HER LETTER
I'm sitting alone by the fire,
Dressed just as I came from the dance,
In a robe even you would admire,—
It cost a cool thousand in France;
I'm be-diamonded out of all reason,
My hair is done up in a cue:
In short, sir, "the belle of the season"
Is wasting an hour upon you.
In short, sir, "the belle of the season"
Is wasting an hour upon you
A dozen engagements I've broken;
I left in the midst of a set;
Likewise a proposal, half spoken,
That waits—on the stairs—for me yet.
They say he'll be rich,—when he grows up,—
And then he adores me indeed;
And you, sir, are turning your nose up,
Three thousand miles off, as you read.
Likewise a proposal, half spoken,
That waits—on the stairs—for me yet
"And how do I like my position?"
"And what do I think of New York?"
"And now, in my higher ambition,
With whom do I waltz, flirt, or talk?"
"And isn't it nice to have riches,
And diamonds and silks, and all that?"
"And aren't they a change to the ditches
And tunnels of Poverty Flat?"
With whom do I waltz, flirt, or talk?
Well, yes,—if you saw us out driving
Each day in the Park, four-in-hand,
If you saw poor dear mamma contriving
To look supernaturally grand,—
If you saw papa's picture, as taken
By Brady, and tinted at that,—
You'd never suspect he sold bacon
And flour at Poverty Flat.
If you saw poor dear Mamma contriving
To look supernaturally grand
And yet, just this moment, when sitting
In the glare of the grand chandelier,—
In the bustle and glitter befitting
The "finest soirée of the year,"—
In the mists of a gaze de Chambéry,
And the hum of the smallest of talk,—
Somehow, Joe, I thought of the "Ferry,"
And the dance that we had on "The Fork;"
In the mists of a gaze de Chambéry,
And the hum of the smallest of talk
Of Harrison's barn, with its muster
Of flags festooned over the wall;
Of the candles that shed their soft lustre
And tallow on head-dress and shawl;
Of the steps that we took to one fiddle,
Of the dress of my queer vis-à-vis;
And how I once went down the middle
With the man that shot Sandy McGee;
And how I once went down the middle
With the man that shot Sandy McGee
The man that shot Sandy McGee
Of the moon that was quietly sleeping
On the hill, when the time came to go;
Of the few baby peaks that were peeping
From under their bedclothes of snow;
Of that ride,—that to me was the rarest;
Of—the something you said at the gate.
Ah! Joe, then I wasn't an heiress
To "the best-paying lead in the State."
Of that ride,—that to me was the rarest
Well, well, it's all past; yet it's funny
To think, as I stood in the glare
Of fashion and beauty and money,
That I should be thinking, right there,
Of some one who breasted high water,
And swam the North Fork, and all that,
Just to dance with old Folinsbee's daughter,
The Lily of Poverty Flat.
And swam the North Fork, and all that,
Just to dance with old Folinsbee's daughter
But goodness! what nonsense I'm writing!
(Mamma says my taste still is low),
Instead of my triumphs reciting,
I'm spooning on Joseph,—heigh-ho!
And I'm to be "finished" by travel,—
Whatever's the meaning of that.
Oh, why did papa strike pay gravel
In drifting on Poverty Flat?
Mamma says my taste still is low
Good-night!—here's the end of my paper;
Good-night!—if the longitude please,—
For maybe, while wasting my taper,
Your sun's climbing over the trees.
But know, if you haven't got riches,
And are poor, dearest Joe, and all that,
That my heart's somewhere there in the ditches,
And you've struck it,—on Poverty Flat.
That my heart's somewhere there in the ditches,
And you've struck it,—on Poverty Flat
