Pupils and Followers of Utamaro.
Though Utamaro's influence upon his contemporaries was incalculably great, he left behind him a body of pupils who were almost without exception rather insignificant artists. With cruder colour and composition, they carried still farther the vulgarities of Utamaro's declining period. Among them may be mentioned the following men:—
Utamaro II, whose original name was Koikawa Shuncho or Harumachi, was a pupil of Sekiyen; he married Utamaro's widow, and from about 1808 to 1820 continued to produce prints in the debased Utamaro manner. Dr. Kurth believes he must be distinguished from another Koikawa Shuncho whose family name was Kurahashi, and who died in 1789. The whole matter is by no means clear.
Banki and Shikimaro were among the best of this group. Particularly the former, before Utamaro's death, produced some fine work.
Tamagawa Shucho was a rare pupil of Utamaro who worked about 1790 to 1810.
Kikumaro I (who also called himself Kitagawa Tsukimaro), Kikumaro II, Tanimoto Tsukimaro, Takemaro, Toyomaro, Yukimaro I, Yukimaro II, Yoshimaro I (also called Kitao Shigemasa III), Yoshimaro II, Rekesenti Sogaku, Goshichi, Hidemaro, Mitemaro, Minemaro, Kitamaro, Michimaro, Toshimaro, Hanamaro, Isomaro, Ashimaro, Kanamaro, Kunimaro, Yoshimune, Yoshitora, Yoshitsuya, Yoshiki, Yoshimori, Yoshitoshi, Yoshikata, Yencho, Yumiaki, Hokokujin Fuyo, Chikanobu, Shintoku, Shunkiosai, Hisanobu, Soraku, Senka, Ryukoku, Sekkyo, Sekicho, Sekiho, Sekijo may all be classed as late followers, fellow-pupils, or rivals of Utamaro.
Bunro, some of whose work is fine, was a rare imitator of Utamaro. He worked chiefly about 1800 to 1810.