IV
I declared that I was convinced.
“I only want to be,” said Bourdelle, “for I adore my work, and my grumbling was doubtless the effect of a passing mood; or, perhaps, anxious to hear an apology for my profession, I behaved like a coquette who complains of being ugly in order to provoke a compliment.”
There was silence for several instants, for we were thinking of what had been said.
Then, realizing that Rodin had modestly omitted himself in indicating the influence of the masters, I said: “Master, you have yourself exercised an influence on your epoch, which will certainly be prolonged to succeeding generations.
Sister and Brother
By Rodin
Photograph reproduced by permission of the Boston Museum of Fine Arts
“In emphasizing so strongly the inner truth, you will have aided in the evolution of our modern life. You have shown the immense value which each one of us to-day attaches to his thoughts, to his affections, to his dreams, and often to his wandering passions. You have recorded the intoxication of love, maiden reveries, the madness of desire, the ecstasy of meditation, the transports of hope, the crises of dejection. You have ceaselessly explored the mysterious domain of the individual conscience, and you have found it ever more vast. You have observed that in this era upon which we have entered, nothing has more importance for us than our own feelings, our own intimate personality. You have seen that each one of us, the man of thought, the man of action, the mother, the young girl, the lover, places the centre of the universe in his own soul. And this disposition, of which we were ourselves almost unconscious, you have revealed to us.
“Following upon Victor Hugo, who, celebrating in his poetry the joys and the sorrows of private existence, sang the mother rocking the cradle, the father at the grave of his child, the lover absorbed in happy memories, you have expressed in sculpture the deepest, most secret emotions of the soul.
“And there is no doubt but that this powerful wave of individualism which is passing over the old society will modify it little by little. There is no doubt but that, thanks to the efforts of the great artists and the great thinkers, who ask each one of us to consider himself as an end sufficient unto himself, and to live according to the dictates of his own heart, humanity will end by sweeping aside all the tyrannies which still oppress the individual and will suppress the social inequalities which subject one to another, the poor to the rich, the woman to the man, the weak to the strong.
“You, yourself, by the sincerity of your art, will have worked towards the coming of this new order.”
But Rodin answered with a smile:
“Your great friendship accords me too large a place among the champions of modern thought. It is true, at least, that I have striven to be of use by formulating as clearly as I could my vision of people and of things.”
Bust of Mr. Thomas Fortune Ryan
By Rodin
Photograph reproduced by permission of the Metropolitan Museum of Art
In a moment he went on:
“If I have insisted on our usefulness, and if I still insist upon it, it is because this consideration alone can recall to us the sympathy which is our due in the world in which we are living. To-day, every one is engrossed by self-interest; but I would like to see this practical society convinced that it is at least as much to its advantage to honor the artist as to honor the manufacturer and the engineer.”