A CHRONOLOGICAL LIST OF REMBRANDT'S ETCHINGS

Arranged according to the author's complete catalogue in Rembrandt's Etchings, an Essay and a Catalogue (Methuen, 1912), which follows the chronological arrangement of the collection in the British Museum. Numbers that are obelised (†) are plates of doubtful authenticity; starred numbers (*) refer to plates not represented in the British Museum. Conjectural dates are cited within brackets. Except for Nos. 144 (frontispiece), 139 and 164 (on same plate as No. 40), and 196 (on same plate as No. 175), the etchings reproduced (entirely from the British Museum collection) are given in the order of this catalogue, so that plate numbers have been dispensed with. The Roman numerals following the catalogue numbers in the underlines to the plates refer to the states of the etchings as described in the complete catalogue. B. = Bartsch.

1. Rembrandt's Mother: Head Bust, three-quarters r. 1628. B. 354.
2. Rembrandt's Mother: Head only, full face. 1628. B. 352
2.* Rembrandt with a Broad Nose. (1628) B. 4
3. Rembrandt Bareheaded, with High Curly Hair: Head and Bust. (1628.) B. 27
4. Rembrandt Bareheaded: A Large Plate Roughly Etched: Head and Bust. 1629. B. 338
4.* Aged Man of Letters. (1629.) B. 149
5. Peter and John at the Gate of the Temple: Roughly Etched. (1629-30.) B. 95
6. The Small Lion Hunt (with one Lion). (1629-30.) B. 116
7. Beggar Man and Beggar Woman Conversing. 1630. B. 164
8. Beggar Seated Warming his Hands at a Chafing Dish. (1630.) B. 173
9. Beggar Leaning on a Stick, facing l. (1630.) B. 163
10. Beggar in a Long Cloak, Sitting in an Arm-chair. (1630.) B. 160
11. Beggar Seated on a Bank. 1630. B. 174
12. Beggar with a Wooden Leg. (1630.) B. 179
13. Beggar Man and Beggar Woman Behind a Bank. (1630) B. 165
14. Man in a Cloak and Fur Cap Leaning against a Bank. (1630.) B. 151
15. Beggar in a High Cap, Standing and Leaning on a Stick. (1630.) B. 162
16. Ragged Peasant with his Hands Behind Him, Holding a Stick. (1630.) B. 172
17. The Flight into Egypt: A Sketch. (1630.) B. 54
18. The Presentation in the Temple (with the Angel): small plate. 1630. B. 51
19. The Circumcision: small plate. (1630.) B. 48
20. Christ Disputing with the Doctors: small plate. 1630. B. 66
21. Bust of a Man (Rembrandt's Father?) in full face, wearing a Close Cap. 1630. B. 304
22. Bust of a Man (Rembrandt's Father?) wearing a High Cap, three-quarters r. 1630. B. 321
23. Bald-headed Man (Rembrandt's Father?) in Profile r; head only; bust added afterwards. 1630. B. 292
24. Bald-headed Man (Rembrandt's Father?) in Profile r.; small bust. 1630. B. 294
25. Three Studies of Old Men's Heads. (1630.) B. 374
26. Bust of an Old Man with Flowing Beard and White Sleeve. (1630.) B. 291
27. Bust of an Old Man with Flowing Beard: the Head Bowed Forward: l. shoulder unshaded. 1630. B. 325
28. Bust of an Old Man with Flowing Beard: the head inclined three-quarters r. 1630. B. 309
29. Rembrandt in a Fur Cap: the Dress Light: bust. 1630. B. 24
30. Rembrandt Bareheaded, in Sharp Light from r.; Looking over his Shoulder: bust. 1630. B. 10
31. Rembrandt Bareheaded and Open-mouthed, as if Shouting: bust. 1630. B. 13
32. Rembrandt in a Cap, Open-mouthed and Staring: bust in outline. 1630. B. 320
33. Rembrandt Bareheaded, with Thick Curling Hair and Small White Collar: bust. (1630.) B. 1
34. Rembrandt in a Cap, Laughing: Bust. 1630. B. 316
35. Rembrandt Bareheaded, Leaning Forwards as if Listening: bust. (1630.) B. 9
36. Rembrandt Bareheaded, Leaning Forward: bust lightly indicated. (1630-1.) B. 5
37. Head of a Man in a Fur Cup, Crying Out. (1631.) B. 327
38. The Blind Fiddler. 1631. B. 138
39. Head of a Man in a High Cap: three-quarters r. (1631.) B. 302
40. A Polander standing with Stick: profile to r. (the “Little Polander”). 1631. B. 142
41. Sheet of Studies of Men's Heads (the plate afterwards cut into five parts). (1631.) B. 366
42. Diana at the Bath. (1631.) B. 201
43. Naked Woman Seated on a Mound. (1631.) B. 198
44. Jupiter and Antiope: the smaller Plate. (1631.) B. 204
45. A Man Making Water. 1631. B. 190
46. A Woman Making Water. 1631. B. 191
47. Bust of an Old Bearded Man Looking Down, three-quarters r. 1631. B. 260
48. Bust of an Old Man with Flowing Beard: Head Nearly Erect: Eyes Cast Down: Looking Slightly l. 1631. B. 315
49. Bust of an Old Man with Fur Cap and Flowing Beard: nearly full face: Eyes Direct. (1631.) B. 312
50. Rembrandt's Mother with Hand on Chest: small bust. 1631. B. 349
51. Rembrandt's Mother Seated Facing r., in an Oriental Headdress: half length, Showing Hands. 1631. B. 348
52. Rembrandt's Mother Seated at a Table Looking r.: three-quarter length. (1631.) B. 343
53. Bearded Man (Rembrandt's Father?) in Furred Oriental Cap and Robe: half length. 1631. B. 263
54. Rembrandt Wearing a Soft Hat, Cocked: head only: body added afterwards. 1631. B. 7
55. Rembrandt with Long Bushy Hair: head only. (1631.) B. 8
56. Rembrandt in a Heavy Fur Cap: full face: bust. 1631. B. 16
57. Rembrandt Wearing a Soft Cap: full face: head only. (1631.) B. 2
58. Rembrandt with Cap Pulled Forward: bust. (1631.) B. 319
59. Rembrandt with Fur Cap, in an Oval Border: bust. (1631.) B. 12
†60. Rembrandt with Bushy Hair and Contracted Eyebrows: bust. 1631. B. 25
61. Rembrandt Bareheaded, the Light Falling from the r.: bust. (1631.) B. 332
†62. Rembrandt in a Slant Fur Cap: bust. 1631. B. 14
63. Rembrandt in a Cloak with Falling Collar: bust. 1631. B. 15
†64. Rembrandt with a Jewel in his Cap. (1631.) Middleton, 18
†65. Bust of a Young Man in a Cap. (1631.) B. 322
66. Rembrandt in a Dark Cloak and Cap: bust. (1631.) B. 6
67. Rembrandt(?), Scowling, in an Octagon: head only. (1631.) B. 336
68. Grotesque Profile: Man in High Cap. (1631.) B. 326
69. Peasant with his Hands Behind his Back. 1631. B. 135
†70. Bust of a Snub-nosed Man in a Cap: Profile r. 1631. B. 317
†71. Bust of a Man in a Cap, Bound Round the Ears and Chin. (1631.) B. 323
72. Beggar with a Stick, Walking l. 1631. B. 167
73. Beggar with his l. Hand Extended. 1631. B. 150
74. The Blindness of Tobit: A Sketch. (1631.) B. 153
75. Seated Beggar and his Dog. 1631. B. 175
75.* A Stout Man in a Large Cloak. (1631.) B. 184
†76. Old Woman Seated in a Cottage, with a String of Onions on the Wall. 1631. B. 134
77. The Leper (“Lazarus Klap”). 1631. B. 171
77.* Beggar Man and Beggar Woman. (1631.) B. 183
78. Two Beggars Tramping towards the r. (1631.) B. 154
78.* Two Studies of Beggars. (1631.) B. 182
79. Beggar with a Crippled Hand Leaning on a Stick r. (1631.) B. 166
80. Old Beggar Woman with a Gourd. (1631.) B. 168
†8l. Beggar Standing Leaning on a Stick l.: small plate. (1631.) B. 169
†82. Bust of an Old Woman in Furred Cloak and Heavy Headdress. 1631. B. 355
†83. Bust of an Old Woman in a High Head-dress Bound Round the Chin. (1631.) B. 358
†84. Bust of a Beardless Man (Rembrandt's Father?) in a Fur Cloak and Cap: Looking Down: three-quarters l. 1631. B. 307
†85. Bust of a Bald Man (Rembrandt's Father?) in a Fur Cloak Looking r. 1631. B. 324
†86. Bust of a Bald Man Looking Down, Grinning. 1631. B. 298
†87. Bust of Bearded Old Man with High Forehead and Close Cap. 1631. B. 314
†88. Bust of an Old Man Looking Down, with Wavy Hair and Beard: cap added afterwards. (1631.) B. 337
†89. Small Bust of Bearded Man Looking Down, with Eyes Nearly Closed. (1631.) B. 296
90. Sheet of Studies: Head of Rembrandt, Beggar Couple, Heads of Old Man and Old Woman, etc. (1632.) B. 363
†91. Rembrandt's Mother in Widow's Dress and Black Gloves. (1632) B. 344
92. Old Man Seated, with Flowing Beard, Fur Cap and Velvet Cloak. (1632.) B. 262
93. Man Standing in Oriental Costume and Plumed Fur Cap. 1632. B. 152
94. St. Jerome Playing: Arched Print. 1632. B. 101
95. The Holy Family. (1632.) B. 62
96. The Raising of Lazarus: the larger Plate. (1632.) B. 73
97. The Rat-Killer. 1632. B. 121
98. Polander Leaning on a Stick: Profile l. (1632.) B. 141
99. A Turbaned Soldier on Horseback. (1632.) B. 139
100. A Cavalry Fight. (1632-3.) B. 117
101. The Good Samaritan. 1633. B. 90
102. The Descent from the Cross: first plate. 1633. B. 81, I
103. The Descent from the Cross: second plate. 1633. B. 81, II, etc.
104. Joseph's Coat Brought to Jacob. (1633.) B. 38
105. The Flight into Egypt: small plate. 1633. B. 52
106. The Ship of Fortune. 1633. B. 111
107. Rembrandt's Mother in a Cloth Head-dress, Looking Down: head only. 1633. B. 351
108. Rembrandt in Cap and Scarf: the Face Dark: bust. 1633. B. 17
109. Rembrandt with Raised Sabre: half-length. 1634. B. 18
110. Rembrandt with Plumed Cap and Lowered Sabre: three-quarter length: afterwards bust in oval. 1634. B. 23
111. Jan Cornelis Sylvius, Preacher (r). 1634. B. 266
112. Rembrandt's Wife Saskia, with Pearls in her Hair, bust. 1634. B. 347
113. Woman Reading. 1634. B. 345
114. A Peasant: One of a Pair, Calling Out. 1634. B. 177
115. A Peasant: the Other of the Pair, Replying. 1634. B. 178
116. Two Tramps, a Man and a Woman. (1634.) B. 144
117. Sheet of Two Slight Studies: One of Two Peasants. (1634.) B. 373
118. Joseph and Potiphar's Wife. 1634. B. 39
119. St. Jerome Reading. 1634. B. 100
120. The Angel Appearing to the Shepherds. 1634. B. 44
121. Christ at Emmaus: the smaller plate. 1634. B. 88
122. Christ and the Woman of Samaria: among Ruins. 1634. B. 71
123. The Crucifixion: small plate. (1634.) B. 80
124. The Tribute-Money. (1634.) B. 68
125. The Stoning of S. Stephen. 1635. B. 97
126. Christ Driving the Money-Changers from the Temple. 1635. B. 69
127. Girl with Hair Falling on her Shoulders (the “Great Jewish Bride”). 1635. B. 340
128. Jan Uytenbogaert, Preacher of the Sect of Arminian Remonstrants. 1635. B. 279
129. Old Woman Sleeping. (1635-7.) B. 350
130. Old Bearded Man in a High Fur Cap, with Closed Eyes. (1635.) B. 290
131. The First Oriental Head (Rembrandt's Father?). 1635. B. 286
132. The Second Oriental Head (Rembrandt's Father?). (1635.) B. 287
133. The Third Oriental Head. 163;. B. 288
134. The Fourth Oriental Head. (1635.) B. 289
†l35. Head of an Old Man in a High Fur Cap. (1635.) B. 299
136. Bald Old Man with a Short Beard, in profile r. 0635.) B. 306
†137. Curly-headed Man with a Wry Mouth. (1635.) B. 305
138. Polander Standing with Arms Folded. (1635.) B. 140
139. The Quacksalver. 1635. B. 129
140. St. Jerome Kneeling in Prayer, Looking Down. 1635. B. 102
141. The Pan-cake Woman. 1635. B. 124
†142. The Strolling Musicians. (1635.) B. 119
143. Christ before Pilate: large plate. 1635-6. B. 77
144. Rembrandt and his Wife Saskia: busts. 1636. B. 19
145. Studies of the Head of Saskia and others. 1636. B. 365
146. Samuel Manasseh Ben Israel, Jewish Author. 1636. B. 269
147. The Return of the Prodigal Son. 1636. B. 91
148. Abraham Caressing Isaac. (1637.) B. 33
149. Abraham Casting Out Hagar and Ishmael. 1637. B. 30
150. Bearded Man Wearing a Velvet Cap with a Jewel Clasp. 1637. B. 313
151. Young Man in a Velvet Cap with Books Beside Him. 1637. B. 268
152. Three Heads of Women, one Asleep. 1637. B. 368
153. Three Heads of Women, one Lightly Etched. (1637.) B. 367
154. Study of Saskia as S. Catherine (the “Little Jewish Bride”). 1638. B. 342
155. Sheet with Two Studies: a Tree, and the Upper Part of a Head Wearing a Velvet Cap. (1638.) B. 372
156. Rembrandt in Velvet Cap and Plume, with an Embroidered Dress: bust. 1638. B. 20
157. Rembrandt in a Flat Cap with a Shawl About His Shoulders. (1638.) B. 26
158. Man in a Broad-Brimmed Hat and Ruff. (1630.) B. 311
159. Adam and Eve. 1638. B. 28
160. Joseph Telling His Dreams. 1638. B. 37
161. The Death of the Virgin. 1639. B. 99
162. The Presentation in the Temple: an oblong print. (1639.) B. 49
163. Sheet of Studies, with a Woman Lying Ill in Bed, etc. (1639.) B. 369
164. A Peasant in a High Cap, Standing Leaning on a Stick. 1639. B. 133
165. Death Appearing to a Wedded Couple From An Open Grave. 1639. B. 109
166. The Skater. (1639.) B. 156
167. Jan Uytenbogaert, Receiver-General (the “Gold-Weigher”). 1639. B. 281
168. Rembrandt Leaning on a Stone Sill: half length. 1639. B. 21
169. Old Man Shading His Eyes with His Hand. (1639.) B. 259
170. Old Man with a Divided Fur Cap. 1640. B. 265
171. The Beheading of John the Baptist. 1640. B. 92
172. The Triumph of Mordecai. (1640.) B. 40
173. Christ Crucified Between the Two Thieves: an oval plate. (1640.) B. 79
174. Sleeping Puppy. (1640.) B. 158
175. Small Grey Landscape: A House and Trees Beside a Pool. (1640.) B. 207
176. View of Amsterdam. (1640.) B. 210
177. Landscape with a Cottage and Hay Barn: oblong. 1641. B. 225
178. Landscape with a Cottage and a Large Tree. 1641. B. 226
179. The Windmill. 1641. B. 233
180. The Small Lion Hunt (with Two Lions). (1641.) B. 115
181. The Large Lion Hunt. 1641. B. 114
182. The Baptism of the Eunuch. 1641. B. 98
183. Jacob and Laban(?). 1641. B. 118
184. The Spanish Gipsy (Preciosa). (1641.) B. 120
185. The Angel Departing from the Family of Tobias. 1641. B. 185.
186. Virgin and Child in the Clouds. 1641. B. 61
187. Cornelis Claesz Anslo, Mennonite Preacher. 1641. B. 271
188. Portrait of a Boy, in profile. 1641. B. 310
189. Man at Desk, Wearing Cross and Chain. 1641. B. 261.
190. The Card-Player. 1641. B. 136
191. Man Drawing from a Cast. (1641.) B. 130
192. Woman at a Door-hatch Talking to a Man and Children (the “Schoolmaster”). 1641. B. 128
193. The Virgin with the Instruments of the Passion. (1641.) B. 85
194. Man in an Arbour. 1642. B. 257
195. Girl with a Basket. (1642.) B. 356
196. Sick Woman with Large White Head-dress (Saskia). (1642.) B. 359
197. Woman in Spectacles, Reading. (1642.) B. 362
198. The Raising of Lazarus: the smaller plate. 1642. B. 72
199. The Descent from the Cross: a Sketch. 1642. B. 82
200. The Flute-Player (L'Espiegle). 1642. B. 188
201. St. Jerome in a Dark Chamber. 1642. B. 105
202. Student at a Table by Candlelight. (1642.) B. 148
203. Cottage with a White Paling. 1642. B. 232
204. The Hog. 1643. B. 157
205. The Three Trees. 1643. B. 212
206. The Shepherd and his Family. 1644. B. 220
207. The Sleeping Herdsman. (1644.) B. 189
208. The Rest on the Flight: a Night Piece. (1644.) B. 57
209. Six's Bridge. 1645. B. 208
210. The Omval. 1645. B. 209
211. The Boat-house. 1645. B. 231
212. Cottages beside a Canal: with a Church and Sailing Boat. (1645.) B. 228
213. Cottages and Farm Buildings with a Man Sketching. (1645.) B. 219
214. Abraham and Isaac. 1645. B. 34
215. Christ Carried to the Tomb. (1645.) B. 84
216. The Rest on the Flight: lightly etched. 1645. B. 58
217. S. Peter in Penitence. 1645. B. 96
218. Old Man in Meditation, Leaning on a Book. (1645.) B. 147
219. Beggar Woman Leaning on a Stick. 1646. B. 70
220. Study from the Nude: Man Seated Before a Curtain. 1646. B. 193
221. Study from the Nude: Man Seated on the Ground with One Leg Extended. 1646. B. 196
222. Studies from the Nude: One Man Seated and Another Standing: with a Woman and Baby lightly etched in the background. (1646.) B. 194
223. Le Lit à la Française (Ledekant). 1646. B. 186
224. The Monk in the Cornfield. (1646.) B. 187
225. Jan Cornells Sylvius, Preacher: posthumous portrait. 1646. B. 280
226. Ephraim Bonus, Jewish Physician. 1647. B. 278
227. Jan Asselyn, Painter. (1647.) B. 277
228. Jan Six. 1647. B. 285
229. Rembrandt Drawing at a Window. 1648. B. 22
230. Sheet of Studies with the Head of Rembrandt, a Beggar Man, Woman and Child. (1648.) B. 370
231. The Artist Drawing from a Model: unfinished plate. (1648.) B. 192
232. S. Jerome Beside a Pollard Willow. 1648. B. 103
233. Beggars Receiving Alms at the Door of a House. 1648. B. 176
234. Jews in a Synagogue. 1648. B. 126
235. Medea: or the Marriage of Jason and Creusa. 1648. B. 112
236. Christ, with the Sick Around Him, receiving Little Children (the “Hundred Guilder Print”). (1649.) B. 74
237. The Incredulity of Thomas. 1650. B. 89
238. Canal with an Angler and Two Swans. 1650. B. 235
239. Canal with a Large Boat and Bridge. 1650. B. 236
240. Landscape with a Cow Drinking. (1650.) B. 237
241. Landscape with a Hay Barn and a Flock of Sheep. 1650. B. 224
242. Landscape with a Milk-man. (1650.) B. 213
243. Landscape with an Obelisk. (1650.) B. 227
244. Landscape with Trees, Farm-buildings and a Tower. 1650. B. 223
245. Landscape with a Square Tower. 1650. B. 218
246. Landscape with Three Gabled Cottages Beside a Road. 1650. B. 217
247. The Bull. (1650.) B. 253
248. The Shell. 1650. B. 159
249. The Goldweigher's Field. 1651. B. 234
250. The Bathers. 1651. B. 195
251. Clement de Jonghe, Printseller. 1651. B. 272
252. The Blindness of Tobit: the larger plate. 1651. B. 42
253. The Flight into Egypt: a Night Piece. 1651. B. 53
254. The Star of the Kings: a Night Piece. (1652.) B. 113
255. Adoration of the Shepherds; a Night Piece. (1652.) B. 46
256. Christ Preaching (“la Petite Tombe”). (1652.) B. 57
257. Christ Disputing with the Doctors: a sketch. 1652. B. 65
258. David in Prayer. 1652. B. 41
259. Peasant Family on the Tramp. (1652.) B. 131
260. Faust in His Study, Watching a Magic Disk. (1652.) B. 270
261. Titus Van Ryn, Rembrandt's Son. (1656.) B. 11
262. Sheet of Studies, with a Wood and Paling, Part of Two Heads, and a Horse and Cart. (1652.) B. 364
263. Clump of Trees with a Vista. 1652. B. 222
264. Landscape with a Road Beside a Canal. (1652.) B. 221
265. Landscape with Sportsman and Dogs. (1653.) B. 211
266. The Flight into Egypt: altered from Tobias and the Angel by Hercules Seghers. (1653.) B. 56
267. S. Jerome Reading, in an Italian Landscape. (1653.) B. 104
268. Jan Antonides van der Linden, Professor of Medicine. 1665. B. 264
269. Lieven Willemsz Van Coppenol, Writing-Master: the smaller plate. (1653.) B. 282 270. Christ Crucified between the Two Thieves: large oblong plate (the “Three Crosses”). 1653. B. 78
271. Christ Presented to the People: large oblong plate. 1655. B. 76
272. The Golf-Player. 1654. B. 125
273. The Adoration of the Shepherds (with the Lamp). (1654.) B. 45
274. The Circumcision (in the Stable). 1654. B. 47
275. The Virgin and Child with the Cat: and Joseph at the Window. 1654. B. 63
276. The Flight into Egypt: Holy Family Crossing a Brook. 1654. B. 55.
277. Christ Seated Disputing with the Doctors. 1654. B. 64
278. Christ Between His Parents, Returning from the Temple. 1654. B. 60
279. The Presentation in the Temple: in the Dark Manner. (1654.) B. 50
280. The Descent from the Cross: by Torchlight. 1654. B. 83
281. The Entombment. (1654.) B. 86
282. Christ at Emmaus: the larger plate. 1654. B. 87.
283. Abraham's Sacrifice. 1655. B. 35
284. Four Illustrations to a Spanish Book. (A. The Image seen by Nebuchadnezzar. B. Jacob's Ladder. C. David and Goliath. D. Daniel's Vision of Four Beasts.) 1655. B. 36
285. The Goldsmith. 1655. B. 123
286. Abraham Entertaining the Angels. 1656. B. 29
287. Jacob Haaring (the “Old Haaring”). (1655.) B. 274
288. Thomas Jacobsz Haaring (the “Young Haaring.”) 1655. B. 275
289. Arnold Tholinx, Inspector of Medical Colleges at Amsterdam. (1656.) B. 284
290. Jan Lutma, the Elder, Goldsmith and Sculptor. 1656. B. 276
291. Abraham Francen, Art Dealer. (1656.) B. 273
292. S. Francis Beneath a Tree, Praying. 1657. B. 107
293. The Agony in the Garden. (1657.) B. 75
294. Christ and the Woman of Samaria: an Arched Print. 1658. B. 70
295. The Phrenix; or the Statue Overthrown: an Allegory of Doubtful Meaning. 1658. B. 110
296. Woman Sitting Half Dressed Beside a Stove. 1658. B. 197
297. Woman at the Bath, with a Hat Beside Her. 1658. B. 199
298. Woman Bathing Her Feet at a Brook. 1658. B. 200
299. Negress Lying Down. 1658. B. 205
300. Lieven Willemsz Van Coppenol, Writing-Master: the larger plate. (1658.) B. 283
300*. Rembrandt Etching. 1658. Seidlitz, 379
301. Peter and John Healing the Cripple at the Gate of the Temple. 1659. B. 94
302. Jupiter and Antiope: the larger plate. 1659. B. 103
303. The Woman with the Arrow. 1661. B. 202

The title-page border is taken from a portrait etching by Juriaen Ovens, of Frederick III of Holstein Gottdorp.

[pg 21]

1, I. REMBRANDT'S MOTHER, Unfinished state. 1628: B. 354.

7, I. BEGGAR MAN AND BEGGAR WOMAN CONVERSING. 1630. B. 164

20, I. CHRIST DISPUTING WITH THE DOCTORS: SMALL PLATE. 1630. B. 66

23, I. BALD-HEADED MAN (REMBRANDT'S FATHER?) In profile r.; head only, bust added afterwards. 1630. B. 292. First state, the body being merely indicated in ink

38, II. THE BLIND FIDDLER. 1631. B. 138

40. THE LITTLE POLANDER. 1631. B. 142. 139. THE QUACKSALVER. 1635. B. 129. 164. A PEASANT IN A HIGH CAP, STANDING LEANING ON A STICK. 1639. B. 133

52, III. REMBRANDT'S MOTHER SEATED. (1631.) B. 343.

54, VI. REMBRANDT WEARING A SOFT HAT, COCKED. 1631. B. 7. Later state, the body added.

57. REMBRANDT WEARING A SOFT CAP. (1631.) B. 2

97, I. THE RAT-KILLER. 1632. B. 121

110, I. REMBRANDT WITH PLUMED HAT, AND SABRE. 1634. B. 23. This plate was afterwards cut down to a bust in an oval.

112. REMBRANDT'S WIFE, SASKIA, WITH PEARLS IN HER HAIR. 1634. B. 347

127, I. THE GREAT JEWISH BRIDE. 1635. B. 340. Unfinished state

129. OLD WOMAN SLEEPING. (1635-7.) B. 350.

147. THE RETURN OF THE PRODIGAL SON. 1636. B. 91

151, II. YOUNG MAN IN A VELVET CAP, WITH BOOKS BESIDE HIM. 1637. B. 268

153, I. THREE HEADS OF WOMEN. (1637.) B. 367. First state, with one head (portrait of Saskia) only

161, I. THE DEATH OF THE VIRGIN. 1639. B. 99

167, I. JAN UYTENBOGAERT, RECEIVER-GENERAL (THE “GOLD-WEIGHER”). 1639. B-281. First state, the face only lightly indicated

168, I. REMBRANDT LEANING ON A STONE SILL. 1639. B. 21 From an impression touched by the artist in black chalk

172. THE TRIUMPH OF MORDECAI. (1640, or later.) B. 40

175. SMALL GREY LANDSCAPE. (1640.) B. 207. 196. SICK WOMAN WITH LARGE WHITE HEAD-DRESS (SASKIA). (1642.) B. 359

176, II. VIEW OF AMSTERDAM. (1640.) B. 210

179. THE WINDMILL. 1641. B. 233

184. THE SPANISH GIPSY. (1641.) B. 120

198, I. THE RAISING OF LAZARUS. 1642. B. 72

205. THE THREE TREES. (1643.) B. 212

209, I. SIX'S BRIDGE. 1645. B. 208

215. CHRIST CARRIED TO THE TOMB. (1645.) B. 84

216. THE REST ON THE FLIGHT: LIGHTLY ETCHED. 1645. B. 58

228, II. JAN SIX. 1647. B. 285

229, I. REMBRANDT DRAWING AT A WINDOW. 1648. B. 22. Unfinished state.

231, I. THE ARTIST DRAWING FROM A MODEL, (1648, or later?) B. 192. Unfinished plate

232, I. ST. JEROME BESIDE A POLLARD WILLOW. 1648. B. 103

234, I. JEWS IN SYNAGOGUE. 1648. B. 126

236, I. CHRIST, WITH THE SICK AROUND HIM, RECEIVING LITTLE CHILDREN (The “Hundred Guilder Print”). (1649.) B. 74. First state, before adding shading on the neck of the ass, r. Only nine impressions of this state are known, two being in the British Museum

239, I. CANAL WITH A LARGE BOAT AND BRIDGE. 1650. B. 236

242, I. LANDSCAPE WITH A MILKMAN. (1650.) B. 213

244, III. LANDSCAPE WITH TREES, FARM BUILDINGS AND A TOWER. (1650.) B. 223. The two earlier states show the tower surmounted by a. cupola, which was burnished out to increase the concentration of the subject

249. THE GOLDWEIGHER'S FIELD. 1651. B. 234

251, I. CLEMENT DE JONGHE, PRINTSELLER. 1651. B. 272

252. THE BLINDNESS OF TOBIT: THE LARGER PLATE. 1651. B. 42

254. THE STAR OF THE KINGS: A NIGHT PIECE. (1652.) B. 113

256. CHRIST PREACHING (“LA PETITE TOMBE”). 1652 B. 67

257, I. CHRIST DISPUTING WITH THE DOCTORS; A SKETCH. 1652. B. 65

261. TITUS VAN RYN, REMBRANDT'S SON. (1656.) B. 11

264. LANDSCAPE WITH A ROAD BESIDE A CANAL. 1652. B. 221

267, I. ST. JEROME READING, IN AN ITALIAN LANDSCAPE. (1653.) B. 104

270, I. THE THREE CROSSES. 1653. B. 78. First state

270, IV. THE THREE CROSSES. 1653. B. 78. Fourth state. The plate entirely transformed: ihe figures in the middle and foreground, l., almost entirely effaced; a new group added l. of the central cross,

271, I. CHRIST PRESENTED TO THE PEOPLE. 1655. B 76. First state

271, V. CHRIST PRESENTED TO THE PEOPLE. 1655. B. 76. Fifth state, all the foreground figures in front of the tribune erased, concentrating the subject on the central figure

275, I. THE VIRGIN AND CHILD WITH THE CAT. 1654. B. 63

279. THE PRESENTATION IN THE TEMPLE: IN THE DARK MANNER. (1654.) B. 50.

281, I. THE ENTOMBMENT. (1654.) B. 86. The Print is greatly darkened in its later states

282, I. CHRIST AT EMMAUS: THE LARGER PLATE. 1654. B. 87

286. ABRAHAM ENTERTAINING THE ANGELS. 1656. B. 29

287, II. JACOB HAARING (THE “OLD HAARING”). (1655.) B. 274

288, I. THOMAS JACOBSZ HAARIXG (THE “YOUNG HAARING”). 1655. B. 275

289, I. ARNOLD THOLINX. (1656.) B. 284. This first state, before the addition of further lines of shading on the breast, is only known in two impressions (British Museum, and Baron Edmond de Rothschild, Paris)

290, I. JAN LUTMA, THE ELDER, GOLDSMITH AND SCULPTOR. 1656. B. 276. First state, before the addition of a window in the background

303, I. THE WOMAN WITH THE ARROW. 1661. B. 202

PRINTED AT THE BALLANTYNE PRESS LONDON