ACT I
Scene.—Mr. Clement Parbury’s study at his house in the neighbourhood of Hampstead Heath. The main entrance leading from the hall is C. A door, R., leads to the dining-room. A glass door, R.C., opens into a garden. The fireplace is C. The room is comfortably and not severely furnished. The furniture is made up of “odds and ends” selected with taste. The couch down L. is a deep and cosy one; the desk or writing-table about R.C. is a large and serviceable one. There is a smaller desk higher up, and near it on wall, R., a telephone apparatus. The apartment altogether represents the workshop of a literary man of careless good taste. There is a touch, too, of femininity in its decorations, and a portrait of Mrs. Parbury is the only picture on the walls, which otherwise are mostly hidden by bookcases.
[For a few moments before and when the curtain rises the noise of street singers is heard. Miss Woodward and Evans are discovered. Miss Woodward is dressed with severe simplicity in a costume of dark colour, with linen collar and cuffs; her dark hair is drawn back from her forehead. Her costume, being well cut, does not conceal the graceful outline of her figure. She is a handsome, innocent, yet determined-looking girl of twenty. She is at the window looking out.
Evans.
[Raising his voice above the outside singers.] They wouldn’t listen to me, Miss Woodward! [Suddenly the music stops. A pause.] Ah, they’ve listened to Mr. Parbury! [Miss Woodward goes to desk, R., sits.] Mr. Parbury’s a very masterful man—outside his house—isn’t he, Miss? [Miss Woodward favours Evans with a cold stare, then resumes work at desk.] [Aside.] What an iceberg that young woman is! [Telephone bell rings.]
[Exit Evans, L.
[Miss Woodward goes to telephone and takes line.
Miss Woodward.
[Speaking into telephone—very sweetly.] Yes, are you there?—yes—who are you? Speak a little louder, please. Oh!—Well? Yes—I don’t know—Mr. Parbury’s just coming in now—he’ll speak to you—keep the line.
[She returns to the desk.
Enter Mr. Parbury from garden. His hair is untidy; he is flustered and cross. He is an agreeable-looking man of about forty.
Parbury.
Thank heaven, they’re gone! This house is a mistake! With the nerve force one expends in swearing at street singers one might do some good work. Make a note, please—look for house in secluded part of country. [Miss Woodward makes note.] And make a note—write Times re Street Music; suggest Local Option.
Miss Woodward.
The Saturday Sentinel is waiting to speak to you on the telephone.
Parbury.
Oh, worrying about the article, I suppose. [Goes to telephone.] Hullo! hullo! [Gives them a ring up.] Are you there? [Crossly.] Are you there? Well? [Pause; he listens.] Oh, of course, still harping on my article. I suppose that’s you, Jackson? Oh, well, if you’ll keep this confounded telephone quiet, and send a man to clear the neighbourhood of street singers, you’ll have a chance of receiving the copy in half-an-hour. What? All right, old man. Yes, yes. I’ll send it by special messenger. Yes. Goodbye! [Rings off, and hangs up tube.] That is another mistake—that telephone.
Miss Woodward.
I was afraid you would find it so.
Parbury.
You were right! You are always right! But my wife thought it would save me a lot of correspondence and a lot of going out. [Aside, with a sigh.] I always liked going out. [Aloud.] Make a note, please—get rid of the telephone. [Miss Woodward makes note.] [Goes to top of table, R.C.] Now we’ll get on, please. I’ve promised the article in half-an-hour. [Looks at his watch.] They go to press this afternoon.
Miss Woodward.
[Sits at desk, note-book before her.] Shall I read the last sentence?
Parbury.
Please.
Miss Woodward.
[Reading.] “The pity of it is that Mr. Theodore Bellevue seems to enjoy a positively huge contentment of his own achievement——”
Parbury.
[Thinking.] The pity of it—yes—yes, of his own achievement. Yes. [Walks the stage.] Achievement [Under his breath.] Damn the street singers! Damn the telephone! [Aloud.] What is it? Oh—ah! Contentment of his own achievement—er—er— [Dictates.] “One gathers from the complacency of his manner—[Pause]—that his iconoclasm is its own reward—” Er—“What follows in the approval of the unthinking—the applause of the uncultured—” [Pause.] What’s that?
Miss Woodward.
The applause of the uncultured.
Parbury.
“Makes up—makes up—” Er— [Pulls his hair.] Er——
Enter Mrs. Parbury, L. She is a pretty, fragile, little woman of about twenty-eight, and is charmingly dressed.
Mrs. Parbury.
I’m not interrupting, am I, darling?
Parbury.
[Concealing his irritation.] No, darling, but——
Mrs. Parbury.
I’ll be ever so quiet. [Comes to couch, sits L.]
Parbury.
Yes, I know, dear—but, I fear—I fear you’ll be rather bored. I’m dictating an article that must be finished this afternoon——
Mrs. Parbury.
Oh, I shall like it! Go on as if I were not in the room. But oh, how tumbled your hair is. [Rises, goes to him.] I must put it straight. Then you’ll be able to think better. There! Now I can see his clever forehead again! [Goes to couch and sits.]
[Parbury walks up C. and back, trying to collect his thoughts; then he looks at Mrs. Parbury with the wish in his face that she were not there; finally he goes over to Miss Woodward and speaks in a lowered voice.
Parbury.
[At top of table, R.] What was that last?
Miss Woodward.
[Reading in a lowered voice.] “What follows in the approval of the unthinking, the applause of the uncultured makes up.”
Parbury.
Yes, yes. Makes up! [Fidgeting.] Makes up— [Vaguely.] What does it make up? I’m damned if I know what it does make up now? I’ve forgotten.
Miss Woodward.
[Looking up at him with discreet sympathy after a glance at Mrs. Parbury.] Shall I go back a little?
Parbury.
Please do. Cut the other; it doesn’t make up anything.
Miss Woodward.
[Reading.] “One gathers from the complacency of his manner that his iconoclasm is its own reward.”
Parbury.
Thanks. Where’s his article?
[Miss Woodward rises, gives him an open magazine, and resumes her seat.
[After glancing at the magazine, and still in a low voice.] “His smug self-sufficiency——” [Pause.]
Mrs. Parbury.
Darling! I can’t hear you.
[Pause. Parbury’s and Miss Woodward’s eyes meet.
Parbury.
Can’t you, dear? I suppose I must unconsciously have lowered my voice.
Mrs. Parbury.
I’m sure you did.
Parbury.
I’ve an idea. [Comes behind her and touches her shoulders caressingly.] Suppose I finish the article quickly and give it to you to read before sending it away?
Mrs. Parbury.
Yes, do.
[Parbury looks at her, expecting her to move, but she doesn’t.
Parbury.
Well, dear!
Mrs. Parbury.
[Wonderingly.] Well?
Parbury.
You—you’re not going?
Mrs. Parbury.
Going!
Parbury.
Yes, dear. I thought——
Mrs. Parbury.
[With great reproach, and looking as if about to cry.] Clement! [She rises, and with trembling hands begins to gather up her fancy work.]
Parbury.
[Relenting.] Don’t go, dear, unless you wish to.
Mrs. Parbury.
[More tremblingly and tearfully.] I certainly don’t wish to remain where I am unwelcome.
Parbury.
[Reproachfully.] Mabel!
Mrs. Parbury.
I thought I had a right to be where my husband was—that the privileges of a wife were at least equal to those of a secretary.
Parbury.
[In a low voice.] Hush, dear! [Turns to Miss Woodward, who has been a secret but attentive observer of the scene.] Miss Woodward, would you kindly run what we have done into type? We’ll finish presently.
[Miss Woodward rises, takes her notes, and crosses to door, L. At the screen she pauses a moment, shrugs her shoulders, and exits R.I.E.
[Parbury passes his arm round Mrs. Parbury.
Mrs. Parbury.
[Freeing herself.] Oh, no; you wished me to go, and I’m going.
Parbury.
It doesn’t matter now. [Grimly.] The article hasn’t a million to one chance of being finished this afternoon.
Mrs. Parbury.
Why did you send Miss Woodward away?
Parbury.
Frankly?
[Puts magazine on table, R.
Mrs. Parbury.
Of course.
Parbury.
Because I hate scenes before other people.
Mrs. Parbury.
Scenes! What do you mean?
Parbury.
[C.] What! Isn’t there to be a scene? How splendid!
Mrs. Parbury.
[L.C.] I don’t understand the humour you are in.
Parbury.
I’m in a capital humour, dear. You’ve saved me for the moment from a savage attack on the work of a man whom I respect and admire.
Mrs. Parbury.
You mean simply that I’ve interrupted your work. You will not have reason to complain again.
[Is going.
Parbury.
Wait, dear.
Mrs. Parbury.
No, no. There are things one can’t get over. Perhaps you can explain why it is that Miss Woodward’s presence doesn’t disturb you, while mine does?
Parbury.
Easily. Miss Woodward is a mouse.
Mrs. Parbury.
I hate mice!
Parbury.
I mean she is a table—a chair—a desk—a dictionary—a something useful that is always in the right place at the right moment, and yet of whose presence one is pleasantly unconscious. She is a triumph of the negative.
Mrs. Parbury.
And I?
[Her face is not turned to him.
Parbury.
Positive, my love—quite positive; you bristle with emotions. When you are in the room, one knows it. [Mrs. Parbury takes out her handkerchief and begins to cry. Pause. Parbury, who has gone to desk, looks round inquiringly, then comes down gently and sees what she is doing.] [Aside.] Exactly!
Mrs. Parbury.
[Wiping her eyes.] Of course I quite understand now that you don’t love me.
Parbury.
[Comes to her, concealing his impatience.] But I do! I do!
Mrs. Parbury.
Oh no, you don’t! When we were first married you didn’t object to my being in the room when you were working.
Parbury.
I admit I didn’t say so then; I was younger, and had more patience and stronger nerves.
Mrs. Parbury.
[Turning to him with a gleam of anger.] Then you admit you have always objected to my presence in your study?
Parbury.
[Smoothly.] I admit I have always felt that a writing man’s writing hours are sacred hours.
Mrs. Parbury.
They shouldn’t be sacred from his wife.
Parbury.
[Gently.] They should be sacred to his wife, dear. [Slight pause.] If you were a writing woman you would understand what I mean.
Mrs. Parbury.
I’m sure I’m very sorry I’m not a genius, but you understood that when you married me, didn’t you?
Parbury.
Yes, darling, I quite understood that! [He appears to say this quite unconsciously. Mrs. Parbury turns to him deeply offended, then suddenly goes up to leave the room. He quickly meets her, C.] [Taking her hands.] I only knew you were the best little woman in the world!
Mrs. Parbury.
[Struggling to free her hands.] Don’t, please. I’m going!
Parbury.
Where?
Mrs. Parbury.
To send Miss Woodward to you, since you prefer her society to mine.
Parbury.
But I tell you I’m scarcely conscious of the girl’s existence; anyway, it was you who brought her here. You may remember I proposed having a male secretary.
Mrs. Parbury.
Yes; to make a companion of at my expense. You were always a man’s man! If I had had more experience I would have known that by the host of men friends you had when we married.
Parbury.
[Cheerily.] I haven’t them now, dear.
Mrs. Parbury.
You mean—that I— [Struggling to release her hands.] You are most brutal. Let me go!
Parbury.
Not while you are angry, dear.
[Gently forces her into a chair, R.C.
[There is another slight pause. She is certainly angry, but she doesn’t attempt to leave the chair. He looks down at her, and lays a hand lightly on her hair.
Mrs. Parbury.
[Brushing his hand away.] Please don’t do that. I am not a child! [Parbury takes a chair and sits next to her. Pause.] Perhaps you will tell me why you have used your superior strength to keep me here against my will?
Parbury.
[Taking her hand.] Do you know that I’m very much in love with you?
Mrs. Parbury.
You in love with me! You don’t know what love is! All you feel at this moment is the sort of insolent pity the strong have for the weak.
Parbury.
You weak, darling! Oh, come! You know better than that! You can’t be unconscious of your power!
Mrs. Parbury.
I really don’t understand you.
Parbury.
I only meant to remind you that after all you do always get your own way. I’m really very glad, for I’m sure your way must always be the best way. Oh, the power and determination of this little hand! [Holding her hand.] Do let me, with the deepest submission, kiss “The Mailed Fist.”
[He kisses her hand.
Mrs. Parbury.
As it pleases you to be rude to me I shall try to bear it patiently.
Parbury.
I don’t mean to be rude. It’s my unfortunate way of putting things. I kissed your hand because of the real tender love my heart holds for you, and for the same reason I put back this dear, rebellious little lock of hair which has escaped from over your ear. And what a perfect ear! It’s as delicate and fragile as a shell, and it’s just the daintiest pink possible.
Mrs. Parbury.
[Mollified.] I know my ears are all right, though I think you are making fun of me.
Parbury.
I think I’m making love to you.
Mrs. Parbury.
[Suddenly taking one of his hands in hers.] Oh, if you only loved me in the way I love you!
Parbury.
I love you in a most excellent way.
Mrs. Parbury.
But it’s different—you don’t understand. I love to breathe the air you breathe, to hear your voice even when it’s dictating a dry article, to listen to your footsteps, to watch the changing expressions on your face. I live by the warmth your life gives me; you don’t grudge me that, do you?
Parbury.
Why, of course not, darling!
Mrs. Parbury.
I love this room because it is yours, the surroundings are yours, the atmosphere is yours. When you are out——
Parbury.
[Gently patting her hand.] Which is not often, dear.
Mrs. Parbury.
When you are out I always stay here, because here I get most of you; even the thin odour of cigarette smoke is dear to me. Smoke now.
Parbury.
Shall I?
Mrs. Parbury.
[Gives him a cigarette from his case on table, and lights it.] That’s delightful! [Sniffs the smoke.] But only because it’s you! I used to detest tobacco.
Parbury.
[Smiling.] You dear!
[Puts his arm around her.
Mrs. Parbury.
You understand a little now, don’t you?
[Putting her head on his shoulder.
Parbury.
Perfectly!
Mrs. Parbury.
[Rising.] And you are not angry any more?
Parbury.
Was I angry?
[Rises.
Mrs. Parbury.
Horribly!
Parbury.
I’m sorry.
Mrs. Parbury.
Not vexed about the article?
Parbury.
Bother the article. I knew it hadn’t a million to one chance!
Mrs. Parbury.
And it doesn’t matter?
Parbury.
Not in the least!
Mrs. Parbury.
Then we may have tea in here?
Parbury.
Rather! Let’s go the pace.
Mrs. Parbury.
[Goes to him, standing before him, her hands by her sides.] Kiss me! [He kisses her. She throws her arms round him and whispers to him. He whispers a word in reply. They both laugh slightly, and he playfully pinches her cheek.] Brute! [She smooths her hair and goes to door, L.; turns at door and blows him a kiss, to which he responds.]
[Exit Mrs. Parbury, L.
Parbury.
[Standing for moment, C., a whimsical look on his face.] Dear little woman! What a pity she cries so much! [Puts chair up, R.; goes to desk and turns over pages of magazine, still continuing his thought.] What a pity! What a pity!
Enter Miss Woodward carrying loose type-written MS. Parbury glances up from his magazine as she places the leaves on the desk.
Oh, thanks!
Miss Woodward.
Do you wish to finish the article now?
Parbury.
Impossible! Tea will be taken here in a few minutes.
Miss Woodward.
[With a touch of indignant surprise.] Here? . . . Oh, I beg your pardon!
Parbury.
Not at all! I said here! [Throws down magazine, goes up to fireplace, C. Miss Woodward permits a slight groan to escape her.] Eh?
Miss Woodward.
Nothing, I didn’t speak!
[Sits and bends over desk.
[Parbury looks at her suddenly and keenly as though he had never noticed her before. Slight pause. She arranges papers at desk. He is leaning against the mantelpiece.
Parbury.
Do you know, Miss Woodward, I believe you are more disappointed about that article than I am.
Miss Woodward.
I was certainly very interested.
Parbury.
Why?
Miss Woodward.
It was so strong! I admire strength.
Parbury.
[Smiling.] You are not then quite the machine one gets into the habit of imagining one’s secretary to be?
Miss Woodward.
[Meeting his eye calmly and fearlessly for a moment.] I should like to be what you wish me to be.
Parbury.
[A little disconcerted.] Humph! [Stands with his hands in his pockets looking at her, while she is busy at the desk.]
[The door, L., suddenly opens. Parbury starts almost violently. Mrs. Parbury puts her head into the room.
Mrs. Parbury.
Darling, I’ve got rid of a would-be intruder for you. I thought you’d like to know.
Parbury.
Thank you, dear; who was it?
Mrs. Parbury.
A horrid person named Gunning. There’s the creature’s card. [Throws card into room on to chair by door L.] I knew you’d be pleased, darling! Tea in five minutes.
[Exit Mrs. Parbury, closing door.
Parbury.
Gunning! Not George surely? [Quickly gets the card.] It is! My dear old friend; I wouldn’t miss seeing him for worlds! [Rushes to window, opens it, and bends out.] Why, there he is, going across the lawn! [Shouts.] George! George!! Hi! Gunning!!!
[Runs off, R.
Gunning.
[Outside, very distant.] Hullo, Clement!
Parbury.
[Outside.] Wait a moment, old chap!
[Miss Woodward goes up and looks through window, comes down, and with her handkerchief carefully dusts a photograph of Parbury which stands on book-case up L.C., then looks at the portrait of Mrs. Parbury, which is C. on wall over mantel, shrugs her shoulders slightly, returns to desk.
Enter Parbury and Gunning, R., through window.
Parbury.
[C., speaking as they enter.] Quite a mistake! I assure you, my dear fellow, my wife gave orders that I was not to be disturbed, thinking I was engaged upon an important piece of work.
Gunning.
[Looking at Miss Woodward.] Won’t you present me to Mrs.——
Parbury.
[Hastily.] To Miss Woodward, my secretary—certainly! Mr. Gunning, Miss Woodward. [They bow. Miss Woodward moves to go.] Don’t go, Miss Woodward. [Crosses to top of table, R.C. Gunning puts his hat and gloves on chair, L.] You might very kindly get rid of some of this correspondence for me. [Takes a bundle of letters from desk.] “Dear Sir,—I would esteem it a great favour if you would send me your photograph, together with your autograph.” [Throws letter aside, and reads another.] “My dear Sir,—I have read with the deepest interest and the highest pleasure your deservedly successful novel, ‘The Overthrow of Harvey Masterton,’ and feel convinced that if you knew the story of my life——” [Repeats business.] No one can deal with these people like Miss Woodward.
Gunning.
[Taking off his gloves.] What is your method, Miss Woodward?
Miss Woodward.
It is Mr. Parbury’s—perfect civility, consistent with finality.
[Sits at desk and writes letters.
Gunning.
Excellent! [Sits and addresses Parbury.] I suppose being a popular author entails a lot of correspondence?
Parbury.
Awful!
Gunning.
[L.C.] For my part, my correspondence is practically nil.
Parbury.
I have noticed it with pain.
Gunning.
Oh, I’d have written to you, but what was the good of it? I’m not literary, and I’m not married.
Parbury.
And so you’ve kept away for five years.
Gunning.
About that.
[Sits on arm of sofa, L.C.
Parbury.
Five years and three months—for I’ve been married all that time, and you neither came to the wedding nor called on me afterwards.
Gunning.
I was discreet.
Parbury.
Discreet! Damned unfriendly, I call it, considering the years we had been pals.
Gunning.
Well, the rest of our old set stuck to you, anyway. What has become of them? Take Wybrow, for instance—an awful good chap!
Parbury.
Wybrow, Wybrow—what has become of Wybrow?
Gunning.
Never comes here, eh?
Parbury.
Well, he did a few times some years ago, but——
Gunning.
I understand—a little too Bohemian.
Parbury.
[Quickly.] Not for me, George, I assure you.
Gunning.
No, no, of course not, my dear chap. Exit Bohemian Wybrow. Then there was Carson—one of the best?
Parbury.
[Warmly.] Wasn’t he a good fellow?
Gunning.
Capital! Where is he?
Parbury.
Married, you know.
Gunning.
So I heard. You meet constantly, of course?
Parbury.
No, we met them at Brighton one winter some years ago, but I don’t think our wives quite—you understand, don’t you?
Gunning.
Yes, yes, I understand. You dropped the Carsons. But Burleigh——
Parbury.
Burleigh—ah!
[Laughs.
Gunning.
There was a great spirit if you like; he was your best man.
Parbury.
Yes; he gave me this watch.
Gunning.
Which you still wear. Touching constancy! When did you see him last?
Parbury.
Wait a moment. What is all this interrogation for?
Gunning.
Idle curiosity if you like—study of life if you like. Come, out with it, when did you last have dear old Tom Burleigh to dinner?
Parbury.
[Almost defiantly.] The day we returned from our honeymoon.
[Slightly awkward pause.
Gunning.
[Musingly.] About five years and six weeks ago.
Parbury.
Of course, I see a lot of him at the Clubs. That is to say, I used to when I was still a Club man.
Gunning.
Which now you are not?
Parbury.
Which now I am not! What does a man want with a Club when he has a home of his own?
Gunning.
Excellent sentiment; but neither the sentiment nor the words are your own, Clement. [Their eyes meet and they burst into laughter.] I know, I know; “and what does a man want with men friends when he has a wife of his own,” and “the husband’s old friends are the wife’s worst enemies,” and “what I say about Clubs is, down with them!”
[Laughs, sits on sofa, L.C.
Parbury.
[Suddenly serious.] What the devil are you laughing at, George? You don’t presume——
Gunning.
I—why, of course not, my dear chap. Only now you see how wise I was not to intrude after your marriage, not to wait for my congé as the other poor boys did! I knew something.
Parbury.
You always did, you brute! I believe you were born knowing something. [Leans on back of sofa.] But seriously [lowers his voice], George, I assure you she’s the best little woman in the world!
Gunning.
Why, of course; it would be impious to suggest otherwise.
[Exit Miss Woodward.
[His eyes follow her off.] A perfect wife, and a charming secretary! You’re a lucky fellow, Clement!
Parbury.
Is Miss Woodward charming? On my word, I hadn’t noticed it, but I’m in love with my wife, you see.
Gunning.
Of course you would be the last to discover that your secretary was personally pleasing.
Parbury.
You’re a sinister scoundrel, George, and coarse to a fault. Now, tell me what you’ve been doing all these years—shedding your illusions apparently.
Gunning.
I’ve had none to lose since I grew up. I got rid of mine about the time of measles and whooping-cough.
Parbury.
It’s a pity.
Gunning.
Not at all. One can’t attain the proper philosophical attitude towards life while one nourishes illusions; one can never gain perspective.
Parbury.
Great man! How beautifully you talk! I suppose you have quite a nice thing in perspectives about with you now.
Gunning.
Pretty well.
Parbury.
So much for the journey of the soul. What of the body? Where have you been?
Gunning.
Round the world twice since I saw you.
Parbury.
What did you see on the other side?
Gunning.
Just what one sees on this side; there is always a man—and a woman.
Parbury.
I know you were adventuring in Upper India last year, for the papers were full of a rather fine thing you did—saved a lot of miserable lives—an ordinary, manly, commonplace, heroic, English sort of thing.
Gunning.
Oh, don’t mention that; one was carried away by impulse.
Parbury.
And so we keep our impulses even when we lose our illusions; I’m glad of that anyway. [Then he comes behind Gunning’s chair, takes him by the shoulder, and shakes him.] Old fool! I can’t help liking you as much as ever!
Gunning.
[Looking up with genuine pleasure.] Really?
Parbury.
Honestly!
Gunning.
[Rises, puts his hands on Parbury’s shoulders.] Well, I’m glad, because I’ve often been weak enough to regret not seeing you. As for your literary successes, I suppose I ought to congratulate you; but I always knew you’d be a great man, because you never bored me.
Parbury.
[Drily.] Thanks so much. Now tell me how you found me.
Gunning.
By means of the illustrated press—interview with Mr. Clement Parbury—copyright. The author of the “Overthrow of Harvey something” at his pretty retreat at Hampstead—copyright. Snapshot of Mr. Parbury at work—copyright. View of the study from the garden—view of the garden from the study—copyright.
Parbury.
Shut up! You make me blush.
Gunning.
Forgive me—it’s only envy. It’s the envious people who call this a vulgar age, I suppose.
Enter Servant, L., places occasional table for tea in front of sofa, L.C., and exits L.
Parbury.
Now you are to see my wife. How do you imagine her? Large, I suppose, with huge hands and feet and a beetling brow?
Gunning.
I’m content to wait.
Re-enter Servant, L., with tea service.
Parbury.
When you have had tea, you will go away to dress. You will return here to dinner at eight.
Gunning.
I think not.
Parbury.
One moment. You will probably meet only my wife’s father, Colonel Armitage, and your dinner will be a fairly plain one, but I promise that your palate will not be outraged.
Gunning.
I really think not, old man. I remember the fate of old Burleigh. And I never even gave you a watch.
Parbury.
George, you hurt me. [Slight pause.] Then you refuse?
Gunning.
I make conditions.
Parbury.
What are they?
Gunning.
That you come yachting with me from to-morrow till the end of the week. I’ve hired a charming little twenty-tonner, one after your own heart—that is, if your heart or my memory hasn’t entirely changed.
Parbury.
[Enthusiastic.] Splendid! There’s nothing I should like so much; and I’ve no special work on hand just now.
Gunning.
Then it’s agreed?
Parbury.
Certainly!
Gunning.
Good; we’ll drink of the Cuvée 36, brush up our swearing vocabulary, and I’ll teach you to gain perspective!
Parbury.
[His face suddenly falling.] Oh, the deuce!
Gunning.
What’s the matter? What are you afraid of?
Parbury.
Of nothing in the world!
Gunning.
[Slapping him on the back.] Hero!
Enter Mrs. Parbury, L., wearing a bright smile, which fades when she sees Gunning.
Parbury.
Mabel, I want to present you to my dear old friend, George Gunning. My wife, George.
[Gunning crosses to Mrs. Parbury. Shakes hands.
Mrs. Parbury.
How do you do? I’m very pleased.
[She gives him simultaneously a cold smile and a stiff handshake.
Gunning.
I’m very delighted to meet Clement’s wife.
Mrs. Parbury.
You’ll let me give you some tea?
[Goes to tea-table; sits on sofa.
Gunning.
Thank you. [Aside to Parbury.] She’s charming!
[Parbury digs him in the ribs. Gunning goes to tea-table. Parbury sits at desk.
Mrs. Parbury.
[Handing Gunning tea-cup.] I’ve given you no sugar.
Gunning.
I’ll take one piece.
[Does so.
Enter Miss Woodward, R.I.E., with MS., which she hands to Parbury.
Parbury.
Thank you.
[He reads and signs letters.
Mrs. Parbury.
Clement, come for your tea.
Parbury.
In one moment, dear.
Mrs. Parbury.
Miss Woodward, you will take tea?
Miss Woodward.
Thank you, yes.
Gunning.
[To Mrs. Parbury.] Allow me.
[Takes Miss Woodward’s cup to her, and offers her bread and butter, &c.
Miss Woodward.
Thank you.
Parbury.
You’ve often heard me speak of Gunning, Mabel; we were at Cambridge together.
Mrs. Parbury.
Oh yes, I remember! [To Gunning.] You were very great friends?
Gunning.
Inseparables!
Parbury.
I should say so!
Mrs. Parbury.
[Uneasily.] Indeed!
Parbury.
[Comes over and takes his tea.] You see, Gunning had been my fag at Harrow, and my ill-treatment of him inspired a dog-like devotion. [To Miss Woodward.] Let me take your cup. [Adds in a lower voice.] I’ve an idea!
[Miss Woodward goes to desk; Parbury follows her to desk.]
Gunning.
Let me.
[Assists Mrs. Parbury with the tea service.
Parbury.
[To Miss Woodward in a low voice.] I think I can finish the article in three sentences. Take your notes into the other room; I’ll join you in a moment.
[Miss Woodward gathers her notes and exits R.]
Mrs. Parbury.
[Pouring out a fresh cup of tea for Gunning.] But of course it’s not in the nature of things that college friendships, however strong, can last always. Time estranges, doesn’t it, Mr. Gunning, and fate drives people into different—well, different ways of life, doesn’t it? Some men marry soon. Are you married, Mr. Gunning?
Gunning.
Alas, no, Mrs. Parbury!
Parbury.
He has too much respect for your sex, dear. Forgive me for three minutes.
[Exit Parbury, R.
Mrs. Parbury.
Not married! Well, I should have thought——
Gunning.
That I’m old enough to know better. I admit it.
[Sits R.C.
Mrs. Parbury.
Well, I was going to say that in marriage a man changes so much. He becomes more—more——
Gunning.
[Gently.] Respectable?
Mrs. Parbury.
Well, I wasn’t going to say quite that; though, as you suggest it, no doubt it is true. I was going to say more responsible. He enters into a broader, a fuller life; he gains in nobility, don’t you think?
Gunning.
[Amused.] Oh, no doubt Clement has improved enormously!
Mrs. Parbury.
I’m so glad you recognise that. You may smoke, Mr. Gunning, if you care to.
Gunning.
Thank you. I’ll steal one of Clement’s cigarettes if I may?
[Takes cigarette from box on desk.
Mrs. Parbury.
Of course Clement was always good and strong and clever. It only wanted marriage to—to——
Gunning.
To perfect him!
Mrs. Parbury.
Well, I was going to say to complete him; but it comes to the same thing, doesn’t it?
Gunning.
Quite, quite!
Mrs. Parbury.
I found my happiness when I married Clement.
Gunning.
You had been looking for it?
Mrs. Parbury.
Of course; isn’t that every woman’s duty?
Gunning.
Yes, yes; and every man’s?
Mrs. Parbury.
[Less confidently.] Well, yes, I should think so.
Gunning.
And one’s happiness once found is worth fighting for?
Mrs. Parbury.
[Firmly.] Worth fighting very hard for!
Gunning.
[Drily.] Of course. [Aside.] Poor Burleigh!
[Lights cigarette.
Mrs. Parbury.
You, I suppose, have never met a woman who could make you happy?
Gunning.
I have never met a woman whom I was sure of being able to make happy.
Mrs. Parbury.
[Slightly embarrassed.] Oh!
Gunning.
And, anyway, the state of marriage has always appeared to me to be a state of warfare.
Mrs. Parbury.
Mr. Gunning, you little know——
Gunning.
I admit the case of you and Clement to be an exceptional one. I’m talking of ordinary cases—the average marriage; there you will find, according to my observation, an endless war—a war of self-interests, a war of opposing emotions, a war of irreconcilable nervous organisations——
Mrs. Parbury.
Oh, Mr. Gunning!
Gunning.
Viewed from the hill-tops rather a pitiful sort of war, in which can be won neither the full joys of love nor the complete glories of battle.
Mrs. Parbury.
Oh, Mr. Gunning!
Gunning.
I remain single, Mrs. Parbury, quite without happiness—except in the reflection that I am neither an oppressor exercising a daily tyranny, nor a slave rightly struggling to be free.
Mrs. Parbury.
Of course I don’t in the least agree with you. [The telephone bell rings.] [Rising.] There’s some one on the telephone—forgive me. [Goes to telephone box and puts the communicator to her ear.] Are you there?—yes—who are you?—the article—yes—no, you can’t have it to-day—no, it hasn’t a million to one chance of being finished. [To Gunning, with a smile.] That’s Clement’s slang, not mine. [Again into telephone.] What?
Enter Parbury and Miss Woodward, R.
I say it hasn’t a million to one chance of being finished.
Parbury.
What? Who is it?
Mrs. Parbury.
It’s the Saturday Sentinel.
Parbury.
But, my dear, the article is finished. [Rushes to telephone.] [Miss Woodward and Gunning are laughing secretly. Mrs. Parbury stands C., rather confused.] [At telephone.] Hullo! Hullo! Are you there? [Rings violently.] Hullo—oh! is that you, Jackson? . . . what’s the matter? [Rather a long pause. He smiles while listening.] No, no, not at all, my dear chap. What was said was, ‘It’s a million to one you’ll have the copy in half-an-hour’—eh?—yes, those were the very words . . . no, quite a mistake, you don’t listen properly. A messenger has just gone off in a cab with it. What? Yes. [Laughs.] All right! Good-bye!
Mrs. Parbury.
[Seeing Miss Woodward laughing.] I really don’t know what there is to laugh at, Miss Woodward.
Miss Woodward.
I was only smiling at the messenger in the cab.
[Folds MS. and puts it in envelope.
Parbury.
Yes, send some one at once, please, Miss Woodward.
[Exit Miss Woodward, R.V.E.
Mrs. Parbury.
It wasn’t my fault, dear. You know you did use those words.
Parbury.
My fault entirely. [Aside to Gunning.] Have you told her?
Gunning.
What?
Parbury.
About the yachting?
Gunning.
Why, of course not. That’s your affair, my dear fellow.
Parbury.
[His hand on Gunning’s shoulder.] Mabel, dear, we’re going yachting for a few days. I think I want a little change.
Mrs. Parbury.
[Coming towards them, brightly.] Oh, what a good idea! When do we go? [Parbury and Gunning look at each other.] Are you coming, Mr. Gunning?
[Parbury presses Gunning forward. Gunning looks round at Parbury reproachfully. Parbury goes up stage.
Gunning.
[Embarrassed.] Well, it’s my yacht, Mrs. Parbury, but she’s very small—only a little tub of a thing; and— [Looks at his watch.] By Jove! I’ll never be able to dress and get back for dinner if I don’t hurry. [Gets his hat and gloves, L. Goes up quickly.] I need only say au revoir; don’t trouble, Clement, I’ll find my way out—au revoir!
[Exit Gunning, L.
[Mrs. Parbury, who is puzzled, sits on sofa.
Parbury.
[Calling after Gunning.] Dinner at eight, remember.
Gunning.
[Outside.] All right!
Parbury.
[Shuts the door.] Capital fellow, George Gunning!
[Comes to back of sofa.
Mrs. Parbury.
What does he mean by a little tub of a thing? Surely we’re not——
Parbury.
No, dear, certainly not. You’re quite right. I wouldn’t think of letting you run any risks.
Mrs. Parbury.
Then we’re not going?
Parbury.
No, dear; that is to say, Gunning and I are going.
Mrs. Parbury.
[Rising, aghast.] Without me?
Parbury.
Only for a few days, of course.
[Laughing feebly.
Mrs. Parbury.
You are not serious?
Parbury.
Quite!
[His laugh becomes feebler.
Mrs. Parbury.
But—but you never go away without me!
Parbury.
I haven’t hitherto, but——
Mrs. Parbury.
Well?
[Appears about to cry.
Parbury.
I’ve been working very hard, you know, lately. I feel I want a change.
Mrs. Parbury.
[Tearfully.] It doesn’t occur to you that I might want a change.
Parbury.
Well, have one, dear. Aunt Martha would be delighted to have you at Oaklands.
Mrs. Parbury.
I don’t want to go to Aunt Martha. How would you like to go to Aunt Martha?
Parbury.
[Suppressing a groan.] What is it you do want?
Mrs. Parbury.
[Quickly.] You! I want to be with you! It’s very simple—it’s not asking very much. If you don’t like my being with you, why did you marry me?
[Taking out her handkerchief.
Parbury.
Now, dear, please don’t cry! [Aside.] If she does, I’m done for! [Aloud.] It’s only common sense that you can’t go knocking about with a couple of men in a tub of a boat.
Mrs. Parbury.
Of course I quite know now that you don’t love me.
[Bursts into tears. Sits on sofa.
Parbury.
[With real irritation.] Oh, damn it! [Goes up, but turns quickly and comes down to her.] ’Pon my soul, you make me almost hate——
Mrs. Parbury.
Of course you hate me. Your old friend has done that for me. You are breaking my heart!
Parbury.
[Who has recovered control of his temper and resumed his natural bantering tone.] Not at all, dear. [Sits at his desk and affects to be busy.] I was only going to say that I hated—now, what the deuce was it I hated?—oh, I know—to see a woman cry. I do think a woman is wise who does her crying in private, and yet—I wonder—they know best—millions to one they know best. I must write something about it.
Mrs. Parbury.
[Rises, goes to top of table, R. She is wiping her eyes, her back to him.] Of course, you’re going all the same?
Parbury.
[Affecting great pre-occupation.] Going? Going where?
Mrs. Parbury.
With Mr. Gunning.
[Pause. She continues to cry gently.
Parbury.
Gunning—Gunning!—who’s Gunning? Oh—George—yachting, you mean! Not I! I’m staying here.
Mrs. Parbury.
[Comes towards him gladly, her arms extended.] Clement!
Parbury.
Eh? Oh, forgive me for a few minutes.
[Writes.
Mrs. Parbury.
[Reproachfully.] I was only going to kiss you.
Parbury.
[Writing.] All right, dear—presently—presently, there’s a dear girl! [Mrs. Parbury has a slow silent exit, looking back at him.] [He doesn’t look up, but goes on writing. When the door closes, he puts down his pen.] Oh, the tyranny of it! The tyranny of it!
[Slow Curtain.
END OF ACT I.