JOY AND SORROW.
Joy and sorrow are undoubtedly the mirror, in which not only is the character of a people clearly reflected, but which likewise offers the most faithful image of their manners and customs. In joy and sorrow every sign of dissimulation vanishes, man shows himself in his true colours, and the lights and shades of his temperament become at once apparent; for, in any matter of real feeling, it is vain to try to speak and act differently to the dictates of this potent voice within us. And nowhere is a better opportunity offered for studying the various features of joy and sorrow, than at a birth, marriage, and death,—those three stages in the great family of mankind. The main outlines are no doubt everywhere the same, but in the colouring and composition a variety is produced, not found even among civilized nations. Ethnography has frequently thrown light on this subject in different parts of the world; but we must confess that Central Asia in this respect is wrapt in considerable obscurity. To attempt to dispel this darkness may therefore not be deemed superfluous; and, the savage Polynesian and Central African having resisted vainly the spirit of inquiry, we will in like manner raise the veil from the rude and suspicious Œzbeg. It is a first attempt, and consequently a feeble one.