CHAPTER II. Surviving Evils of the Reign of Terror
Does there exist an incredulous, or jealous, denizen of another portion of our country who, knowing that the room in the wooden cupola over Mr. Carewe's library was commonly alluded to by Rouen as the “Tower Chamber,” will prove himself so sectionally prejudiced as to deny that the town was a veritable hotbed of literary interest, or that Sir 'Walter Scott was ill-appreciated there? Some of the men looked sly, and others grinned, at mention of this apartment; but the romantic were not lacking who spoke of it in whispers: how the lights sometimes shone there all night long, and the gentlemen drove away, whitefaced, in the dawn. The cupola, rising above the library, overlooked the garden; and the house, save for that, was of a single story, with a low veranda running the length of its front. The windows of the library and of a row of bedrooms—-one of which was Miss Betty's—lined the veranda, “steamboat fashion;” the inner doors of these rooms all opening upon a long hail which bisected the house, the stairway leading to the room in the cupola rose the library itself, while the bisecting hail afforded be only access to the library; hence, the gossips, 'eli acquainted with the geography of the place, conferred seriously together upon what effect Miss Betty's homecoming would have in this connection:
Dr anyone going to the stairway must needs pass her door; and, what was more to the point, a party C gentlemen descending late from the mysterious garret might be not so quiet as they intended, and the young lady sufficiently disturbed to inquire of her father what entertainment he provided that should keep his guests until four in the morning.
But at present it was with the opposite end of the house that the town was occupied, for there, workmen were hammering and sawing and painting day long, finishing the addition Mr. Carewe was building for his daughter's debut. This hammering disturbed Miss Betty, who had become almost as busy with the French Revolution as with her mantua-maker. For she had found in her father's library many books not for convent-shelves; and she had become a Girondin. She found memoirs, histories, and tales of that delectable period, then not so dim with time but that the figures of it were more than tragic shadows; and for a week there was no meal in that house to which she sat down earlier than half an hour Jate. She had a rightful property-interest in the Revolution, her own great-uncle having been one of those who “suffered;” not, however, under the guillotine; for to Georges Meilhac appertained the rare distinction of death by accident on the day when the business-like young Bonaparte played upon the mob with his cannon.
There were some yellow letters of this great uncle's in a box which had belonged to her grandmother, a rich discovery for Miss Betty, who read and re-read them with eager and excited eyes, living more in Paris with Georges and his friends than in Rouen with her father. Indeed, she had little else to do. Mr. Carewe was no comrade for her, by far the reverse. She seldom saw him, except at the table, when he sat with averted eyes, and talked to her very little; and, while making elaborate preparation for her introduction to his friends (such was his phrase) he treated her with a perfunctory civility which made her wonder if her advent was altogether welcome to him; bat when she noticed that his hair looked darker than usual about every fourth day, she began to understand Why he appeared ungrateful to her for growing up. He went out a great deal, though no visitors came to the house; for it was known that Mr. Carewe desired to present his daughter to no one until he presented her to all. Fanchon Bareaud, indeed, made one hurried and embarrassed call, evading Miss Betty's reference to the chevalier of the kitten with a dexterity too nimble to be thought unintentional. Miss Carewe was forbidden to return her friend's visit until after her debut; and Mr. Carewe explained that there was always some worthless Young men hanging about the Bareaud's, where (he did not add) they interfered with a worthy oh one who desired to honor Fanchon's older sister, Virginia, with his attentions.
This was no great hardship for Miss Betty, as, since plunging into the Revolution with her great-uncle, she had lost some curiosity concerning the men of to-day, doubting that they would show forth as heroic, as debonnair, gay and tragic as he. He was the legendary hero of her childhood; she remembered her mother's stories of him perhaps more clearly than she remembered her mother; and one of the older Sisters had known him in Paris and had talked of him at length, giving the flavor of his dandyism and his beauty at first hand to his young relative. He had been one of those hardy young men wearing unbelievable garments, who began to appear in the garden of the Tuileries with knives in their sleeves and cudgels in their hands, about April, 1794, and whose dash and recklessness in many matters were the first intimations that the Citizen Tallien was about to cause the Citizen Robespierre to shoot himself through the jaw.
In the library hung a small, full-length drawing of Georges, done in color by Miss Betty's grandmother; and this she carried to her own room an& studied long and ardently, until sometimes the man himself seemed to stand before her, in spite of the fact that Mile. Meithac had not a distinguished talent and M. Meilhac's features might have been anybody's. It was to be seen, however, that he was smiling.
Miss Betty had an impression that her grandmother's art of portraiture would have been more-successful with the profile than the “full-face.” Nevertheless, nothing could be more clearly indicated than that the hair of M. Melihac was very yellow, and his short, huge-lapelled waistcoat white, striped with scarlet. An enormous cravat covered his chin; the heavy collar of his yellow coat rose behind his ears, while its tails fell to his ankles; and the tight trousers of white and yellow stripes were tied with white ribbons about the middle of the calf; he wore white stockings and gold-buckled yellow shoes, and on the back of his head a jauntily cocked black hat. Miss Betty innocently wondered why his letters did not speak of Petion, of Vergniaud, or of Dumoriez, since in the historical novels which she read, the hero's lot was inevitably linked with that of everyone of importance in his generation; yet Georges appeared to have been unacquainted with these personages, Robespierre being the only name of consequence mentioned in his letters; and then it appeared in much the same fashion practised by her father in alluding to the Governor of the State, who had the misfortune to be unpopular with Mr. Carewe. But this did not dim her great-uncle's lustre in Miss Betty's eyes, nor lessen for her the pathetic romance of the smile he wore.
Beholding this smile, one remembered the end to which his light footsteps bad led him; and it was unavoidable to picture him left lying in the empty street behind the heels of the flying crowd, carefully forming that same smile on his lips, and taking much pride in passing with some small, cynical speech, murmured to himself, concerning the futility of a gentleman's getting shot by his friends for merely being present to applaud them. So, fancying him thus, with his yellow hair, his scarlet-striped waistcoat, and his tragedy, the young girl felt a share of family greatness, or, at least, of picturesqueness, descend to her. And she smiled sadly back upon the smile in the picture, and dreamed about its original night after night.
Whether or no another figure, that of a dark young man in a white hat, with a white kitten etching his wrist in red, found any place in her dreams at this period,—it is impossible to determine. She did not see him again. It is quite another thing, hazardous to venture, to state that he did not see her. At all events, it is certain that many people who bad never beheld her were talking of her; that Rouen was full of contention concerning her beauty and her gift of music, for a song can be heard through an open window. And how did it happen that Crailey Gray knew that it was Miss Carewe's habit to stroll in her garden for half an hour or so, each evening before retiring, and that she went to mass every morning soon after sunrise? Crailey Gray never rose at, or near, sunrise in his life, though he sometimes beheld it, from another point of view, as the end of the evening. It appears that someone must have told him.
One night when the moon lay white on the trees and housetops, Miss Betty
paused in her evening promenade and seated herself upon a bench on the
borders of the garden, “touched,” as the books of the time would have
put it, “by the sweet tranquillity of the scene,” and wrought upon by
the tender incentive to sighs and melancholy which youth in loneliness
finds in a loveliness of the earth. The breeze bore the smells of the
old-fashioned garden, of violets and cherry blossoms, and a sound of
distant violins came on the air playing the new song from the new opera.
“But I also dreamt, which pleased me most,
That you loved me just the same—”
they sang; and with the lilt of them and the keen beauty of the night, the inherited pain of the ages rose from the depths of the young girl's heart, so that she thought it must break; for what reason she could not have told, since she was without care or sorrow that she knew, except the French Revolution, yet tears shone upon the long lashes. She shook them off and looked up with a sudden odd consciousness. The next second she sprang to her feet with a gasp and a choked outcry, her bands pressed to her breast.
Ten paces in front of her, a gap in the shrubbery where tall trees rose left a small radiant area of illumination like that of a lime-light in a theatre, its brilliancy intensified by the dark foliage behind. It was open to view only from the bench by which she stood, and appeared, indeed, like the stage of a little theatre a stage occupied by a bizarre figure. For, in the centre of this shining patch, with the light strong on his face, was standing a fair-haired young man, dressed in a yellow coat, a scarlet and white striped waistcoat, wearing a jauntily cocked black hat on his bead. And even to the last detail, the ribbon laces above the ankle and the gold-buckled shoes, he was the sketch of Georges Meilhac sprung into life.
About this slender figure there hung a wan sweetness like a fine mist, almost an ethereality in that light; yet in the pale face lurked something reckless, something of the actor, too; and though his smile was gentle and wistful, there was a twinkle behind it, not seen at first, something amused and impish; a small surprise underneath, like a flea in a rose-jar.
Fixed to the spot by this apparition, Miss Betty stood wildly staring, her straining eyelids showing the white above and below the large brown iris. Her breath came faster and deeper, until, between her parted lips it became vocal in a quick sound like a sob. At that he spoke.
“Forgive me!” The voice was low, vibrant, and so exceedingly musical that he might have been accused of coolly selecting his best tone; and it became only sweeter when, even more softly, in a semi-whisper of almost crucial pleading, he said, “Ah—don't go away!”
In truth, she could not go; she had been too vitally stirred; she began to tremble excessively, and sank back upon the bench, motioning him away with vague gestures of her shaking hands.
This was more than the Incroyable had counted upon, and far from his desires. He started forward with an exclamation.
“Don't come near me!” she gasped. “Who are you? Go away!”
“Give me one second to explain,” he began; but with the instant reassurance of this beginning she cut him off short, her fears dispelled by his commonplace. Nay, indignation displaced them so quickly that she fairly flashed up before him to her full height.
“You did not come in by the gate!” she cried. “What do you mean by coming here in that dress What right have you in my garden?”
“Just one word,” he begged quickly, but very gently. “You'd allow a street-beggar that much!”
She stood before him, panting, and, as he thought, glorious, in her flush of youth and anger. Tom Vanrevel had painted her incoherently, but richly, in spite of that, his whole heart being in the portrait; and—Crailey Gray had smiled at what he deemed the exaggeration of an ordinarily unimpressionable man who had fallen in love “at first sight;” yet, in the presence of the reality, the Incroyable decided that Tom's colors had been gray and humble. It was not that she was merely lovely, that her nose was straight, and her chin dexterously wrought between square and oval; that her dark hair lay soft as a shadow on her white brow; not that the trembling hand she held against her breast sprang from a taper wrist and tapered again to the tips of the long fingers; nor that she was of that slenderness as strong as it is delicate; not all the exquisite regularity of line and mould, nor simplicity of color, gave her that significance which made the Incroyable declare to himself that he stood for the first time in the presence of Beauty, and that now he knew the women he had been wont to call beautiful were but pretty. And yet her beauty, he told himself, was the least of her loveliness, for there was a glamour about her. It was not only the richness of her youth; but there was an ineffable exhalation which seemed to be made partly of light, partly of the very spirit of her, and, oddly enough, partly of the scent of the little fan that hung by a ribbon from her waist. This was a woman like a wine, he felt, there was a bouquet.
In regard to the bouquet of the young man himself, if he possessed one, it is pertinent to relate that at this very instant the thought skipped across his mind (like the hop of a flea in a rose-jar) that some day he might find the moment when he could tell her the truth about herself—with a half-laugh—and say: “The angels sent their haloes in a sandal-wood box to be made into a woman—and it was you!”
“If you have anything to say for yourself, say it quickly!” said Miss Betty.
“You were singing a while ago,” he answered, somewhat huskily, “and I stopped on the street to listen; then I came here to be nearer. The spell of your voice—” He broke off abruptly to change the word. “The spell of the song came over me—it is my dearest favorite—so that I stood afterward in a sort of trance, only hearing again, in the silence, 'The stolen heart, like the gathered rose, will bloom but for a day!' I did not see you until you came to the bench. You must believe me: I would not have frightened you for anything in the world.”
“Why are you wearing that dress?”
He laughed, and pointed to where, behind him on the ground, lay a long gray cloak, upon which had been tossed a white mask. “I'm on my way to the masquerade;” he answered, with an airy gesture in the direction of the violins. “I'm an Incroyable, you see; and I had the costume made from my recollection of a sketch of your great-uncle. I saw it a long time ago in your library.”
Miss Carewe's accustomed poise was quite recovered; indeed, she was astonished to discover a distinct trace of disappointment that the brilliant apparition must offer so tame an explanation. What he said was palpably the truth; there was a masquerade that night, she knew, at the Madrillon's, a little way up Carewe Street, and her father had gone, an hour earlier, a blue domino over his arm.
The Incroyable was a person of almost magical perceptiveness; he felt the let-down immediately and feared a failure. This would not do; the attitude of tension between them must be renewed at once. “You'll forgive me?” he began, in a quickly impassioned tone. “It was only after you sang, a dream possessed me, and—”
“I cannot stay to talk with you,” Miss Betty interrupted, and added, with a straightforwardness which made him afraid she would prove lamentably direct: “I do not know you.”
Perhaps she remembered that already one young man had been presented to her by no better sponsor than a white cat, and had no desire to carry her unconventionality farther than that. In the present instance there was not even a kitten.
She turned toward the house, whereupon he gave a little pathetic exclamation of pleading in a voice that was masterly, being as sincere as it was musical, and he took a few leaning steps toward her, both hands outstretched.
“One moment more!” he cried, as she turned again to him. “It may be the one chance of my life to speak with you; don't deny me this.—All the rest will meet you when the happy evening comes, will dance with you, talk with you, see you when they like, listen to you sing. I, alone, must hover about the gates, or steal like a thief into your garden to hear you from a distance. Listen to me—just this once—for a moment?”
“I cannot listen,” she said firmly; and stood quite still. She was now in deep shadow.
“I will not believe you merciless! You would not condemn the meanest criminal unheard!” Remembering that she was so lately from the convent, he ventured this speech in a deep, thrilling voice, only to receive a distinct shock for his pains, for she greeted it with an irrepressible, most unexpected peal of contralto laughter, and his lips parted slightly with the surprise of it.
They parted much farther in the next instant—in good truth, it may be stated of the gentleman that he was left with his mouth open—for, suddenly leaning toward him out of the shadow into the light, her face shining as a cast of tragedy, she cried in a hoarse whisper:
“Are you a murderer?”
And with that and a whisk of her skirts, and a footfall on the gravel path, she was gone. He stood dumbfounded, poor comedian, having come to play the chief role, but to find the scene taken out of his hands. Then catching the flutter of her wrap, as she disappeared into the darkness of the veranda, he cried in a loud, manly voice:
“You are a dear!”
As he came out into the street through a gap in the hedge, he paused, drawing his cloak about him, and lifted his face to the eastern moon. It was a strange face: the modelling most like what is called “Greek,” save for the nose, which was a trifle too short for that, and the features showed a happy purity of outline almost childlike; the blue eyes, clear, fleckless, serenely irresponsible, with more the look of refusing responsibility than being unconscious of it; eyes without care, without prudence, and without evil. A stranger might have said he was about twenty-five and had never a thought in his life. There were some blossoms on the hedge, and he touched one lightly, as though he chucked it under the chin; he smiled upon it then, but not as he had smiled upon Miss Betty, for this was his own, the smile that came when he was alone; and, when it came, the face was no longer joyous as it had been in repose; there was an infinite patience and worn tolerance-possibly for himself. This incongruous and melancholy smile was astonishing: one looked for the laughter of a boy and found, instead, a gentle, worldly, old prelate.
Standing there, all alone in the moonlight, by the hedge, he lifted both hands high and waved them toward the house, as children wave to each other across lawns at twilight. After that he made a fantastic bow to his corrugated shadow on the board sidewalk.
“Again, you rogue!” he exclaimed aloud. Then, as he faced about and began to walk in the direction of the beckoning violins: “I wonder if Tom's kitten was better, after all!”
CHAPTER III. The Rogue's Gallery of a Father Should be Exhibited to a Daughter with Particular Care
Those angels appointed to be guardians of the merry people of Rouen, poising one night, between earth and stars, discovered a single brilliant and resonant spot, set in the midst of the dark, quiet town like a jewelled music-box on a black cloth. Sounds of revelry and the dance from the luminous spot came up through the summer stillness to the weary guardians all night long, until, at last, when a red glow stole into the east, and the dance still continued, nay, grew faster than ever, the celestial watchers found the work too heavy for their strength, and forthwith departed, leaving the dancers to their own devices; for, as everyone knows, when a dance lasts till daylight, guardian angels flee.
All night long the fiddles had been swinging away at their best; all night long the candles had shone in thin rows of bright orange through the slits of the window-blinds; but now, as the day broke over the maples, the shutters were flung open by laughing young men, and the drivers of the carriages, waiting in the dusty street, pressed up closer to the hedge, or came within and stretched themselves upon the lawn, to see the people waltzing in the daylight. The horses, having no such desires, stood with loosened check-reins, slightly twitching their upper lips, wistful of the tall grass which bordered the wooden sidewalk, though now and then one would lift his head high, sniffing the morning air and bending an earnest gaze not upon the dancers but upon the florid east.
Over the unwearied plaint of French-horn, violin, and bassoon, rose a silvery confusion of voices and laughter and the sound of a hundred footfalls in unison, while, from the open windows there issued a warm breath, heavily laden with the smell of scented fans, of rich fabrics, of dying roses, to mingle with the spicy perfume of a wild crab-tree in fullest blossom, which stood near enough to peer into the ball-room, and, like a brocaded belle herself, challenge the richest to show raiment as fine, the loveliest to look as fair and joyful in the dawn..
“Believe me, of all those endearing young charms, Which I gaze on so fondly to-day, Were to fade by to-morrow and fleet from my arms, Like fairy gifts fading away—”
So ran the violins in waltz time, so bassoon and horn to those dulcet measures; and then, with one accord, a hundred voices joined them in the old, sweet melody:
“Thou wouldst still be adored as this moment thou art, Let thy loveliness fade as it will; And around the dear ruin each wish of my heart Would entwine itself verdantly still.”
And the jealous crab-tree found but one to overmatch itself in beauty: a lady who was the focus of the singing; for, by the time the shutters were flung open, there was not a young man in the room, lacked he never so greatly in music or in voice, who did not heartily desire to sing to Miss Betty Carewe, and who did not now (craning neck over partner's shoulder) seek to fix her with his glittering eye, while he sang “Oh, believe me” most directly and conspicuously at her. For that night was the beginning of Miss Betty's famous career as the belle of Rouen, and was the date from which strangers were to hear of her as “the beautiful Miss Carewe,” until “beautiful” was left off, visitors to the town being supposed to have heard at least that much before they came.
There had been much discussion of her, though only one or two had caught glimpses of her; but most of the gallants appeared to agree with Crailey Gray, who aired his opinion—in an exceedingly casual way—at the little club on Main Street. Mr. Gray held that when the daughter of a man as rich as Bob Carewe was heralded as a beauty the chances were that she would prove disappointing, and, for his part, he was not even interested enough to attend and investigate. So he was going down the river in a canoe and preferred the shyness of bass to that of a girl of eighteen just from the convent, he said. Tom Vanrevel was not present on the occasion of these remarks; and the general concurrence with Crailey may be suspected as a purely verbal one, since, when the evening came, two of the most enthusiastic dancers and love-makers of the town, the handsome Tappingham Marsh and that doughty ex-dragoon and Indian fighter, stout old General Trumble, were upon the field before the enemy appeared; that is to say, they were in the new ball-room before their host; indeed, the musicians had not arrived, and Nelson, an aged negro servitor, was engaged in lighting the house.
The crafty pair had planned this early descent with a view to monopoly by right of priority, in case the game proved worth the candle, and they were leaning effectively against the little railing about the musicians' platform when Mr. Carewe entered the room with his daughter on his arm.
She was in white, touched with countless small lavender flowers; there were rows and rows of wonderful silk and lace flounces on her skirt, and her fan hung from a rope of great pearls. Ah, hideous, blue, rough cloth of the convent, unforgotten, but laid aside forever, what a chrysalis you were!
Tappingham twitched his companion's sleeve, but the General was already posing; and neither heard the words of presentation, because Miss Betty gave each of them a quick look, then smiled upon them as they bowed; the slayers were prostrated before their prey. Never were lady-killers more instantaneously tamed and subjugated by the power of the feminine eye. Will Cummings came in soon, and, almost upon his heels, Eugene Madrillon and young Frank Chenoweth. No others appeared for half an hour, and the five gentlemen looked at one another aside, each divining his own diplomacy in his fellow's eye, and each laboriously explaining to the others his own mistake in regard to the hour designated upon Mr. Carewe's cards of invitation. This small embarrassment, however, did not prevent General Trumble and young Mr. Chenoweth from coming to high words over Miss Carewe's little, gilt-filigree “programme” of dances.
It may be not untimely to remark, also, of these five redoubtable beaux, that, during the evening, it occurred to every one of them to be glad that Crailey Gray was betrothed to Fanchon Bareaud, and that he was down on the Rouen River with a canoe, a rod and a tent. Nay, without more words, to declare the truth in regard to Crailey, they felt greater security in his absence from the field than in his betrothal. As Mr. Chenoweth, a youth as open as out-of-doors, both in countenance and mind, observed plaintively to Tappingham Marsh in a corner, while they watched Miss Betty's lavender flowers miraculously swirling through a quadrille: “Crailey, you know, well, Crailey's been engaged before!” It was not Mr. Chenoweth's habit to disguise his apprehensions, and Crailey Gray would not fish for bass forever.
The same Chenoweth was he, who, maddened by the General's triumphantly familiar way of toying with Miss Betty's fan between two dances, attempted to propose to her during the sunrise waltz. Having sung “Oh, believe me” in her ear as loudly as he could, he expressed the wish—quite as loudly—“That this waltz might last for always!”
That was the seventh time it had been said to Betty during the night, and though Mr. Chenoweth's predecessors had revealed their desires in a guise lacking this prodigious artlessness, she already possessed no novel acquaintance with the exclamation. But she made no comment; her partner's style was not a stimulant to repartee. “It would be heaven,” he amplified earnestly, “it would be heaven to dance with you forever—on a desert isle where the others couldn't come!” he finished with sudden acerbity as his eye caught the General's.
He proceeded, and only the cessation of the music aided Miss Carewe in stopping the declaration before it was altogether out; and at that point Frank's own father came to her rescue, though in a fashion little saving of her confusion. The elder Chenoweth was one of the gallant and kindly Southern colony that made it natural for Rouen always to speak of Miss Carewe as “Miss Betty”. He was a handsome old fellow, whose hair, long moustache and imperial were as white as he was proud of them, a Virginian with the admirable Southern fearlessness of being thought sentimental. Mounting a chair with complete dignity, he lifted a glass of wine high in the air, and, when all the other glasses had been filled, proposed the health of his young hostess. He made a speech of some length, pronouncing himself quite as hopelessly in love with his old friend's daughter as all could see his own son was; and wishing her long life and prosperity, with many allusions to fragrant bowers and the Muses.
It made Miss Betty happy, but it was rather trying, too, for she could only stand with downcast eyes before them all, trembling a little, and receiving a mixed impression of Mr. Chenoweth's remarks, catching fragments here and there: “And may the blush upon that gentle cheek, lovelier than the radiant clouds at set of sun,” and “Yet the sands of the hour-glass must fall, and in the calm and beauteous old age some day to be her lot, when fond mem'ry leads her back to view again the brilliant scene about her now, where stand 'fair women and brave men,' winecup in hand to do her honor, oh, may she wipe the silent tear”, and the like. As the old gentleman finished, and before the toast was drunk, Fanchon Bareaud, kissing her hand to Betty, took up the song again; and they all joined in, lifting their glasses to the blushing and happy girl clinging to her father's arm:
“Thou wouldst still be adored as this moment thou art, Let thy loveliness fade as it will; And around the dear ruin, each wish of my heart, Would entwine itself verdantly still.”
They were happy people who had not learned to be self-conscious enough to fear doing a pretty thing openly without mocking themselves for it; and it was a brave circle they made about Betty Carewe, the charming faces of the women and their fine furbelows, handsome men and tall, all so gay, so cheerily smiling, and yet so earnest in their welcome to her. No one was afraid to “let out” his voice; their song went full and strong over the waking town, and when it was finished the ball was over, too.
The veranda and the path to the gate became like tropic gardens, the fair colors of the women's dresses, ballooning in the early breeze, making the place seem strewn with giant blossoms. They all went away at the same time, those in carriages calling farewells to each other and to the little processions departing on foot in different directions to homes near by. The sound of the voices and laughter drew away, slowly died out altogether, and the silence of the street was strange and unfamiliar to Betty. She went to the hedge and watched the musicians, who were the last to go, until they passed from sight: little black toilsome figures, carrying grotesque black boxes. While she could still see them, it seemed to her that her ball was not quite over, and she wished to hold the least speck of it as long as she could; but when they had disappeared, she faced the truth with a deep sigh: the long, glorious night was finished indeed.
What she needed now was another girl: the two would have gone to Betty's room and danced it all over again until noon; but she had only her father. She found him smoking a Principe cigar upon the veranda, so she seated herself timidly, nevertheless with a hopeful glance at him, on the steps at his feet; and, as she did so, he looked down upon her with something more akin to geniality than anything she had ever seen in his eye before. It was not geniality itself, but might be third cousin to it. Indeed, in his way, he was almost proud of her, though he had no wish to show it. Since one was compelled to display the fact that one possessed a grown daughter, it was well that she be like this one.
They did not know each other very well, and she often doubted that they would ever become intimate. There was no sense of companionship for either in the other; she had been unable to break through his perfunctory, almost formal, manner with her; therefore, because he encouraged no af-fection in her, she felt none, and wondered why, since he was her father. She was more curious about him than interested, and, though she did not know it, she was prepared to judge him—should occasion arise—precisely as she would judge any other mere acquaintance. This morning, for the first time, she was conscious of a sense of warmth and gratitude toward him: the elaborate fashion in which he had introduced her to his friends made it appear possible that he liked her; for he had forgotten nothing, and to remember everything in this case was to be lavish, which has often the appearance of generosity.
And yet there had been a lack: some small thing she had missed, though she was not entirely sure that she identified it; but the lack had not been in her father or in anything he had done. Then, too, there was something so unexpectedly human and pleasant in his not going to bed at once, but remaining to smoke on the veranda at this hour, that she gave him credit for a little of her own excitement, innocently fancying that he, also, might feel the need of a companion with whom to talk over the brilliant passages of the night. And a moment ensued when she debated taking his hand. She was too soon glad that her intuition forbade the demonstration.
“It was all so beautiful, papa,” she said, timidly. “I have no way to tell you how I thank you.”
“You may do that,” he replied, evenly, with no unkindness, with no kindness, either, in the level of his tone, “by never dancing again more than twice with one man in one evening.”
“I think I should much prefer not, myself,” she returned, lifting her head to face him gravely. “I believe if I cared to dance more than once with one, I should like to dance all of them with him.”
Mr. Carewe frowned. “I trust that you discovered none last night whom you wished to honor with your entire programme?”
“No,” she laughed, “not last night.”
Her father tossed away his cigar abruptly “Is it too much to hope,” he inquired, “that when you discover a gentleman with whom you desire to waltz all night, you will omit to mention the fact to him?”
There was a brief flash of her eye as she recalled her impulse to take his hand, but she immediately looked at him with such complete seriousness that he feared his irony had been thrown away.
“I'll remember not to mention it,” she answered. “I'll tell him you told me not too.”
“I think you may retire now,” said Mr. Carewe, sharply.
She rose from the steps, went to the door, then turned at the threshold. “Were all your friends here, papa?”
“Do you think that every ninny who gabbled in my house last night was my friend?” he said, angrily. “There was one friend of mine, Mrs. Tanberry, who wasn't here, because she is out of town; but I do not imagine that you are inquiring about women. You mean: Was every unmarried male idiot who could afford a swallow-tailed coat and a clean pair of gloves cavorting about the place? Yes, miss, they were all here except two, and one of those is a fool, the other a knave.”
“Can't I know the fool?” she asked, eagerly.
“I rejoice to find them so rare in your experience!” he retorted. “This one is out of town, though I have no doubt you will see him sufficiently often when he returns. His name is Crailey Gray, and he is to marry Fanchon Bareaud—if he remembers!”
“And the knave?”
“Is one!” Carewe shut his teeth with a venomous snap, and his whole face reddened suddenly. “I'll mention this fellow once—now,” he said, speaking each word with emphasis. “His name is Vanrevel. You see that gate; you see the line of my property there: the man himself, as well as every other person in the town, remembers well that the last time I spoke to him, it was to tell him that if he ever set foot on ground of mine I'd shoot him down, and he knows, and they all know, I shall keep my word! Elsewhere, I told him that for the sake of public peace, I should ignore him. I do. You will see him everywhere; but it will not be difficult; no one will have the hardihood to present him to my daughter. The quarrel between us—” Mr. Carewe broke off for a moment, his hands clinching the arms of his chair, while he swallowed with difficulty, as though he choked upon some acrid bolus, and he was so strongly agitated by his own mention of his enemy that he controlled himself by a painful effort of his will. “The quarrel between us is political—and personal. You will remember.”
“I shall remember,” she answered in a rather frightened voice.
... It was long before she fell asleep. “I alone must hover about the gates or steal into your garden like a thief,” the Incroyable had said. “The last time I spoke to him it was to tell him that if he ever set foot on ground of mine, I'd shoot him down!” had been her father's declaration. And Mr. Carewe had spoken with the most undeniable air of meaning what he said. Yet she knew that the Incroyable would come again.
Also, with hot cheeks pressed into her pillow, Miss Betty had identified the young man in the white hat, that dark person whose hand she had far too impetuously seized in both of hers. Aha! It was this gentleman who looked into people's eyes and stammered so sincerely over a pretty speech that you almost believed him, it was he who was to marry Fanchon Bareaud—“if he remembers!” No wonder Fanchon had been in such a hurry to get him away.... “If he remembers!” Such was that young man's character, was it? Miss Carewe laughed aloud to her pillow: for, was one to guess the reason, also, of his not having come to her ball? Had the poor man been commanded to be “out of town?”
Then, remembering the piquant and generous face of Fanchon, Betty clinched her fingers tightly and crushed the imp who had suggested the unworthy thought, crushed him to a wretched pulp and threw him out of the open window. He immediately sneaked in by the back way, for, in spite of her victory, she still felt a little sorry for poor Fanchon.