PREFACE
This little book can do no more than humbly touch the fringe of a large subject; but if it leads the reader to a further study of this beautiful craft, it will have amply fulfilled its duty.
I must express my deep obligation to the magnificent volume on ivories by M. Emile Molinier, whose masterly arrangement of a very fragmentary and scattered subject is a model of lucidity; and also to Dr. Hans Graeven, whose scholarly researches and excellent photographs are indispensable for a real study of the craft.
A. M. Cust.
CONTENTS
| PAGE | |||
| List of Illustrations | [xiii] | ||
| Bibliography | [xvii] | ||
CHAPTER I. | |||
| Consular and other Secular Diptychs | [ 1] | ||
CHAPTER II. | |||
| Latin and Byzantine Ivories | [37] | ||
| I. | Latin and Latino-Byzantine and | ||
| the Early Byzantine Ivories | [37] | ||
| II. | Byzantine Caskets | [75] | |
| III. | The Byzantine Renaissance | [84] | |
CHAPTER III. | |||
| Lombardic, Anglo-Saxon, Carlovingian | |||
| and German Ivories | [96] | ||
| I. | Lombard Ivory Carvings | [96] | |
| II. | Anglo-Saxon Ivory Carvings | [99] | |
| III. | The Carlovingian Renaissance | [106] | |
| IV. | German Ivory Carving in the time | ||
| of the Ottos | [118] | ||
CHAPTER IV. | |||
| Romanesque and Gothic Ivories | [129] | ||
List of Diptychs | [157] | ||
| List of Places where Important Examples | |||
| of Ivories can be found | [165] | ||
| Index | [167] | ||
LIST OF ILLUSTRATIONS
| FIG. | PAGE | |
| 1. | An Angel. Leaf of a Diptych. | |
| Fifth century. Byzantine | ||
| British Museum, London | [Frontispiece] | |
| 2. | Second Leaf of the Diptych of Probianus, | |
| Vice-Prefect of Rome. End of fourth century | ||
| Berlin Library | [ 8] | |
| 3. | First Leaf of the Diptych of Probus, | |
| Consul at Rome, 406 A.D. | ||
| Duomo, Aosta | [ 9] | |
| 4. | First Leaf of the Diptych of Orestes, | |
| Consul at Rome, 530 A.D. | ||
| Victoria and Albert Museum, London | [14] | |
| 5. | Leaf of the Diptych of Amalasuntha(?) | |
| Sixth Century. Italian | ||
| Bargello, Florence | [30] | |
| 6. | Adam in the Terrestrial Paradise, and Scenes | |
| from the Life of St. Paul. | ||
| Leaves of a Diptych. Fifth century. Italian | ||
| Bargello, Florence | [41] | |
| 7 & 8. | Two Plaques, The Crucifixion and Christ leaving | |
| the Prætorium. | ||
| Fifth century. Italian | ||
| British Museum | [46], [47] | |
| 9. | Pyx with the Scene of Christ healing the Paralytic. | |
| Sixth century. Italo-Byzantine | ||
| Musée de Cluny, Paris | [51] | |
| 10. | Cover of a Book of the Gospels | |
| (from S. Michele di Murano). Sixth century. Italo-Byzantine | ||
| Ravenna Museum | [53] | |
| 11. | Cover of a Book of the Gospels, with three scenes from | |
| the Nativity (from Metz Cathedral). | ||
| Sixth century. Italo-Byzantine | ||
| Bibliothèque nationale, Paris | [57] | |
| 12. | Front of the Ivory Throne of St. Maximian, | |
| with St. John Baptist and the Four Evangelists. | ||
| Sixth century. Byzantine | ||
| Duomo, Ravenna | [59] | |
| 13. | A Panel from the same Throne, Bringing Joseph’s | |
| Coat to Jacob. | ||
| Sixth century. Byzantine | ||
| Duomo, Ravenna | [63] | |
| 14. | Oliphant. Ninth to tenth century. | |
| Oriental Byzantine | ||
| Victoria and Albert Museum, London | [73] | |
| 15. | Veroli Casket. Byzantine | |
| Victoria and Albert Museum, London | [77] | |
| 16. | Front of a Casket, with scenes from the life of David. | |
| Ninth century. Byzantine | ||
| Museo Kircheriano, Rome | [81] | |
| 17. | Harbaville Triptych. | |
| Tenth century. Byzantine | ||
| Louvre, Paris | [87] | |
| 18. | Plaque with the Ascension of Christ. | |
| Eleventh century. Byzantine | ||
| Bargello, Florence | [89] | |
| 19. | Christ enthroned. | |
| Eleventh century. Byzantine | ||
| Trivulzio Collection, Milan | [91] | |
| 20. | Christ crowning the Emperor Romanus and the | |
| Empress Eudoxia. | ||
| Eleventh century. Byzantine. | ||
| Cabinet des Médailles, Bibliothèque nationale, Paris | [93] | |
| 21. | The Adoration of the Magi. | |
| Eleventh century. Anglo-Saxon | ||
| Victoria and Albert Museum, London | [101] | |
| 22. | The XXVIIth Psalm represented in scenic form. | |
| Ninth century. Carlovingian | ||
| Zürich Museum | [109] | |
| 23. | Cover of a Book of the Gospels. | |
| Ninth century. Carlovingian | ||
| Abbey of St. Gall, Switzerland | [113] | |
| 24. | The Crucifixion and Allegorical Figures. | |
| Ninth century. Carlovingian | ||
| Victoria and Albert Museum, London | [115] | |
| 25. | Panel of the Crucifixion, from a book cover. | |
| Tenth century. German | ||
| John Rylands Library, Manchester | [123] | |
| 26. | Ceremonial Comb. | |
| Eleventh century. English | ||
| British Museum, London | [127] | |
| 27. | A Bishop’s Crozier. | |
| Fourteenth century. French | ||
| Victoria and Albert Museum, London | [131] | |
| 28. | The Coronation of the Virgin. | |
| Thirteenth century. French | ||
| Louvre, Paris | [137] | |
| 29. | The Virgin and Child. | |
| Thirteenth century. French | ||
| Bargello, Florence | [139] | |
| 30. | The Descent from the Cross. | |
| Thirteenth century. French | ||
| Louvre, Paris | [141] | |
| 31. | A Polyptych, with the Virgin and Child | |
| and various scenes from the Nativity. | ||
| Fourteenth century. French | ||
| Victoria and Albert Museum, London | [143] | |
| 32. | First Leaf of a Diptych. | |
| Fourteenth century. French | ||
| Mayer Coll., Liverpool Museum | [145] | |
| 33. | Plaque from a Casket Representing Dancers. | |
| Fourteenth century. French | ||
| Bargello, Florence | [147] | |
| 34. | A Mirror Case, with the Elopement of Guinivere and Lancelot. | |
| Fourteenth century. French | ||
| Mayer Coll., Liverpool Museum | [149] | |
| 35. | Panel from a Casket. | |
| Fourteenth century. French | ||
| Bargello, Florence | [151] | |
| 36. | Triptych made for Bishop Grandison of Exeter. | |
| 1327-1369. English | ||
| British Museum, London | [153] | |
| 37. | Triptych. | |
| Early fifteenth century. Italian | ||
| Victoria and Albert Museum, London | [155] |