The Wood

Miss Lamont then went from the Hameau towards the small Orangerie. Whilst on the ascending path she saw, on looking back, a man passing in front of, or in, a distant plantation on his way to the Hameau. He was dressed in the cloak and hat we had seen the previous summer.

She then descended to the low ground in front of the Belvédère and crossed one of the bridges over the principal river (not the Rocher bridge, but possibly the Vergelay bridge). After going forward a little she turned, meaning to go back to the Hameau, and recrossed either the same bridge, or the next one which is very near the Vergelay. She immediately found herself in a wood of very tall trees, with such high, thick undergrowth that (even though it was winter) she could not see through it. Well-kept paths opened at intervals right and left at different angles, and they gave the impression of being so arranged as to lead round and round. She had the feeling of being in the midst of crowds passing and repassing her, and heard voices and sounds of dresses. On looking back she found the view as completely blocked as it was in front and to the sides. After vainly pursuing the confusing paths for some time, she found herself close to the hill leading to the Orangerie.

In 1904 and in 1908 we tried to find this wood, without results. There are open plantations, but they have no undergrowths concealing paths from one another, even in summer. Several people have gone independently to look for the wood, but have not found it.

In 1905 Miss Lamont was told by the chief authority that in this direction trees had been thinned and not replaced.

The entries in the archives indicate that there must have been woods near by in which paths were cut for the Queen; it is also likely that the older woods, such as Les Onze Arpents, are not referred to; for when these plantations were made thousands of lower shrubs were bought to be placed under the trees, which were paid for by the King.[[73]] In the gardeners’ wages book, the gathering up and occasional burnings of undergrowths in a wood (apparently in this part of the garden) are alluded to.[[74]]

In Mique’s map (1783) the wood with its diverging paths can be plainly seen. It is approached by the two bridges over the river, and stretches towards the hill on which the Orangerie stands.