landing and then closed the door and turned the key. Then he searched the room—bed, cupboard, table, curtains, everything that could have concealed a man; but found no trace of the intruder. The owner of the footsteps had disappeared like a ghost into the shadows of the night. But for one fact he might have imagined that he had been dreaming: the bag had vanished!
There was no more sleep for Shorthouse that night. His watch pointed to 4 a.m. and there were still three hours before daylight. He sat down at the table and continued his sketches. With fixed determination he went on with his drawing and began a new outline of the man's head. There was something in the expression that continually evaded him. He had no success with it, and this time it seemed to him that it was the eyes that brought about his discomfiture. He held up his pencil before his face to measure the distance between the nose and the eyes, and to his amazement he saw that a change had come over the features. The eyes were no longer open. The lids had closed!
For a second he stood in a sort of stupefied astonishment. A push would have toppled him over. Then he sprang to his feet and held a candle close up to the picture. The eye-lids quivered, the eye-lashes trembled. Then, right before his gaze, the eyes opened and looked straight into his own. Two holes were cut in the panel and this pair of eyes, human eyes, just fitted them.
As by a curious effect of magic, the strong fear that had governed him ever since his entry into the house disappeared in a second. Anger rushed into his heart and his chilled blood rose suddenly to boiling point. Putting the candle down, he took two steps back into the room and then flung himself forward with all his strength against the painted panel. Instantly, and before the crash came, the eyes were withdrawn, and two black spaces showed where they had been. The old huntsman was eyeless. But the panel cracked and split inwards like a sheet of thin cardboard; and Shorthouse, pistol in hand, thrust an arm through the jagged aperture and, seizing a human leg, dragged out into the room—the Jew!
Words rushed in such a torrent to his lips that they choked him. The old Hebrew, white as chalk, stood shaking before him, the bright pistol barrel opposite his eyes, when a volume of cold air rushed into the room, and with it a sound of hurried steps. Shorthouse felt his arm knocked up before he had time to turn, and the same second Garvey, who had somehow managed to burst open the window came between him and the trembling Marx. His lips were parted and his eyes rolled strangely in his distorted face.
"Don't shoot him! Shoot in the air!" he shrieked. He seized the Jew by the shoulders.
"You damned hound," he roared, hissing in his face. "So I've got you at last. That's where your vacuum is, is it? I know your vile hiding-place at last." He shook him like a dog. "I've been after him all night," he cried, turning to Shorthouse, "all night, I tell you, and I've got him at last."
Garvey lifted his upper lip as he spoke and showed his teeth. They shone like the fangs of a wolf. The Jew evidently saw them too, for he gave a horrid yell and struggled furiously.
Before the eyes of the secretary a mist seemed to rise. The hideous shadow again leaped into Garvey's face. He foresaw a dreadful battle, and covering the two men with his pistol he retreated slowly to the door. Whether they were both mad, or both criminal, he did not pause to inquire. The only thought present in his mind was that the sooner he made his escape the better.
Garvey was still shaking the Jew when he reached the door and turned the key, but as he passed out on to the landing both men stopped their struggling and turned to face him. Garvey's face, bestial, loathsome, livid with anger; the Jew's white and grey with fear and horror;—both turned towards him and joined in a wild, horrible yell that woke the echoes of the night. The next second they were after him at full speed.
Shorthouse slammed the door in their faces and was at the foot of the stairs, crouching in the shadow, before they were out upon the landing. They tore shrieking down the stairs and past him, into the hall; and, wholly unnoticed, Shorthouse whipped up the stairs again, crossed the bedroom and dropped from the balcony into the soft snow.
As he ran down the drive he heard behind him in the house the yells of the maniacs; and when he reached home several hours later Mr. Sidebotham not only raised his salary but also told him to buy a new hat and overcoat, and send in the bill to him.
[SKELETON LAKE: AN EPISODE IN CAMP]
The utter loneliness of our moose-camp on Skeleton Lake had impressed us from the beginning—in the Quebec backwoods, five days by trail and canoe from civilisation—and perhaps the singular name contributed a little to the sensation of eeriness that made itself felt in the camp circle when once the sun was down and the late October mists began rising from the lake and winding their way in among the tree trunks.
For, in these regions, all names of lakes and hills and islands have their origin in some actual event, taking either the name of a chief participant, such as Smith's Ridge, or claiming a place in the map by perpetuating some special feature of the journey or the scenery, such as Long Island, Deep Rapids, or Rainy Lake.
All names thus have their meaning and are usually pretty recently acquired, while the majority are self-explanatory and suggest human and pioneer relations. Skeleton Lake, therefore, was a name full of suggestion, and though none of us knew the origin or the story of its birth, we all were conscious of a certain lugubrious atmosphere that haunted its shores and islands, and but for the evidences of recent moose tracks in its neighbourhood we should probably have pitched our tents elsewhere.
For several hundred miles in any direction we knew of only one other party of whites. They had journeyed up on the train with us, getting in at North Bay, and hailing from Boston way. A common goal and object had served by way of introduction. But the acquaintance had made little progress. This noisy, aggressive Yankee did not suit our fancy much as a possible neighbour, and it was only a slight intimacy between his chief guide, Jake the Swede, and one of our men that kept the thing going at all. They went into camp on Beaver Creek, fifty miles and more to the west of us.
But that was six weeks ago, and seemed as many months, for days and nights pass slowly in these solitudes and the scale of time changes wonderfully. Our men always seemed to know by instinct pretty well "whar them other fellows was movin'," but in the interval no one had come across their trails, or once so much as heard their rifle shots.
Our little camp consisted of the professor, his wife, a splendid shot and keen woods-woman, and myself. We had a guide apiece, and hunted daily in pairs from before sunrise till dark.
It was our last evening in the woods, and the professor was lying in my little wedge tent, discussing the dangers of hunting alone in couples in this way. The flap of the tent hung back and let in fragrant odours of cooking over an open wood fire; everywhere there were bustle and preparation, and one canoe already lay packed with moose horns, her nose pointing southwards.
"If an accident happened to one of them," he was saying, "the survivor's story when he returned to camp would be entirely unsupported evidence, wouldn't it? Because, you see—"
And he went on laying down the law after the manner of professors, until I became so bored that my attention began to wander to pictures and memories of the scenes we were just about to leave: Garden Lake, with its hundred islands; the rapids out of Round Pond; the countless vistas of forest, crimson and gold in the autumn sunshine; and the starlit nights we had spent watching in cold, cramped positions for the wary moose on lonely lakes among the hills. The hum of the professor's voice in time grew more soothing. A nod or a grunt was all the reply he looked for. Fortunately, he loathed interruptions. I think I could almost have gone to sleep under his very nose; perhaps I did sleep for a brief interval.
Then it all came about so quickly, and the tragedy of it was so unexpected and painful, throwing our peaceful camp into momentary confusion, that now it all seems to have happened with the uncanny swiftness of a dream.
First, there was the abrupt ceasing of the droning voice, and then the running of quick little steps over the pine needles, and the confusion of men's voices; and the next instant the professor's wife was at the tent door, hatless, her face white, her hunting bloomers bagging at the wrong places, a rifle in her hand, and her words running into one another anyhow.
"Quick, Harry! It's Rushton. I was asleep and it woke me. Something's happened. You must deal with it!"
In a second we were outside the tent with our rifles.
"My God!" I heard the professor exclaim, as if he had first made the discovery. "It is Rushton!"
I saw the guides helping—dragging—a man out of a canoe. A brief space of deep silence followed in which I heard only the waves from the canoe washing up on the sand; and then, immediately after, came the voice of a man talking with amazing rapidity and with odd gaps between his words. It was Rushton telling his story, and the tones of his voice, now whispering, now almost shouting, mixed with sobs and solemn oaths and frequent appeals to the Deity, somehow or other struck the false note at the very start, and before any of us guessed or knew anything at all. Something moved secretly between his words, a shadow veiling the stars, destroying the peace of our little camp, and touching us all personally with an undefinable sense of horror and distrust.
I can see that group to this day, with all the detail of a good photograph: standing half-way between the firelight and the darkness, a slight mist rising from the lake, the frosty stars, and our men, in silence that was all sympathy, dragging Rushton across the rocks towards the camp fire. Their moccasins crunched on the sand and slipped several times on the stones beneath the weight of the limp, exhausted body, and I can still see every inch of the pared cedar branch he had used for a paddle on that lonely and dreadful journey.
But what struck me most, as it struck us all, was the limp exhaustion of his body compared to the strength of his utterance and the tearing rush of his words. A vigorous driving-power was there at work, forcing out the tale, red-hot and throbbing, full of discrepancies and the strangest contradictions; and the nature of this driving-power I first began to appreciate when they had lifted him into the circle of firelight and I saw his face, grey under the tan, terror in the eyes, tears too, hair and beard awry, and listened to the wild stream of words pouring forth without ceasing.
I think we all understood then, but it was only after many years that anyone dared to confess what he thought.
There was Matt Morris, my guide; Silver Fizz, whose real name was unknown, and who bore the title of his favourite drink; and huge Hank Milligan—all ears and kind intention; and there was Rushton, pouring out his ready-made tale, with ever-shifting eyes, turning from face to face, seeking confirmation of details none had witnessed but himself—and one other.
Silver Fizz was the first to recover from the shock of the thing, and to realise, with the natural sense of chivalry common to most genuine back-woodsmen, that the man was at a terrible disadvantage. At any rate, he was the first to start putting the matter to rights.
"Never mind telling it just now," he said in a gruff voice, but with real gentleness; "get a bite t'eat first and then let her go afterwards. Better have a horn of whisky too. It ain't all packed yet, I guess."
"Couldn't eat or drink a thing," cried the other. "Good Lord, don't you see, man, I want to talk to someone first? I want to get it out of me to someone who can answer—answer. I've had nothing but trees to talk with for three days, and I can't carry it alone any longer. Those cursed, silent trees—I've told it 'em a thousand times. Now, just see here, it was this way. When we started out from camp—"
He looked fearfully about him, and we realised it was useless to stop him. The story was bound to come, and come it did.
Now, the story itself was nothing out of the way; such tales are told by the dozen round any camp fire where men who have knocked about in the woods are in the circle. It was the way he told it that made our flesh creep. He was near the truth all along, but he was skimming it, and the skimming took off the cream that might have saved his soul.
Of course, he smothered it in words—odd words, too—melodramatic, poetic, out-of-the-way words that lie just on the edge of frenzy. Of course, too, he kept asking us each in turn, scanning our faces with those restless, frightened eyes of his, "What would you have done?" "What else could I do?" and "Was that my fault?" But that was nothing, for he was no milk-and-water fellow who dealt in hints and suggestions; he told his story boldly, forcing his conclusions upon us as if we had been so many wax cylinders of a phonograph that would repeat accurately what had been told us, and these questions I have mentioned he used to emphasise any special point that he seemed to think required such emphasis.
The fact was, however, the picture of what had actually happened was so vivid still in his own mind that it reached ours by a process of telepathy which he could not control or prevent. All through his true-false words this picture stood forth in fearful detail against the shadows behind him. He could not veil, much less obliterate, it. We knew; and, I always thought, he knew that we knew.
The story itself, as I have said, was sufficiently ordinary. Jake and himself, in a nine-foot canoe, had upset in the middle of a lake, and had held hands across the upturned craft for several hours, eventually cutting holes in her ribs to stick their arms through and grasp hands lest the numbness of the cold water should overcome them. They were miles from shore, and the wind was drifting them down upon a little island. But when they got within a few hundred yards of the island, they realised to their horror that they would after all drift past it.
It was then the quarrel began. Jake was for leaving the canoe and swimming. Rushton believed in waiting till they actually had passed the island and were sheltered from the wind. Then they could make the island easily by swimming, canoe and all. But Jake refused to give in, and after a short struggle—Rushton admitted there was a struggle—got free from the canoe—and disappeared without a single cry.
Rushton held on and proved the correctness of his theory, and finally made the island, canoe and all, after being in the water over five hours. He described to us how he crawled up on to the shore, and fainted at once, with his feet lying half in the water; how lost and terrified he felt upon regaining consciousness in the dark; how the canoe had drifted away and his extraordinary luck in finding it caught again at the end of the island by a projecting cedar branch. He told us that the little axe—another bit of real luck—had caught in the thwart when the canoe turned over, and how the little bottle in his pocket holding the emergency matches was whole and dry. He made a blazing fire and searched the island from end to end, calling upon Jake in the darkness, but getting no answer; till, finally, so many half-drowned men seemed to come crawling out of the water on to the rocks, and vanish among the shadows when he came up with them, that he lost his nerve completely and returned to lie down by the fire till the daylight came.
He then cut a bough to replace the lost paddles, and after one more useless search for his lost companion, he got into the canoe, fearing every moment he would upset again, and crossed over to the mainland. He knew roughly the position of our camping place, and after paddling day and night, and making many weary portages, without food or covering, he reached us two days later.
This, more or less, was the story, and we, knowing whereof he spoke, knew that every word was literally true, and at the same time went to the building up of a hideous and prodigious lie.
Once the recital was over, he collapsed, and Silver Fizz, after a general expression of sympathy from the rest of us, came again to the rescue.
"But now, Mister, you jest got to eat and drink whether you've a mind to, or no."
And Matt Morris, cook that night, soon had the fried trout and bacon, and the wheat cakes and hot coffee passing round a rather silent and oppressed circle. So we ate round the fire, ravenously, as we had eaten every night for the past six weeks, but with this difference: that there was one among us who was more than ravenous—and he gorged.
In spite of all our devices he somehow kept himself the centre of observation. When his tin mug was empty, Morris instantly passed the tea-pail; when he began to mop up the bacon grease with the dough on his fork, Hank reached out for the frying pan; and the can of steaming boiled potatoes was always by his side. And there was another difference as well: he was sick, terribly sick before the meal was over, and this sudden nausea after food was more eloquent than words of what the man had passed through on his dreadful, foodless, ghost-haunted journey of forty miles to our camp. In the darkness he thought he would go crazy, he said. There were voices in the trees, and figures were always lifting themselves out of the water, or from behind boulders, to look at him and make awful signs. Jake constantly peered at him through the underbrush, and everywhere the shadows were moving, with eyes, footsteps, and following shapes.
We tried hard to talk of other things, but it was no use, for he was bursting with the rehearsal of his story and refused to allow himself the chances we were so willing and anxious to grant him. After a good night's rest he might have had more self-control and better judgment, and would probably have acted differently. But, as it was, we found it impossible to help him.
Once the pipes were lit, and the dishes cleared away, it was useless to pretend any longer. The sparks from the burning logs zigzagged upwards into a sky brilliant with stars. It was all wonderfully still and peaceful, and the forest odours floated to us on the sharp autumn air. The cedar fire smelt sweet and we could just hear the gentle wash of tiny waves along the shore. All was calm, beautiful, and remote from the world of men and passion. It was, indeed, a night to touch the soul, and yet, I think, none of us heeded these things. A bull-moose might almost have thrust his great head over our shoulders and have escaped unnoticed. The death of Jake the Swede, with its sinister setting, was the real presence that held the centre of the stage and compelled attention.
"You won't p'raps care to come along, Mister," said Morris, by way of a beginning; "but I guess I'll go with one of the boys here and have a hunt for it."
"Sure," said Hank. "Jake an' I done some biggish trips together in the old days, and I'll do that much for'm."
"It's deep water, they tell me, round them islands," added Silver Fizz; "but we'll find it, sure pop,—if it's thar."
They all spoke of the body as "it."
There was a minute or two of heavy silence, and then Rushton again burst out with his story in almost the identical words he had used before. It was almost as if he had learned it by heart. He wholly failed to appreciate the efforts of the others to let him off.
Silver Fizz rushed in, hoping to stop him, Morris and Hank closely following his lead.
"I once knew another travellin' partner of his," he began quickly; "used to live down Moosejaw Rapids way—"
"Is that so?" said Hank.
"Kind o' useful sort er feller," chimed in Morris.
All the idea the men had was to stop the tongue wagging before the discrepancies became so glaring that we should be forced to take notice of them, and ask questions. But, just as well try to stop an angry bull-moose on the run, or prevent Beaver Creek freezing in mid-winter by throwing in pebbles near the shore. Out it came! And, though the discrepancy this time was insignificant, it somehow brought us all in a second face to face with the inevitable and dreaded climax.
"And so I tramped all over that little bit of an island, hoping he might somehow have gotten in without my knowing it, and always thinking I heard that awful last cry of his in the darkness—and then the night dropped down impenetrably, like a damn thick blanket out of the sky, and—"
All eyes fell away from his face. Hank poked up the logs with his boot, and Morris seized an ember in his bare fingers to light his pipe, although it was already emitting clouds of smoke. But the professor caught the ball flying.
"I thought you said he sank without a cry," he remarked quietly, looking straight up into the frightened face opposite, and then riddling mercilessly the confused explanation that followed.
The cumulative effect of all these forces, hitherto so rigorously repressed, now made itself felt, and the circle spontaneously broke up, everybody moving at once by a common instinct. The professor's wife left the party abruptly, with excuses about an early start next morning. She first shook hands with Rushton, mumbling something about his comfort in the night.
The question of his comfort, however, devolved by force of circumstances upon myself, and he shared my tent. Just before wrapping up in my double blankets—for the night was bitterly cold—he turned and began to explain that he had a habit of talking in his sleep and hoped I would wake him if he disturbed me by doing so.
Well, he did talk in his sleep—and it disturbed me very much indeed. The anger and violence of his words remain with me to this day, and it was clear in a minute that he was living over again some portion of the scene upon the lake. I listened, horror-struck, for a moment or two, and then understood that I was face to face with one of two alternatives: I must continue an unwilling eavesdropper, or I must waken him. The former was impossible for me, yet I shrank from the latter with the greatest repugnance; and in my dilemma I saw the only way out of the difficulty and at once accepted it.
Cold though it was, I crawled stealthily out of my warm sleeping-bag and left the tent, intending to keep the old fire alight under the stars and spend the remaining hours till daylight in the open.
As soon as I was out I noticed at once another figure moving silently along the shore. It was Hank Milligan, and it was plain enough what he was doing: he was examining the holes that had been cut in the upper ribs of the canoe. He looked half ashamed when I came up with him, and mumbled something about not being able to sleep for the cold. But, there, standing together beside the over-turned canoe, we both saw that the holes were far too small for a man's hand and arm and could not possibly have been cut by two men hanging on for their lives in deep water. Those holes had been made afterwards.
Hank said nothing to me and I said nothing to Hank, and presently he moved off to collect logs for the fire, which needed replenishing, for it was a piercingly cold night and there were many degrees of frost.
Three days later Hank and Silver Fizz followed with stumbling footsteps the old Indian trail that leads from Beaver Creek to the southwards. A hammock was slung between them, and it weighed heavily. Yet neither of the men complained; and, indeed, speech between them was almost nothing. Their thoughts, however, were exceedingly busy, and the terrible secret of the woods which formed their burden weighed far more heavily than the uncouth, shifting mass that lay in the swinging hammock and tugged so severely at their shoulders.
They had found "it" in four feet of water not more than a couple of yards from the lee shore of the island. And in the back of the head was a long, terrible wound which no man could possibly have inflicted upon himself.
Printed by MORRISON & GIBB LIMITED, Edinburgh.
John Silence
by Algernon Blackwood
"Not since the days of Poe have we read anything in his peculiar genre fit to be compared with this remarkable book. . . . He brings to his work an extraordinary knowledge of strange and unusual forms of spiritualistic phenomena, and steeps his pages in an atmosphere of real terror and expectancy."—Observer.
"When one says that Mr. Blackwood's work approaches genius, the phrase is used in no light connection. This very remarkable book is a considerable and lasting addition to the literature of our time."—Morning Post.
"These are the most haunting and original ghost stories since 'Uncle Silas' appeared."—Morning Leader.
"In the field which he has chosen, Mr. Blackwood stands without rival among contemporary writers."—Manchester Guardian.
"As original, as powerful, and as artistically written as that little masterpiece of Lytton's, 'The Haunters and the Haunted.' He bears favourable comparison with Le Fanu. . . . A volume which has an extraordinary power of fascination."—Birmingham Daily Post.
"The story is absolutely arresting in its imaginative power."—Daily Telegraph.
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The Lost Valley
by Algernon Blackwood
"In one of the stories, 'The Wendigo,' the author gives us, perhaps, one of the most successful excursions into the grimly weird; quietly but surely he makes his reader come under the influence of the eerie, until the pages are half-reluctantly turned under the spell of a fearful fascination. Mr. Blackwood writes like a real artist."—Daily Telegraph.
"The book of a remarkably gifted writer."—Daily News.
"The stories are unforgettable. Through them all, too, runs the charm of an accomplished style. . . . Mr. Blackwood has indeed done well."—Pall Mall Gazette.
"Whether concerned with beauty or terror, fact or fancy, there is an individuality in Mr. Blackwood's work which cannot be ignored, and there is also power which proceeds, we think, not so much from the fertility of a comprehensive imagination, but from the amazing conviction of the author's power of expression, and a literary quality rarely met with in contemporary stories of mystery and imagination."—Globe.
"In his method of touching the well-springs of fear, of pity, and of horror, Mr. Blackwood often exhibits powers which can only properly be called masterly. In its way his work bids fair to become classical . . . an art superior to that of Bulwer-Lytton, at least as fine as Le Fanu's, and hardly, if at all, inferior to that exhibited by the supreme living masters of the short story, Mr. Kipling and Mr. James."—Birmingham Daily Post.
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The Listener
by Algernon Blackwood
"These stories are literature . . . good stories, well imagined, carefully modelled, properly proportioned. . . . 'The Insanity of Jones' is perhaps the most remarkable tour de force in this remarkable book. . . . If Mr. Blackwood keeps at his present level one or two very celebrated authors will have to look to their laurels."—Daily Chronicle.
"Even Edgar Allan Poe never suggested more skilfully an atmosphere of horror than does Mr. Blackwood in his titular story, or again in his description of 'The Willows.'"—F.G. BETTANY in the Sunday Times.
"Saying that Mr. Blackwood's latest stories reveal strong dramatic instinct is a dull way of expressing the series of thrills which their perusal causes. Without doubt Mr. Blackwood is designed to fill a high place as an author who is able to arouse the attention of his reader on the first page, and to hold it until the last has been turned. . . . A distinctive genius."—Pall Mall Gazette.
"Full of imagination, and well told."—Daily News.
"Mr. Blackwood is clearly a master of the art of the genuine sensation story."—Liverpool Courier.