Pompeii, Its Life and Art

by August Mau

ILLUSTRATIONS

PLATES
PLATE
I.	View of the Forum, looking toward Vesuvius. From aphotograph		[Frontispiece]
FACING PAGE
II.	Court of the Temple of Apollo. From a photograph		[88]
III.	The Greek Temple and the Forum Triangulare, seenfrom the South. Restoration (Weichardt, Pompeji vorder Zerstörung, Tafel II)		[134]
IV.	The Barracks of the Gladiators. From a photograph		[160]
V.	Stabian Baths: Men's Apodyterium, with the Anteroomleading from the Palaestra. From a photograph		[188]
VI.	Interior of the Amphitheatre, looking Northwest.From a photograph		[216]
VII.	Interior of a House (IX. v. 11), looking from the Middleof the Atrium into the Peristyle. From a photograph		[260]
VIII.	Two Wall Paintings in the House of the Vettii—Apolloafter the Slaying of the Dragon, andAgamemnon in the Sanctuary of Artemis. Fromphotographs		[328]
IX.	A Dining Room in the House of the Vettii. From aphotograph		[338]
X.	The Street of Tombs, looking toward the HerculaneumGate. From a photograph		[420]
XI.	Artemis. Copy of an Archaic Work. From a photograph		[444]
XII.	Specimen of Wall Decoration. Second or ArchitecturalStyle (Mau, Geschichte der decorativen Wandmalerei inPompeji, Tafel V)		[462]
XIII.	Specimen of Wall Decoration, in the Court of theStabian Baths. Fourth or Intricate Style. From a drawingin the Naples Museum		[470]
PLANS
PLAN
I.	Outline Plan of Pompeii	[preceding Chap. V]
II.	The Forum, with Adjoining Buildings	[preceding Chap. VII]
III.	The Forum Triangulare, with AdjacentBuildings	[preceding Chap. XX]
IV.	The Villa Rustica near Boscoreale	[preceding Chap. XLV]
V.	The Street of Tombs	[preceding Chap. L]
VI.	The Excavated Portion of Pompeii	[following the Index]
ILLUSTRATIONS IN THE TEXT
FIGURE	PAGE
1.	Map of Ancient Campania		[2]
2.	Vesuvius as seen from Naples. From a photograph		[3]
3.	View from Pompeii, looking south. From a photograph (A. M.)		[5]
4.	Venus Pompeiana. Wall painting. House of Castor and Pollux.After Monumenti dell' Instituto, Vol. III, pl. vi. b		[12]
5.	An amphora from Boscoreale. Collection of Classical Antiquities,University of Michigan. From a drawing		[15]
6.	The Judgment of Solomon. Wall painting. Naples Museum.From a photograph		[17]
7.	Cast of a man. Museum at Pompeii. From a photograph		[22]
8.	An Excavation. Atrium of the house of the Silver Wedding.From a photograph		[28]
9.	Wall with limestone framework (Ins. VII. iii. 13). From a photograph(F. W. K.)		[37]
10.	Façade of Sarno limestone, house of the Surgeon. From a photograph		[39]
11.	Quasi-reticulate facing, with brick corner, at the entrance of theSmall Theatre. From a photograph		[42]
12.	Reticulate facing, with corners of brick-shaped stone (I. iii. 29).From a photograph (F. W. K.)		[43]
13.	North end of the Forum, with the temple of Jupiter, restored.From an original drawing[1]		[49]
14.	Remnant of the colonnade of Popidius, at the south end of theForum. From a photograph (A. M.)		[51]
15.	Part of the new colonnade, near the southwest corner of the Forum.From a photograph (A. M.)		[53]
16.	Scene in the Forum—a dealer in utensils, and a shoemaker. Wallpainting. Naples Museum. After Pitture di Ercolano, Vol. III,pl. 42		[55]
17.	Scene in the Forum—citizens reading a public notice. Wallpainting. Naples Museum. After Pitture di Ercolano, Vol. III,pl. 43		[56]
18.	Plan of the temple of Jupiter		[63]
19.	Ruins of the temple of Jupiter. From a photograph		[64]
20.	Section of wall decoration in the cella of the temple of Jupiter.After Mazois, Les Ruines de Pompéi, Vol. III, pl. 36 (Overbeck-Mau,Pompeji, Fig. 46)		[65]
21.	Bust of Zeus found at Otricoli. Vatican Museum. After Tafel130 of the Brunn-Bruckmann Denkmaeler		[68]
22.	Bust of Jupiter found at Pompeii. Naples Museum. From aphotograph		[69]
23.	Plan of the Basilica		[71]
24.	View of the Basilica, looking toward the tribunal. From a photograph		[73]
25.	Exterior of the Basilica, restored. From an original drawing		[75]
26.	Interior of the Basilica, looking toward the tribunal, restored. Froman original drawing		[76]
27.	Front of the tribunal of the Basilica. Plan and elevation. Froman original drawing		[77]
28.	Corner of mosaic floor, cella of the temple of Apollo. After Mazois,Vol. IV, pl. 23 (Overbeck-Mau, Fig. 50)		[80]
29.	Plan of the temple of Apollo		[81]
30.	View of the temple of Apollo, looking toward Vesuvius. From aphotograph		[83]
31.	Section of the entablature of the temple of Apollo, showing theoriginal form and the restoration after the earthquake of 63.After Mazois, Vol. IV, pl. 21 (Overbeck-Mau, Fig. 264)		[84]
32.	Temple of Apollo, restored. From an original drawing		[86]
33.	Plan of the buildings at the northwest corner of the Forum		[91]
34.	Table of Standard Measures. After Mazois, Vol. III, pl. 40(Overbeck-Mau, Fig. 23)		[93]
35.	Plan of the Macellum		[94]
36.	View of the Macellum. From a photograph		[95]
37.	The Macellum, restored. From an original drawing		[97]
38.	Statue of Octavia, sister of Augustus, found in the chapel of theMacellum. Naples Museum. From a photograph		[98]
39.	Statue of Marcellus, son of Octavia, found in the chapel of theMacellum. Naples Museum. From a photograph		[101]
40.	Plan of the sanctuary of the City Lares		[102]
41.	Sanctuary of the City Lares, looking toward the rear, restored.From an original drawing.* (Cf. Röm. Mitth., 1896, p. 288)		[103]
42.	North side of the sanctuary of the City Lares, restored. From anoriginal drawing.* (Cf. Röm. Mitth., 1896, p. 289)		[104]
43.	Plan of the temple of Vespasian		[106]
44.	Front of the altar in the court of the temple of Vespasian. Froma photograph		[107]
45.	View of the temple of Vespasian. From a photograph		[108]
46.	The temple of Vespasian, restored. From an original drawing.*(Cf. Röm. Mitth., 1900, p. 133)		[109]
47.	Plan of the building of Eumachia		[110]
48.	Building of Eumachia—front of the court, restored. From anoriginal drawing		[114]
49.	Building of Eumachia—rear of the court, restored. From anoriginal drawing		[116]
50.	Fountain of Concordia Augusta. From a photograph (F. W. K.)		[117]
51.	Plan of the Comitium		[119]
52.	Plan of the Municipal Buildings		[121]
53.	View of the south end of the Forum. From a photograph (A. M.)		[122]
54.	Plan of the ruins of the temple of Venus Pompeiana*		[125]
55.	View of the ruins of the temple of Venus Pompeiana. From aphotograph		[126]
56.	Plan of the temple of Venus Pompeiana, restored*		[128]
57.	Plan of the temple of Fortuna Augusta*		[130]
58.	Temple of Fortuna Augusta, restored. From an original drawing		[131]
59.	Temple of Fortuna Augusta—rear of the cella with the statue ofthe goddess, restored. From an original drawing.* (Cf. Röm.Mitth., 1896, p. 280)		[132]
60.	Portico at the entrance of the Forum Triangulare. From a photograph		[135]
61.	View of the Forum Triangulare, looking toward Vesuvius. Froma photograph		[136]
62.	Plan of the Doric temple in the Forum Triangulare		[137]
63.	The Doric temple, restored. From an original drawing		[138]
64.	Plan of the Large Theatre		[143]
65.	View of the Large Theatre. From a photograph		[145]
66.	Plan of the Small Theatre		[153]
67.	View of the Small Theatre. From a photograph		[154]
68.	Section of a seat in the Small Theatre. After Mazois, Vol. IV,pl. 29 (Overbeck-Mau, Fig. 101)		[155]
69.	A terminal Atlas from the Small Theatre. After Mazois, Vol. IV,pl. 29 (Overbeck-Mau, Fig. 100)		[156]
70.	Ornament at the ends of the parapet in the Small Theatre—lion'sfoot. After Mazois, Vol. IV, pl. 29 (Overbeck-Mau,Fig. 99)		[156]
71.	Plan of the Theatre Colonnade, showing its relation to the twotheatres		[157]
72.	A gladiator's greave. Naples Museum. From a photograph		[162]
73.	A gladiator's helmet. Naples Museum. From a photograph		[163]
74.	Remains of stocks found in the guard-room of the barracks.Naples Museum. From a photograph		[163]
75.	Plan of the Palaestra		[165]
76.	View of the Palaestra, with the pedestal, table, and steps. From aphotograph		[166]
77.	Doryphorus. Statue found in the Palaestra. Naples Museum.From a photograph		[167]
78.	Plan of the temple of Isis		[170]
79.	View of the temple of Isis. From a photograph		[172]
80.	The temple of Isis, restored. From an original drawing		[173]
81.	Scene from the worship of Isis—the adoration of the holy water.Wall painting from Herculaneum. Naples Museum. Drawing,after a photograph		[177]
82.	Temple of Isis. Part of the façade of the Purgatorium. AfterMazois, Vol. IV, pl. 11, and Piranesi, Antiquités de PompéiVol. II, pl. 65		[179]
83.	Decoration of the east side of the Purgatorium—Perseus and Andromeda,floating Cupids. Stucco reliefs. After Mazois, Vol.IV, pl. 10		[180]
84.	Plan of the temple of Zeus Milichius		[183]
85.	Capital of a pilaster of the temple, with the face of Zeus Milichius.After Mazois, Vol. IV, pl. 6 (Overbeck-Mau, Fig. 62)		[184]
86.	Plan of the Stabian Baths		[190]
87.	Stabian Baths—interior of Frigidarium. Drawing, with indebtednessto Niccolini, Le Case ed i Monumenti di Pompei, Vol. I,Terme presso la porta stabiana, pl. 7		[191]
88.	Bath basin in the women's caldarium—longitudinal and transversesections, showing arrangements for heating. Drawing, withindebtedness to von Duhn und Jacobi, Der griechische Tempelin Pompeji, pl. IX		[194]
89.	Colonnade of the Stabian Baths—capital with section of entablature.Drawing		[198]
90.	Southwest corner of the palaestra of the Stabian Baths, showingpart of the colonnade and wall decorated with stucco reliefs.From a photograph		[199]
91.	Plan of the Baths near the Forum		[202]
92.	Baths near the Forum—Interior of men's tepidarium. From aphotograph		[204]
93.	Baths near the Forum—Longitudinal section of the men's caldarium.Drawing, after Gell, Pompeiana, edit. of 1837, Vol. II,pl. 33, facing p. 91		[205]
94.	Plan of the Central Baths		[209]
95.	View of the Central Baths, looking from the Palaestra into thetepidarium. From a photograph (F. W. K.)		[210]
96.	The Amphitheatre, seen from the west side. From a photograph		[213]
97.	Preparations for the combat. Wall painting (no longer visible)in the Amphitheatre. After Mazois, Vol. IV, pl. 48 (Overbeck-Mau,Fig. 107)		[214]
98.	Plan of the Amphitheatre		[215]
99.	Transverse section of the Amphitheatre. After Mazois, Vol. IV,pl. 46 (Overbeck-Mau, Fig. 104)		[217]
100.	Plan of the gallery of the Amphitheatre		[218]
101.	Conflict between the Pompeians and the Nucerians. Wall painting.Naples Museum. After Overbeck-Mau, Fig. 3		[221]
102.	View of Abbondanza Street, looking east. From a photograph		[227]
103.	Fountain, water tower, and street shrine, corner of Stabian andNola streets. From a photograph (F. W. K.)		[231]
104.	Plan of the reservoir west of the Baths near the Forum		[232]
105.	Ancient altar in new wall—southeast corner of the Central Baths.From a photograph (F. W. K.)		[234]
106.	Plan of a chapel of the Lares Compitales (VIII. iv. 24)		[235]
107.	Large street altar (VIII. ii. 25). From a photograph (F. W. K.)		[236]
108.	Plan of a section of the city wall, with a tower and with stairsleading to the top. After Mazois, Vol. I. pl. 12 (Overbeck-Mau,Fig. 7)		[238]
109.	View of the city wall, inside. From a photograph		[239]
110.	Tower of the city wall, restored. After Mazois, Vol. I, pl. 13(Overbeck-Mau, Fig. 8)		[241]
111.	Plan of the Stabian Gate		[242]
112.	Plan of the Herculaneum Gate		[243]
113.	View of the Herculaneum Gate, looking down the Street ofTombs. From a photograph		[244]
114.	Early Pompeian house, restored. From an original drawing		[246]
115.	Plan of a Pompeian house		[247]
116.	Plan and section of the vestibule, threshold, and fauces of thehouse of Pansa. After Ivanoff, Mon. dell' Inst., Vol. VI, pl.28, 3 (Overbeck-Mau, Fig. 136)		[249]
117.	A Tuscan atrium—plan of the roof. After Mazois, Vol. II, pl. 3(Overbeck Mau, Fig. 139)		[251]
118.	A Tuscan atrium—section. After Mazois, Vol. II, pl. 3 (Overbeck-Mau,Fig. 140)		[252]
119.	Corner of a compluvium with waterspouts and antefixes, reconstructed.(Reconstruction, Ins. VII. iv. 16.) After Overbeck-Mau,Fig. 143		[253]
120.	A Pompeian's strong box, arca. Naples Museum. From photograph		[255]
121.	Atrium of the house of Cornelius Rufus, looking through the tablinumand andron into the peristyle. From a photograph		[256]
122.	End of a bedroom in the house of the Centaur, decorated in thefirst style. From an original drawing		[262]
123.	Plan of a dining room with three couches		[263]
124.	Plan of a dining room with an anteroom containing an altar forlibations (VIII. v.-vi. 16)		[264]
125.	Hearth of the kitchen in the house of the Vettii. From a drawing		[267]
126.	Niche for the images of the household gods, in a corner of thekitchen in the house of Apollo. From a photograph (F. W. K.)		[269]
127.	Shrine in the house of the Vettii. From a photograph		[271]
128.	Interior of a house (VII. xv. 8) with a second story dining roomopening on the atrium, restored. From an original drawing		[274]
129.	Longitudinal section of the house with a second story diningroom (VII. xv. 8) restored. From an original drawing		[275]
130.	Plan of a Pompeian shop. After Mazois, Vol. II, pl. 8 (Overbeck-Mau,Fig. 182)		[276]
131.	A shop for the sale of edibles, restored. After Mazois, Vol. II,pl. 8 (Overbeck-Mau, Fig. 183)		[277]
132.	Plan of the house of the Surgeon		[280]
133.	A young woman painting a herm. Wall painting from the houseof the Surgeon. Naples Museum. After Pitture di Ercolano,Vol. V, pl. 1		[282]
134.	Plan of the house of Sallust. After Mazois, Vol. II, pl. 35 (Overbeck-Mau,Fig. 165)		[284]
135.	Atrium of the house of Sallust, looking through the tablinum andcolonnade at the rear into the garden, restored. From an originaldrawing		[286]
136.	Longitudinal section of the house of Sallust, restored. From anoriginal drawing		[287]
137.	Plan of the house of the Faun		[288]
138.	Part of the cornice over the large front door of the house of theFaun. From an original drawing		[289]
139.	Façade of the house of the Faun, restored. From an originaldrawing		[290]
140.	Border of mosaic with tragic masks, fruits, flowers, and garlands,at the inner end of the fauces, house of the Faun. NaplesMuseum. After Museo Borb., Vol. IV, pl. 14 (Overbeck-Mau,Fig. 315)		[290]
141.	Longitudinal section of the house of the Faun, showing the largeatrium, the first peristyle, and a corner of the second peristyle,restored. From an original drawing		[292]
142.	Detail from the mosaic representing the battle between Alexanderand Darius. From a photograph		[294]
143.	Transverse section of the house of the Faun, showing the twoatriums with adjoining rooms, restored. From an originaldrawing		[296]
144.	Plan of a house near the Porta Marina (VI. Ins. Occid. 13)		[298]
145.	Longitudinal section of the house near the Porta Marina, restored.From an original drawing		[299]
146.	Plan of the house of the Silver Wedding		[302]
147.	Longitudinal section of the house of the Silver Wedding, restored.From an original drawing		[304]
148.	Transverse section of the house of the Silver Wedding, as it wasbefore 63. From an original drawing		[307]
149.	Plan of the house of Epidius Rufus		[310]
150.	Façade of the house of Epidius Rufus, restored. From an originaldrawing		[311]
151.	Transverse section of the house of Epidius Rufus. From an originaldrawing		[312]
152.	Plan of the house of the Tragic Poet		[313]
153.	View of the house of the Tragic Poet, looking from the middle ofthe atrium toward the rear. From a photograph		[314]
154.	Longitudinal section of the house of the Tragic Poet, restored.From an original drawing		[316]
155.	The delivery of Briseis to the messenger of Agamemnon. Wallpainting from the house of the Tragic Poet. Naples Museum.After Museo Borb., Vol. II, pl. 58 (Overbeck-Mau, Fig.311)		[317]
156.	The sacrifice of Iphigenia. Wall painting from the house of theTragic Poet. Naples Museum. From a photograph		[319]
157.	Exterior of the house of the Vettii, restored. From an originaldrawing.* (Cf. Röm. Mitth., 1896, p. 4)		[321]
158.	Plan of the house of the Vettii*		[322]
159.	Longitudinal section of the house of the Vettii, restored. Froman original drawing.* (Cf. Röm. Mitth., 1896, pl. 1)		[324]
160.	Transverse section of the house of Vettii, restored. From anoriginal drawing.* (Cf. Röm. Mitth., 1896, pl. 2)		[324]
161.	Base, capital, and section of entablature from the colonnade ofthe peristyle in the house of the Vettii. From a drawing.*(Cf. Röm. Mitth., 1896, p. 31)		[326]
162.	View of the peristyle of the house of the Vettii, looking towardthe south end. From a photograph		[327]
163.	System of wall division in the large room opening on the peristyleof the house of the Vettii		[329]
164.	Psyches gathering flowers. Wall painting in the house of theVettii. From a photograph		[330]
165.	Cupids as makers and sellers of oil. Wall painting in the houseof the Vettii. From a photograph		[332]
166.	Press for olives. From a wall painting found at Herculaneum.Naples Museum. Drawing after Pitture di Ercolano, Vol. I,pl. 35		[333]
167.	Cupids as goldsmiths. Wall painting in the house of the Vettii.From a photograph		[334]
168.	Cupids gathering and pressing grapes. Wall painting in thehouse of the Vettii. From a drawing.* (Cf. Röm. Mitth., 1896,p. 81)		[336]
169.	Cupids as wine dealers. Wall painting in the house of the Vettii.From a photograph		[337]
170.	Cupids celebrating the festival of Vesta. Wall painting in thehouse of the Vettii. From a drawing.* (Cf. Röm. Mitth., 1896,p. 80)		[338]
171.	The punishment of Ixion. Wall painting in the house of theVettii. From a photograph		[340]
172.	Plan of the house of Acceptus and Euhodia (VIII. v.-vi. 39)		[341]
173.	Longitudinal section of the house of Acceptus and Euhodia,restored. From an original drawing		[342]
174.	Plan of a house without a compluvium* (V. v. 2)		[343]
175.	Transverse section of the house without a compluvium, restored.From an original drawing.* (Cf. Röm. Mitth., 1895, p. 148)		[344]
176.	Plan of the house of the Emperor Joseph II (VIII. ii. 39)		[345]
177.	Bake room of the house of the Emperor Joseph II, at the time ofexcavation. After Mazois, Vol. II, pl. 34 (Overbeck-Mau,Fig. 4)		[346]
178.	Capital of a pilaster at the entrance of the house of the SculpturedCapitals (VII. iv. 57). From a photograph		[349]
179.	Plan of the house of Pansa (VI. vi. 1)		[350]
180.	Section showing a part of the peristyle of the house of the Anchor(VI. x. 7), restored. From an original drawing		[351]
181.	Plan of the house of the Citharist (I. iv. 5)		[352]
182.	Orestes and Pylades before Thoas. Wall painting from the houseof the Citharist. Naples Museum. From a photograph		[353]
183.	Plan of the villa of Diomedes		[356]
184.	Longitudinal section of the villa of Diomedes, restored. Froman original drawing, in part based on Ivanoff, ArchitektonischeStudien, Vol. II, pl. 5, 6		[358]
185.	Hot-water tank and reservoir for supplying the bath in the VillaRustica at Boscoreale. Museo de Prisco, Pompeii. From adrawing.* (Cf. Röm. Mitth., 1894, p. 353)		[362]
186.	Olive crusher found in the Villa Rustica at Boscoreale. Museo dePrisco. From a photograph		[365]
187.	Silver patera, with a representation of the city of Alexandria.Boscoreale treasure, Louvre. After H. de Villefosse. Le trésorde Boscoreale, pl. 1		[366]
188.	Dining couch with bronze mountings, the wooden frame beingrestored. Naples Museum. After Overbeck-Mau, Fig. 228		[367]
189.	Round marble table. Naples Museum. After Museo Borb., Vol.IV, pl. 56 (Overbeck-Mau, Fig. 229)		[368]
190.	Carved table leg, found in the second peristyle of the house of theFaun. Naples Museum. After Museo Borb., Vol. IX, pl. 43(Overbeck-Mau, Fig. 229)		[368]
191.	Bronze stand with an ornamental rim around the top. NaplesMuseum. From a photograph		[369]
192.	Lamps of the simplest form, with one nozzle. Naples Museum.After Overbeck-Mau, Fig. 231		[370]
193.	Lamps with two nozzles. Naples Museum. After Overbeck-Mau,Fig. 231		[370]
194.	Lamps with more than two nozzles. Naples Museum. AfterOverbeck-Mau, Fig. 231		[370]
195.	Bronze lamps with ornamental covers attached to a chain. NaplesMuseum. After Overbeck-Mau, Fig. 231		[371]
196.	Bronze lamps with covers ornamented with figures. Naples Museum.After Overbeck-Mau, Fig. 231		[371]
197.	Three hanging lamps. Naples Museum. After Overbeck-Mau,Fig. 231		[372]
198.	A nursing-bottle, biberon. Naples Museum. After Overbeck-Mau,Fig. 231		[372]
199.	Lamp standard of bronze. Naples Museum. After Museo Borb.,Vol. IV, pl. 57 (Overbeck-Mau, Fig. 234)		[373]
200.	Lamp holder for a hand lamp. Naples Museum. After Overbeck-Mau,Fig. 233		[374]
201.	Lamp holder for hanging lamps. Naples Museum. After MuseoBorb., Vol. II, pl. 13 (Overbeck-Mau, Fig. 233)		[374]
202.	Lamp holder in the form of a tree trunk. Naples Museum. AfterOverbeck-Mau, Fig. 233		[374]
203.	Lamp stand. Naples Museum. From a photograph		[374]
204.	Bronze utensils. Naples Museum. After Overbeck-Mau, Fig. 241,and Museo Borb.		[375]
205.	Mixing bowl, of bronze, in part inlaid with silver. Naples Museum.After Museo Borb., Vol. II, pl. 32 (Overbeck-Mau, Fig.248)		[376]
206.	Water heater for the table, view and section. Naples Museum.After Museo Borb., Vol. III, pl. 63 (Overbeck-Mau, Fig. 240)		[376]
207.	Water heater in the form of a brazier. Naples Museum. AfterMuseo Borb., Vol. II, pl. 46 (Overbeck-Mau, Fig. 238)		[377]
208.	Water heater in the form of a brazier, representing a diminutivefortress. Naples Museum. After Museo Borb., Vol. II, pl. 46(Overbeck-Mau, Fig. 238)		[377]
209.	Appliances for the bath. After Museo Borb., Vol. VII, pl. 16(Overbeck Mau, Fig. 251)		[377]
210.	Combs. After Museo Borb., Vol. IX, pl. 15 (Overbeck-Mau, Fig.252)		[377]
211.	Hairpins, with two small ivory toilet boxes. After Museo Borb.,Vol. IX, pls. 14, 15 (Overbeck-Mau, Fig. 252)		[378]
212.	Glass box for cosmetics. After Museo Borb., Vol. IX, pl. 15(Overbeck-Mau, Fig. 252)		[378]
213.	Hand mirrors. After Museo Borb., Vol. IX, pl. 14 (Overbeck-Mau,Fig. 252)		[378]
214.	Group of toilet articles. After Museo Borb., Vol. IX, pl. 15 (Overbeck-Mau,Fig. 252)		[378]
215.	Gold arm band. After Museo Borb., Vol. VII, pl. 46 (Overbeck-Mau,Fig. 318)		[379]
216 a-d.	Silver cups. Naples Museum. After Museo Borb., Vol. XI,pl. 45; Vol. XIII, pl. 49; Overbeck-Mau, pl. facing p. 624		[379]
216 e.	Detail of cup with centaurs		[380]
217.	Silver cup. Boscoreale treasure, Louvre. After H. de Villefosse,Le trésor de Boscoreale, pl. 8		[382]
218.	Ruins of a bakery, with millstones (VII. ii. 22). From a photograph		[386]
219.	Plan of a bakery (VI. iii. 3)		[388]
220.	A Pompeian mill, without the framework		[389]
221.	Section of a mill, restored. From an original drawing		[389]
222.	A mill in operation. Relief in the Vatican Museum. After Ber.der Sächs. Gesellschaft, 1861, pl. xii. 2		[390]
223.	Section of a bake oven (VI. iii. 3). After Mazois, Vol. II, pl. 18(Overbeck-Mau, Fig. 192)		[391]
224.	Kneading machine, restored (VI. xiv. 35). From an originaldrawing		[391]
225.	Scene in a fullery—treading vats. Wall painting. Naples Museum.After Museo Borb., Vol. IV, pl. 49 (Overbeck-Mau,Fig. 195)		[394]
226.	Scene in a fullery—inspection of cloth, carding, bleaching frame.Wall painting. Naples Museum. After Museo Borb., Vol. IV,pl. 49 (Overbeck-Mau, Fig. 194)		[394]
227.	A fuller's press. Wall painting. Naples Museum. After MuseoBorb., Vol. IV, pl. 50 (Overbeck-Mau, Fig. 196)		[395]
228.	Plan of a fullery (VI. xiv. 22)		[396]
229.	Plan of the vat room of the tannery (I. v. 2)		[398]
230.	Mosaic top of the table in the garden of the tannery. NaplesMuseum. From a photograph		[399]
231.	Plan of an inn (VII. xii. 35)		[401]
232.	Plan of the inn of Hermes (I. i. 8)		[402]
233.	Plan of a wineshop (VI. x. 1)		[402]
234.	Scene in a wineshop. Wall painting (VI. x. 1). After MuseoBorb., Vol. IV, pl. A		[403]
235.	Delivery of wine. Wall painting (VI. x. 1). After Museo Borb.,Vol. IV, pl. A		[403]
236.	Sepulchral benches of Veius and Mamia; tombs of Porcius andthe Istacidii. From a photograph (A. M.)		[409]
237.	The tomb of the Istacidii, restored. From an original drawing		[411]
238.	View of the Street of Tombs. From a photograph		[414]
239.	Glass vase, with vintage scene, found in the tomb of the BlueGlass Vase. Naples Museum. From a photograph		[416]
240.	Bust stone of Tyche, slave of Julia Augusta. After Mazois, Vol.I, p. 31 (Overbeck-Mau, Fig. 223), with the correction in thespelling of the name TYCHE		[418]
241.	Relief, symbolic of grief for the dead. After Mazois, Vol. I, pl. 29(Overbeck-Mau, Fig. 221)		[421]
242.	Front of the tomb of Calventius Quietus, with bisellium. From aphotograph		[422]
243.	End of the tomb of Naevoleia Tyche, with relief representing aship entering port. From a photograph		[423]
244.	Cinerary urn in a lead case. After Mazois, Vol. I. pl. 22 (Overbeck-Mau,Fig. 213)		[424]
245.	Sepulchral enclosure, with triclinium funebre. After Mazois,Vol. I, pl. 20 (Overbeck-Mau, Fig. 210)		[425]
246.	Plan of the tombs east of the Amphitheatre*		[431]
247.	View of two tombs east of the Amphitheatre. From a photograph(F. W. K.)		[432]
248.	View of other tombs east of the Amphitheatre. From a photograph(F. W. K.)		[434]
249.	Four-faced Ionic capital. Portico of the Forum Triangulare.After Overbeck-Mau, Fig. 272		[439]
250.	Capital of pilaster. Casa del duca d'Aumale. After Overbeck-Mau,Fig. 274		[439]
251.	Altar in the court of the temple of Zeus Milichius. After Mazois,Vol. IV, pl. 6 (Overbeck-Mau, Fig. 63)		[440]
252.	Capitals of columns, showing variations from typical forms. AfterOverbeck-Mau, Fig. 274		[442]
253.	Capital of pilaster, modified Corinthian type. After Overbeck-Mau,Fig. 274		[443]
254.	Capitals of pilasters, showing free adaptation of the Corinthiantype. After Overbeck-Mau, Fig. 274		[443]
255.	Statue of the priestess Eumachia. Naples Museum. From aphotograph		[446]
256.	Portrait herm of Caecilius Jucundus. Naples Museum. From aphotograph		[447]
257.	Double bust, Bacchus and a bacchante. Garden of the house ofthe Vettii. From a photograph		[448]
258.	Dancing Satyr. Bronze statuette found in the house of the Faun.Naples Museum. From a photograph		[451]
259.	Listening Dionysus, wrongly identified as Narcissus. Bronzestatuette in the Naples Museum. From a photograph		[452]
260.	Bronze youth, found in November, 1900. Naples Museum. Froma photograph		[454]
261.	Wall decoration in the atrium of the house of Sallust. First orIncrustation Style. After Tafel II of Mau's Geschichte derdecorativen Wandmalerei in Pompeji		[460]
262.	Distribution of colors in the section of wall represented in Fig. 261		[461]
263.	Specimen of wall decoration in the house of Spurius Mesor (VII.iii. 29). Third or Ornate style. After Tafel XII of Mau'sWandmalerei		[466]
264.	Detail of wall decoration. Fourth style. Naples Museum. AfterPitture di Ercolano, Vol. IV. pl. 57		[468]
265.	Specimen of wall decoration. Fourth style. From a copy in theNaples Museum (showing decoration that has disappeared)		[469]
266.	A fruit piece, Xenion. Wall painting. Naples Museum. AfterPitture di Ercolano, Vol. II, pl. 58		[474]
267.	A landscape. Wall painting. Naples Museum. After Pitture diErcolano, Vol. V, p. 149		[475]
268.	A group of women, one of whom is sounding two-stringed instruments.Wall painting. Naples Museum. From a photograph		[476]
269.	Paquius Proculus and his wife. Wall painting. Naples Museum.From a photograph		[477]
270.	The grief of Hecuba. Fragment of a wall painting. House ofCaecilius Jucundus. After Ann. dell' Inst., 1877, Tafel P		[479]
271.	Athena's pipes and the fate of Marsyas. Wall painting (V. ii.10). Naples Museum. From a drawing.* (Cf. Röm. Mitth.,1890, p. 267)		[482]
272.	The fall of Icarus. Wall painting (V. ii. 10). From a drawing.*(Cf. Röm. Mitth., 1890, p. 264)		[483]
273.	Zeus and Hera on Mt. Ida. Wall painting from the house of theTragic Poet. Naples Museum. From a photograph		[484]
274.	Tablet with three leaves, opened so as to show the receipt andpart of the memorandum, restored. After Overbeck-Mau, pl.facing p. 489		[500]
275.	Tablet restored, with the two leaves containing the receipt tiedand sealed. After Overbeck-Mau, pl. facing p. 489		[501]