SATAN GOES A-HUNTING AND FINDS WORK FOR IDLE HANDS
"Val, did that cat go upstairs?" Ricky stood at the foot of the hall staircase frowning crossly. "If he did, you'll just have to go up and get him. I will not have him walking on the beds with muddy feet. There's enough to do here without cleaning up after a lazy cat. Where's Rupert?"
Her brother put aside his note-book and got up from the couch with a lazy stretch. Ricky's early-morning energy was apt to be a little irksome and Val had not had a good night. When one lies and stares up at a ceiling, one sometimes hears strange noises which cannot be accounted for by wind or creaking boards.
"He retired into Bluebeard's den right after breakfast and he hasn't appeared since."
"I should think that after what he heard yesterday he'd be doing something," she protested.
"And what is there for him to do? You know just how far we got with our investigations yesterday. Go rap on his door if you like and stir him up. But I don't think his welcome will be a cordial one."
Ricky sat down on the bottom step and pushed the hair back from her forehead. Suddenly she looked very small and faintly forlorn with all that expanse of age-blackened wood behind her.
"I can't understand you two at all. One would think you would be just as well pleased if that Beezel the rival walked off with this place. You aren't even trying to fight!"
"Listen, Ricky, how can we fight when we have nothing solid to fight with? LeFleur is doing all he can, we have explored every possibility here—"
"Val, don't you want to stay here?" she interrupted him.
He looked around at stone and wood. Did he really want to? His instant hot anger at the thought of another owner there was his answer. Why, this house was a part of them, as much as if they had laid its foundation stones with their own hands. They had been brought up on its blood-stained legends, and on the one or two happier tales which had been lived within its walls. If they had to leave, they would regret it all their lives. And yet—Rupert seemed to take no interest in the claims of the rival, and only Ricky wanted to fight.
Ricky got up from the stairs.
"We might as well go up and catch that cat," she said.
At the top of the stairs Satan sat, his eyes upon the landing windows. Val reached out his hands for him, but in that single instant Satan was gone. A black tail disappeared around the door of the Jackson room.
"Oh, dear, I hope he isn't going to get on that bed." Ricky opened the door wider. "No, there he goes under instead of on it. Can you see him, Val?"
Her brother crouched and lifted the edge of the brocaded cover which swept to the floor. To Val's surprise a thin line of light showed along the wall at the head of the bed.
"Ricky, look behind the head of the bed! Is it fast against the wall?"
She started to the tall canopied head and pulled the faded fabrics away from the paneling. "No, there's about two feet here at the bottom. It doesn't show because the canopy covers it. And, Val, there's an opening here! Satan's trying to get through!"
"We need a flashlight."
"I'll get Rupert's. Val, promise not to go in—if it is a door—until I come back!"
"Of course; but hurry."
The flashlight revealed a wide panel which slid upward. Time and damp had warped the wood so that it no longer fitted snugly to the floor as the builder had intended. But the same warping made the door defy their efforts to raise it any higher. At last, by prying and pounding, they got it up perhaps a yard from the floor. Satan slipped through and they followed on hands and knees.
They crawled into a small room lighted by two round windows set like eyes in the side wall. More than three-quarters of the space was filled with furniture and boxes wrapped in tarred canvas. The choking dust and general mustiness of the long-closed apartment drove Val to investigate the window fastenings and throw them open to the morning air.
"There must be another door somewhere," he said, calling Ricky away from a box where she was picking at the knotted rope which bound it. "All these things couldn't have been brought through that hole behind the bed."
"Here it is," she said a moment later, pointing to an oblong set flush with the wall. "It's bolted on this side."
"Let me open it and see where we are." Val fumbled at the rusty latch, but he had to use an iron poker from a discarded fire stand in the corner before he could hammer it back. Again the door resisted their efforts to push it open until Val flung his full weight against it. With a snapping report it swung open and he sprawled forward into the short hall which had once led into the garden wing, an ell of the house destroyed by roving British raiders during the days of 1815. The only wholly wooden portion of the house, it had been burnt and never rebuilt.
"Come on," Ricky pulled at Val's sleeve, "let's explore."
He looked at his black hands. "I would suggest some soap and water, several brooms, and some dusting cloths if we're going to do it right. Better make a regular house-cleaning party of it."
"Goodness, what have I strayed into?" Charity Biglow stood in the lower hall staring at the younger Ralestones as they came through from the kitchen. They had both changed into their oldest and least respectable clothes. Ricky, in fact, was wearing a pair of Val's slacks and one of Rupert's shirts, and they were burdened with a broom which was long past its youth, several smaller brushes, and a great bundle of floor-cloths.
"We've found a secret room—" began Ricky.
"As one door has been in plain sight since the building of this house, it could hardly be called a secret room," Val objected.
"Well, we didn't know it was there until Satan found the back entrance for us. And now we're going to clean it out. It's full of furniture and boxes and things."
"Don't!" Charity held up a paint-streaked hand. "You will have me drooling in a moment. I don't suppose you could use another assistant? After all, it was my cat who found it for you. If you can provide me with a set of those weird coverings which seem to be your house-cleaning uniforms, I would just love to wield a broom in your company."
"The more the merrier," laughed Ricky. "I think Val has another pair of slacks—"
"That's right, dispose of my wardrobe before my face," he commented, balancing his load more carefully in preparation for climbing the stairs. "Only spare my white flannels, please. I'm saving those for the occasion when I can play the country gentleman in style."
Upstairs he braced open the hall door of the storage-room. The open windows had cleared the air within but they were too high and too small to admit enough light to reach the far corners. It would be best, they decided, to carry each box and piece of furniture to the hall for examination. With the zeal of treasure hunters they set to work.
Some time later, when Val was coaxing the second box through the door, they were interrupted.
"And just what is going on here?" Rupert stood at the end of the hall.
"Oh," Ricky smiled sweetly, "did we really disturb you?"
"Well, I did think that there was a troop of elephants doing tap dancing up here. But that isn't the point—just what are you doing?"
"Cleaning house." Ricky flicked a gray rag in his direction freeing a cloud of dust. "Don't you think it needs it?"
Rupert sneezed. "It seems so. But why—? Miss Biglow!"
Charity, extremely dirty—she had apparently run dusty hands across her forehead several times—had come to the door of the storage-room. At the sight of Rupert she flushed and made a hurried attempt at smoothing her hair.
"I—" she began, when Ricky interrupted her.
"Charity is helping us, which is more than we can say of you. Go back to your old den and hibernate. And then you can't look down that long nose of yours when we turn up the papers that'll save us from the poorhouse."
"That's telling him," Val murmured approvingly as he fanned himself with one of the cleaner cloths. "But perhaps we had better explain. You see, Satan went hunting and found work for idle hands," and he told the tale of the sliding panel behind the bed.
When he had finished, Rupert laughed. "So you are still determined on treasure hunting, are you? Well, if it will keep you out of mischief, go to it."
"Rupert," Ricky faced him squarely, "don't be utterly insufferable. If you had one drop of hot blood in you, you'd be just as thrilled as we are. Just because you've been around and around the world until you got dizzy or something, you needn't stand there with that 'See-the-little-children-play' smirk on your face. You don't really care whether we lose Pirate's Haven or not, do you?"
Rupert straightened and the color crept up across his high cheek-bones. His mouth opened and then he closed it again without speaking the words he had intended, closed with a firmness which tightened his lips into a straight line.
"Don't stand there and glower at me," Ricky went on. "Why don't you say what you were going to? I'm just about tired of this world-weary attitude—"
"Ricky!" Val clapped his black hand over her mouth and turned to Charity. "Please excuse the fireworks. They are not usual, I assure you."
"Let me go!" Ricky twisted out of his grip. "I don't care if Charity does hear. She ought to know what we're really like!"
"Speak for yourself, my pet." The red had faded from Rupert's face. "You do have a nice little habit of speaking your mind, don't you? But on this occasion I believe you're at least eight-tenths right. I have been neglecting my opportunities. Suppose you let me get at that box, Val. And look here, if you are going to unpack these, why not move them down to the end of the hall and turn them out on a sheet?"
Charity and Ricky suddenly disappeared back into the room and were very busy whenever Rupert crossed their line of vision, but Val was heartily glad of his brother's help in lifting and pulling.
"Better not try to take this bedstead and stuff out," Rupert advised when they had the three boxes out in the hall. "We have no need for it now, anyway."
"I believe—yes, it is! A real Sergnoret piece!" Charity was industriously rubbing away at the head of the bed. Rupert knelt down beside her.
"And just what is a Sergnoret piece?"
"A collector's item nowadays. François Sergnoret was one of the greatest cabinet-makers of New Orleans. See that 'S'—that's the way he always signed his work."
"Treasure trove!" cried Ricky. "I wonder how much it's worth?"
"Exactly nothing to us." Rupert was running his hands across the mahogany. "We couldn't sell anything from this house until the title is cleared."
As Val moved around to the opposite side to see better, his foot struck against something on the floor. He stooped and picked up a box with a slanting cover, the whole black and smooth with age and the rubbing of countless hands.
"What's this?" He had crossed to the door and was examining his find in the light.
Rupert's hand fell upon his shoulder. "Val, be careful of that. Charity, he's got something here!" He pulled her up beside him, not noting in his excitement that he had broken out of the formal shell which seemed to wall him in whenever she was around.
"A Bible box! And an authentic one, too!" She drew her fingers down the slope of the lid.
"And just what is it?" Val asked for the second time.
"These boxes were used in the seventeenth century for writing-desks and later to keep the large family Bibles in. But this is the first one I've ever seen outside of a museum. What's this on the lid?" She traced a worn outline. Val studied the design.
"Why, it's Joe! You know, that grinning skull we have stuck up all over the place to bolster up our superiority complex. That proves that this is ours, all right."
"Perhaps—" Ricky's eyes were round with excitement, "perhaps it belonged to Pirate Dick himself!"
"Perhaps it did," her younger brother agreed.
"Lift the lid." She was almost hopping on one foot in her impatience. "Let's see what's inside."
"No gold or jewels, I'll wager. How do you get the thing undone?"
"Here, let me try." Rupert took it from Val's hands and put it down on one of the chests, squatting on the floor before it. With the smallest blade of his penknife he delicately probed the fastening sunken in the wood.
"I could do a faster job," he remarked, "if you didn't all breathe down the back of my neck." They retreated two inches or so and waited impatiently. With a satisfied grunt he dropped his knife and pulled the lid up.
"Why, there's nothing in it!" Ricky's cry of disappointment was almost a wail.
"Nothing but that old torn lining." Val was as disgusted as she.
Rupert closed it again. "I'll rub this up some and put in another lining. This is too good a piece to hide away up here," and he put it carefully aside at the end of the hall.
Their investigations yielded nothing more except great quantities of dust, a mummified rat which even Satan refused to sniff at, and a large collection of spider webs. Having swept out the room, they went to wash their hands before unpacking the well-wrapped boxes.
When their swathing canvas and sacking was thrown aside, the boxes stood revealed as stout chests banded with iron. Charity paused before one. "This is a marriage chest, late seventeenth century, I would judge. Look there, under that carved leaf—isn't that a date?"
"Sixteen hundred ninety-three," Rupert deciphered. "That crest above it looks familiar. I know, it belonged to that French lady who married our pirate ancestor."
"The first Lady Richanda!" Ricky touched the chest lovingly. "Then this is mine, Rupert. Can't it be mine?" she coaxed.
"Of course. But it's locked, and as we don't have any keys which would fit the lock, you'll have to wait until we can get a locksmith out to work on it before you will know what's inside."
"I don't care. No," she corrected herself, "that's wrong; I do care. But anyway its mine!" She caressed the stiff carving with her fingers.
"What's this one?" Val turned to the second box. It, too, was fashioned of wood, but it was plain where the other was carved, and the iron bands across it were pitted with rust.
"A sea chest, I would say." Rupert touched the top gingerly. "By the feel, it's locked too. And I don't care to play around with it. The men who made things like these were too fond of having little poisoned fangs run into your hand when you tried to force the chest without knowing the trick. We'll have to leave this for an expert, too."
"What about the third?"
Charity laughed. "After your two treasures I'm afraid that this will be a disappointment." She indicated a small humpbacked trunk covered with moth-eaten horsehair. "No romance here. But the key is tied to the clasp beside the lock."
"Then open it before I expire of pure unsatisfied curiosity," Ricky begged. "Go on, Rupert. Hurry."
"Oh," she said a moment later, "it's full of nothing but a lot of books."
"What did you expect," Val asked her, "a skeleton? Do you know, I think that Rick's ghost, or whatever influence presides over this house, has a sense of humor. You find a room, or a trunk, or something which makes you feel that you are on the verge of getting what you want, and then it all fades into just nothing again. Now, by rights, that writing-desk should have contained the secret message which would have told us where to find a hidden passage or something. But what is in it? A couple of pieces of lining almost completely torn from the bottom. I'll wager that when you open those chests you'll find nothing but a brick or 'April Fool' scrawled across the inside. This isn't true to any fiction I ever read," he ended plaintively.
"Good Heavens!" Charity was staring down at what lay within a portfolio she had opened.
"Don't tell me you have really found something!" Val exclaimed.
"It can't be true!" She still stared at what she held.
Ricky looked over her shoulder. "Why, it's nothing but a picture of a bird," she observed.
"It's a genuine Audubon," Charity corrected her.
"It's a genuine Audubon," Charity said.
"What!" With little regard for manners, Rupert snatched the portfolio from her hands. "Are you sure?"
"Yes. But you must take it in to the museum and get an expert opinion. It's wonderful!"
"Here's another." Reverently Rupert raised the first sketch and then the second. "Three, four, five, six," he counted.
"Was Audubon ever here?" Charity looked about the hall, a sort of awe coloring her voice.
"He might easily have been when he lived in New Orleans. Though we have no record of it," answered Rupert. "But these," he closed the portfolio carefully and knotted its strings, "speak for themselves. I'll take them to LeFleur tomorrow. We can't allow them to lie about here."
"I should hope not!" Charity eyed the portfolio wistfully. "Imagine actually owning six of those—"
"They won't pay our bills," said Ricky, practical for once in her life. Treasure to Ricky was not half a dozen sketches on yellowed paper but good old-fashioned gold with a few jewels thrown in for her own private satisfaction. The portfolio and its contents left her unmoved. Val admitted to himself that he, too, was disappointed. After all—well, treasure should be treasure.
Rupert carried the portfolio into his bedroom and locked it in one of his mysterious brief-cases which had somehow found its way upstairs.
The two chests they moved out farther into the hall and the trunk was placed back against the wall, ready for further investigation.
"Mistuh Ralestone, suh," Letty-Lou, standing half-way up the back stairs, addressed Rupert, "lunch am on de table. Effen yo'all doan come now, de eatments will be spiled."
"All right," he answered.
"Letty-Lou," called Ricky, "put on another plate. Miss Charity is staying to lunch."
"Dat's all ri', Miss 'Chanda. I'se done done dat. Yo'all comin' now?"
"You see how we are bullied," Ricky appealed to Charity. "Of course you're going to stay," she swept aside the other's protests. "What's food for, if not to feed your friends? Val, go wash up; your hands are frightful. I don't care if you did wash once; go and—"
"This is her little-mother-of-the-family mood," her younger brother explained to Charity. "It wears off after a while if you just don't notice it. But I will wash though," he looked at his hands, "I seem to need it."
"And don't use the guest towels," Ricky called after him. "You know that they're only to look at."
When Val emerged from the bathroom he found the hall deserted. Sounds from below suggested that his family had basely left him for food. He started along the passage. Not far from the stairs was the writing-desk where Rupert had left it. Val picked it up, thinking that he might as well take it along down with him.
CHAPTER VII
BY OUR LUCK!
Depositing the desk on the seat of one of the hall chairs, Val started toward the dining-room, a grim hole which Lucy had calmly forced the family to use but which they all cordially disliked. Its paneled walls, crystal-hung chandelier, marble-fronted fireplace, and inlaid floor gave it the appearance of one of the less cozy rooms in a small palace. There were also two tasteful portraits of dead ducks which had been added as a finishing touch by some tenant during the eighties and which still remained upon the walls to Ricky's unholy joy.
But the long table, the high-backed chairs, the side serving-table, and the two tall cabinets of china were fine enough pieces if one cared for the massive. Ricky's table-cloth of violent-hued peasant linen was not in keeping with the china and glassware Letty-Lou had set out upon it. Charity was commenting upon this ensemble as Val entered.
"Doesn't this red and green plaid seem a bit—well, bright?" The corners of her mouth twitched betrayingly.
"No," Ricky returned firmly. "This cloth matches the ducks."
"Oh, yes, the ducks," Charity eyed them. "So you consider that the ducks are the note you wish to emphasize?"
"Certainly." Ricky surveyed the picture hanging opposite her. "I consider them unique. Not everyone can have ducks in the dining-room nowadays."
"For which they should be eternally thankful," observed Rupert. "They are rather gaudy, aren't they?"
"Oh, but I like the expression in this one's glassy eye," Ricky pointed out. "You might call this study 'Gone But Not Forgotten.'"
"Corn-bread, please," Val asked, thus attempting to put an end to the art-appreciation class.
"I think," continued Ricky, undisturbed as she passed him the plate heaped with golden squares, "that they are slightly surrealist. They distinctly resemble the sort of things one is often pursued by in one's brighter nightmares."
"Do you have any really good pictures?" asked Charity, resolutely averting her gaze from the ducks.
"Three, but they've been loaned to the museum," answered Rupert. "Not by well-known painters, but they're historically interesting. There's one of the first Lady Richanda, and one of the missing Rick. That's the best of the lot, according to LeFleur. I saw a photograph of it once. Come to think about it, Val looks a lot like the boy in the picture. He might have sat for it."
They all turned to eye Val. He arose and bowed. "I find these compliments too overwhelming," he murmured.
Rupert grinned. "And how do you know that that remark was intended as a compliment?"
"Naturally I assumed so," his brother retorted with a dignity which disappeared as the piece of corn-bread in his hand broke in two, the larger and more liberally buttered portion falling butter side down on the table. Ricky smiled in a pained sort of way as she attempted to judge from her side of the table just how much damage Val's awkwardness had done.
"If you were the graceful hostess," he informed her severely, "you would now throw your piece in the middle to show that anyone could suffer a like mishap."
Ricky changed the subject hurriedly by passing beans to Charity.
"So Val looks like the ghost," Charity said a moment later. "Now I will have to go to town and see that portrait. Just where is it?"
Rupert shook his head. "I don't know. But it's listed in the catalogue as 'Portrait of Roderick Ralestone, Aged Eighteen.'"
"Just Val's age, then." Ricky spooned some watermelon pickles onto her plate. "But he was older than that when he left here."
"Let's see. He was born in February, 1788, which would make him fourteen when his parents died in 1802. Then he disappeared in 1814, twelve years later. Just twenty-six when he went," computed Rupert.
"A year younger than you are now," observed Ricky.
"And nine years older than yourself at this present date," Val added pleasantly. "Why this sudden interest in mathematics?"
"Oh, I don't know. Only somehow I always thought Rick was younger when he went away. I've always felt sorry for him. Wonder what happened to him afterwards?"
"According to our rival," Rupert pulled his coffee-cup before him as Letty-Lou took away their plates, "he just went quietly away, married, lived soberly, and brought up a son, who in turn fathered a son, and so on to the present day. A tame enough ending for our wild privateersman."
"I'll bet it isn't true. Rick wouldn't end like that. He probably went off down south and got mixed up in some of the revolutions they were having at the time," suggested Ricky. "He couldn't just settle down and die in bed. I could imagine him scuttling a ship but not being a quiet business man."
"He was one of Lafitte's men, wasn't he?" asked Charity. At their answering nods, she went on: "Lafitte was a business man, you know. Oh, I don't mean that forge he ran in town, but his establishment at Grande Terre. He was more smuggler than pirate, that's why he lasted so long. Even the most respected tradesmen had dealings with him. Why, he used to post notices right in town when he held auctions at Barataria, listing what he had to sell, mostly smuggled Negroes and a few cargoes of luxuries from Europe. He was a privateer under the rules of war, but he was never a real pirate. At least, that's the belief held nowadays."
"We can't turn up our noses at pirates," laughed Ricky. "This house was built by pirate gold. We only wish—"
From the hall came a dull thump. Ricky's napkin dropped from her hand into her coffee-cup. Rupert laid down his spoon deliberately enough, but there was a certain tension in his movements. Val felt a sudden chill. For Letty-Lou was in the kitchen, the family were in the dining-room. There should be no one in the hall.
Rupert pushed back his chair. But Val was already half-way to the door when his brother joined him. And Ricky, suddenly sober, was at their heels.
Zzzzzrupp! The slitting sound was clear as they burst into the hall. On the fur rug by the couch lay the writing-desk. Its lid was thrown back and by it crouched Satan industriously ripping the remnants of lining from its interior. As Rupert came up, the cat drew back, his ears flattened and his lips a-snarl.
Zzzzzrupp! Satan was industriously ripping the remnants of lining from its interior.
"Cinders! What has he done?" demanded Charity, swooping down upon her pet. At her coming, he fled under the couch out of reach.
Rupert picked up the desk. "Nothing much," he laughed. "Just torn all that lining loose, as I had planned to do."
"What is this?" Ricky disentangled a small slip of white from the torn and musty velvet. "Why, it's a piece of paper," she answered her own question. "It must have been under the lining and Satan pulled it out with the cloth."
"Here," Rupert took it from her, "let me see it."
He scanned the faded lines of writing. "Val! Ricky!" He looked up, his face flushed with excitement. "Listen!"
"Gatty has returned from the city. The raiders calling themselves the 'Buck Boys' are headed this way. Gatty tells me that Alexander is with them, having deserted the plantation a week ago. Since his malice towards us is well known, it is easy to believe that he means us open harm. I am making my preparations accordingly. The valuables now under this roof, together with the proceeds from the last voyage of the blockade runner, Red Bird, I am putting in that safe place discovered by me in childhood, of which I have sometimes spoken. Remember the hint I once gave you—By Our Luck. Having written this in haste, I shall intrust it to Gatty—"
"That's the end; the rest is gone." Rupert stared down at the scrap of paper in his hand as if he simply could not believe in its reality.
"Richard wrote that." Ricky touched the note in awe. "But why didn't Gatty give it to Miles when he came?"
"Gatty was probably a slave who ran when the raiders appeared," suggested Rupert. "He or she must have hidden this in here before leaving. We'll never know."
"But we've got our clue!" cried Ricky. "We knew that the hiding-place was in this hall, and now we have the clue."
"'By our Luck.'" Rupert looked about him thoughtfully. "That's not the most helpful—"
"Rupert!" Ricky seized him by the arm. "There's only one thing in this room that will answer that. Can't you see? The niche of the Luck!"
Their gaze followed her pointing finger to the mantel above their heads.
"I believe she's right! Wait until I get the step-ladder from the kitchen." Rupert was gone almost before he had finished speaking.
"Oh, if it's only true!" Ricky stared up like one hypnotized. "Then we'll be rich and—"
"Don't count your chickens before they're hatched," Val reminded her, but he didn't think that she heard him.
Then Rupert was back with the ladder. He climbed up, leaving the three of them clustered about its foot.
"Nothing here but two stone studs to hold the Luck in place," he said a moment later.
"Why not try pressing those?" suggested Charity.
"All right, here goes." He placed his thumbs in the corners of the niche and threw his weight upon them.
"Nothing happened." Ricky's voice was deep with disappointment.
"Look!" Val pointed over her shoulder.
To the left of the fireplace were five panels of oak, to balance those on the other side about the door of the unused drawing-room. The center one of these now gaped open, showing a dark cavity.
"It worked!" Ricky was already heading for the opening.
There behind the paneling was a shallow closet which ran the full length of the five panels. It was filled with a collection of bags and small chests, a collection which appeared much larger when it lay in the gloom within than when they dragged it out. Then, when they had time to examine it carefully, they discovered that their booty consisted of two small wooden boxes or chests, one fancifully carved and evidently intended for jewels, the other plain but locked; a felt bag and another of canvas, and a package hurriedly done up in cloth. Rupert spread it all out on the floor.
"Well," he hesitated, "where shall we begin?"
"Charity thought about how to open it, and it was her cat that found us the clue—let her choose," Val suggested.
"Good," agreed Rupert. "And what's your choice, m'lady?"
"What woman could resist this?" She laid her hand upon the jewel box.
"Then that it is." He reached for it.
It opened readily enough to show a shallow tray divided into compartments, all of them empty.
"Sold again," Val commented dryly.
Carefully Rupert lifted out the top tray to disclose another on which rested three small leather bags. He loosened the draw-string of the nearest and shook out into his palm a pair of earrings of a quaint pattern in twisted gold set with dull red stones. Charity pronounced them garnets. Though they were not of great value, they were precious in Ricky's eyes, and even Charity exclaimed over them.
The second bag yielded a carnelian seal on a wide chain of gold mesh, the sort of ornament a dandy wore dangling from his watch pocket in the days of the Regency. And the third bag contained a cross of silver, blackened by time, set with amethysts. This was accompanied by a chain of the same dull metal.
Putting these into the girls' hands, Rupert lifted the second tray to lay bare the bottom of the chest. Here again were several small bags. There was another cross, this time of jet inlaid with gold and attached to a short necklace of jet beads; a wide bracelet of coral and turquoise which was crudely made and might have been native work of some sort. Then there was a tiny jewel-set bottle, about which, Ricky declared, there still lingered some faint trace of the fragrance it had once held. And most interesting to Charity was a fan, the sticks carved of ivory so intricately that they resembled lacework stiffened into slender ribs. The covering between them was fashioned of layers of silk painted with a scene of the bayou country, with the moss-grown oaks and encroaching swamp all carefully depicted.
Charity declared that she had never seen its equal and that some great artist must have decorated the dainty trifle. She closed it carefully and slipped it back into its covering, and Rupert took out the last of the bags. From its depths rolled a ring.
It was plain enough, a simple band of gold so deep in shade as to be almost red. Nearly an inch in width, there was no ornamentation of any sort on its broad, smooth surface.
"Do you know what this is?" Rupert turned the circlet around in his fingers.
"No." Ricky was still dangling the earrings before her eyes.
"It is the wedding-ring of the Bride of the Luck."
"What!" Val leaned forward to look down at the plain circle of gold.
Even Ricky gave her brother her full attention now. Rupert turned to Charity.
"You probably know the story of our Luck?" he asked.
She nodded.
"When the Luck was brought from Palestine, it was decided that it must be given into the hands of a guardian who would be responsible for it with his or her life. Because the men of the house were always at war during those troublesome times, the guardianship went to the eldest daughter if she were a maiden. By high and solemn ceremony she was married to the Luck in the chapel of Lorne. And she was the Bride of the Luck until death or a unanimous consent from the family released her. Nor could she marry a mortal husband during the time she wore this." He touched the ring he held.
"This must be very old. It's the red gold which came into Ireland and England before the Romans conquered the land. Perhaps this was found in some old barrow on Lorne lands. But it no longer means anything without the Luck."
He held it out to Ricky. "By tradition this is yours."
She shook her head. "I don't think I want that, Rupert. It's too old—too strange. Now these," she held up the earrings, "you can understand. The girls who wore them were like me, and they wore them because they were pretty. But that—" she looked at the Bride's ring with distaste—"that must have been a burden to its wearer. Didn't you tell us once of the Lady Iseult, who killed herself when they would not release her from her vows to the Luck? I don't want to wear that, ever."
"Very well." He dropped it back into its bag. "We'll send it to LeFleur for safe-keeping. Any scruples about the rest of this stuff?"
"Of course not! And none of it is worth much. May I keep it?"
"If you wish. Now let's see what is in here." He drew the second box toward him and forced it open.
"Money!" Charity was staring at it with wide eyes.
Within, in neat bundles, lay packages of paper notes. Even Rupert was shaken from his calm as he reached for one. Outside of a bank none of them had ever seen such a display of wealth. But after he studied the top note, the master of Pirate's Haven laughed thinly.
"This may be worth ten cents to some collector if we're lucky—"
"Rupert! That's real money," began Ricky.
But Val, too, had seen the print. "Confederate money, child. As useless now as our pretty oil stock. I told you that things always turn out wrong in this house. If we do find treasure, it's worthless. How much is there, anyway?"
Rupert picked up a slip of paper tucked under the tape fastening the first bundle. "This says thirty-five thousand—profit from a blockade runner's trip."
"Thirty-five thousand! Well, I think that that is just too much," Ricky said defiantly. "Why didn't they get paid in real money?"
"Being loyal to the South, the Ralestones probably would not take what you call 'real money,'" replied Charity.
"It's nice to know how wealthy we once were," Val observed. "What are you going to do with that wall-paper, Rupert?"
"Oh, chuck it in my desk. I'll get someone to look it over; there might be a collector's item among these bills. Now let's have the joker out of this bundle." He plucked at the fastenings of the felt bag.
When he had pulled off its wrappings, a silver tray with coffee- and chocolate-pot, cream pitcher and sugar bowl stood, tarnished and dingy, on the floor.
"That's more like it." Ricky picked up the chocolate-pot. "Do you suppose it will ever be possible to get these clean again?"
"With a lot of will power and some good hard rubbing it can be done," Val assured her.
"Well, I'll supply the will power and you may do the rubbing," she announced pleasantly.
Rupert had opened the remaining packages to display a set of twelve silver goblets, one with a dented edge, and a queerly shaped vessel not unlike an old-fashioned gravy-boat. Charity picked this up and examined it gravely.
"I'm afraid that this is pirate loot." She tapped the lip of the piece she held. The metal gave off a clear ringing sound. "If I'm not mistaken, this was stolen from a church. Yes, I'm right; see this cross under the leaves?" She pointed out the bit of engraving.
"Black Dick's work," agreed Ricky complacently. "But after almost three hundred years I'm afraid we can't return it. Especially since we don't know where it came from in the first place."
Val looked about at what they had uncovered. "If you are going to take all of this in to LeFleur, you'll have to get a truck. D'you know, I think this place might turn out to be a gold-mine if one knew just where to dig."
"We haven't found the Luck yet," reminded Ricky.
Val got clumsily to his feet and then gave Charity a hand up, beating Rupert to it by about three seconds. "As we don't even know whether it is still in existence, there's no use in hunting for it," Val retorted.
Ricky smiled, that set little smile which usually meant that she neither agreed with nor approved of the speaker. She got up from the floor and shook out her skirt purposefully.
"I'll remind you of that some day," she promised.
"I suppose," Rupert glanced at the silver, "this ought to be taken to town as soon as possible. This house is too isolated to harbor both us and the silverware at the same time. What do you think?" Ignoring both Ricky and Val, he turned to Charity.
"You are right. But it seems a pity to send it all away before we have a chance to rub it up and see what it really looks like!"
"By all means, take it at once!" Val urged promptly. "We can always clean it later."
Rupert grinned. "Now that might be a protest against the suggestion Ricky made a few minutes ago. But I'll save you some honest labor this time, Val; I'll take it to town this afternoon."
Ricky laughed softly.
"And why the merriment?" her younger brother inquired suspiciously.
"I was just thinking what a surprise the visitor who dropped his handkerchief here is going to get when he finds the cupboard bare," she explained.
Rupert rubbed his palm across his chin. "Of course. I had almost forgotten that."
"Well, I haven't! And I wonder if we have found what he—or they—were hunting," Val mused as he helped Rupert wrap up the spoil again.