FROM LADY CHARLOTTE BURY'S DIARY (1820)

Tuesday, the 20th of January [1820].—I dined at Lady C. L——'s. She had collected a strange party of artists and literati and one or two fine folks, who were very ill assorted with the rest of the company, and appeared neither to give nor receive pleasure from the society among whom they were mingled. Sir T. Lawrence, next whom I sat at dinner, is as courtly as ever. His conversation is agreeable, but I never feel as if he was saying what he really thought....

Besides Sir T., there was also present of this profession Mrs. M., the miniature painter, a modest, pleasing person; like the pictures she executes, soft and sweet. Then there was another eccentric little artist, by name Blake; not a regular professional painter, but one of those persons who follow the art for its own sweet sake, and derive their happiness from its pursuit. He appeared to me to be full of beautiful imaginations and genius; but how far the execution of his designs is equal to the conceptions of his mental vision, I know not, never having seen them. Main-d'oeuvre is frequently wanting where the mind is most powerful Mr. Blake appears unlearned in all that concerns this world, and, from what he said, I should fear he is one of those whose feelings are far superior to his situation in life. He looks care-worn and subdued; but his countenance radiated as he spoke of his favorite pursuit, and he appeared gratified by talking to a person who comprehended his feelings. I can easily imagine that he seldom meets with any one who enters into his views; for they are peculiar, and exalted above the common level of received opinions. I could not help contrasting this humble artist with the great and powerful Sir Thomas Lawrence, and thinking that the one was fully if not more worthy of the distinction and the fame to which the other has attained, but from which he is far removed. Mr. Blake, however, though he may have as much right, from talent and merit, to the advantages of which Sir Thomas is possessed, evidently lacks that worldly wisdom and that grace of manner which make a man gain an eminence in his profession, and succeed in society. Every word he uttered spoke the perfect simplicity of his mind, and his total ignorance of all worldly matters. He told me that Lady C—— L—— had been very kind to him. 'Ah!' said he, 'there is a deal of kindness in that lady.' I agreed with him, and though it was impossible not to laugh at the strange manner in which she had arranged this party, I could not help admiring the goodness of heart and discrimination of talent which had made her patronize this unknown artist. Sir T. Lawrence looked at me several times whilst I was talking with Mr. B., and I saw his lips curl with a sneer, as if he despised me for conversing with so insignificant a person.[1] It was very evident Sir Thomas did not like the company he found himself in, though he was too well-bred and too prudent to hazard a remark upon the subject.

The literati were also of various degrees of eminence, beginning with Lord B——, and ending with——. The grandees were Lord L——, who appreciates talent, and therefore not so ill assorted with the party as was Mrs. G——and Lady C——, who did nothing but yawn the whole evening, and Mrs A——, who all looked with evident contempt upon the surrounding company.


[1]There is surely some mistake in this supposition, for Sir T. Lawrence was, afterwards at least, one of Mr. Blake's great patrons and admirers.


[(IV.) BLAKE'S HOROSCOPE (1825)]

[Blake's horoscope was cast during his lifetime in Urania, or, the Astrologer's Chronicle, and Mystical Magazine; edited by Merlinus Anglicanus, jun., the Astrologer of the Nineteenth Century, assisted by the Metropolitan Society of Occult Philosophers (No. I, London, 1825), the first and only number of an astrological magazine, published under the pseudonym of Merlinus Anglicanus by R. C. Smith, an astrologer of the period, and it is highly probable, as Dr. Garnett suggests, that the date (confirmed by the birth register at St. James's, Westminster) was derived from Varley, who would have had it from Blake himself. I give the map, not as it is printed in the book, but in the clearer and simpler form in which it was copied and given to me by Dr. Garnett. I am told that the most striking thing in the map, from an astrological point of view, is the position and aspect of Uranus, the occult planet, which indicate in the highest degree 'an inborn and supreme instinct for things occult,' without showing the least tendency towards madness. The 'Nativity of Mr. Blake' is the last entry, Footnote [2] in "William Blake, chapter II.">[


NATIVITY OF MR. BLAKE,

THE MYSTICAL ARTIST

The above horoscope is calculated for the estimate time of birth, and Mr. Blake, the subject thereof, is well known amongst scientific characters, as having a most peculiar and extraordinary turn of genius and vivid imagination. His illustrations of the Book of Job have met with much and deserved praise; indeed, in the line which this artist has adopted, he is perhaps equalled by none of the present day. Mr. Blake is no less peculiar and outré in his ideas, as he seems to have some curious intercourse with the invisible world; and, according to his own account (in which he is certainly, to all appearance, perfectly sincere), he is continually surrounded by the spirits of the deceased of all ages, nations, and countries. He has, so he affirms, held actual conversations with Michael Angelo, Raphael, Milton, Dryden, and the worthies of antiquity. He has now by him a long poem nearly finished, which he affirms was recited to him by the spirit of Milton; and the mystical drawings of this gentleman are no less curious and worthy of notice, by all those whose minds soar above the cloggings of this terrestrial element, to which we are most of us too fastly chained to comprehend the nature and operations of the world of spirits.

Mr. Blake's pictures of the last judgment, his profiles of Wallace, Edward the Sixth, Harold, Cleopatra, and numerous others which we have seen, are really wonderful for the spirit in which they are delineated. We have been in company with this gentleman several times, and have frequently been not only delighted with his conversation, but also filled with feelings of wonder at his extraordinary faculties; which, whatever some may say to the contrary, are by no means tinctured with superstition, as he certainly believes what he promulgates. Our limits will not permit us to enlarge upon this geniture, which we merely give as an example worthy to be noticed by the astrological student in his list of remarkable nativities. But it is probable that the extraordinary faculties and eccentricities of idea which this gentleman possesses, are the effects of the Moon in Cancer in the twelfth house (both sign and house being mystical), in trine to Herschell from the mystical sign Pisces, from the house of science, and from the mundane trine to Saturn in the scientific sign Aquarius, which latter planet is in square to Mercury in Scorpio, and in quintile to the Sun and Jupiter, in the mystical sign Sagittarius. The square of Mars and Mercury, from fixed signs, also, has a remarkable tendency to sharpen the intellects, and lay the foundation of extraordinary ideas. There are also many other reasons for the strange peculiarities above noticed, but these the student will no doubt readily discover.


[(V.) OBITUARY NOTICES IN THE LITERARY GAZETTE' AND 'GENTLEMAN'S MAGAZINE,' 1827.]

[Obituary Notices of Blake appeared in the Literary Gazette of August 18, 1827 (pp. 540-41), the Gentleman's Magazine of October 1827 (pp. 377-8), and the Annual Register of 1827, in its Appendix of Deaths (pp. 253-4). The notice in the Gentleman's Magazine is largely condensed from that in the Literary Gazette, but with a different opening, which I have given after the notice in the Literary Gazette. The notice in the Annual Register is merely condensed from the Gentleman's Magazine.]


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