French Influence on Europe
Throughout this necessarily brief summary it will be noted that attention is mainly given to the architectural development in France and England. The rest of Europe was similarly affected more or less, both in the Gothic period and in the revival known as the Renaissance, in which the initiative was taken by France early in the seventeenth century. From which period may be dated the decline in Italian taste.
French feeling, both as to form and detail, is apparent in not only Dutch and Flemish work, but in the more southern parts of Europe, particularly the phase known as Rococo.
Even in England, though the architectural traditions of Inigo Jones and Sir Christopher Wren became national in character, French feeling is evident in much of the decorative work, as in the designs of Chippendale and his contemporaries; with the exception of the brilliant period of Grinling Gibbons, whose distinctive manner and robust treatment survived, and constituted a school of carving typically English and unique in its artistry and craftsmanship.
CHAPTER III
MOULDINGS
IN Architecture the edges of projecting courses are softened into curved profiles, sometimes enriched with details, which are technically known as mouldings. These are invariably a stumbling-block to the beginner, presumably due to want of appreciation of their purpose, which properly understood, is indicative of their desirable employment.
No. 134. Forms of Mouldings.
Mouldings are an important factor in effect, not only in Architecture, but in structural form generally. In flat decoration they have to some extent their corollary in borders, the proportionate widths of which are governed by similar rules.
Of mouldings with curved profiles there are only six distinct forms, though the individual character of these curves is subject to great variation in treatment.