CHAPTER XVI.
"How lovely all,
How calmly beautiful! Long shadows fall
More darkly o'er the wave as day declines,
Yet from the west a deeper glory shines,
While every crested hill and rocky height
Each moment varies in the kindling light
To some new form of beauty—changing through
All shades and colors of the rainbow's hue,
'The last still loveliest,' till the gorgeous day
Melts in a flood of golden light away,
And all is o'er."
—Sarah Helen Whitman.
OWARD the decline of a brilliant afternoon, I left Annapolis for Washington City. The air was as balmy as spring; "December as pleasant as May." The west was glowing with radiant beauty at sun-setting when I crossed the long bridge over the South River, and quaffed a cup of cold water from a bubbling spring at the toll-house on the southern side. The low, sandy country was exchanged for a region more rolling and diversified; and my ride during the early evening, with a half moon and brilliant stars casting down their mild effulgence, would have been delightful, but for the provoking obstructions which a lack of public spirit and private enterprise had left in the way. The highway was the "county road," yet it passed, almost the whole distance from Annapolis to Washington, through plantations, like a private wagon-path, without inclosure. Wherever the division fences of fields crossed the road, private interest had erected a barred gate to keep out intrusive cattle, and these the traveler was obliged to open. Being my own footman, I was exercised in limbs and patience to my heart's content, for, during a drive of thirteen miles that evening, I opened fifteen gates; who closed them I have never ascertained. The miles seemed excessively long; the gates were provokingly frequent. I never paid tribute with greater reluctance, for it was the exaction of laziness and neglect.
I crossed the Patuxent at seven o'clock, and halted at Queen Anne, a small, antiquated-looking village, some of the houses of which, I doubt not, were erected during the reign of its godmother. It is close to the Patuxent, and for many years was the principal depot in the state for the inspection and sale of tobacco. Flat-bottomed boats bore away from it, in former years, heavy cargoes of the nauseous stuff; now sand-bars fill the river channel, and the freight-boats stop eight miles below. The tobacco business has ceased; the railway from Annapolis to Washington has withdrawn the business incident to a post-route, and every thing indicates decay. There was no tavern in the plaee, but I procured a supper and comfortable lodgings at the post-office. We breakfasted by candle-light, and, before "sun up," as the Southerners say, I was on my way toward the Federal city, twenty-three miles distant.
I had hardly left the precincts of Queen Anne before a huge red gate confronted me! I thought it might be the ghost of one I had encountered the night before, but its substantiality as a veritable gate was made manifest by the sudden halt of Charley before its bars. I was preparing to alight, when a colored boy came from behind a shock of corn, and kindly opened the way. "How far is it to the next gate?" I inquired. "Don't know, massa," said the lad; "but I reckons dey is pretty tick, dey is, twixt here and Uncle Josh's." Where "Uncle Josh" lived I do not know, but I found the gates more than "pretty tick" all the way until within a short distance of Bladensburg.
First View of the Capitol. Rainbow at Noon. The Federal City, Capitol, and Congress Library from Annapolis to Washington, I passed through fifty-three gates! Unlike the doors and windows of the people of the South, I found them all shut.
From the brow of a hill, eight miles from Washington, I had the first glimpse of the Capitol dome, and there I opened the last gate; each a pleasing reminiscence now. I passed to the left of Bladensburg, * crossed the east branch of the Potomac, and entered Washington City, eastward of the Capitol, at one o'clock. For thirty minutes I had witnessed a rare phenomenon at that hour in the day. Dark clouds, like the gatherings of a summer shower, were floating in the northeastern sky, and upon them refraction painted the segment of quite a brilliant rainbow. I once saw a lunar bow at midnight, in June, but never before observed a solar one at mid-day in December.
Our national metropolis is a city of the present century; for before the year 1800, when the seat of the Federal government was permanently located there, it was a small hamlet, composed of a few houses. The selection of a site for the Federal city was intrusted to the judgment of the first president, who chose the point of land on the eastern bank of the Potomac, at its confluence with the Anacostia, or east branch of that river. A territory around it, ten miles square, was ceded to the United States by Virginia and Maryland in 1788. The owners of the land gave one half of it, after deducting streets and public squares, to the Federal government, to defray the expenses to be incurred in the erection of public buildings. The city was surveyed under the chief direction of Andrew Ellicott, and was laid out in 1791. The Capitol was commenced In 1793, but was not yet completed on the original plan, when, in 1814, (a) the British troops, under General Ross, burned it, a August 24 together with the library of Congress, the president's house, and all the public buildings except the Patent Office. The city then contained about nine hundred houses, scattered in groups over an area of three miles. The walls of the Capitol remained firm, though scarred and blackened. The present noble edifice was completed in 1827, ** more than a quarter of a century after the seat of government was located at Washington.
* Bladensburg is in Prince George county, Maryland, six miles northeast of Washington. It is made memorable in the history of the war of 1812 from the circumstance of a severe battle having taken place there on the 24th of August, 1814, between a small body of Americans and a portion of the British army, then on its way to destroy the Federal city. Bladensburg had, for a long time, the unenviable notoriety of being the cock-pit for duelists who congregated at Washington City. There, on the 22d of March, 1820, Commodores Decatur and Barron fought with pistols. The latter was mortally wounded, and died in the arms of his distracted wife that night, at the early age of forty years.
** The Capitol is of the Corinthian order, built of white freestone. It is upon an eminence almost eighty feet above tide-water, in the center of a large square. It is composed of a central edifice, with two wings The north wing was commenced in 1793, and finished in 1800, at a cost of $480,202. The corner stone was laid by President Washington. The apron and trowel which he used on that occasion, as Grand Master of the Masonic Order, are preserved, and were used by Grand Master B. B. French, at the recent (1851) ceremonies of laying the corner stone of another enlargement of the Capitol. The south wing was commenced in 1803, and finished in 1808, at an expense of $308,808. The central building was commenced in 1818, and completed in 1827, at a cost of $957,647. The whole edifice covers an area of one and a half acres, exclusive of the circular inclosure for fuel, which forms an elegant area and glacis on the west front. The length of the front, including the two wings, is 352 feet; the depth of the wings is 121 feet. A projection on the east, or main front, including the steps, is 65 feet wide, and another, on the west front, 83 feet wide. There is a portico of 22 columns, 38 feet high, on the east front, and on the west front is another portico of 10 columns. The whole height of the building to the top of the dome is 120 feet. Notwithstanding the spaciousness of the Capitol, it is found to be insufficient for the use of our growing republic, and another addition is now (1852) in process of erection.
* The British set fire to both wings of the Capitol, and the president's house, a mile distant, at the same time. The government officers and the people fled on the approach of the strong force of the enemy. The library of Congress, the furniture of the president's house, with other articles of taste and value, were destroyed. The bridge across the Potomac, the public stores, and vessels and buildings at the navy-yard, were consumed; and, not content with this destruction, they mutilated the beautiful monument erected in front of the Capitol in honor of the naval heroes who fought at Tripoli. The library of Congress was replaced by the purchase of that of Mr. Jefferson, in 1815, for the sum of $23,000. It contained 7000 volumes, many of them exceedingly rare and valuable. A large portion of this library, which had been increased to 55,000 volumes, was destroyed by fire on the morning of the 24th of December, 1851. It was the result of accident. About 20,000 volumes were saved. The original portrait of Peyton Randolph, from which the copy printed on page 267 of this work was made, and also that of the Baron Steuben, by Pine, on page 341, were burned, together with a large collection of ancient and modern medals, presented by Alexander Vattemare, and other precious things, which can not be replaced. The original Declaration of Independence was again saved from the flames.
The National Institute.—The Widow of General Alexander Hamilton.—Washington's Camp Chest
Washington City has no Revolutionary history of its own; but in the library of Congress; the archives of the State and War Departments; in the rooms of the National Institute, * and the private collection of Peter Force, Esq., I found much of value and interest. The city was full of the life and activity incident to the assembling of Congress, and I passed four days there with pleasure and profit. My first evening was spent in the company of the venerable widow of General Alexander Hamilton, a surviving daughter of General Philip Schuyler.
Mrs. Hamilton was then ninety-two years of age, and yet her mind a December, seemed to have all the elasticity of a woman of sixty. A sunny cheerfulness, which has shed its blessed a December 1848. influence around her during a long life, still makes her society genial and attractive. Her memory, faithful to the impressions of a long and eventful experience, is ever ready, with its varied reminiscences, to give a charm to her conversation upon subjects connected with our history. With an affectionate daughter (Mrs. Holly), she lives in elegant retirement in the metropolis, beloved by her gers, venerated by all. She is, I believe, the last of the belles of the Revolution—the last of those who graced the social gatherings honored by the presence of Washington and his lady during the struggle for independence—the last of those who gave brilliancy to the levees of the first president, and, with Lucy Knox and others, shared the honors and attentions of the noble and refined of all friends, honored by strangers a December, 1850. b January, 1852.who crowded to the public audiences of the venerated Pater Patria, when chief magistrate of the nation. Two years later, I was privileged to enjoy her hospitality, and again to draw instruction from the clear well of her experience. She still lives, at the age of ninety-four, with the promises of centenary honors impressed upon her whole being. May Time, who has dealt so gently with her, bear her kindly to the goal of a hundred years!
In the rooms of the National Institute (a portion of the Patent Office building) are a few of the most interesting relics of the Revolution now in existence, carefully preserved in a glass case. Upon the floor stands Washington's camp chest, an old fashioned hair trunk, twenty-one inches in length, fifteen in width, and ten in depth, filled with the table furniture used by the chief during the war. The compartments are so ingeniously arranged, that they contain a gridiron; a coffee and tea pot; three tin sauce-pans (one movable handle being used for all); five glass flasks, used for honey, salt, coffee, port wine, and vinegar; three large tin meat dishes; sixteen plates; ** two knives and five forks; a candlestick and
* The National Institution for the Promotion of Science was organized at Washington City in 1840. The President of the United States is patron; the heads of the Departments constitute the directors on the part of the government, and an equal number of literary and scientific citizens are directors on the part of the institution. Its collections (to which have been added those of the United States Exploring Expedition, and the Historical Society and Columbia Institute of the District) are in the great hall of the Patent Office building, a room 275 feet long and 65 feet wide.
** These are the dishes alluded to in the following letter, written by Washington, at West Point, to Dr. John Cochran, surgeon general of the northern department of the Continental army. It is dated "August 16, 1779." The original is in the present possession of the New York Historical Society, where it was deposited by Dr. Cochran's son, the late Major Cochran, of Oswego. See page 221, vol. i.
Washington's Letter to Dr. Cochran.—Pomp of Ancient Generals.—"The Sword and the Staff."
tinder-box; tin boxes for tea and sugar cane, bequeathed to the hero by the sage. ** ode called and five small bottles for pepper and other materials for making soup. Such composed the appointments for the table of the commander-in-chief of the American armies, while battling for independence, and laying the corner stone of our republic.
What a contrast with the camp equipage of the heroes of other times and other lands, whom history has apotheosized, and whom the people of the earth call great! * With all the glitter and the pomp of wealth and power, which dazzle the superficial eye, the splendor which surrounds them is but dimness compared to the true glory that haloes the name and deeds of Washington, appreciated by the consequences of his career.
* Standing near the camp chest is Washington's war sword, and with it Franklin's. Of these relics Morris has sweetly sung, in his
'The Sword and the Staff.
"The sword of the Hero!
The staff of the Sage!
Whose valor and wisdom
Are stamp'd on the age!
Time-hallowed mementoes
Of those who have riven
The scepter from tyrants,
'The lightning from heaven.'
* "Dear Doctor,—I have asked Mrs. Cochran and Mrs. Livingston to dine with me to-morrow; but am I not in honor bound to apprise them of their fare? As I hate deception, even where the imagination only is concerned, I will. It is needless to premise that my table is large enough to hold the ladies. Of this they had ocular proof yesterday. To say how it is usually covered is rather more essential; and this shall be the purport of my letter. "Since our arrival at this happy spot, we have had a ham, sometimes a shoulder of bacon, to grace the head of the table; a piece of roast beef adorns the foot; and a dish of beans, or greens, almost imperceptible, decorates the center. When the cook has a mind to cut a figure, which I presume will be the case to-morrow, we have two beef-steak pies, or dishes of crabs, in addition, one on each side of the center dish, dividing the space and reducing the distance between dish and dish to about six feet, which without them would be nearly twelve feet apart. Of late he has had the surprising sagacity to discover that apples will make pies; and it is a question if, in the violence of his efforts, we do not get one of apples, instead of having both of beef-steaks. If the ladies can put up with such entertainment, and will submit to partake of it on plates, once tin but now iron (not become so by the labor of scouring), I shall be happy to see them; and am, dear doctor, yours," &c.
* Montfaucon, in his Antiquity Explained, gives an account of the splendid processions of the conquerors of Persia, and the gold and silver vessels used in the tents of the generals. After mentioning the vast number of gold and silver vessels, chairs, tables, couches, &c., in the magnificent tent of Ptolemy Philadelphus, he thus describes the triumphal procession of Antiochus Epiphanes: "First came twenty thousand Macedonians, the greatest Part of which had brass Shields, and others silver Shields. Then three thousand Horsemen of Antioch, most of whom had gold Collars and gold Crowns. Two thousand Horsemen more, all with gold Collars. Eight hundred young Men, each wearing a gold Crown. A thousand young Men, each carrying a silver Vase, the least of which weighed a thousand Drachms. Six hundred young Men more, each carrying a Vase of Gold; and two hundred Women, each with a Gold Vase to scatter Perfumes. Eighty Women carried on Chairs, the feet of which were Gold; and five hundred other Women, carried on Chairs with silver feet. This pompous Procession would appear very magnificent, were it not put after the former [Ptolemy Philadelphus], which surpasses every thing that can be imagined."—Supplement, tome iii., book v., p. 323. I refer to this parade as an example of the contrast alluded to.
** Doctor Franklin, in the codicil to his Will, wrote as follows: "My fine crab-tree walking-stick, with a gold head curiously wrought in the form of the cap of liberty, I give to my friend, and the friend of mankind, General Washington. If it were a scepter, he has merited it, and would become it. It was a present to me from that excellent woman, Madame De Forbach, the dowager duchess of Deux-Ponts, connected with some verses which should go with it."
"This weapon, O Freedom!
Was drawn by thy son,
And it never was sheath'd
Till the battle was won!
No stain of dishonor
Upon it we see!
'Twas never surrender'd—
Except to the free!
"While Fame claims the hero
And patriot sage,
Their names to emblazon
On History's page,
No holier relics
Will Liberty hoard,
Than Franklin's staff, guarded
By Washington's sword."
Revolutionary Relics.—Franklin's Press.—History of its Importation to America
The war sword of the chief is incased in a black leather sheath, with silver mountings. The handle is ivory, colored a pale green, and wound spirally with silver wire at wide intervals. *
It was manufactured by J. Bailey, Fishkill, New York, ** and has the maker's name engraved upon the hilt. The belt is white leather, with silver mountings, and was evidently made at an earlier period, for upon a silver plate is engraved "1757."
Washington's commission, signed by John Hancock, and the suit of clothes which he wore when he resigned that instrument into the custody of Congress, at Annapolis, are also there, together with a piece of his tent, and the portable writing-ease represented in the en graving, which he used during all of his campaigns. The case is of board, covered with black leather, ornamented with figured borders. But the most precious relic of all was the original Declaration of Independence, written upon parchment, and bearing the autographs of the signers. In the year 1818, this priceless document was allowed to go into the hands of Benjamin Owen Tyler, a teacher of penmanship, for the purpose of making a fac simile of it for publication. By some process which he used for transferring it, it narrowly escaped utter destruction. Many of the names are almost illegible, while others are quite dim. This document (which was since removed to the Congress Library), with other precious things, was saved when the public buildings were burned by the British in 1814. In another part of the rooms of the Institute, which is devoted chiefly to the scientific collections made by the exploring expedition a few years ago, is the printing-press with which Franklin labored in London, when a journeyman printer, in 1725—6. *** It is carefully preserved in a glass case. It is an exceedingly rude apparatus, and presents a wonderful contrast to the printing machines of Hoe, of the present day, from which twenty thousand impressions may be thrown each hour. The platen is of wood, the bed of stone. Its construction is in the primitive style universally
* Upon the thigh of the chief, in Leutze's picture of Washington Crossing the Delaware, is a perfect representation of this sword.
** Sec note on page 122.
*** In 1841, John B. Murray, Esq., of New York, being in Liverpool, was informed that this press was in the possession of Messrs. Harrild and Sons, of London. Mr. Murray visited their establishment, and proposed to purchase the press for the purpose of sending it to America. The owners informed him that they had thought of presenting it to the government of the United States, and assured him that they would not part with it for any other purpose. After some negotiation, the Messrs. Harrild agreed to let Mr. Murray have it, on condition that he should procure a donation to the Printers' Pension Society of London. The press was forwarded to Liverpool, and there exhibited. It attracted great attention; and finally the Reverend Hugh M'Neile, of Liverpool, was induced to deliver a public lecture on the Life of Franklin, the proceeds from admission tickets to be given to the society above named. In November, Mr. Murray had the pleasure of remitting to the treasurer of the Printers' Pension Society $752, to be appropriated to the relief of one pensioner, a disabled printer of any country, to be called the Franklin pension. Mr. Murray brought the press to the United States, and it now occupies an appropriate place among the historical relics of our country at the Federal metropolis. The lecture of Mr. M'Neil was published, with a fac simile of a letter written by Franklin in 1756, to the Reverend George Whitefield, and also a page containing an engraving of the press, which was printed upon the identical machine thus honored.
Character of the Press.—Franklin's Remarks in 1768.—Peale's Picture of Washington.—Its History.
used before the improvements made by the Earl of Stanhope; the power being obtained by a single screw, like a common standing-press, instead of a combination of lever and screw, as applied by that nobleman, or the combination of levers alone, as seen in the Columbian press invented by our countryman, George Clymer.
Upon I brass plate affixed to the front of the press is the following inscription:
"Dr. Franklin's remarks in relation to this press, made when he came to England as agent of Massachusetts, in the year 1768. The doctor, at this time, visited the printing-office of Mr. Watts, of Wild Street, Lincoln's-Inn-Fields, and, going up to this particular press (afterward in the possession of Messrs. Cox and Son, of Great Queen Street, of whom it was purchased), thus addressed the men who were working at it:* Come, my friends, we will drink together. It is now forty years since I worked, like you, at this press, as a journeyman printer.' The doctor then sent out for a gallon of porter, and he drank with them,
SUCCESS TO PRINTING.
"From the above it will appear that it is one hundred and eight years since Doctor Franklin worked at this identical press.—June, 1833."
Upon the wall of the room is a full-length portrait of Washington, painted by Charles Wilson Peale, * under peculiar circumstances. Peale was a remarkable man. Possessed of great versatility of talent, he brought all his genius into play as circumstances demanded. He was a sturdy patriot, and entered the army at an early period of the contest. He commanded a company at the battle of Trenton, and also at Germantown; and he was with the army at Valley Forge. He employed the leisure hours incident to camp duty in painting, and it was at Valley Forge that he commenced the picture in question. When the army crossed the Delaware into New Jersey in pursuit of Sir Henry Clinton, and fought the battle of Monmouth, Peale went with it, taking his unfinished picture and his materials with him; and at Brunswick, a day or two after the Monmouth conflict, he obtained the last sitting from the commander-in-chief. The picture was finished at Princeton. A distant view of Nassau Hall, at that place, with a body of British prisoners marching, compose a portion of the back-ground. The picture of the sword hanging upon the thigh of Washing-
* Charles Wilson Peale was born at Charlestown, in Maryland, in 1741, and was apprenticed to a sad-ller in Annapolis. He beeame also a silver-smith, watch-maker, and carver. Carrying a handsome saddle to Hesselius, a portrait-painter in his neighborhood, he begged him to explain the mystery of putting colors upon canvas. From that day his artist life began.
*He went to England, where he studied under Benjamin West in 1770 and 1771. He returned to America, and for fifteen years was the only portrait painter of excellence in this country. By close application he became a good naturalist and preserver of animals. Mr. Peale opened a picture gallery in Philadelphia, and also commenced a museum, whieh, in time, became extensive. He delivered a course of lectures on natural history, and was very efficient in the establishment and support of the Academy of Fine Arts. He lived temperately, worked assiduously, and was Greatly esteemed by all who knew him. He died in February, 1827, aged eighty-five years. I once saw a full-length portrait of himself which he painted at the age of eighty—a fine specimen of art.
The Senate and House of Representatives.—Greenough's Statue of Washington.—The Rotunda and its Contents.
ington is an evidence of the truthfulness of the costume, for it is an exact representation of the real weapon just described and depicted, which stands in a case on the opposite side of the room.
Leaving the room of the National Institute, I went up to the Capitol, and peeped in upon the sages of the Senate and House of Representatives, who seemed busily engaged in preparing to do something in the way of legislation.
It is a practice quite too common for our writers to speak disparagingly of members of Congress, with the apparent feeling that they being the servants of the people, every scribbler has a right to exercise his freedom of utterance, censuring them to the fullest extent. Doubtless some of our representatives are entitled to much censure, and some to ridicule; but, as a body, they generally appear to the candid visitor as a collection of wise and honorable men. An English gentleman who accompanied me to both chambers, assured me that he had often sat in the gallery of the House of Commons of England, of the Chamber of Deputies of France, and of the Diet of Frankfort and other Germanic Legislatures, and not one of them could rival in apparent talent, wisdom, decorum, and faithfulness to their constituents, the members of the Senate and House of Representatives of the United States, in listening to whose delegates he had spent many weeks during three consecutive sessions. Being more interested in the historical pictures in the Rotunda of the Capitol, and in the books in the library of Congress, than in the preliminary business of the Legislature, I repaired thither, and occupied the remainder of the day in making sketches of portraits contained in Trumbull's celebrated pictures, which adorn four of the panels of that spacious room. *
Early on the following morning I again went up to the Capitol, and sketched the statue of Washington, by Greenough; the group of Columbus and the Indian Girl, by Persico; and the elegant monument erected to the memory of the naval heroes who fought at Tripoli. The first is a colossal statue of the Father of his Country, sculptured in Parian marble by Greenough, draped In classic style, and seated upon an elaborately-wrought chair, the whole supported by a granite pedestal. In his left hand the chief holds a Roman short sword, in the act of presenting the right hand, with the index finger extended, is lifted toward heaven. The chair has a filagree scroll-work back On the left is a small
* The Rotunda is under the dome, in the middle of the center building. It is 9 feet in diameter, and of the same height. Just below the cornice, at the base of the dome, are four basso relievos, representing Smith delivered from Death by Pocahontas; The Landing of the Pilgrims; Conflict of Daniel Boone with the Indians; and Penn's Treaty. The Rotunda has eight panels, in four of which are pictures by Colonel John Trumbull, representing The Presentation of the Declaration of Independence to Congress * The Surrender of Burgoyne; the Surrender of Cornwallis; and Washington resigning his Commission to Congress at Annapolis. Besides these is a representation of the Baptism of Pocahontas, by John G. Chapman; The Embarkation of the Pilgrims, by Robert W. Weir; and The Landing of Columbus, by John Vanderlyn. One panel remains to be filled.
* According to Colonel Trumbull's circular, now before me, the picture of The Presentation of The Declaration of Independence. so familiar to every American, was begun in Europe in 1787. It contains faithful portraits of thirty-six members, who were then living, and of all others of whom any correct representation could, at that early period, be obtained. These, with others which have since been obtained, to the number of forty-nine, are faithfully given in the frontispiece to this volume. There are two heads among them who were not signers of the Declaration: John Dickenson and Thomas Willing, of Pennsylvania. Trumbull's picture was engraved by A. B. Durand, the now eminent painter, in 1820-1. The paper on which it was printed was made by Messrs. Gilpin, at Brandywine, and the printing was executed in New York. It was first published in 1822, and is the original of the millions of copies of all sizes which are in circulation. The portraits of the officers of the French army in America, delineated in the picture of the Surrender of Cornwallis, were painted from life, by Colonel Trumbull, at the house of Mr. Jefferson, at Paris. Copies of these portraits, fourteen in number may be found in another portion of this work.
Description of Greenough's Statue.—Tuckerman's Poem.—A Chippewa's Speech.—Persico's Group.
figure of an aged man, with flowing beard, covered by a mantle; on the right stands an Indian of similar size, and both are in a contemplative attitude. On the left side of the seat, in low relief, is an infant Hercules, holding a serpent in one hand. Near him is another infant, prostrate, with its hand over its face. On the other side is Phoebus, with "his coursers of the sun." On the back of the seat, below the filagree work, is a Latin inscription, in raised letters.' This statue was originally intended for the center of the Rotunda. Too large for that room, it was placed upon the open grounds facing the east front of the Capitol, where, exposed to the sun and storm, its beauty, except in form, must soon pass away. It is a noble work of art, and, as I gazed upon the features of the great chief in the solemn grandeur of the inert marble, the beautiful lines of the poet came like a gushing stream from the deep well of memory, and the heart chanted,
"O, it was well, in marble firm and white,
To carve our hero's form,
Whose angel guidance was our strength in fight,
Our star amid the storm!
Whose matchless truth has made his name divine,
And human freedom sure,
His country great, his tomb earth's dearest shrine,
While man and time endure!
And it is well to place his image there,
Upon the soil he bless'd;
Let meaner spirits, who our councils share
Revere that silent guest!
Let us go up with high and sacred love
To look on his pure brow,
And as, with solemn grace, he points above,
Renew the patriot's vow!"
Henry T. Tuckerman.
Eloquently did one of the chiefs of the Chippewa delegation address this statue, while standing before it a few years ago. "My Great Father," he said, "we all shake hands with you; we have traveled a long way through the great country that you acquired for your people by the aid of the Great Spirit. Your people have become very great; our people have become very small. May the Great Spirit, who gave you success, now protect us, and grant us the favor we ask of our Great Father, who now fills the place first occupied by you." What orator or sage ever expressed more in so few words?
The group of Columbus and the Indian Girl, by Persico, is a good specimen of that sculptor's skill. It is in white marble, and is intended as a representation of the idea of the discovery of America. This group is on the south side of the steps of the eastern portico of the Capitol. In the Discoverer's hand is a globe, appearing to the spectator, at first, like a simple ball. The relative position of this figure to the statue of Washington, whose right hand is elevated, impresses the beholder, at first sight, with the ludicrous idea of the Navigator and the Patriot engaged in tossing a ball at each other. The naval monument is upon the highest terrace on the western front of the Capitol. It is of white marble, with
* The following is a copy of the inscription: "Horatio Greenough made this effigy, for a great exemplar of freedom, and one destined only to endure with freedom itself." Upon the granite pedestal are the following words, in large eameo letters: South side.—"First in Peace." North side.—"First in War." West side.—"First in the hearts of his countrymen."
Tripoli Monument.—President Polk.—Arlington House.—Mr. Custis and the "Washington Treasures."
a brown stone pedestal, and is about forty feet high. It stands within a large basin of water, eight or ten feet deep, and supplied by a fountain in which gold fishes in abundance are seen sporting. The basin is surrounded by a strong iron fence. Upon one side of the pedestal, in low relief sculpture, is a view of Tripoli and the American fleet, and upon the other the following inscription:
"To the Memory of Somers, Caldwell, Decatur, Wadsworth, Dorsey, Israel." *
This monument, although too small to appear grand, is a fine embellishment, and commands the attention of every visitor to the Federal Capitol. a December, 1848I passed the morning of the library of Mr. Force, preparing from old maps a plan of my Southern route. Toward noon I went up to the presidential mansion, and enjoyed the pleasure of an hour's interview with the chief magistrate, the late Mr. Polk. It was not a visit prompted by the foolish desire to see the exalted, but for the purpose of seeking information respecting an important movement in North Carolina at the commencement of the war of the Revolution, in which some of the family of Mr. Polk were conspicuous actors. I allude to the celebrated Mecklenburgh Convention, in May, 1775. The president readily communicated all the information in his possession, and kindly gave me a letter of introduction to the grandson of the secretary of that convention, then residing in Charlotte, where the meeting was held. This matter will be considered in detail hereafter.
At meridian I crossed the Potomac upon the mile-long bridge, and rode to Arlington House, the seat of George Washington Parke Custis, Esq. His mansion, wherein true Virginian hospitality prevails, is beautifully situated upon high ground overlooking the Potomac, Washington City, and Georgetown, half surrounded by a fine oak forest, and fronting broad lawns. Mr. Custis received me, though a stranger, with cordiality, and when the object of my visit was made known, the "Washington treasures of Arlington House" were opened for my inspection. As executor of the will, and the adopted son and member of the immediate family of Washington, Mr. Custis possesses many interesting mementoes of that great man. He has several fine paintings. Among them is the original three-quarter length portrait of his grandmother (Lady Washington), by Woolaston, from which the engraving in Sparks's Life of Washington was made; also the original portrait of the chief by Trumbull; of the two children of Mrs. Washington (the father and aunt of Mr. Custis); of Parke, an ancestor, who was aid to the great Marlborough in the battle of Blenheim, painted by Sir Godfrey Kneller; crayon profile sketches of Washington and his lady, made in 1796; a beautiful painting on copper, in imitation of a medallion, of the heads of Washington and La Fayette, executed by the Marchioness De Brienne, and presented to Washington in 1789; and a number of other fine family portraits, choice engravings, and sculpture. Mr. Custis is himself an amateur artist, and has painted several historical subjects, among which is a cabinet picture of Washington wherein the figure of the chief is truth-
* This monument was wrought in Italy, by Capelano, in 1804, by order of the surviving officers of the siege of Tripoli, and paid for by them. It was erected in the navy-yard at Washington City in 1806, where it was damaged by the British in 1814. This fact was kept in perpetual remembrance by the inscription put upon it, "Mutilated by Britons, August, 1814." When the monument was placed in its present position, that record was generously erased.
** The head of Washington is from a bust by Houdon, in possession of Mr. Custis.
Alexandria.—Its Museum.—The Hessian Flag captured at Trenton.—Anecdote of Washington.
fully delineated. A copy of his battle of Monmouth is printed oil page 361. With books and pencil, in the bosom of an affectionate family, Mr. Custis, the last survivor of Washington's immediate household, is enjoying the blessings of a green old age. He has been present at the inauguration of every president of the United States (now numbering thirteen); and he has grasped the hand in friendly greeting of almost every distinguished personage who has visited our national metropolis during the last half century. For many years he communicated to the National Intelligencer his Recollections of Washington. These are graphic pictures of some of the most eventful scenes in the life of the patriot chief, described by eye-witnesses, and it is hoped that they will yet be arranged and published in a volume by the author.
It was almost sunset when I left Arlington House and returned to the Federal city. Before breakfast the next morning I rode down to Alexandria, an old town on the Virginia side of the Potomac, seven miles below Washington. It is quite a large place, and was once a commercial mart of considerable importance.
The town is handsomely laid out in rectangles, and is said to be remarkably healthy. It has but little Revolutionary history, except such as appertains to the personal affairs of Washington, whose residence, at Mount Vernon, was near. * In its museum, which is closed to the public, are many relics of the war for independence, of exceeding rarity and value, most of which belongs to Mr. Custis. I procured permission to visit the museum from Mr. Vietch, the mayor of Alexandria, under whose official charge the corporation has placed the collection; and, accompanied by an officer, I passed an hour among its curiosities. Among them is the flag which Washington took from the Hessians at Trenton, mentioned on page 229. It is composed of two pieces of very heavy white damask silk, on which the devices are embroidered with silk and gold thread. The lettering is all done with gold thread. On one side is an eagle, bearing in its talons a scroll and olive branch. Over it, upon a ribbon, are the words Pro principe et patria;
"For principle and country a curious motto for the flag of mercenaries. Upon the other side is a monogram, composed of the letters E. C. T. S. A., and supposed to be that of the general commandant of the Anspachers. Under it are the initials M. Z. B., and the date 1775. The whole is surmounted by the British crown. This flag was probably wrought in England, while the German troops were awaiting embarkation for America, toward the close of 1775. It is four feet square.
The tassels, made of silver bullion, are suspended to a plait of silver tinsel.
Near the Hessian flag was the royal union stand-
* The following anecdote is illustrative of the generous and noble character of Washington in his early manhood: When colonel of the Virginia troops in 1754, he was stationed at Alexandria. At an election for members of Assembly Colonel Washington, in the heat of party excitement, used offensive language toward a Mr. Payne. That gentleman struck the colonel a blow which prostrated him. Intelligence went to the barracks that Colonel Washington had been murdered by a mob. His soldiers rushed to the city to avenge his death. Joyfully they met him, and, being quieted by an address, they returned peaceably to their barracks. Next day, Mr. Payne received a note from Washington, requesting his attendance at the tavern in Alexandria. Mr. Payne anticipated a duel, but, instead of pistols in the hands of an irritated man, he saw wine and glasses, and was met with a friendly smile by his antagonist. Colonel Washington felt that himself was the aggressor, and determined to make reparation. He offered Mr. Payne his hand, and said, "To err is nature; to rectify error is glory. I believe I was wrong yesterday; you have already had some satisfaction, and, if you deem that sufficient, here is my hand—let us be friends." And they were so.
Washington's Bier, and other Relics.—Departure for Mount Vernon.—The Mansion.
ard which Cornwallis surrendered to Washington at Yorktown. A picture of this flag will be given when considering that last great triumph of the Americans.
The Hessian and the British flags are labeled, respectively, Alpha and Omega, for they were the "first and the last" captured by Washington.
A flag which belonged to the Commander-in-chief's Guard, printed on page 120, and one that belonged to Morgan's rifle corps, were also there; and in the midst of common curiosities, covered with dust and cobwebs, stood the bier on which Washington was carried to the tomb at Mount Vernon. It is of oak, painted a lead color, and is six feet in length. The handles, which are hinged to the bier, had leather pads on the under side, fastened with brass nails. Hanging over the bier was the letter of Washington, printed in a note on page 115; and near by laid a napkin said to have been used on the occasion when he was christened.
The museum contains many other things of general and special interest; but, being closed to the public, they are quite useless, while neglect is allowing the invisible fingers of decay to destroy them. I was glad to learn that the precious relics above named, which belong to Mr.
* This view is from the lawn in front, looking down the Potomac. The mansion is built of wood, but so as to resemble stone, like Johnson Hall, at Johnstown, in New York, and is two stories in height. The central part was built by Lawrence Washington, a brother of the chief. The wings were added by the general. Through the center of the building is a spacious passage, level with the portico, and paved with tesselated Italian marble. This hall communicates with three large rooms, and with the main stair-way leading to the second story. The piazza on the eastern or river front is of square paneled pilasters, extending the whole length of the edifice. There is an observatory and cupola in the center of the roof, from whence may be obtained an extensive view of the surrounding country. The Mount Vernon estate was inherited by Lawrence Washington, who named it in honor of Admiral Vernon. He bequeathed it to George, and it passed into his possession on the death of Lawrence, which occurred in the mansion we are now noticing, on the 26th of July, 1752.
Approach to Mount Vernon.—The Library and its Associations.—Key of the Bastile.—Destruction of that Prison.
Custis, are about to be transferred to the rooms of the National Institute, where they may be seen by the thousands who visit the metropolis.
Toward noon I rode to Mount Vernon, nine miles below Alexandria. It was a mild, clear day, almost as balmy as the Indian summer time. After crossing an estuary of the Potomac the road was devious, passing through a rough, half-cultivated region, and almost impassable in places on account of gulleys scooped by recent rains. Leaving the main road when within about three miles of Mount Vernon, I traversed a winding carriage-way through partially-cultivated fields, over which young pines and cedars were growing in profusion; the unerring certifiers of that bad husbandry which many regions of the Southern States exhibit.
When within about two miles of the venerated mansion, I passed a large stone upon the left of the road, which denotes a boundary line of the ancient estate. It is in the midst of stately forest trees; and from this land-mark to the residence, the road, unfenced and devious, passed through a greatly diversified region, some of it tilled, some returning to a wilderness state, and some appearing as if never touched by the hand of industry. Suddenly, on ascending a small steep hill from the edge of a wild ravine, the mansion and its surroundings were before me, and through the leafless branches of the trees came the sheen of the meridian sun from a distant bay of the Potomac. I was met at the gate by an intelligent colored lad, who ordered another to take charge of my horse, while he conducted me to the mansion. I bore a letter of introduction to the present proprietor of Mount Vernon, Augustine Washington, a grand-nephew of the patriot chief; but himself and family were absent, and not a white person was upon the premises. I felt a disappointment, for I desired to pass the time there in the company of a relative of the beloved one whose name and deeds hallow the spot.
Silence pervaded the life-dwelling of Washington, and the echoes of every footfall, as I moved at the beck of the servant from room to room, seemed almost like the voices of intruders. I entered the library (which, with the breakfast-room, is in the south wing of the building), and in the deep shadows of that quiet apartment sat down in the very chair often occupied by the patriot, and gazed and mused with feelings not to be uttered. Upon brackets were marble busts of Washington and La Fayette, and a small one of Necker, the French Minister of Finance when the Revolution broke out in France. The first is over the door of entrance into the library. It was executed by Houdon, from life, he having obtained a mask, in plaster, and is doubtless the best likeness extant.
Upon the walls hung the portraits of Laurence Washington, brother of the general, and of several female members of the family. In the great hall, or passage, in a glass case of prismatic form, hung the Key of the Bastile, and near it was an engraved view of the demolition of that renowned prison. The large north room wherein Washington entertained his political friends, with the furniture, is kept in the same condition as when he left it. Upon the walls were pictures of hunting and battle
* This key of the old Paris prison known as the Bastile, was sent hy La Fayette to Washington after the destruction of that edifice by the infuriated populace on the 14th of July. 1789. This was the beginning of the French Revolution. The Bastile was originally a royal palace, built by Charles the Fifth of France in 1369. It was afterward used as a state prison, like the Tower of London, and became the scene of dreadful sufferings and frightful crimes. When the mob gained possession of it in 1789, they took the governor and other officers to the Place de Grève, where they first cut off their hands and then their heads. With the key, La Fayette sent a plaster model of the old building. The model, somewhat defaced from long exposure in the Alexandria museum, is among the collections of the National Institute, while the key retains its ancient position at Mount Vernon. It is of wrought iron seven inches long. La Fayette, in his letter to Washington which accompanied the key and picture, dated "Paris, March 17th, 1789,' said, "Give me leave, my dear general, to present you with a picture of the Bastile, just as it appeared a few days after I had ordered its demolition, with the main key of this fortress of despotism. It is a tribute which I owe as a son to my adopted father; as an aid-de-camp to my general; as a missionary of liberty to its patriarch."
* Thomas Paine, then in London, employed in constructing an iron bridge which he had invented, was chosen by La Fayette as the medium through which to forward the key to Washington. Paine, in his letter to the general accompanying the key, dated "London. May 1, 1789," wrote, "Our very good friend, the Marquis De La Fayette, has intrusted to my care the key of the Bastile, and a drawing, handsomely framed, representing the demolition of that detestable prison, as a present to your excellency, of whieh his letter will more particularly inform you. I feel myself happy in being the person through whom the marquis has conveyed this early trophy of the spoils of despotism, and the first ripe fruits of American principles transplanted into Europe, to his great master and patron. When he mentioned to me the present he intended you, my heart, leaped with joy. It is something so truly in character, that no remarks can illustrate it, and is more happily expressive of his remembrance of his American friends than any letters ean convey. That the principles of Ameriea opened the Bastile is not to be doubted, and therefore the key comes to the right place. I have permitted no drawing to be taken here, though it has been often requested, as I think there is a propriety that it should first be presented. But Mr. West wished Mr. Trumbull to make a painting of the presentation of the key to you."
Pictures at Mount Vernon.—Chimney-piece.—Monumental Eulogy.—The Old Vault of the Washington Family.
scenes. Among them were prints of the death of Montgomery, and the battle of Bunker Hill, but not one of any engagement in which Washington himself participated. There hung the small portrait of the chief, on the back of which an unknown hand wrote an admirable monumental eulogy. * There, too, was a large painting—a family group—representing the mother and children of the present proprietor. The fire-place of the drawing-room is decorated with a superb Italian chimney-piece, made of variegated Sienna marble, in which is sculptured, in bold relief, on the tablets of the frieze, prominent objects of agriculture and husbandry. It was presented to Washington in 1785, by Samuel Vaughn, Esq., of London. One room is closed to the public gaze, and I honor the holy motives which prompt the veiling of that apartment from the eyes of prying curiosity; it is the chamber whence the spirit of the illustrious Washington, departed for its home in
"The bosom of his Father and his God."
I passed out upon the eastern piazza (seen in the engraving), which overlooks the Potomac. By the side of the door hung the spyglass often used by Washington; and, prompted by curiosity, I drew its tubes, and through them surveyed the hills of Maryland stretching away eastward on the opposite side of the river.
From the mansion of the living I went to the dwelling of the dead, the old family vault, situated upon the declivity of a dell in full view of the river. It is about three hundred yards south of the mansion. Therein the body of Washington was first laid, and remained undisturbed for thirty years, when it was removed to a new tomb, erected in a more secluded spot, in accordance with direc-
* It is supposed to have been written by an English gentleman. The following is a copy:
* "Washington—The Defender of his Country—the Founder of Liberty—The Friend of Man. History and Tradition are explored in vain For a Parallel to his Character. In the Annals of Modern Greatness He stands alone; And the noblest, names of antiquity Lose their Luster in his Presence. Born the Benefactor of Mankind, He united all the qualities necessary to an illustrious career. Nature made him great; He made himself virtuous. Called by his country to the defense of her Liberties, He triumphantly vindicated the rights of humanity, And on the Pillars of National Independence Laid the foundations of a great Republic. Twice invested with supreme magistracy, By the unanimous voice of a free people, He surpassed in the Cabinet The Glories of the Field. And voluntarily resigning the Scepter and the Sword, Retired to the shades of Private Life. A spectacle so new and so sublime Was contemplated with the profoundest admiration. And The name of Washington, Adding new luster to humanity, Resounded to the remotest regions of the earth, Magnanimous in youth, Glorious through life, Great in Death; His highest ambition, the Happiness of Mankind; His noblest Victory, the conquest of himself. Bequeathing to posterity the inheritance of his fame And building his monument in the hearts of his countrymen, He Lived The Ornament of the 18th Century He Died regretted by a Mourning World."
tions in his will. * The construction of this tomb was delayed until many years ago, when an attempt was made to carry off the remains of the illustrious dead. The old vault was entered, and a skull and some bones were taken away. They formed no part of the remains of Washington. The robber was detected, and the bones were recovered.
The new vault is on the side of a steep hill, on the edge of a deep wooded dell leading toward the river. The interior walls are built of brick, arched over at the height of eight feet from the ground. The front of the tomb is rough, and has a plain iron door inserted in a freestone casement. Upon a stone panel over the door are inscribed the words, "I am
THE RESURRECTION AND THE LIFE; HE THAT BELIEVETH IN ME, THOUGH HE WERE DEAD, YET SHALL HE LIVE."
Inclosing this tomb is a structure of brick twelve feet high. In front is an iron gateway, opening several feet in advance of the vault door, and forming a kind of ante-chamber. This gateway is flanked with pilasters, surmounted by a stone coping, covering a pointed Gothic arch. ** Over this arch is a tablet, on which is inscribed,
"Within this inclosure rest the