VOICE.
For pleasant riding, it is essential that the horse should understand his rider’s orders, which are usually given to him only by the reins and whip. However efficiently a lady may use these “aids,” the fact remains that a good understanding between herself and her mount is better established by the voice than by any other means. With a little vocal training any ordinary horse, when going fast, will pull up more promptly and with greater ease to his mouth and hocks, by a pleasantly uttered “whoa,” than by the action of hands and reins. Young horses, like foxhound puppies which are taken out for the first time, show great reluctance to pass moving objects; but if the rider speaks encouragingly to her mount in a tone of voice that means he must go on, he will try his best to obey her, although his attention may be divided betwixt fear and duty. As a reward, his rider should give him a few pats on the neck and speak encouragingly to him, and she will doubtless find that he will make a bolder effort to obey her voice when he again finds himself confronted with a similar difficulty; because he will associate his first escape from apparent disaster with her voice, and will in time have such confidence in her guidance that a word from her will be quite sufficient to assure him that all is well. When riding bad horses at my husband’s breaking classes abroad, I found it best not to speak to them; for a bond of friendship had not been established between us, and I noticed that the sound of my voice often stirred up their angry passions by reminding them, I suppose, of some former rider who had scolded them while ill-treating them. It was unsafe even to pat and try to be friendly with such spoiled horses. I remember a very violent animal in Pretoria which showed resentment in this respect by rushing at me after I had dismounted, simply because I endeavoured to pat and say a kind word to him. I have no doubt that he would have accepted my well-meant advances if we had had time to mutually understand each other. A show jumper named Mons Meg was so terrified of the man who used to ride her that, on hearing his voice, even from a distance, she would break out in a perspiration and stand trembling with terror. The mare was really so kind that we had her for a time at Ward’s Riding School, and she was ridden without reins over jumps by several of our pupils. I took her to ride in a jumping competition at the Agricultural Hall; but, unfortunately, the rider she disliked came to her stall and spoke to her, with the usual result, and when I got on her back she was violently agitated, and refused the second fence, which was a gate. At one moment it seemed as though she would have brought us both to grief, for she tried to jump out of the ring among the people—a feat, I was afterwards told, she had performed on more than one occasion. She would always jump kindly when away from the hated show ring, where she must at some time or other have been badly treated. When animals get into a state of nervous excitement, a few pats on the neck and a soothing word or two often act like magic in calming them down. A mare which was lent me in Calcutta by a horse importer, and on which I won a cup in an open jumping competition, was in such a state of nervousness that she would not let me take the trophy until I patted and spoke to her, and the presentation was then effected without a scene. This animal, which was a well-bred Australian, was a stranger to me, and had never carried a lady before that day. Nevertheless, she passed successfully through a terribly trying ordeal, and I am certain that she would not have made the great efforts she did in jumping, if I had not soothed and encouraged her with my voice. She was only 14-2 in height, and was competing against big horses, some of which were ridden by steeplechase jockeys. The competition took place at night in a circus which was lighted by electricity, and which was open at each end. The object to be jumped was a white gate placed midway across the arena, and raised each time that it had been successfully cleared. From the glare of electric light in this crowded place, we had to go into outer darkness and carefully avoid the tent pegs and ropes in finding our way to the other entrance. While we were waiting our turn to jump, we had to stand near a cage of lions which growled savagely during the whole time, and also in the vicinity of two camels. My mount disliked the camels far more than the lions; in fact, she hated the sight of them, and would have done her best to escape, if I had not turned her head away from them and patted and soothed her. Mr. Frank Fillis, who was the proprietor of the circus, told me that horses have such an antipathy to camels that they will not drink, however thirsty they may be, from a bucket which has been used by one of these long-necked animals. By-the-bye, my acquisition of this cup caused me to be branded as a “circus rider” by the ladies in a Little Pedlington village in this country; for when the local society leader called on me, I was out, and my son, by way of entertaining her, showed her “the cup that mother won in a circus!”
In order for the voice to be effective, the word of command must be given at the moment when a horse is about to play up in any way, not after he has committed a fault, and therefore a knowledge of horses and their ways is necessary before we can use the voice properly. It is always advisable to keep an eye on our mount, because if we do not do so, we shall be unable to seize the generally brief moment which exists between the thought of evil in the animal’s mind and its execution. Those who have lived much among horses must have frequently noticed this preparatory period before a horse plays up, and no doubt have profited by the warning their experienced eyes gave them; for if we see what is about to come, and know how to avert it, we are often able to save ourselves from disaster.
In order that the animal may thoroughly understand our words of command, we should have as few of them as possible, employ them only when necessary, and always in the same respective tone of voice, whether it be a soothing word of encouragement accompanied by a few pats on the neck, or the word “steady” given in a determined tone, and accompanied by a restraining pull on the reins as may be necessary. The word “whoa” is best uttered in rather a high key and in a drawling tone, when we begin to pull up a horse during movement; but we should reserve “steady,” like the curb, for use in emergency, and should utter it in a threatening tone of voice. The words of command which an inexperienced rider will find most useful are a click of the tongue for a walk, trot, and canter; “whoa” to pull up; “steady” when he is going too fast, or indulging in unnecessary leaps and bounds; “go on,” with a few pats on the neck, if he is nervous about passing any object, or shying; and a quiet word or two of encouragement, with more pats on the neck, when he is in a state of nervous excitement, as, for instance, on his first day with hounds.
When visiting a horse in his stable to give him a carrot or other tit-bit, his mistress should call him by his name, and he will soon neigh on hearing her voice, if she always gives him something nice; for horses, like poor relations, don’t appreciate our visits unless they can get something out of us. Lady Dilke had a horse which she had trained to lick her hand. On going up to him in his box she would put out her hand and say “Lick her, dear,” and the animal would give her his mute caress like a dog: it was very pretty to see how well the pair understood each other. We may see the power of the voice exemplified in cart horses, which will turn to right or left, go faster or slower, or pull up, according as they receive the word of command from the wagoner who walks beside them. The voice is also greatly used by polo players. Horses are very catholic in their admiration for tit-bits. They like all kinds of sweets and fruit, and will even crunch up the stones of plums and peaches, which require good teeth to crack. An old favourite of mine was particularly fond of chocolate and jam tarts!