III. A LIFE-LIKE SCENE FROM WASHINGTON’S HOME LIFE
John Bernard, a noted English actor, who came to play an engagement in America soon after Washington had retired from the presidency, tells an experience which gives us quite a picture of our own, in which we can see Washington free from all the glamor of fame that usually half hides the real man from our view.
Bernard says that he was playing at Annapolis in 1798 when, one day, he went out riding down below Alexandria. Just as he was coming in sight of a man and young woman riding toward him in a chaise, the carriage was overturned and the two were thrown violently out. The man was not hurt but the woman was struck unconscious. The actor rode hurriedly up, and, dismounting, began at once to see what could be done for the woman. Soon she returned to consciousness with a volley of fierce scolding at her husband that was extremely ludicrous, if not ridiculous.
Bernard now noticed that another man had ridden up and was helping the unfortunate husband to extricate the horse and get the animal upon its feet. The three men then set to work to get the heavy carriage, still heavier loaded with baggage, back into service. It was a hot July day and the half hour’s work was a rather exhausting task for two who seemed to be out riding for mere recreation.
When the man and his wife were once more in the carriage, ready to drive on, they invited the two strangers to go on with them to Alexandria and have something to drink in appreciation of their timely service, but both declined, and the chaise started afresh upon its journey.
Bernard says, “My companion, after an exclamation at the heat, offered very courteously to dust my coat, a favor the return of which enabled me to take a deliberate survey of his person. He was a tall, erect, well-made man, evidently advanced in years, but who appeared to have retained all the vigor and elasticity resulting from a life of temperance and exercise. His dress was a blue coat buttoned to his chin and buckskin breeches. Though the instant he took off his hat I could not avoid the recognition of familiar lineaments, which, indeed, I was in the habit of seeing on every sign-post and over every fireplace, still I failed to identify him, and to my surprise I found that I was an object of equal speculation in his eyes.
“‘Mr. Bernard, I believe’ he said after a moment’s pause, and then spoke of having seen me play in Philadelphia, following at once with an invitation to spend a couple of hours in rest and refreshment at his house, which he pointed out in the distance.”
It then came clear to the actor who was his distinguished-looking companion.
Mr. Bernard thus continues his description of this experience, “‘Mount Vernon,’ I exclaimed; and then, drawing back with a stare of wonder, ‘Have I the honor of addressing General Washington?’
“With a smile whose expression of benevolence I have rarely seen equalled, he offered his hand and replied: ‘An odd sort of introduction, Mr. Bernard; but I am pleased to find you can play so active a part in private without a prompter.’”
In the conversation that ensued over the refreshments at Mount Vernon, Mr. Bernard studied his distinguished host with deep earnestness, and has left us a vivid picture in description as the actor saw him.
He says that in the conversation Washington’s face did not present much variety of expression. It wore always a look of profound thoughtfulness. Neither was there much change in the tones of his voice, but its intonations were rich with the depths of expression.
The keynote of his talk seemed to be summed up, as the actor believed, in one of the sentences of this conversation: “I am a man, and interested in all that concerns humanity.” This is in truth the keynote of any mind that ever achieves anything worth while. One does for self or party or nation only as it is for humanity. Any other deed or thought is not patriotism but partisanship. America is that manhood interested with all its available means in the humanity of the world.
Mr. Bernard, with what seems to be the deep insight that a great actor must have into character and human nature, says, “He spoke like a man who had felt as much as he had reflected, and reflected more than he had spoken; like one who had looked upon society rather in the mass than in detail, and who regarded the happiness of America but as the first link in a series of universal victories.” This vision, opened up to America in the devastations of the Great European War for “a place in the sun,” was enlarged by American patriots, not for any closed-in nation, but for the rights of humanity.
It chanced, during the conversation, that, while Washington was comparing English liberty as surrounded by walls, with American liberty as in the open, a black man came in with a jug of spring water.
Washington saw the actor look at the slave and smile with an inward thought. He quickly guessed at the thought and responded, “When we profess, as our fundamental principle, that liberty is the inalienable right of every man, we do not include madmen or idiots; liberty in their hands would become a scourge. Till the mind of the slave has been educated to perceive what are the obligations of a state of freedom, and not confound a man’s freedom with a brute’s, the gift would insure its abuse.”
He expressed his belief that slavery must some time be banished for the unity of American principles, and, in this connection, it should be remembered that, by will, he freed all his own slaves, to take place at the death of his wife.