TABLE OF CONTENTS
| Paragraph. | Page. | |||
| Adjoining Rooms | [38 to 47] | |||
| Advancing Colors | [77], [78], [79], [80], [89] | |||
| Angles, Illusion of | [113], [114], [115], [117] | |||
| Artificial Light, Colors of | [86] | |||
| Balance of Pattern | [75], [76] | |||
| Borders | [61], [62], [81], [86] | |||
| Bric-à-brac | [60], [89] | |||
| Black, The Use of | [33] | |||
| Color Nomenclature | [9] | |||
| Complexion | [160] | |||
| Contrasting Colors | [12], [14 to 24] | |||
| Contrast Analogies | [17 to 20] | |||
| Ceiling | [37], [42], [43], [93] | |||
| Curtains | [53 to 56] | |||
| Cove and Ceiling | [56] | |||
| Cornice | [63] | |||
| Chair Coverings | [64] | |||
| Colors that Give Size to a Room | (See [Receding Colors]) | |||
| Carpet | [81] | |||
| Color Sympathies | [95] | |||
| Curves, The Use of | [107], [108], [111], [114], [116], [118] | |||
| Color Terms | [120 to 134] | |||
| Chart | [127] | |||
| Dress, Depressing Influences | [161] | |||
| Dress, Woman’s | [160] | |||
| Decorative Illumination | [141] | |||
| Definitions | [89] | |||
| Draperies | [42], [43] | |||
| Decorative Proportions | [37] | |||
| Exciting Colors | [94], [160] | |||
| Frieze, The Use of | (See [Wall Proportions], also [Room Combinations]) | |||
| Floors | [42], [81], [84], [86], [87] | [42], [43] | ||
| Gray, The Use of | [32], [91], [92] | |||
| Guide to Color Harmony | [127] | |||
| Harmonies Mechanically Determined | [132] | |||
| Height Effects | [75], [76] | |||
| Harmony of Analogy | [13], [17], [27], [93] | |||
| Harmonies | [10] | |||
| Illusion in the Use of Lines | [107 to 119] | |||
| Intensification of Color | [31], [33], [159] | |||
| Joy in Lines | (See [Curves]) | |||
| Lights and Shadows | [158] | |||
| Lighting a Room, Candle-power Needed | [157] | |||
| Light Installation | [84] | |||
| Light, Effect on Color | [82] | |||
| Luminous Colors | (See [Advancing Colors]) | |||
| Large Room, Dark | [34] | |||
| Low-Ceiling Rooms | [58] | |||
| Large Rooms | [58] | |||
| Large, Well-Lighted Rooms | [26] | [34] | ||
| Light | [1], [8] | |||
| Mixing Colors | [8] | |||
| Neutrals | [121] | |||
| National Types of Color | [47], [48] | |||
| Nature Colors | [35], [96] | |||
| North Light | [37], [59], [90], [91] | |||
| Proportions in Color Contrast | [22 to 24], [28 to 30], [35] | |||
| Pigments, The Use of | [22] | |||
| Proportions Effected by Design | (See [Decorative Proportions]) | |||
| Proportions Effected by Color | [77] | |||
| Period Uses of Color | [47], [48] | |||
| Psychology of Color | [94] | |||
| Picture Moldings | [50] | |||
| Plate-Rails | [48 to 59] | |||
| Progression of Color | [34], [39] | |||
| Prismatic Colors | [6], [7], [8] | |||
| Room Combinations | [23 to 28] | |||
| Rugs | [81], [84] | |||
| Rooms Under Normal Conditions | [42], [43] | |||
| Receding Colors | [77], [80], [89] | |||
| Reflection | [5], [135], [155], [156] | |||
| Spectrum | [1] | |||
| Small Dark Rooms | [21] | [35] | ||
| Small Well-Lighted Rooms | [25] | [35] | ||
| Sequence of Color | [34], [35], [36], [41] | |||
| South Light | [37], [59] | |||
| Side-wall | [48 to 57], [92] | |||
| Small Room, High Ceiling | [35] | |||
| Small Room, Low Ceiling | [35] | |||
| Side-wall as Keynote | [92] | |||
| Straight Lines, Effect of | [107], [109], [111-113], [115-117], [119] | |||
| Seriousness in Lines | (See [Straight Lines]) | |||
| Spectrum Theories | [121], [122] | |||
| Trade Terms Meaningless | [124], [125] | |||
| Taste in Color, to Determine | [94] | |||
| White, The Use of | [31], [33], [88], [89], [98], [159], [160] | |||
| Wood Trims | [48 to 59] | |||
| Wainscoting | [48 to 57], [62], [93] | [42], [43] | ||
| Width Effects | [82 to 85], [87] | |||
| Wall Proportions | [33 to 34] |