§ 60
Now, I know precisely what will happen. Some epimethean enthusiast, carried away by the anticipated delights of a walk, will suddenly make up his mind to take one; will hastily stuff some things into a bag, and will start off at four o'clock in the morning with some vague and distant goal in view. He will think to roll John Burroughs and Richard Jefferies into one in his minute observation of Nature, and to outdo Wordsworth and Amiel combined in his philosophico-poetical disquisitions on the same; he will rid his mind of the world and the worldly, and float in themes transcendental and abstruse. But I think I know what will happen. By the afternoon of that selfsame day he will be hungry, thirsty, footsore, and tired. His boots will be tight; his bag as heavy as his spirits; his head as empty as his craw. Instead of observing Nature he will find Nature—in the shape of the rustics (and the rustics' dogs)—very narrowly observing him, not always with sympathetic or benignant gaze. Instead of deep and transcendental meditations rising spontaneously to his mind, he will find curt and practical questions assailing his ear as to who he is and what he is doing there.—My dear but epimethean enthusiast, you must know that Nature is a jealous mistress. If so be you are sedulously engaged for fifty weeks in the year in the pursuit of pelf, think not to woo her by a half day's worship at her shrine. Even if your courtship be sincere, it must be slow. Not in forty-eight hours will you brush away the cobwebs of the workaday world and prepare for the reception of sweet Nature's influence a mind free from all uncharitableness: their skies, not their characters, they change who sail over-seas. From all blindness of heart, from pride, vainglory, and hypocrisy, you must seek to be delivered, else you will walk in vain. For most men walk in a vain show, and the perpetual perambulation of the streets of Vanity Fair is a poor preparation for the Delectable Mountains.—But take heart. If you will keep but a corner of your mind free from the carking cares of barter and commerce—if only by half-holiday jaunts and Sabbath-day journeys, great will be your reward. By the end of the third or fourth day's tramp, what with the exhilarating exercise, the fresh air, the peace and loneliness, the long hours of mental quietude, the freedom from the petty distractions of social and official life, if you are humble and childlike, the world forgetting by the world forgot—the scales will fall from your eyes; then indeed you will see—and feel—and think. The trivial little objects at your feet, equally with the immense expanses of earth and sky, will lift you high above themselves; the wet and drooping high-road weed, the tender green of a curled frond, the soft ooziness of a summer marsh—the sense of beauty—of the fitness of things—of their immense incomprehensibility—the wonder of it all ... words seem useless to say how such things sink into the soul, plough up its foundations, sow there seeds which, like the Indian juggler's plant, spring up at once and blossom into worship, reverence, awe.—Believe me, I am not extravagant or hyperbolic, nor do I beguile with empty words. If you will not hear me, hear the simple-minded Richard Jefferies:
"I linger in the midst of the long grass, the luxury of the leaves, and the song in the very air. I seem as if I could feel all the glowing life the sunshine gives and the south wind calls to being. The endless grass, the endless leaves, the immense strength of the oak expanding, the unalloyed joy of finch and blackbird; from all of them I receive a little.... In the blackbird's melody one note is mine; in the dance of the leaf shadows the formed maze is for me, though the motion is theirs; the flowers with a thousand faces have collected the kisses of the morning. Feeling with them, I receive some, at least, of their fulness of life. Never could I have enough; never stay long enough.... The hours when the mind is absorbed by beauty are the only hours when we really live, so that the longer we can stay among these things so much the more is snatched from inevitable Time.... These are the only hours that are not wasted—these hours that absorb the soul and fill it with beauty. This is real life, and all else is illusion, or mere endurance. To be beautiful and to be calm, without mental fear, is the ideal of Nature. If I cannot achieve it, at least I can think it."[43]
Which passage has received the imprimatur of quotation by no less an authority than Lord Avebury (better known, perhaps, as Sir John Lubbock), himself not only a man of science, but a statesman and a man of affairs as well. Listen:
"The exquisite beauty and delight of a fine summer day in the country has never perhaps been more truly, and therefore more beautifully, described."[44]
But surely, with all deference to the learned quoter, there is something deeper in Richard Jefferies, these his dithyrambs, than a description of a fine summer day. Surely Jefferies finds himself here, in Amiel's fine phrase, tête-à-tête with the Infinite, and tries, poor soul, in vain to find vent for his thoughts. It is not a picture, it is a poem. Nor needed it the Pageant of Summer to transport this poet thither. Jefferies was here viewing Nature through a seventh sense—a sense more delicate than that of sight or sound, the sense that Maurice de Guérin has defined as,—
"Un sens que nous avons tous, mais voilé, vague, et privé presque de toute activité, le sens qui recueille les beautés physiques et les livre à l'âme, qui les spiritualise, les harmonie, les combine avec les beautés idéales, et agrandit ainsi sa sphère d'amour et d'adoration"[45]
It is not Richard Jefferies his catalogue of the things he saw which moves us to admiration and delight, it is his sense sublime which enabled him to rise from the things which are seen to the things which are unseen, to rise above the hic et nunc of the parochial and to peer into the illuc et tunc of the eternal. He saw "into the life of things," and in him the finite stirred emotions which savoured of the infinite.