THE ETERNAL GOODNESS
O friends! with whom my feet have trod
The quiet aisles of prayer,
Glad witness to your zeal for God
And love of man I bear.
I trace your lines of argument;
Your logic linked and strong
I weigh as one who dreads dissent,
And fears a doubt as wrong.
But still my human hands are weak
To hold your iron creeds:
Against the words ye bid me speak
My heart within me pleads.
Who fathoms the Eternal Thought?
Who talks of scheme and plan?
The Lord is God! He needeth not
The poor device of man.
I walk with bare, hushed feet the ground
Ye tread with boldness shod;
I dare not fix with mete and bound
The love and power of God.
Ye praise His justice; even such
His pitying love I deem:
Ye seek a king; I fain would touch
The robe that hath no seam.
Ye see the curse which overbroods
A world of pain and loss;
I hear our Lord’s beatitudes
And prayer upon the cross.
More than your schoolmen teach, within
Myself, alas! I know:
Too dark ye cannot paint the sin,
Too small the merit show.
I bow my forehead to the dust,
I veil mine eyes for shame,
And urge, in trembling self-distrust,
A prayer without a claim.
I see the wrong that round me lies,
I feel the guilt within;
I hear, with groan and travail-cries,
The world confess its sin.
Yet, in the maddening maze of things,
And tossed by storm and flood,
To one fixed trust my spirit clings;
I know that God is good!
Not mine to look where cherubim
And seraphs may not see,
But nothing can be good in Him
Which evil is in me.
The wrong that pains my soul below
I dare not throne above,
I know not of His hate,—I know
His goodness and His love.
I dimly guess from blessings known
Of greater out of sight,
And, with the chastened Psalmist, own
His judgments too are right.
I long for household voices gone,
For vanished smiles I long,
But God hath led my dear ones on,
And He can do no wrong.
I know not what the future hath
Of marvel or surprise,
Assured alone that life and death
His mercy underlies.
And if my heart and flesh are weak
To bear an untried pain,
The bruised reed He will not break,
But strengthen and sustain.
No offering of my own I have,
Nor works my faith to prove;
I can but give the gifts He gave,
And plead His love for love.
And so beside the Silent Sea
I wait the muffled oar;
No harm from Him can come to me
On ocean or on shore.
I know not where His islands lift
Their fronded palms in air;
I only know I cannot drift
Beyond His love and care.
O brothers! if my faith is vain,
If hopes like these betray,
Pray for me that my feet may gain
The sure and safer way.
And Thou, O Lord! by whom are seen
Thy creatures as they be,
Forgive me if too close I lean
My human heart on Thee!
AT LAST[[16]]
When on my day of life the night is falling,
And, in the winds from unsunned spaces blown,
I hear far voices out of darkness calling
My feet to paths unknown,
Thou who hast made my home of life so pleasant,
Leave not its tenant when its walls decay;
O Love Divine, O Helper ever present,
Be Thou my strength and stay!
Be near me when all else is from me drifting;
Earth, sky, home’s pictures, days of shade and shine,
And kindly faces to my own uplifting
The love which answers mine.
I have but Thee, my Father! let Thy spirit
Be with me then to comfort and uphold;
No gate of pearl, no branch of palm I merit,
Nor street of shining gold.
Suffice it if—my good and ill unreckoned,
And both forgiven through Thy abounding grace—
I find myself by hands familiar beckoned
Unto my fitting place.
Some humble door among Thy many mansions,
Some sheltering shade where sin and striving cease,
And flows forever through heaven’s green expansions
The river of Thy peace.
There, from the music round about me stealing,
I fain would learn the new and holy song,
And find at last, beneath Thy trees of healing,
The life for which I long.
The Riverside Press
CAMBRIDGE · MASSACHUSETTS
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[1]. Carpenter’s Whittier, p. 118.
[2]. Carpenter’s Whittier, p. 287.
[3]. For the circumstances in which Snow-Bound was written, see the prefatory memoir. The passage here given begins with the second night of the storm.
[4]. See Pickard’s Life of Whittier, pp. 276, 426–428, and Whittier-Land, pp. 66–67.
[5]. A remarkable custom, brought from the Old Country, formerly prevailed in the rural districts of New England. On the death of a member of the family, the bees were at once informed of the event, and their hives dressed in mourning. This ceremonial was supposed to be necessary to prevent the swarms from leaving their hives and seeking a new home.—Whittier.
The scene is minutely that of the Whittier homestead.
[6]. See Carpenter’s Whittier, p. 30.
[7]. In the valuable and carefully prepared History of Marblehead, published in 1879 by Samuel Roads, Jr., it is stated that the crew of Captain Ireson, rather than himself, were responsible for the abandonment of the disabled vessel. To screen themselves they charged their captain with the crime. In view of this the writer of the ballad addressed the following letter to the historian:
Oak Knoll, Danvers, 5 mo. 18, 1880.
My dear Friend; I heartily thank thee for a copy of thy History of Marblehead. I have read it with great interest and think good use has been made of the abundant material. No town in Essex County has a record more honorable than Marblehead; no one has done more to develop the industrial interests of our New England seaboard, and certainly none have given such evidence of self-sacrificing patriotism. I am glad the story of it has been at last told, and told so well. I have now no doubt that thy version of Skipper Ireson’s ride is the correct one. My verse was founded solely on a fragment of rhyme which I heard from one of my early schoolmates, a native of Marblehead.
I supposed the story to which it referred dated back at least a century. I knew nothing of the participators, and the narrative of the ballad was pure fancy. I am glad for the sake of truth and justice that the real facts are given in thy book. I certainly would not knowingly do injustice to any one, dead or living.
I am very truly thy friend,
John G. Whittier.
[8]. The recollection of some descendants of a Hessian deserter in the Revolutionary war bearing the name of Muller doubtless suggested the somewhat infelicitous title of a New England idyl. The poem had no real foundation in fact, though a hint of it may have been found in recalling an incident, trivial in itself, of a journey on the picturesque Maine seaboard with my sister some years before it was written. We had stopped to rest our tired horse under the shade of an apple-tree, and refresh him with water from a little brook which rippled through the stone wall across the road. A very beautiful young girl in scantest summer attire was at work in the hay-field, and as we talked with her we noticed that she strove to hide her bare feet by raking hay over them, blushing as she did so, through the tan of her cheek and neck.—Whittier.
[9]. Though not published until 1847, several lines indicate that the poem was written not long after Randolph’s death in 1833. In a letter published in July, 1833, Whittier says: “In the last hour of his [Randolph’s] existence, when his soul was struggling from its broken tenement, his latest effort was the confirmation of this generous act of a former period [the manumission of his slaves]. Light rest the turf upon him, beneath his patrimonial oaks! The prayers of many hearts made happy by his benevolence shall linger over his grave and bless it.”
[10]. Written on reading an account of the proceedings of the citizens of Norfolk, Va., in reference to George Latimer, the alleged fugitive slave, who was seized in Boston without warrant at the request of James B. Grey, of Norfolk, claiming to be his master. The case caused great excitement North and South, and led to the presentation of a petition to Congress, signed by more than fifty thousand citizens of Massachusetts, calling for such laws and proposed amendments to the Constitution as should relieve the Commonwealth from all further participation in the crime of oppression. George Latimer himself was finally given free papers for the sum of four hundred dollars.—Whittier.
[11]. Written on hearing that the Anti-Slavery Resolves of Stephen C. Phillips had been rejected by the Whig Convention in Faneuil Hall, in 1846.—Whittier.
[12]. This poem was the outcome of the surprise and grief and forecast of evil consequences which I felt on reading the seventh of March speech of Daniel Webster in support of the “compromise,” and the Fugitive Slave Law. No partisan or personal enmity dictated it. On the contrary my admiration of the splendid personality and intellectual power of the great Senator was never stronger than when I laid down his speech, and, in one of the saddest moments of my life, penned my protest. I saw, as I wrote, with painful clearness its sure results,—the Slave Power arrogant and defiant, strengthened and encouraged to carry out its scheme for the extension of its baleful system, or the dissolution of the Union, the guaranties of personal liberty in the free States broken down, and the whole country made the hunting-ground of slave-catchers. In the horror of such a vision, so soon fearfully fulfilled, if one spoke at all, he could only speak in tones of stern and sorrowful rebuke.
But death softens all resentments, and the consciousness of a common inheritance of frailty and weakness modifies the severity of judgment. Years after, in The Lost Occasion, I gave utterance to an almost universal regret that the great statesman did not live to see the flag which he loved trampled under the feet of Slavery, and, in view of this desecration, make his last days glorious in defence of “Liberty and Union, one and inseparable.”—Whittier.
[13]. See footnote to Ichabod.
[14]. This poem was written in strict conformity to the account of the incident as I had it from respectable and trustworthy sources. It has since been the subject of a good deal of conflicting testimony, and the story was probably incorrect in some of its details. It is admitted by all that Barbara Frietchie was no myth, but a worthy and highly esteemed gentlewoman, intensely loyal and a hater of the Slavery Rebellion, holding her Union flag sacred and keeping it with her Bible; that when the Confederates halted before her house, and entered her dooryard, she denounced them in vigorous language, shook her cane in their faces, and drove them out; and when General Burnside’s troops followed close upon Jackson’s, she waved her flag and cheered them. It is stated that May Quantrell, a brave and loyal lady in another part of the city, did wave her flag in sight of the Confederates. It is possible that there has been a blending of the two incidents.—Whittier.
[15]. On hearing the bells ring on the passage of the constitutional amendment abolishing slavery. The resolution was adopted by Congress, January 31, 1865. The ratification by the requisite number of States was announced December 18, 1865. [The suggestion came to the poet as he sat in the Friends’ Meeting-house in Amesbury, where he was present at the regular Fifth-day meeting. All sat in silence, but on his return to his home, he recited a portion of the poem, not yet committed to paper, to his housemates in the garden room. “It wrote itself, or rather sang itself, while the bells rang,” he wrote to Lucy Larcom.]
[16]. Recited by one of the little group of relations, who stood by the poet’s bedside, as the last moment of his life approached.
TRANSCRIBER’S NOTES
- P. [71], changed "Like an Indian idol glum and trim" to "Like an Indian idol glum and grim".
- Silently corrected obvious typographical errors and variations in spelling.
- Retained archaic, non-standard, and uncertain spellings as printed.
- Re-indexed footnotes using numbers and collected together at the end of the last chapter.