IV
One evening—it was precisely the first of June—when a thunderstorm was blowing up from the south-west, and scattering the smoke of the Five Towns to the four corners of the world, and making the weathercock of the house of the Ebags creak, the ladies Ebag and Carl Ullman sat together as usual in the drawing-room. The French window was open, but banged to at intervals. Carl Ullman had played the piano and the ladies Ebag—Mrs Ebag, somewhat comfortably stout and Miss Ebag spare—were talking very well and sensibly about the influence of music on character. They invariably chose such subjects for conversation. Carl was chiefly silent, but now and then, after a sip of whisky, he would say "Yes" with impressiveness and stare gloomily out of the darkening window. The ladies Ebag had a remarkable example of the influence of music on character in the person of Edith Ebag. It appeared that Edith would never play anything but waltzes—Waldteufel's for choice—and that the foolish frivolity of her flyaway character was a direct consequence of this habit. Carl felt sadly glad, after hearing the description of Edith's carryings-on, that Edith had chosen to live far away.
And then the conversation languished and died with the daylight, and a certain self-consciousness obscured the social atmosphere. For a vague rumour of the chatter of the town had penetrated the house, and the ladies Ebag, though they scorned chatter, were affected by it; Carl Ullman, too. It had the customary effect of such chatter; it fixed the thoughts of those chatted about on matters which perhaps would not otherwise have occupied their attention.
The ladies Ebag said to themselves: "We are no longer aged nineteen. We are moreover living with our father. If he is bedridden, what then? This gossip connecting our names with that of Mr Ullman is worse than baseless; it is preposterous. We assert positively that we have no designs of any kind on Mr Ullman."
Nevertheless, by dint of thinking about that gossip, the naked idea of a marriage with Mr Ullman soon ceased to shock them. They could gaze at it without going into hysterics.
As for Carl, he often meditated upon his own age, which might have been anything between thirty and forty-five, and upon the mysterious ages of the ladies, and upon their goodness, their charm, their seriousness, their intelligence and their sympathy with himself.
Hence the self-consciousness in the gloaming.
To create a diversion Miss Ebag walked primly to the window and cried:
"Goldie! Goldie!"
It was Goldie's bedtime. In summer he always strolled into the garden after dinner, and he nearly always sensibly responded to the call when his bed-hour sounded. No one would have dreamed of retiring until Goldie was safely ensconced in his large basket under the stairs.
"Naughty Goldie!" Miss Ebag said, comprehensively, to the garden.
She went into the garden to search, and Mrs Ebag followed her, and Carl Ullman followed Mrs Ebag. And they searched without result, until it was black night and the threatening storm at last fell. The vision of Goldie out in that storm desolated the ladies, and Carl Ullman displayed the nicest feeling. At length the rain drove them in and they stood in the drawing-room with anxious faces, while two servants, under directions from Carl, searched the house for Goldie.
"If you please'm," stammered the housemaid, rushing rather unconventionally into the drawing-room, "cook says she thinks Goldie must be on the roof, in the vane."
"On the roof in the vane?" exclaimed Mrs Ebag, pale. "In the vane?"
"Yes'm."
"Whatever do you mean, Sarah?" asked Miss Ebag, even paler.
The ladies Ebag were utterly convinced that Goldie was not like other cats, that he never went on the roof, that he never had any wish to do anything that was not in the strictest sense gentlemanly and correct. And if by chance he did go on the roof, it was merely to examine the roof itself, or to enjoy the view therefrom out of gentlemanly curiosity. So that this reference to the roof shocked them. The night did not favour the theory of view-gazing.
"Cook says she heard the weather-vane creaking ever since she went upstairs after dinner, and now it's stopped; and she can hear Goldie a-myowling like anything."
"Is cook in her attic?" asked Mrs Ebag.
"Yes'm."
"Ask her to come out. Mr Ullman, will you be so very good as to come upstairs and investigate?"
Cook, enveloped in a cloak, stood out on the second landing, while Mr Ullman and the ladies invaded her chamber. The noise of myowling was terrible. Mr Ullman opened the dormer window, and the rain burst in, together with a fury of myowling. But he did not care. It lightened and thundered. But he did not care. He procured a chair of cook's and put it under the window and stood on it, with his back to the window, and twisted forth his body so that he could spy up the roof. The ladies protested that he would be wet through, but he paid no heed to them.
Then his head, dripping, returned into the room. "I've just seen by a flash of lightning," he said in a voice of emotion. "The poor animal has got his tail fast in the socket of the weather-vane. He must have been whisking it about up there, and the vane turned and caught it. The vane is jammed."
"How dreadful!" said Mrs Ebag. "Whatever can be done?"
"He'll be dead before morning," sobbed Miss Ebag.
"I shall climb up the roof and release him," said Carl Ullman, gravely.
They forbade him to do so. Then they implored him to refrain. But he was adamant. And in their supplications there was a note of insincerity, for their hearts bled for Goldie, and, further, they were not altogether unwilling that Carl should prove himself a hero. And so, amid apprehensive feminine cries of the acuteness of his danger, Carl crawled out of the window and faced the thunder, the lightning, the rain, the slippery roof, and the maddened cat. A group of three servants were huddled outside the attic door.
In the attic the ladies could hear his movements on the roof, moving higher and higher. The suspense was extreme. Then there was silence; even the myowling had ceased. Then a clap of thunder; and then, after that, a terrific clatter on the roof, a bounding downwards as of a great stone, a curse, a horrid pause, and finally a terrific smashing of foliage and cracking of wood.
Mrs Ebag sprang to the window.
"It's all right," came a calm, gloomy voice from below. "I fell into the rhododendrons, and Goldie followed me. I'm not hurt, thank goodness! Just my luck!"
A bell rang imperiously. It was the paralytic's bell. He had been disturbed by these unaccustomed phenomena.
"Sister, do go to father at once," said Mrs Ebag, as they both hastened downstairs in a state of emotion, assuredly unique in their lives.