INDEX.

INSTRUMENTA paranda,[Fig.]UTENSILS for Drawing.
Explicatio linearum plani & horizontis, ac punctorum oculi & distantiæ,[I.]Explication of the Lines of the Plan and Horizon, and of the Points of the Eye and of the Distance.
Modus delineandi opticè quadratum,[II.]The Manner of delineating a Square in Perspective.
Optica delineatio rectanguli, alterâ parte longioris,[III.]The Delineation of an oblong Square in Perspective.
Optica descriptio quadrati duplicis,[IV.]The Optical Delineation of a double Square.
Vestigia quadratorum cum elevationibus,[V.]Plans of Squares with their Elevations.
Modus opticæ delineationis absque lineis occultis,[VI.]The Manner of designing in Perspective without occult Lines.
Aliud exemplum vestigii geometrici, cum elevatione longitudinis,[VII.]Another Example of a Geometrical Plan and Upright put into Perspective.
Optica projectio stylobatæ,[VIII.]The Projection of a Pedestal in Perspective.
Optica delineatio Architecturæ Jacobi Barozzii, & primum de stylobata Ordinis Etrusci,[IX.]The Architecture of Vignola in Perspective, and first of his Pedestal of the Tuscan Order.
Optica deformatio stylobatæ Dorici; ubi de modo vitandi confusionem in vestigiis delineandis,[X.]A Dorick Pedestal in Perspective, with the Manner of avoiding Confusion in designing the Plans.
Stylobatæ Ionici deformatio; ubi de vitanda confusione in elevationibus,[XI.]The Ionick Pedestal in Perspective, with the Manner of avoiding Confusion in Elevations.
Deformatio stylobatæ Corinthii, cum duabus pilis,[XII.]The Corinthian Pedestal, with its Pilasters, in Perspective.
Projectio stylobatæ Ordinis Compositi,[XIII.]The Projection of a Pedestal of the Composite Order.
Deformatio circulorum,[XIV.]Circles in Perspective.
Optica delineatio columnæ,[XV.]A Column in Perspective.
Optica projectio basis Etruscæ,[XVI.]The Tuscan Base in Perspective.
Deformatio basis Doricæ,[XVII.]The Dorick Base in Perspective.
Optica delineatio basis Ionicæ,[XVIII.]The Ionick Base in Perspective.
Optica imminutio basis Corinthiæ,[XIX.]The Corinthian Base in Perspective.
Basis Atticurga opticè imminuta,[XX.]The Attick Base in Perspective.
Optica imminutio capitelli Etrusci,[XXI.]The Tuscan Capital in Perspective.
Optica projectio capitelli Dorici,[XXII.]The Projection of a Dorick Capital in Perspective.
Deformatio capitelli Ionici,[XXIII.]The Ionick Capital in Perspective.
Optica projectio capitelli Corinthii,[XXIV.]The Corinthian Capital in Perspective.
Optica descriptio capitelli Compositi,[XXV.]The Composite Capital in Perspective.
Deformatio coronicis Etruscæ,[XXVI.]The Tuscan Entablature in Perspective.
Optica delineatio coronicis Doricæ,[XXVII.]The Dorick Entablature in Perspective.
Præparatio figuræ sequentis,[XXVIII.]Preparatory to the following Figure.
Optica projectio ædificii Dorici,[XXIX.]A Projection of the Dorick Order in Perspective.
Optica projectio ædificii Ionici; ubi de modo jungendi fictum cum vero,[XXX.]An Ionick Work in Perspective, with the Manner of reconciling the fictitious to the solid Architecture.
Optica projectio coronicis Corinthiæ, cum capitello & summitate columnæ,[XXXI.]The Optick Projection of a Corinthian Cornice, with the Capital and part of the Column.
Delineatio geometrica coronicis Ordinis Compositi,[XXXII.]The Geometrical Design of a Cornice of the Composite Order.
Deformatio coronicis Compositæ,[XXXIII.]A Composite Cornice in Perspective.
Præparatio ad figuram trigesimamquintam,[XXXIV.]Preparatory to the Thirty-fifth.
Deformatio coronicis Compositæ ad latus inspectæ,[XXXV.]A Side-View of the Composite Cornice in Perspective.
Præparatio ad figuram trigesimamseptimam,[XXXVI.]Preparatory to the Thirty-seventh.
Deformatio columnæ Etruscæ,[XXXVII.]A Tuscan Column in Perspective.
Præparatio ad figuram trigesimamnonam,[XXXVIII.]Preparatory to the Thirty-ninth.
Deformatio ædificii Dorici,[XXXIX.]A Piece of Dorick Architecture in Perspective.
Vestigium geometricum ædificii Ordinis Dorici,[XL.]The Geometrical Plan of a Design of the Dorick Order.
Elevatio geometrica ædificii Dorici,[XLI.]The Geometrical Elevation of the foregoing Design.
Modus vitandi confusionem in contractione vestigiorum & elevationum,[XLII.]The Manner of avoiding Confusion in reducing Plans and Elevations into Perspective.
Contractio vestigii figuræ quadragesimæ,[XLIII.]The Plan of the Fortieth Figure in Perspective.
Contractio elevationis figuræ quadragesimæprimæ,[XLIV.]The Elevation of the Forty-first Figure in Perspective.
Dimidium ædificii Dorici opticè deformati,[XLV.]One half of the Dorick Design in Perspective.
Alterum dimidium ejusdem ædificii,[XLVI.]The other half of the same Design.
Vestigia ædificii Ionici,[XLVII.]The Plan of an Ionick Building.
Elevatio geometrica ædificii Ionici,[XLVIII.]Geometrical Upright of the foregoing Ionick Design.
Deformatio elevationis ædificii Ionici,[XLIX.]The Elevation of the Ionick Design in Perspective.
Architectura Ionica,[L.]A Design of Ionick Architecture.
Ordo Corinthius,[LI.]A Corinthian Design in Perspective.
Delineatio columnæ spiralis Ordinis Compositi,[LII.]The Description of a wreath’d Column of the Composite Order.
Ordines Architecturæ desumpti ex Palladio & Scamozzio,[LIII. A.]The Orders of Architecture taken from Palladio and Scamozzi.
Modus triplex delineandi columnas spirales,[LIII. B.]Three different ways of delineating wreath’d Columns.
Vestigia ædificii Ordinis Corinthii,[LIV.]The Plan of a Design of the Corinthian Order.
Elevatio ædificii Ordinis Corinthii,[LV.]The Geometrical Elevation of a Corinthian Work.
Deformatio vestigiorum & elevationis ædificii Corinthii,[LVI.]The Perspective-Plans and Upright of the Corinthian Design foregoing.
Adumbratio figuræ sequentis,[LVII.]The rough Draught of the following Figure.
Ædificium Ordinis Corinthii octangulare,[LVIII.]Part of an Octangular Work of the Corinthian Order.
Vestigia Tabernaculi octangularis,[LIX.]The Plans of an Octangular Tabernacle.
Tabernaculum octangulare,[LX.]An Octangular Tabernacle in Perspective.
Modus erigendi machinas quæ constant pluribus ordinibus telariorum,[LXI.]The Manner of erecting Machines that consist of several Ranges of Frames.
De reticulandis telariis, quæ repræsentent ædificia solida,[LXII.]Of making the Net-work on Frames, for representing the Architecture as solid.
Vestigia ædificii quadrati,[LXIII.]The Plan of a square Design.
Ædificium quadratum,[LXIV.]A square Design in Perspective.
Vestigium ædificii rotundi opticè imminutum,[LXV.]The Plan of a Circular Work in Perspective.
Projectio ædificii rotundi,[LXVI.]A Circular Design in Perspective.
Vestigium geometricum, ac prima præparatio ad figuram septuagesimamprimam,[LXVII.]The Geometrical Plan, and first Preparation to the Seventy-first Figure.
Elevatio geometrica vestigii præcedentis, & secunda præparatio ad figuram septuagesimamprimam,[LXVIII.]The Geometrical Elevation of the foregoing Plan, and second Preparation to the Seventy-first Figure.
Deformatio vestigii figuræ sexagesimæseptimæ, & præparatio tertia ad figuram septuagesimamprimam,[LXIX.]The Plan of the Sixty-seventh Figure in Perspective, and third Preparation to the Seventy-first Figure.
Deformatio elevationis figuræ sexagesimæoctavæ, & præparatio quarta ad figuram septuagesimamprimam,[LXX.]The Perspective of the Elevation of the Sixty-eighth Figure, and fourth Preparation to the Seventy-first.
Theatrum repræsentans nuptias Canæ Galilææ, constructum Romæ anno 1685, in expositione Ven. Sacramenti, in templo Farnesiano Societatis Jesu,[LXXI.]A Theater representing the Marriage of Cana in Galilee, erected in the Jesuits Church at Rome, 1685, for the Solemnity of exposing the Holy Sacrament.
De theatris scenicis,[LXXII.]Of Scenes for the Stage.
Aliud vestigium theatri; ubi de modo inveniendi ejus punctum,[LXXIII.]Another Plan of a Theater, with the Method of finding the Point of Sight therein.
Sectio scenarum theatri,[LXXIV.]The Section or Profile of Scenes for Theaters.
Elevatio scenarum coram inspectarum; ubi docetur artificium, ut scenæ obliquæ appareant rectæ,[LXXV.]The Elevation of Scenes in Front, and how the oblique Scenes are made to appear direct.
Modus delineandi exemplar scenarum,[LXXVI.]The Manner of delineating the Designs of Scenes.
Modus reticulandi & pingendi scenas theatri,[LXXVII.]The Manner of making the Net-work or Squares, and painting the Scenes of Theaters.
De projectionibus horizontalibus,[LXXVIII.]Of horizontal Projections.
Projectiones vestigii & elevationis mutuli,[LXXIX.]The Plan and Elevation of a Corbel in Perspective.
Horizontalis projectio mutuli inumbrati,[LXXX.]The horizontal Projection of a shaded Corbel.
Stylobatæ Corinthii horizontaliter contracti,[LXXXI.]Corinthian Pedestals in an horizontal Perspective.
Columna Corinthia horizontaliter deformata,[LXXXII.]A Corinthian Column in horizontal Perspective.
Capitella Corinthia horizontaliter contracta,[LXXXIII.]A Corinthian Capital in horizontal Perspective.
Coronix Corinthia,[LXXXIV.]A Corinthian Cornice.
Coronix Corinthia horizontaliter contracta,[LXXXV.]A Corinthian Cornice in horizontal Perspective.
Horizontalis projectio columnæ,[LXXXVI.]A Column in horizontal Perspective.
Præparatio necessaria ad sequentem figuram, & ad projectiones horizontales in laquearibus vel testudinibus,[LXXXVII.]The Preparation necessary to the following Figure, and to all other horizontal Perspectives, whether on flat or vaulted Ceilings.
Horizontalis projectio balustiorum figuræ octogesimæseptimæ, cum brevi distantia,[LXXXVIII.]The horizontal Projection of the Balustrade of the Eighty-seventh Figure, view’d at a small Distance.
Horizontalis projectio Architecturæ in laqueari quadrato,[LXXXIX.]A horizontal Piece of Architecture in a square Ceiling.
Horizontalis projectio tholi,[XC.]A Cupola in horizontal Perspective.
Tholus figuræ nonagesimæ, cum luminibus & umbris,[XCI.]The Cupola of Fig. 90, with its Lights and Shades.
Tholus octangularis,[XCII.]An Octangular Cupola.
Vestigium templi Ludovisiani S. Ignatii almæ urbis,[XCIII.]The Geometrical Plan of S. Ignatius’s Church at Rome.
Orthographia templi Ludovisiani,[XCIV.]The Orthography of S. Ignatius’s Church.
Aliæ præparationes ad figuras 98 & 99,[XCV.]Other Preparations to the 98th and 99th Figures.
Aliæ præparationes ad figuras 98 & 99,[XCVI.]Other Preparations to the 98th and 99th Figures.
Alia præparatio ad figuras 98 & 99,[XCVII.]Another Preparation to the 98th and 99th Figures.
Quadrans Architecturæ horizontalis in fornice, cum luminibus & umbris,[XCVIII.]Fourth-part of the Architectonical Design on the Vault of S. Ignatius’s Church, with its Lights and Shades.
Alter quadrans totius operis,[XCIX.]Another Quarter of the whole Design.
Modus reticulationis faciendæ in testudinibus,[C.]The Method of drawing the Net-work on Vaults.

FINIS.