FOR OTHER INSTRUMENTS.
Concerto in A minor (229[86]). For violin, with accompaniment for two violins, viola and bass. Also arranged for clavecin and strings in G minor.
Concerto in E (230[87]). For violin, with accompaniment for two violins, viola and bass.
Concerto (231[87]) in D minor. For two principal violins, with accompaniment for two violins, viola and bass. Also arranged for two clavecins and strings in C minor (257b).
Three Sonatas and three Suites for violin, without accompaniment (228). Composed at Cöthen. The fugue of the sonata in G minor is also arranged for organ in D minor. The sonata in A minor is also arranged for clavecin alone in D minor (213), and the suite in E major in the same key for clavecin. The prelude in E forms the obbligato organ part of the opening chorus of the cantata “Wir danken dir.”
Six Sonatas for (232 and 233) Violin and Figured Bass.
Six Sonatas for Flute or Violin and Clavier (234 and 235).
Suite in A for Violin and Clavier (236).
Sonata in E minor for Violin and Clavier (236).
Fugue in G minor for Violin and Clavier (236).
Sonata in C for two Violins and Clavier (237).
Sonata in G for Flute, Violin and Clavier (237).
Trio for Flute, Violin and Clavier (237). From the “Musical Offering”; the clavier part supplied from the figured bass by Kirnberger.
Six Sonatas or Suites for the Violoncello (238).
Three Sonatas for the Viola da Gamba and Clavier (239).
Clavierbuch of Anna Magdalena Bach, 1725. Contains twenty easy pieces, consisting of minuets, polonaises, rondos, marches, and one song.
Principles of Thorough-bass for his pupils. Dated 1738, and preserved by J. P. Kellner. It is divided into two parts for beginners and advanced pupils. The author says, “The ultimate end and aim of thorough-bass should only be the glory of God and recreation of the mind. Where these are not kept in view there can be no real music, only an infernal jingling and bellowing.” The complete work is quoted as an appendix in Spitta, vol. iii.