THE REVOLUTIONARY AMBONOCLAST.

Jacques Frénin was the name of the man who so fearfully figured as the executioner of the abbé. From an early age he had imbibed those infidel opinions that were too industriously propagated among the French people for a considerable time previous to the breaking out of the great revolution. He hated the priests, because he thought they were rich, and not obliged to labour like himself; for the same reason he detested the nobility and higher classes. He considered religion as a mere invention of priestcraft; he was never seen at its offices, or participating in its rites; it was therefore not surprising that he assisted at the demolition of the ancient rood of the abbey with a sort of diabolical satisfaction. "Ma foi," he exclaimed, "c'était un beau commencement, mais ça ne s'arrêtera pas là;" and indeed, a few years later the full principles of infidelity developed themselves in the closing of all the temples of God, and total destruction of many of the most glorious religious monuments. As soon as popular fury had made head against all regular government, Jacques entered the National Guard, and proceeded to Paris, where his great strength and daring courage soon raised him in the estimation of his fiend-like associates. He was always the ready destroyer of a cleric or aristocrat; hence the terrible part he performed at the close of the last chapter. Through the continual occasions of plunder that presented themselves in those lawless times, he obtained a considerable sum of money, and with this he determined on retiring to his village, and securing some property. The abbey buildings had been nearly demolished for the materials, with the exception of the great western towers, which had resisted destruction, and stood now isolated, and of immense apparent height. Fragments of shafts, mullions, ribs, and ashlar-work were piled in heaps for sale, and the area of the church was one great mound of lime and broken materials. The sad scene of desolation produced no regret on the mind of the hardened Jacques, who merely exclaimed, "Ah, c'est fini!" and turned towards the old parish church, which was still standing. On drawing near he perceived an affiche announcing it for sale as part of the propriétés nationales. "Here is a capital chance," he thought; "a store for wood is what I require, and then if I buy that neighbouring forest my fortune is made." In a short time the purchase was concluded, and the venerable temple, which had for some time ceased to echo the divine praises, was disposed of to become a common wood-store. The interior of the building had a most desolate appearance; the whole was denuded of every ornament; the side altars were standing, but the high altar had been thrown down in a fruitless search for supposed treasure. An ancient image of our Lady had been removed, but the corbel remained, and the outline of the figure itself was traceable on the wall. The floor was strewed with rubbish, and damp was gathering round the bases of the pillars and chancel steps.

Jacques viewed his purchase with great satisfaction. Could he but fill it with wood, what profit he should realize! "But, peste!" he exclaimed, "with that diable de jubé, it is impossible to get a cart up near the end. Tu descendras vite." Now Frénin had assisted during his revolutionary campaigns at the destruction of many a noble church, and had remarked the expeditious way in which this was effected by cutting away the bases of the shafts, and propping them up with pieces of timber, smeared with pitch, which, when fired, were rapidly consumed, and caused the instant fall of the superincumbent weight; so that, as one of the writers of that period triumphantly explains, "On peut détruire toute une cathédrale dans un petit quart d'heure." Having frequently witnessed the success of this plan on a great scale, Jacques determined to apply it to the pillars of the rood screen, and with the aid of a mason who had been employed in the demolition of the abbey, he succeeded in stilting all the shafts on wooden shores, which he afterwards covered with grease and pitch. He calculated that in their fall they would bring in the vaulting of the loft, and, in fine, save all the trouble of pulling down piecemeal. All being prepared, he entered the church early in the morning, and twisting the wooden props with straw, he proceeded to ignite them. Those who have read the last chapter should remember the peculiar construction of this screen, with its iron trellis-work between the walls, the solid reredoses towards the chancel. A volume of smoke rose from each of the four piles of wood, succeeded by fierce crackling flames, and still denser smoke. Frénin was quickly escaping, when in the confusion of the moment, he pressed the iron gate from him; it closed with a spring catch, and with the rebound shot the key far beyond his reach into the nave. He rushed to the chancel doors, but they were barred within. In the midst of the increasing flame he frantically dashed himself now against the door, and now straining at the iron trellis, he roared with despair and terror; for at that early hour no one would be near to force the gates and save him. But two little children, belonging to a devout widow of the village, had been taught to go and offer their morning prayers before the church doors, though its portals had been closed for the ingress of the faithful; and, as usual, they bent their knees before the sacred threshold. Scarcely had they commenced their orisons, when the crackling sounds within the building attracted their attention; these were rapidly succeeded by the shouts of Frénin. Looking through the crevice, they beheld flames, and ran back affrighted to the village, exclaiming, "Le feu est à l'église." At this cry the peasants rushed from the houses, and the smoke, which now escaped from the broken windows of the edifice, showed that the alarm was too well founded. Proceeding to the western doors, which Frénin had closed on entering, they forced them open by means of a felled tree, swung by their united efforts as a ram.

On entering, the most horrible spectacle presented itself. The pillars and arches of the rood screen encircled in fire, and in the midst of smoke and blaze the gigantic figure of a man whose hair and clothes were already burning, yelling imprecations; in the agony of despair he grasped the bars with fruitless efforts to tear them from their faithful rivets. "Ah, mon Dieu, c'est Frénin," exclaimed the terrified villagers. "Il est perdu!" cried another voice, and at that instant the wooden shores, reduced to gleaming embers, gave way, and arches, vaulting, all fell in crushing weight on the wretched ambonoclast, who was speedily consumed beneath the burning mass. Water was now procured, and by the ready help of the numerous villagers who had been gathered to the spot, all danger to the fabric itself was soon prevented; but when the smoking ruins had been cleared away, a few ashes were all that remained of the powerful frame of Jacques Frénin, the revolutionary ambonoclast.

At this moment a man of venerable aspect entered the building, and who, notwithstanding his secular apparel, might still be recognized as the old curé, the Père Duchesne; for it was him, indeed. He had been concealed during the Reign of Terror by a neighbouring farmer, in whose loft the holy rites had often been privately celebrated. "My children," he exclaimed, "you behold the terrible judgments of God on those who sacrilegiously deface his holy temples. The unhappy Abbé de Chantal perished by the hand of that wretched man of whose awful death you have but just been the terrified spectators." A cry of subdued horror was heard among the listening people. "Yes," he continued, "I was an unwilling witness of his murder at Paris, and it was Frénin who struck the blow. Inured to every crime, a despiser of God's ordinances and of his ministers, he came at last to pollute this very temple to profane uses. But divine justice would not suffer this enormity; he has perished by his own hands, and his end was destruction. My dear children," continued the curé, "my heart bleeds to enter this church where I for so many years united with you in daily sacrifice and prayer, and from which we have been so long excluded, to see it so forlorn and desolate; and even now who knows but by my presence here I may be discovered and destroyed?" "Ah, mon père, mon père," murmured the villagers, "we will protect you." "God's will be done!" replied the curé. At that moment the sound of an approaching horseman was heard. The women instantly drew near the pastor, while some of the men hastened to the doors, to ascertain the person who was arriving. In a few moments they returned with a substantial farmer of the neighbourhood, covered with dust, who, hastening to the curé, exclaimed, "Ah, Monsieur le curé, nous sommes sauvés; le premier consul a restauré le culte," and handed a paper to the venerable priest, who could scarcely peruse it from emotion. It was, indeed, true; the concordat with the Holy Father was made, religion was restored. Such was the exultation of the inhabitants, that they would have had mass celebrated in the church, if the curé had not explained to them that, after its recent desecration, and the horrible death of Frénin, it would require reconciliation before any sacred rites could be performed within its walls; and for that purpose they must wait either for the bishop or his authority.

A procession in thanksgiving was then speedily arranged; and now with what alacrity long-concealed objects appeared! One good woman triumphantly produces a cope she had concealed under a quadruple layer of mattresses; another hastens with the holy water vat, brightening it up as she came along; half the contents of the ancient sacristy returned to view as if by magic. But what gave greater joy to the old curé than all the rest, was the ancient rood, that had been removed from the jubé and concealed in a roof by a pious parishioner. It came supported by four of the strongest youths, carried in triumph. The voice of the curé, enfeebled by age, and tremulous with overflowing devotion, could scarcely entone the Vexilla Regis, but it was instantly taken up by a chorus of voices. With caps in hand, tearful eyes, and swelling hearts, the villagers of Conques followed the venerable image of the Redeemer till arrived at the cemetery. The curé, after an ardent address of exhortation and thanksgiving, dismissed them with his blessing. One bell yet remained in the old tower; a rope was soon obtained, and loudly it rang on that happy day. The church was soon after reconciled, and the holy sacrifice has been continually offered up ever since. The rood was raised again on high, with great rejoicings, and Père Duchesne saw that day, and sang his Nunc Dimittis. He reposes in peace in the adjoining cemetery, but his spirit lives in his successor, who equally venerates the ancient traditions of his ancient faith. The rood is now safe from further profanation. The traces of Frénin's destruction will be shortly effaced by a perfect restoration; but the frightful end of the ambonoclasts of Conques will long form the subject of discourse among the inhabitants of the village.