HOME AGAIN

More than twenty years have passed. The Cavendish Square house is let to Sir Martin Archer Shee: Romney has given up portrait painting, and in the Hampstead studio purposes to devote himself to heroic art and win immortality with his Miltonic subjects. But his health grows worse. The game is up. Oppressed, conscious of numbness in his hand and a swimming in his head, chagrined at the muddled failure of his building experiments at Holly Bush Hill, Hampstead—that "whimsical structure covering half the garden,"—where some of his pictures were destroyed by weather and others stolen, he longs only for peace and escape from himself. Yet how triumphant has been the course of those twenty years in Cavendish Square. Never throwing off the mask of the recluse, he has made friends after his own kind; he has moved in the Eartham set which revolved round the orb of the preposterous Hayley. There he met Cowper, and that "elegant female," Miss Seward, the "Swan of Lichfield," who would address him as "beloved and honoured Titiano," or as Raphael, while he would greet her as Sappho; Flaxman, too, he has known, who bought for him in Italy ten large cases of casts—the Laöcoon, the Apollo Belvedere, and so on. These the painter would exhibit to his select friends and pupils in his studio at night, a powerful lamp shining down upon the Laöcoon. Then was Romney happy. Away from the distraction of the "new face lit with the shock of eager eyes," he could bemuse himself with the contortions of the Laöcoon, and believe that he was surrounded by the creations of "great art."

But the game is now up. Sorely hurt in the battle, seeing nothing clearly, little dreaming how famous his portraits—"that cursed drudgery"—would make him in the twentieth century, he leaves London and makes his way back to Mary. She nurses him, and buries him after two years of "complete imbecility."

*****


PLATE III.—MRS. MARK CURRIE.

(From the picture in the National Gallery)

A typical and charming Romney. Miss Elizabeth Close married Mr. Mark Currie on January 18, 1789, and sat to Romney for the first time on the 7th of May in the same year. The painter received sixty guineas for this portrait.