DESIGNING MINIATURE GARDENS
The first and basic requisite is an idea the garden is to express, a theme for the picture it is to create. The objective may be to embellish some neglected nook, disguise an unattractive corner, feature an unusual plant or art object, soften the lines of a small pool and blend it with its surroundings. Once the goal is set, it is pursued without deviation. For example, a featured plant is kept dominant—not necessarily in size, but always in visual importance—and everything else is subordinate. A pool planting does not become so elaborate that the beauty of mirrored reflections or rippling water is lost.
In both conception and execution the design for a miniature garden should be in harmony with its surroundings. Nearby buildings may call for certain harmonious lines and proportions. Land contours, and constructions such as walls and steps, may dictate size and shape. The architecture of a house and its landscape has a style that should not be violated.
Our Connecticut landscape demands informal or naturalistic design in no uncertain terms. Straight lines and formal geometric shapes would be not only out of place, but practically impossible to achieve. The land’s slopes and rises call for beds with flowering curves. Points of interest such as massive lichen-trimmed boulders, gnarled old trees, or a winding stream are sublimely situated by nature’s unerring instinct for what looks right. We’ve merely cleaned them up and made the most of them.
For not-too-modern houses built on regularly shaped, level lots, some sort of formal design is easier to achieve and much more suitable. In the traditional style, elements of equal size and weight balance each other. There is strict adherence to a predetermined pattern. Identical beds may make a formal dooryard garden, for example; matching groups of plants may ornament opposite sides of a gateway.
For houses of contemporary architectural style there are gardens of contemporary design, often featuring paved areas and patterns with distinct angles and curves. Plantings are based on the tone, texture, and form of the plants themselves. The object of interest is off-center, balanced by a larger area of subdued importance.
Miniature gardens should be not only in harmony with the style of the surroundings, but also in proper proportion. A birdbath with miniature roses planted underneath can look lost in the center of a spacious lawn, but could be in correct scale for a niche or arch in a brick wall.
Simplicity is extremely important. The smaller the space, the faster it will take on a spotty, cluttered look when crammed with too many different plants. The smaller the space and the plants, the more care and thought should be given to combining various types, forms, textures, and colors for best effect.
In addition to aesthetic principles, there are practical aspects to designing miniature gardens. Any site should be checked for cultural and environmental conditions that favor healthy plant growth. Is a wall so high it throws too much shade for sun-loving plants? Is an area too exposed in winter for questionably hardy plants? Is the spot so low that water collects and stands in the soil, making it suitable only for bog plants?
Think of the work of maintenance, too. Use ground covers instead of lawn in areas so small you can’t move a mower around. Avoid fast-growing plants that need constant trimming and pruning. Don’t use plants that require a lot of protective spraying or dusting unless you have time to keep up with the job. A healthy dwarf barberry is more attractive than a neglected, sickly rose.