P. 165
But blood nor tears ye love not, you.
In the Sienese Academy the two things notable to me were the detached wall-painting by Sodoma of the tortures of Christ bound to the pillar, and the divine though mutilated group of the Graces in the centre of the main hall. The glory and beauty of ancient sculpture refresh and satisfy beyond expression a sense wholly wearied and well-nigh nauseated with contemplation of endless sanctities and agonies attempted by mediæval art, while yet as handless as accident or barbarism has left the sculptured goddesses.