PERIOD THIRD.
FROM THE DEATH OF AUGUSTUS TO THE CLOSE OF THE REIGN OF THEODORIC (14-526 A.D.).
1. DECLINE OF ROMAN LITERATURE.—With the death of Augustus began the decline of Roman literature, and a few names only rescue the first years of this period from the charge of a corrupt and vitiated taste. After a while, indeed, political circumstances again became more favorable; the dangers, which paralyzed genius and talent, and prevented their free exercise under Tiberius and his tyrannical successors, diminished, and a more liberal system of administration ensued under Vespasian and Titus. Juvenal and Tacitus then stood forth, as the representatives of the old Roman independence. Vigor of thought communicated itself to the language; a taste for the sublime and beautiful, to a certain extent, revived, although it did not attain to the perfection which shed a lustre over the Augustan age. Between the ages of Horace and Juvenal, Cicero and Tacitus, there was a gap of half a century, in which Roman genius was slumbering. The gradual growth of a spirit of adulation deterred all who were qualified for the task of the historian from attempting it. Fear, during the lifetime of Tiberius and Caligula, Claudius and Nero, and hatred, still fresh after their deaths, rendered all accounts of their reigns false. And the same causes which silenced the voice of history extinguished the genius of poetry and oratory. As liberty declined, natural eloquence decayed; the orator sought only to please the corrupt taste of his audiences with strange and exaggerated statements; the poet aimed to win public admiration through a style over-laden with ornament, and florid and diffuse descriptions. Literature, in order to flourish, requires the genial sunshine of human sympathy; it needs either the patronage of the great, or the favor of the people. Immediately after the death of Augustus, patronage was withdrawn, and there was no public sympathy to supply its place. In the reign of Nero, literature partially revived; for, though the bloodiest of tyrants, he had a taste for art and poetry, and an ambition to excel in refinement.
2. FABLE.—In fable, as in other fields of literature, Rome was an imitator of Greece, but nevertheless Phaedrus struck out a new line for himself, and, through his fables, became not only a moral instructor, but a political satirist. Phaedrus (fl. 16 A.D.), the originator and only author of Roman fable, though born in the reign of Augustus, wrote when the Augustan age had passed away. His works are, as it were, isolated; he had no contemporaries. Nevertheless, his solitary voice was lifted up when those of the poet, the historian, and the philosopher were silenced. The moral and political lessons conveyed in his fables were suggested by the evils of the times in which he lived. Some of them illustrate the danger of riches and the comparative safety of obscurity and poverty, in an age when the rich were marked for destruction, in order that the confiscation of their property might glut the avarice of the emperor and of his servants; others were suggested by historical events, being nevertheless satirical strictures on individuals. The style of Phaedrus is pure and classical, and combines the simple neatness and graceful elegance of the golden age with the vigor and terseness of the silver one. He has the facility of Ovid and the brevity of Tacitus. In the construction of his fables, he displays observation and ingenuity; but he is deficient in imagination. He makes his animals the vehicles of his wisdom, but he does not throw himself into them, or identify himself with them; while they look and act like animals, they talk like human beings. In this consists the great superiority of Aesop to his Roman imitator; his brutes are a superior race, but they are still brutes, and it would seem that the fabulist had lived among them as one of themselves, had adopted their mode of life, and conversed with them in their own language. In Phaedrus we have human sentiments translated into the language of beasts, while in Aesop we have beasts giving utterance to such sentiments as would be naturally theirs if they were placed in the position of men.
3. SATIRE AND EPIGRAM.—Roman satire, subsequently to Horace, is represented by Persius and Juvenal. Persius (34-62 A.D.) early attached himself to the Stoic philosophy. He was pure in mind, and free from the corrupt taint of an immoral age. Although Lucilius was, to a certain extent, his model, he does not attack vice with the biting severity of the old satirist, nor do we find in his writings the enthusiastic indignation which burns in the verses of Juvenal. His purity of mind and kindliness of heart disinclined him to portray vice in its hideous and loathsome forms, and to indulge in that bitterness of invective which the prevalent enormities of his times deserved. His uprightness and love of virtue are shown by the uncompromising severity with which he rebukes sins of not so deep a dye; and the heart which was capable of being moulded by his example, and influenced by his purity, would have shrunk from the fearful crimes which deform the pages of Juvenal. The greatest defect in Persius, as a satirist, is that the Stoic philosophy in which he was educated rendered him indifferent to the affairs of the world. His contemplative habits led him to criticise, as his favorite subjects, false taste in poetry and empty pretensions to philosophy. Horace mingled in the society of the profligate and considering them as fools, laughed their folly to scorn. Juvenal looked down upon the corruption of the age from the eminence of his virtue, and punished it like an avenging deity. Persius, pure in heart and passionless by education, while he lashes wickedness in the abstract, almost ignores its existence, and shrinks from probing to the bottom the vileness of the human heart. His works comprise six satires, all of which breathe the natural amiability and placid cheerfulness of his temper.
Juvenal flourished in the reign of Domitian, towards the close of the first century A.D., a dark period, which saw the utter moral degradation of the people, and the bloodiest tyranny and oppression on the part of their rulers. The picture of Roman manners, as painted by his glowing pencil, is truly appalling. The fabric of society was in ruins, the popular religion was rejected with scorn, and the creed of natural religion had not occupied its place. The emperors took part in public scenes of folly and profligacy, and exposed themselves as charioteers, as dancers, and as actors. Nothing was respected but wealth, nothing provoked contempt but poverty. Players and dancers had all honors and offices at their disposal; the city swarmed with informers, who made the rich their prey; every man feared his most intimate friend, and the only bond of friendship was to be an accomplice in crime. The teacher would corrupt his pupil, and the guardian defraud his ward. Crimes which cannot be named were common, and the streets of Rome were the constant scene of robbery, assault, and assassination. The morals of women were as depraved as those of men, and there was no public amusement so immoral or so cruel as not to be countenanced by their presence. In this period of moral dearth, the fountains of genius and literature were dried up. There was criticism, declamation, panegyric, and verse writing, but no oratory, history, or poetry. Juvenal, though himself not free from the declamatory affectation of the day, attacked the false literary taste of his contemporaries as unsparingly as he did their depraved morality. His sixteen satires exhibit an enlightened, truthful, and comprehensive view of Roman manners, and of the inevitable result of such depravity. The two finest of them are those which Dr. Johnson has thought worthy of imitation.
The historical value of these satires must not be forgotten. Tacitus lived in the same perilous times as Juvenal, and when they had come to an end and it was not unsafe to speak, he wrote their public history, which the poet illustrates by displaying the social and inner life of the Romans. Their works are parallel, and each forms a commentary upon the other. The style of Juvenal is vigorous and lucid; his morals were pure in the midst of a debased age, and his language shines forth in classic elegance, in the midst of specimens of declining and degenerate taste.
Juvenal closes the list of Roman satirists, properly speaking. The satirical spirit animates the piquant epigrams of his friend Martial, but their purpose is not moral or didactic. They sting the individual, and render him an object of scorn and disgust, but they do not hold up vice itself to ridicule and detestation.
Martial (43-104 A.D.) was born in Spain. He early emigrated to Rome, where he became a favorite of Titus and Domitian, and in the reign of the latter he was appointed to the office of court-poet. During thirty-five years, he lived at Rome the life of a flatterer and a dependent, and then he returned to his native town, where his death was hastened by his distaste for provincial life. Measured by the corrupt standard of morals which disgraced the age in which he lived, Martial was probably not worse than most of his contemporaries; for the fearful profligacy, which his powerful pen describes in such hideous terms, had spread through Rome its loathsome infection. Had he lived in better times, his talents might have been devoted to a purer object; as it was, no language is strong enough to denounce the impurities of his page, and his moral taste must have been thoroughly depraved not to have turned with disgust from the contemplation of such subjects. But not all his poems are of this character. Amidst some obscurity of style and want of finish, many are redolent of Greek sweetness and elegance. Here and there are pleasing descriptions of the beauties of nature, and many are kind-hearted and full of varied wit, poetical imagination, and graceful expression. To the original characteristics of the Greek epigram, Martial, more than any other poet, added that which constitutes an epigram in the modern sense of the term: pointedness either in jest or earnest, and the bitterness of personal satire.
4. DRAMATIC LITERATURE.—Dramatic literature never flourished in Rome, and still less under the empire. During this period there were not wanting some imitators of Greece in this noble branch of poetry, but their productions were rather literary than dramatic; they were poems composed in a dramatic form, intended to be read, not acted. They contain noble philosophical sentiments, lively descriptions, and passages full of tenderness and pathos, but they are deficient in dramatic effect, and positively offend against those laws of good taste which regulated the Athenian stage. In the Augustan age, a few writers attained some excellence in tragedy, at least in the opinion of ancient critics.
Under the tyrant Nero, dramatic literature reappeared, specimens of which are extant in the ten tragedies attributed to Seneca. But the genius of the author never grasps, in their wholeness, the characters which he attempts to copy; they are distorted images of the Greek originals, and the shadowy grandeur of the godlike heroes of Aeschylus stands forth in corporeal vastness, and appears childish and unnatural, like the giants of a story-book. The Greeks believed in the gods and heroes whose agency and exploits constituted the machinery of tragedy, but the Romans did not, and we cannot sympathize with them, because we see that they are insincere.
An awful belief in destiny, and the hopeless yet patient struggle of a great and good man against this all-ruling power, are the mainspring of Greek tragedy. This belief the Romans did not transfer into their imitations, but they supplied its place with the stern fatalism of the Stoics. The principle of destiny entertained by the Greek poets is a mythological, even a religious one. It is the irresistible will of God. God is at the commencement of the chain of causes and effects, by which the event is brought about which God has ordained; his inspired prophets have power to foretell, and mortals cannot resist or avoid. It is rather predestination than destiny. The fatalism of the Stoics, on the other hand, is the doctrine of practical necessity. It ignores the almighty power of the Supreme Being, and although it does not deny his existence, it strips him of his attributes as the moral governor of the universe. These doctrines, expressed equally in the writings of Seneca the philosopher, and in the tragedies attributed to him, lead to the probability, amounting almost to certainty, that he was their author. But whatever be the case in regard to their authorship, it is certain that, notwithstanding their false rhetorical taste and the absence of all ideal and creative genius, they have found many admirers and imitators in modern times. The French school of tragic poets took them for their model; Corneille evidently considered them the ideal of tragedy, and Racine servilely imitated them.
5. EPIC POETRY.—At the head of the epic poets who flourished during the Silver Age, stands Lucan (39-66 A.D.). He was born at Cordova, in Spain, and probably came to Rome when very young, where his literary reputation was soon established. But Nero, who could not bear the idea of a rival, forbade him to recite his poems, then the common mode of publication. Neither would he allow him to plead as an advocate. Smarting under this provocation, he joined in a conspiracy against the emperor's life. The plot failed, but Lucan was pardoned on condition of pointing out his confederates, and in the vain hope of saving himself from the monster's vengeance, he actually impeached his mother. This noble woman was incapable of treason. Tacitus says, "the scourge, the flames, the rage of the executioners who tortured her the more savagely, lest they should be scorned by a woman, were powerless to extort a false confession." Lucan never received the reward which he purchased by treachery. When the warrant for his death was issued, he caused his veins to be cut asunder, and expired in the twenty-seventh year of his age.
The only one of his works which survives is the "Pharsalia," an epic poem on the subject of the civil war between Caesar and Pompey. It bears evident marks of having been left unfinished; it has great faults and at the same time great beauties. The sentiments contained in this poem breathe a love of freedom and an attachment to the old Roman republicanism. Its subject is a noble one, full of historic interest, and it is treated with spirit, brilliancy, and animation. The characters of Caesar and Pompey are masterpieces; but while some passages are scarcely inferior to any written by the best Latin poets, others have neither the dignity of prose, nor the melody of poetry. Description forms the principal feature in the poetry of Lucan; in fact, it constitutes one of the characteristic features of Roman literature in its decline, because poetry had become more than ever an art, and the epoch one of erudition.
Silius Italicus (fl. 54 A.D.) was the favorite and intimate of two emperors, Nero and Vitellius. He left a poem, the "Punica," which contains the history in heroic verse of the second Punic war. The Aeneid of Virgil was his model, and the narrative of Livy furnished his materials. It is considered the dullest and most tedious poem in the Latin language though its versification is harmonious, and will often, in point of smoothness, bear comparison with that of Virgil.
Valerius Flaccus flourished in the reign of Vespasian. He is author of the "Argonautica," an imitation and in some parts a translation of the Greek poem of Apollonius Rhodius on the same subject. He evidently did not live to complete his original design. In the Argonautica there are no glaring faults or blemishes, but there is also no genius, no inspiration. He has some talents as a descriptive poet; his versification is harmonious and his style graceful.
P. Statius (61-95 A.D.) was the author of the Silviae, Thebaid, and Achilleid. The "Silviae" are the rude materials of thought springing up spontaneously in all their wild luxuriance, from the rich, natural soil of the imagination of the poet. The subject of the "Thebaid" is the ancient Greek legend respecting the war of the Seven against Thebes, and the "Achilleid" was intended to embrace all the exploits of Achilles, but only two books were completed. The poems of Statius contain many poetical incidents, which might stand by themselves as perfect fugitive pieces. In these we see his natural and unaffected elegance, his harmonious ear, and the truthfulness of his perceptions. But, as an epic poet, he has neither grasp of mind nor vigor of conception; his imaginary heroes do not inspire and warm his imagination; and his genius was unable to rise to the highest departments of art.
6. HISTORY.—For the reasons already stated, Rome for a long period could boast of no historian; the perilous nature of the times, and the personal obligations under which learned men frequently were to the emperors, rendered contemporary history a means of adulation and servility. To this class of historians belongs Paterculus (fl. 30 A.D.), who wrote a history of Rome which is partial, prejudiced, and adulatory. He was a man of lively talents, and his taste was formed after the model of Sallust, of whom he was an imitator. His style is often overstrained and unnatural.
Under the genial and fostering influence of the Emperor Trajan, the fine arts, especially architecture, flourished, and literature revived. The same taste and execution which are visible in the bas-reliefs on the column of Trajan adorn the literature of his age as illustrated by its two great lights, Tacitus and the younger Pliny. There is not the rich, graceful manner which invests with such a charm the writers of the Golden Age, but the absence of these qualities is amply compensated by dignity, gravity, and honesty. Truthfulness beams throughout the writings of these two great contemporaries, and incorruptible virtue is as visible in the pages of Tacitus as benevolence and tenderness are in the letters of Pliny. They mutually influenced each other's characters and principles; their tastes and pursuits were similar; they loved each other dearly, corresponded regularly, corrected each other's works, and accepted patiently and gratefully each other's criticism.
Tacitus (60-135 A.D.) was of equestrian rank, and served in several important offices of the empire. His works now extant are a life of his father-in-law, Agricola, a tract on the manners and nations of the Germans, a small portion of a voluminous work entitled "Histories," about two thirds of another historical work, entitled "Annals," and a dialogue on the decline of eloquence. The life of Agricola, though a panegyric rather than a biography, is a beautiful specimen of the vigor and force of expression with which this greatest painter of antiquity could throw off any portrait which he attempted. Even if the likeness be somewhat flattered, the qualities which the writer possessed, his insight into character, his pathetic power, and his affectionate heart, render this short piece one of the most attractive biographies extant. The treatise on the "Geography, Manners, and Nations of Germany," though containing geographical descriptions often vague and inaccurate, and accounts evidently founded on mere tales of travelers, bears the impress of truth in the salient points and characteristic features of the national manners and institutions of Teutonic nations. The "Histories," his earliest historical work, of which only four books and a portion of the fifth are extant, extended from the year 69 to 96 A.D., and it was his intention to include the reigns of Nero and Trajan. In this work he proposed to investigate the political state of the commonwealth, the feeling of its armies, the sentiments of its provinces, the elements of its strength and weakness, and the causes and reasons for each historical phenomenon. The principal fault which diminishes the value of his history as a record of events is his too great readiness to accept evidence unhesitatingly, and to record popular rumors without taking sufficient pains to examine into their truth. His incorrect account of the history, constitution, and manners of the Jewish people is one among the few instances of this fault, scattered over a vast field of faithful history. The "Annals" consist of sixteen books; they begin with the death of Augustus, and conclude with that of Nero (14-68 A.D.). The object of Tacitus was to describe the influence which the establishment of tyranny on the ruins of liberty exercised for good or for evil in bringing out the character of the individual. In the extinction of freedom there still existed in Rome bright examples of heroism and courage, and instances not less prominent of corruption and degradation. In the annals of Tacitus these individuals stand out in bold relief, either singly or in groups upon the stage, while the emperor forms the principal figure, and the moral sense of the reader is awakened to admire instances of patient suffering and determined bravery, or to witness abject slavery and remorseless despotism.
Full of sagacious observation and descriptive power, Tacitus engages the most serious attention of the reader by the gravity of his condensed and comprehensive style, as he does by the wisdom and dignity of his reflections. Living amidst the influences of a corrupt age, he was uncontaminated. By his virtue and integrity, and his chastened political liberality, he commands our admiration as a man, while his love of truth is reflected in his character as a historian. In his style, the form is always subordinate to the matter; his sentences are suggestive of far more than they express, and his brevity is enlivened by copiousness, variety, and poetry; his language is highly figurative; his descriptions of scenery and incidents are eminently picturesque, his characters dramatic, and the expression of his own sentiments almost lyrical.
Suetonius was born about 69 A.D. His principal extant works are the "Lives of the Twelve Caesars," "Notices of Illustrious Grammarians and Rhetoricians," and the Lives of the Poets Terence, Horace, Persius, Lucan, and Juvenal. The use which he makes of historical documents proves that he was a man of diligent research, and, as a biographer, industrious and careful. He indulges neither in ornament of style nor in romantic exaggeration. The pictures which he draws of some of the Caesars are indeed terrible, but they are fully supported by the contemporary authority of Juvenal and Tacitus. As a historian, Suetonius had not that comprehensive and philosophical mind which would qualify him for taking an enlarged view of his subject; he has no definite plan or method, and wanders at will from one subject to another just as the idea seizes him.
Curtius is considered by some writers as belonging to the Silver Age, and by others to a later period. His biography of Alexander the Great is deeply interesting. It is a romance rather than a history. He never loses an opportunity, by the coloring which he gives to historical facts, of elevating the Macedonian conqueror to a super-human standard. His florid and ornamented style is suitable to the imaginary orations which are introduced in the narrative, and which constitute the most striking portions of the work.
Valerius Maximus flourished during the reign of Tiberius. His work is a collection of anecdotes entitled "Memorable Sayings and Deeds," the object of which was to illustrate by examples the beauty of virtue and the deformity of vice. The style is prolix and declamatory, and characterized by awkward affectation and involved obscurity.
7. RHETORIC AND ELOQUENCE.—Under the empire, schools of rhetoric were multiplied, as harmless as tyranny could desire. In these the Roman youth learned the means by which the absence of natural endowments could be compensated. The students composed their speeches according to the rules of rhetoric; they were then corrected, committed to memory, and recited, partly with a view to practice, partly in order to amuse an admiring audience. Nor were these declamations confined to mere students. Public recitations had, since the days of Juvenal, been one of the crying nuisances of the times. Seneca, the father of the philosopher of the same name, a famous rhetorician himself, left two works containing a series of exercises in oratory, which show the hollow and artificial system of those schools. He was born in Cordova in Spain (61 A.D.), and as a professional rhetorician amassed a considerable fortune.
Quintilian (40-118 A.D.) was the most distinguished teacher of rhetoric of this age. He attempted to restore a purer and more classical taste, but, although to a certain extent he was successful, the effect which he produced was only temporary. For the instruction of his elder son he wrote his great work, "Institutes of Oratory," a complete system of instruction in the art of oratory; and in it he shows himself far superior to Cicero as a teacher, though he was inferior to him as an orator.
His work is divided into twelve books, in which he traces the progress of the orator from the very cradle until he arrives at perfection. In this monument of his taste and genius he fully and completely exhausted the subject, and left a text-book of the science and art of nations, as well as a masterly sketch of the eloquence of antiquity.
The disposition of Quintilian was as affectionate and tender as his genius was brilliant and his taste pure; few passages throughout the whole range of Latin literature can be compared to that in which he mourns the loss of his wife and children. It is the touching eloquence of one who could not write otherwise than gracefully.
Among the pupils of Quintilian, Pliny the younger took the highest place in the literature of his age. He was born in Como, 61 A.D., and adopted and educated by his maternal uncle, the elder Pliny. He attained great celebrity as a pleader, and stood high in favor with the emperor. His works consist of a panegyric on Trajan, and a collection of letters in ten books. The panegyric is a piece of courtly flattery in accordance with the cringing and fawning manners of the times. The letters are very valuable, not only for the insight which they give into his own character, but also into the manners and modes of thought of his illustrious contemporaries, as well as the politics of the day. For liveliness, descriptive power, elegance, and simplicity of style, they are scarcely inferior to those of Cicero, whom he evidently took for his model. These letters show how accurate and judicious was the mind of Pliny, how prudent his administration in the high offices which he filled under the reign of Trajan, and how refined his taste for the beautiful. The tenth book, which consists of the letters to Trajan, together with the emperor's rescripts, will be read with the greatest interest. The following passages from his dispatch respecting the Christians, written while he was procurator of the province of Bithynia, and the emperor's answer, are worthy of being transcribed, both because reference is so often made to them, and because they throw light upon the marvelous and rapid propagation of the gospel, the manners of the early Christians, the treatment to which their constancy exposed them, and the severe jealousy with which they were regarded:—
"It is my constant practice, sire, to refer to you all subjects on which I entertain doubt. For who is better able to direct my hesitation, or to instruct my ignorance? I have never been present at the trials of Christians, and, therefore, I do not know in what way, or to what extent it is usual to question or to punish them. I have also felt no small difficulty in deciding whether age should make any difference, or whether those of the tenderest and those of mature years should be treated alike; whether pardon should be accorded to repentance, or whether, where a man has once been a Christian, recantation should profit him; whether, if the name of Christian does not imply criminality, still the crimes peculiarly belonging to the name should be punished. Meanwhile, in the case of those against whom informations have been laid before me, I have pursued the following line of conduct: I have put to them, personally, the question whether they were Christians. If they confessed, I interrogated them a second and third time, and threatened them with punishment. If they still persevered, I ordered their commitment; for I had no doubt whatever, that whatever they confessed, at any rate, dogged and inflexible obstinacy deserved to be punished. There were others who displayed similar madness; but, as they were Roman citizens, I ordered them to be sent back to the city. Soon, persecution itself, as is generally the case, caused the crime to spread, and it appeared in new forms. An anonymous information was laid against a large number of persons, but they deny that they are, or ever have been, Christians. As they invoked the gods, repeating the form after me, and offered prayer with incense and wine, to your image, which I had ordered to be brought together with those of the deities, and besides, cursed Christ, while those who are true Christians, it is said, cannot be compelled to do any one of these things, I thought it right to set them at liberty. Others, when accused by an informer, confessed that they were Christians, and soon after denied the fact. They said they had been, but had ceased to be, some three, some more, not a few even twenty years previously. All these worshiped your image and those of the gods, and cursed Christ. But they affirmed that the sum-total of their fault, or their error, was that they were accustomed to assemble on a fixed day, before dawn, and sing an antiphonal hymn to Christ as God; that they bound themselves by an oath, not to the commission of any wickedness, but to abstain from theft, robbery, and adultery; never to break a promise, or to deny a deposit, when it was demanded back. When these ceremonies were concluded, it was their custom to depart, and again assemble together to take food harmlessly and in common. That after my proclamation, in which, in obedience to your command, I had forbidden associations, they had desisted from this practice. For these reasons, I the more thought it necessary to investigate the real truth, by putting to the torture two maidens who were called deaconesses; but I discovered nothing, but a perverse and excessive superstition. I have, therefore, deferred taking cognizance of the matter until I had consulted you; for it seemed to me a case requiring advice, especially on account of the number of those in peril. For many of every age, sex, and rank are, and will continue to be called in question. The infection, in fact, has spread not only through the cities, but also through the villages and open country; but it seems that its progress can be arrested. At any rate, it is clear that the temples, which were almost deserted, begin to be frequented; and solemn sacrifices, which had been long intermitted, are again performed, and victims are being sold everywhere, for which, up to this time, a purchaser could rarely be found. It is, therefore, easy to conceive that crowds might be reclaimed, if an opportunity for repentance were given."
Trajan to Pliny: "In sifting the cases of those who have been indicted on the charge of Christianity, you have adopted, my dear Secundus, the right course of proceeding; for no certain rule can be laid down which will meet all cases. They must not be sought after, but if they are informed against, and convicted, they must be punished; with this proviso, however, that if any deny that he is a Christian, and proves the point by offering prayers to our deities, notwithstanding the suspicions under which he has labored, he shall be pardoned on his repentance. On no account should any anonymous charges be attended to, for it would be the worst possible precedent, and is inconsistent with the habits of our time."
8. PHILOSOPHY AND SCIENCE.—Philosophy, and particularly moral philosophy, became a necessary study at this time, when the popular religion had lost its influence. In the general ruin of public and private morals, virtuous men found in this science a guide in the dangers by which they were continually threatened, and a consolation in all their sorrows. The Stoic among the other schools met with most favor from this class of men, for it offered better security against the evils of life, and taught men how to take shelter from baseness and profligacy under the influence of virtue and courage. The doctrines of the Stoics suited the rigid sternness of the Roman character. They embodied that spirit of self-devotion and self- denial with which the Roman patriot, in the old times of simple republican virtue, threw himself into his public duties, and they enabled him to meet death with a courageous spirit in this degenerate age, in which many of the best and noblest willingly died by their own hands, at the imperial mandate, in order to save their name from infamy, and their inheritance from confiscation.
Seneca, (12-69 A.D.), a native of Cordova in Spain, was the greatest philosopher of this age. He early displayed great talent as a pleader, but in the reign of Claudius he was banished to Corsica, where he solaced his exile with the study of the Stoic philosophy; and though its severe precepts exercised no moral influence on his conduct, he not only professed himself a Stoic, but imagined that he was one. A few years after, he was recalled by Agrippina, to become tutor to her son Nero. He was too unscrupulous a man of the world to attempt the correction of the vicious propensities of his pupil, or to instill into him high principles. After the accession of Nero, he endeavored to arrest his depraved career, but it was too late. Seneca had, by usury and legacy-hunting, amassed one of those large fortunes of which so many instances are met with in Roman history; feeling the dangers of wealth, he offered his property to Nero, who refused it, but resolved to rid himself of his former tutor, and easily found a pretext for his destruction. In adversity the character of Seneca shone with brighter lustre. Though he had lived ill, he could die well. He met the messengers of death without trembling. His noble wife, Paulina, determined to die with him. The veins of both were opened at the same time, but the little blood which remained in his emaciated frame refused to flow. He suffered excruciating agony. A warm bath was tried, but in vain; and a draught of poison was equally ineffectual. At last he was suffocated by the vapor of a stove.
Seneca lived in a perilous atmosphere. He had not firmness to act up to the high moral standard which he proposed to himself. He was avaricious, but avarice was the great sin of his times. The education of one who was a brute rather than a man was a task to which no one would have been equal; he therefore retained the influence which he had not the uprightness to command, by miserable and sinful expedients. He had great abilities, and some of the noble qualities of the old Romans; and had he lived in the days of the republic, he would have been a great man.
Seneca was the author of twelve ethical treatises, the best of which are entitled, "On Providence," "On Consolation," and "On the Perseverance of Wise Men." He cared little for abstract speculation, and delighted to inculcate precepts rather than to investigate principles. He was always a favorite with Christian writers, and some of his sentiments are truly Christian. There is even a tradition that he was acquainted with St. Paul. He may unconsciously have imbibed some of the principles of Christianity. The gospel had already made great and rapid strides over the civilized world, and thoughtful minds may have been enlightened by some of the rays of divine truth dispersed by the moral atmosphere, just as we are benefited by the light of the sun, even when its disk is obscured by clouds. His epistles, of which there are one hundred and twenty-four, are moral essays, and are the most delightful of his works. They are evidently written for the public eye; they are rich in varied thought, and their reflections flow naturally, and without effort. They contain a free and unconstrained picture of his mind, and we see in them how he despised verbal subtleties, the external badges of a sect or creed, and insisted that the great end of science is to learn how to live and how to die. The style of Seneca is too elaborate to please. It is affected, often florid, and bombastic; there is too much sparkle and glitter, too little repose and simplicity.
Pliny the elder (A.D. 23-79) was born probably at Como, the family residence. He was educated at Rome, where he practiced at the bar, and filled different civil offices. He perished a martyr to the cause of science, in the eruption of Vesuvius, which took place in the reign of Titus, the first of which there is any record in history. The circumstances of his death are described by his nephew, Pliny the younger, in two letters to Tacitus. He was at Misenum, in command of the fleet, when, observing the first indications of the eruption, and wishing to investigate it more closely, he fitted out a light galley, and sailed towards the villa of a friend at Stabiae. He found his friend in great alarm, but Pliny remained tranquil and retired to rest. Meanwhile, broad flames burst forth from the volcano, the blaze was reflected from the sky, and the brightness was enhanced by the darkness of the night. Repeated shocks of an earthquake made the houses rock to and fro, while in the air the fall of half burnt pumice-stones menaced danger. He was awakened, and he and his friend, with their attendants, tied cushions over their heads to protect them from the falling stones, and walked out to see if they might venture on the water. It was now day, but the darkness was denser than the darkest night, the sea was a waste of stormy waters, and when at last the flames and the sulphureous smell could no longer be endured, Pliny fell dead, suffocated by the dense vapor.
The natural history of Pliny is an unequaled monument of studious diligence and persevering industry. It consists of thirty-seven books, and contains 20,000 facts (as he believed them to be) connected with nature and art, the result not of original research, but, as he honestly confessed, culled from the labors of other men.
Owing to the extent of his reading, his love of the marvelous, and his want of judgment in comparing and selecting, he does not present us with a correct view of the science of his own age. He reproduces errors evidently obsolete and inconsistent with facts and theories which had afterwards replaced them. With him, mythological traditions appeared to have almost the same authority as modern discoveries; the earth teems with monsters, not exceptions to the regular order of nature, but specimens of her ingenuity. His peculiar pantheistic belief prepared him to consider nothing incredible, and his temper inclined him to admit all that was credible as true.
He tells us of men whose feet were turned backwards, of others whose feet were so large as to shade them when they lay in the sun; others without mouths, who fed on the fragrance of fruits and flowers. Among the lower animals, he enumerates horned horses furnished with wings; the mantichora, with the face of a man, three rows of teeth, a lion's body, and a scorpion's tail; the basilisk, whose very glance is fatal; and an insect which cannot live except in the midst of the flames. But notwithstanding his credulity and his want of judgment, this elaborate work contains many valuable truths and much entertaining information. The prevailing character of his philosophical belief, though tinctured with the stoicism of the day, is querulous and melancholy. Believing that nature is an all- powerful principle, and the universe instinct with deity, he saw more of evil than of good in the divine dispensation, and the result was a gloomy and discontented pantheism.
Celsus probably lived in the reign of Tiberius. He was the author of many works, on various subjects, of which one, in eight books, on medicine, is now extant. The independence of his views, the practical, as well as the scientific nature of his instructions, and above all, his knowledge of surgery, and his clear exposition of surgical operations, have given his work great authority; the highest testimony is borne to its merits by the fact of its being used as a text-book, even in the present advanced state of medical science. The taste of the age in which he lived turned his attention also to polite literature, and to that may be ascribed the Augustan purity of his style.
Pomponius Mela lived in the reign of Claudius. He is considered as the representative of the Roman geographers. Though his book, "The Place of the World," is but an epitome of former treatises, it is interesting for the simplicity of its style and the purity of its language.
Columella flourished in the reigns of Claudius and Nero. He is author of an agricultural work, "De Re Rustica," in which he gives, in smooth and fluent, though somewhat too diffuse a style, the fullest and completest information on practical agriculture among the Romans in the first century of the Christian era.
Frontinus (fl. 78 A.D.) left two valuable works, one on military tactics, the other a descriptive architectural treatise on those wonderful monuments of Roman art, the aqueducts. Besides these, there are extant fragments of other works on surveying, and on the laws and customs relating to landed property, which assign Frontinus an important place in the estimation of the students of Roman history.
9. ROMAN LITERATURE FROM HADRIAN TO THEODORIC (138-526 A.D.).—From the death of Augustus, Roman literature had gradually declined, and though it shone forth for a time with classic radiance in the writings of Persius, Juvenal, Quintilian, Tacitus, and the Plinies, with the death of freedom, the extinction of patriotism, and the decay of the national spirit, nothing could avert its fall. Poetry had become declamation; history had degenerated either into fulsome panegyric or the fleshless skeletons of epitomes; and at length the Romans seemed to disdain the use of their native tongue, and wrote again in Greek, as they had in the infancy of the national literature. The Emperor Hadrian resided long at Athens, and became imbued with a taste and admiration for Greek; and thus the literature of Rome became Hellenized. From this epoch the term classical can no longer be applied to it, for it no longer retained its purity. To Greek influence succeeded the still more corrupting one of foreign nations. With the death of Nerva, the uninterrupted succession of emperors of Roman or Italian birth ceased. Trajan himself was a Spaniard, and after him not only foreigners of every European race, but even Orientals and Africans were invested with the imperial purple, and the huge empire over which they ruled was one unwieldy mass of heterogeneous materials. The literary influence of the capital was not felt in the interior portions of the Roman dominions. Schools were established in the very heart of nations just emerging from barbarism; and though the blessings of civilization and intellectual culture were thus distributed far and wide, still literary taste, as it flowed through the minds of foreigners, became corrupted, and the language of the imperial city, exposed to the infecting contact of barbarous idioms, lost its purity.
The Latin authors of this age were numerous, but few had taste to appreciate and imitate the literature of the Augustan age. They may be classified according to their departments of poetry, history, grammar and oratory, philosophy and science.
The brightest star of the poetry of this period was Claudian (365-404 A.D.), in whom the graceful imagination of classical antiquity seems to have revived. He enjoyed the patronage of Stilicho, the guardian and minister of Honorius, and in the praise and honor of him and of his pupil, he wrote "The Rape of Proserpine," the "War of the Giants," and several other poems.
His descriptions indicate a rich and powerful imagination, but, neglecting substance for form, his style is often declamatory and affected. Among the earliest authors of Christian hymns were Hilarius and Prudentius, Those of the former were expressly designed to be sung, and are said to have been set to music by the author himself. Prudentius (fl. 348 A.D.) wrote many hymns and poems in defense of the Christian faith, more distinguished for their pious and devotional character than for their lyric sublimity or parity of language. To this age belong also the hymns of Damasus and of Ambrose.
Among the historians are Flavius Eutropius, who lived in the fourth century, and by the direction of the Emperor Valens composed an "Epitome of Roman History," which was a favorite book in the Middle Ages. Ammianus Marcellinus, his contemporary, wrote a Roman history in continuation of Tacitus and Suetonius. Though his style is affected and often rough and inaccurate, his work is interesting for its digressions and observations. Severus Sulpicius wrote the history of the Hebrews, and of the four centuries of the church. His "Sacred History," for its language and style, is one of the best works of that age.
In the department of oratory may be mentioned Cornelius Fronto, who flourished under Domitian and Nerva, and was endowed with a rich imagination and a mind stored with vast erudition in Greek and Latin literature, Symmachus, distinguished for his opposition to Christianity, and Cassiodorus, minister and secretary of the Emperor Theodoric.
In the decline of Roman, as of Greek literature, grammarians took the place of poets and of historians; they commented on and interpreted the ancient classics, and transmitted to us valuable information concerning the Augustan writers. Among the most important works of this kind are the "Attic Nights" of Gellius, who was born in Rome, and lived under Hadrian and the Antonines. In this work are preserved many valuable passages of the classics which would otherwise have been lost. Macrobius, who flourished in the middle of the fifth century, was the author of different works in which the doctrines of the Neo-Platonic school are expounded. His style, however, is very defective.
A striking characteristic of the writings, both in Greek and Latin, of the last ages of the empire, is the prevalence of principles and opinions imported from the East. The Neo-Platonic school, imbued with Oriental mysticism, had diffused the belief in spirits and magic, and the philosophy of this age was a mixture of ancient wisdom with new superstitions belonging to the ages of transition between the decadence of the ancient faith and the development of a new religion. The best representative of the philosophy of this age is Apuleius, born in Africa in the reign of Hadrian. After having received his education in Carthage and Athens, he came to Rome, where he acquired great reputation as a literary man, and as the possessor of extraordinary supernatural powers. To this extensive philosophical knowledge and immense erudition he united great polish of manner and remarkable beauty of person. He wrote much on philosophy; but his most important work is a romance known as "Metamorphoses, or the Golden Ass," containing his philosophical and mystic doctrines. In this book, the object of which is to encourage the belief in mysticism, the writer describes the transformation of a young man into an ass, who is allowed to take his primitive human form only through a knowledge of the mysteries of Isis. The story is well told, and the romance is full of interest and sprightliness; but its style is incorrect, florid, and bombastic.
Boethius (470-524), the last of the Roman philosophers, was the descendant of an illustrious family. He made Greek philosophy the principal object of his meditations. He was raised to the highest honors and offices in the empire by Theodoric, but finally, through the artifices of enemies who envied his reputation, he lost the favor of his patron, was imprisoned, and at length beheaded. Of his numerous works, founded on the peripatetic philosophy, that which has gained him the greatest celebrity is entitled "On the Consolations of Philosophy," composed while he was in prison. It is in the form of a dialogue, in which philosophy appears to console him with the idea of Divine Providence. The poetical part of the book is written with elegance and grace, and his prose, though not pure, is fluent and full of tranquil dignity. The work of Boethius, which is known in all modern languages, was translated into Anglo-Saxon by King Alfred, 900 A.D.
The fathers of the church followed more particularly the philosophy of Plato, which was united and adapted to Christianity. St. Augustine is the most illustrious among the Christian Platonists.
The most eloquent orators and writers of this period were found among the advocates of Christianity; and among the most celebrated of these Latin fathers of the Christian church we may mention the following names. Tertullian (160-285), in his apology for the Christians, gives much information on the manners and conduct of the early Christians; his style is concise and figurative, but harsh, unpolished, and obscure. St. Cyprian (200-258), beheaded at Carthage for preaching the gospel contrary to the orders of the government, wrote an explanation of the Lord's Prayer, which affords a valuable illustration of the ecclesiastical history of the time. Arnobius (fl. 300) refuted the objections of the heathen against Christianity with spirit and learning, in his "Disputes with the Gentiles," a work rich in materials for the understanding of Greek and Roman mythology. Lactantius (d. 335), on account of his fine and eloquent language, is frequently called the Christian Cicero; his "Divine Institutes" are particularly celebrated. St. Ambrose (340-397) obtained great honor by his conduct as Bishop of Milan, and his writings bear the stamp of his high Christian character. St. Augustine (360-430) was one of the most renowned of all the Latin fathers. Though others may have been more learned or masters of a purer style, none more powerfully touched and warmed the heart towards religion. His "City of God" is one of the great monuments of human genius. St. Jerome (330-420) wrote many epistles full of energy and affection, as well as of religious zeal. He made a Latin version of the Old Testament, which was the foundation of the Vulgate, and which gave a new impulse to the study of the Holy Scriptures. Leo the Great (fl. 440) is the first pope whose writings have been preserved. They consist of sermons and letters. His style is finished and rhetorical.
10. ROMAN JURISPRUDENCE.—In the period which followed, from the death of Augustus to the time of the Antonines, Roman civilians and legal writers continued to be numerous, and as a professional body they seem to have enjoyed high consideration until the close of the reign of Alexander Severus, 385* A.D. After that time they were held in much less estimation, as the science fell into the hands of freedmen and plebeians, who practiced it as a sordid and pernicious trade. With the reign of Constantine, the credit of the profession revived, and the youth of the empire were stimulated to pursue the study of the law by the hope of being ultimately rewarded by honorable and lucrative offices, the magistrates being almost wholly taken from the class of lawyers. Two jurists of this reign, Gregorianus and Hermogenianus, are particularly distinguished as authors of codes which are known by their names, and which were recognized as standard authorities in courts of justice. The "Code of Theodosius" was a collection of laws reduced by that emperor, and promulgated in both empires 438 A.D. It retained its authority in the western empire until its final overthrow, 476 A.D., and even after this, though modified by the institutions of the conquerors. In the eastern empire, it was only superseded by the code of Justinian. This emperor undertook the task of reducing to order and system the great confusion and perplexity in which the whole subject of Roman jurisprudence was involved. For this purpose he employed the most eminent lawyers, with the celebrated Tribonian at their head, to whom he intrusted the work of forming and publishing a complete collection of the preceding laws and edicts, and who devoted several years of unwearied labor and research to this object. They first collected and reduced the imperial constitutions from the time of Hadrian downwards, which was promulgated as the "Justinian Code." Their next labor was to reduce the writings of the jurisconsults of the preceding ages, especially those who had lived under the empire, and whose works are said to have amounted to two thousand volumes. This work was published 533 A.D., under the title of "Pandects," or "Digest," the former title referring to their completeness as comprehending the whole of Roman jurisprudence, and the latter to their methodical arrangement. At the same time, a work prepared by Tribonian was published by the order of the emperor, on the elements or first principles of Roman law, entitled "Institutes," and another collection consisting of constitutions and edicts, under the title of "Novels," chiefly written in Greek, but known to the moderns by a Latin translation. These four works, the Code, the Pandects, the Institutes, and the Novels, constituted what is now called the Body of Roman Law.
The system of jurisprudence established by Justinian remained in force in the eastern empire until the taking of Constantinople, 1453 A.D. After the fall of the western empire, these laws had little sway until the twelfth century, when Irnerius, a German lawyer who had studied at Constantinople, opened a school at Bologna, and thus revived and propagated in the West a knowledge of Roman civil law. Students flocked to this school from all parts, and by them Roman jurisprudence, as embodied in the system of Justinian, was transmitted to most of the countries of Europe.
During the fourth and fifth centuries, the process of the debasement of the Roman tongue went on with great rapidity. The influence of the provincials began what the irruptions of the northern tribes consummated. In many scattered parts of the empire it is probable that separate Latin dialects arose, and the strain upon the whole structure of the tongue was prodigious, when the Goths poured into Italy, established themselves in the capital, and began to speak and write in a language previously foreign to them. With the close of the reign of Theodoric the curtain falls upon ancient literature.