THE FOOL AND THE LADY

And there it lay, asleep. A mantle, gray as monk’s cloth, its covering. Dim-glowing tapers shine like glowflies down the narrow winding streets. The sounds of early morning creep through the thickened veil of heavy mist, like echoes of the day afore. The wind is toying with the threading smoke, and still it clingeth to the chimney pot.

There stands, beyond the darkest shadow, the Inn of Falcon Feather, her sides becracked with sounding of the laughter of the king and gentlefolk, who barter song and story for the price of ale. Her windows sleep like heavy-lidded eyes, and her breath doth reek with wine, last drunk by a merry party there.

The lamp, now blacked and dead, could boast to ye of part to many an undoing of the unwary. The roof, o’er-hanging and bepeaked, doth ’mind ye of a sleeper in his cap.

The mist now rises like a curtain, and over yonder steeple peeps the sun, his face washed fresh in the basin of the night. His beams now light the dark beneath the palsied stair, and rag and straw doth heave to belch forth its baggage for the night.


(Fool) “Eh, gad! ’Tis morn, Beppo. Come, up, ye vermin; laugh and prove thou art the fool’s. An ape and jackass are wearers of the cap and bells. Thou wert fashioned with a tail to wear behind, and I to spin a tale to leave but not to wear. For the sayings of the fool are purchased by the wise. My crooked back and pegs are purses—the price to buy my gown; but better far, Beppo, to hunch and yet to peer into the clouds, than be as strong as knights are wont to be, and belly, like a snake, amongst the day’s bright hours.

“Here, eat thy crust. ’Tis funny-bread, the earnings of a fool.

“I looked at Lisa as she rode her mount at yesternoon, and saw her skirt the road with anxious eyes. Dost know for whom she sought, Beppo? Not me, who, breathless, watched behind a flowering bush to hide my ugliness. Now laugh, Beppo, and prove thou art the fool’s!

“But ’neath these stripes of color I did feel new strength, and saw me strided on a black beside her there. And, Beppo, knave, thou didst but rattle at thy chain, and lo, the shrinking of my dream!

“But we do limp quite merrily, and could we sing our song in truer measure—thou the mimic, and I the fool? Thine eyes hold more for me than all the world, since hers do see me not.

“We two together shall flatten ’neath the tree in yonder field and ride the clouds, Beppo, I promise ye, at after hour of noon.

“See! Tonio has slid the shutter’s bolt! I’ll spin a song and bart him for a sup.”


(Tonio) “So, baggage, thou hast slept aneath the smell thou lovest best!”

(Fool) “Oh, morrow, Tonio. The smell is weak as yester’s unsealed wine. My tank doth tickle with the dust of rust, and yet methinks thou would’st see my slattern stays to rattle like dry bones, to please thee. See, Beppo cryeth! Fetch me then a cup that I may catch the drops—or, here, I’ll milk the dragon o’er thy door!”

(Tonio) “Thou scrapple! Come within. ’Tis he who loveth not the fool who doth hate his God.”

(Fool) “I’m loth to leave my chosen company. Come, Beppo, his words are hard, but we do know his heart.

“A health to thee, Antonio. Put in thy wine one taste of thy heart’s brew and I need not wish ye well.

“To her, Beppo. Come, dip and take a lick.

“Tonio, hast heard that at a time not set as yet the tournament will be? Who think ye rides the King’s lance and weareth Lisa’s colors? Blue, Tonio, and gold, the heavens’ garb—stop, Beppo, thou meddling pest! Antonio, I swear those bits of cloth are but patches I have pilfered from the ragheap adown the alleyway. I knew not they were blue. And this is but a tassel dropt from off a lance at yester’s ride. I knew not of its tinselled glint, I swear!

“So, thou dost laugh? Ah, Beppo, see, he laughs! And we too, eh? But do we laugh the same? Come, jump! Thy pulpit is my hump. Aday, Antonio!”

(Antonio) “Aday, thou fool, and would I had the wisdom of thy ape.”


(On the Road to the Tournament.)

(Lisa) “Aday, fool!”

(Fool) “Ah, lady fair, hath lost the silver of thy laugh, and dost thee wish me then to fetch it thee?”

(Lisa) “Yea, jester. Thou speaketh wisely; for may I ripple laughter from a sorry heart? Now tease me, then.”

(Fool) “A crooked laugh would be thy gift should I tease it with a crooked tale; and, lady, didst thee e’er behold a crooked laugh—one which holds within its crook a tear?”

(Lisa) “Oh, thou art in truth a fool. I’d bend the crook and strike the tear away.”

(Fool) “Aye, lady, so thou wouldst. But thou hast ne’er yet found thy lot to bear a crook held staunch within His hand! Spring rain would be thy tears—a balm to buy fresh beauties. And the fool? Ah, his do dry in dust, e’en before they fall!”

(Lisa) “Pish, jester, thy tears would paint thy face to crooked lines, and thee wouldst laugh to see the muck. My heart doth truly sorry. Hast heard the King hath promised me as wages for the joust? And thee dost know who rideth ’gainst my chosen?”

(Fool) “Aye, lady, the crones do wag, and I do promise ye they wear their necks becricked to see his palfrey pass. They do tell me that his sumpter-cloth doth trail like a ladies’ robe.”

(Lisa) “Yea, fool, and pledge me thy heart to tell it not, I did broider at its hem a thrush with mine own tress—a song to cheer his way, a wing to speed him on.”

(Fool) “Hear, Beppo, how she prates! Would I were a posey wreath and Beppo here a fashioner of song. We then would lend us to thy hand to offer as a token. But thou dost know a fool and ape are ever but a fool and ape. I’m off to chase thy truant laugh. Who cometh there? The dust doth rise like storm-cloud along the road ahead, and ’tis shot with glinting. Oh, I see the mantling flush of morning put to shame by the flushing of thy cheek! See, he doth ride with helmet ope. Its golden bars do clatter at the jolt, and—but stop, Beppo, she heareth not! We, poor beggars, thee and me—an ape with a tail and a fool with a heart!

“See, Beppo, I did tear a rose to tatters but to fling its petals ’neath her feet. They tell me that his lance doth bear a ribband blue and a curling lock of gold—and yet he treads the earth! Let’s then away!

The world may sorrow

But the fool must laugh.

’Tis blessed grain

That hath no chaff.

To love an ape

Is but to ape at love.

I sought a hand,

And found—a glove!

“Beppo, laugh, and prove thyself the fool’s! I fain would feel the yoke, lest I step too high.

“Come, we’ll seek the shelt’ring tree. I’ve in my kit a bit of curd. Thy conscience need not prick. I swear that Tonio, the rogue, did see me stow it there!

“Ah, me, ’tis such a home for fools, the earth. And they that are not fools are apes.

“I see the crowd bestringing ’long the road, and yonder clarion doth bid the riders come. Well, Beppo, do we ride? Come, chere, we may tramp our crooked path and ride astraddle of a cloud.

“She doth love him, then; and even now the horn doth sound anew—and she the prize!

“I call the God above to see the joke that fate hath played; for I do swear, Beppo, that when he rides he carries on his lance-point this heart.

“I fret me here, but dare I see the play? Yea, ’tis a poor fool that loveth not his jest.

“I go, Beppo; I know not why, save I do love her so.

“I’ll bear my hunch like a badge of His colors and I shall laugh, Beppo, shall laugh at losing. He loves me well, else why didst send me thee?

“The way seems over long.

“They parry at the ring! I see her veil to float like cloud upon the breeze.

“She sees me not. I wonder that she heareth not the thumping of my heart. My eyes do mist. Beppo, look thou! Ah, God, to see within her eyes the look of thine!

“They rank! And hell would cool my brow, I swear. Beppo, as thou lovest me, press sorely on my hump! Her face, Beppo, it swayeth everywhere, as a garden thick with bloom—a lily, white and glistening with a rain of tears. My heart hath torn asunder, that I know.

“The red knight now doth cast! O Heaven turn his lance!

“’Tis put!

“And now the blue and gold! Wait, brother ape! Hold, in the name of God! Straight! ’Tis tie! Can I but stand?

“I—ah, lady, he doth ride full well. May I but steady thee? My legs are wobbled but—my hand, dear lady, lest ye sink.

(”Beppo, ’tis true she seeth me!)

“Thy hand is cold. I wager you he wins. He puts a right too high. Thy thrush is singing; hear ye not his song? His wing doth flutter even now. Ah, he is fitting thee——

“I do but laugh to feel the tickle of a feathering jest. An age before he puts! A miss! A tie! Ah, lady, should’st thee win I’ll laugh anew and even then will laugh at what thee knowest not.

“The red knight! God weight his charger’s hoof! (My God, Beppo, she did kiss my hand!)

“He’s off! Beppo, cling!”

(Lisa) “The fool! Look ye, the fool and ape! Oh heaven stop their flight! He’s well upon them! Blind me, lest I die! He’s charged anew, but missed! What, did his mantle fall? That shape that lieth! Come!”

(Lisa, to her knight) “So, thou, beloved, didst win me right! Where go they with the litter?”

(Knight) “The fool, my lady, and a chattering ape, did tempt to jest a charger in the field. We found them so. He lives but barely.”

(Enter Fool upon litter.)

(Fool) “Aday, my lady fair! And hast thee lost the silver of thy laugh and bid me fetch it thee? The world doth hold but fools and lovers, folly sick.”

(Lisa) “His eye grows misty. Fool, I know thee as a knave and love thee as a man.”

(Fool) “’Tis but a patch, Beppo, a patch and tassel from a lance ... but we did ride, eh? Laugh, Beppo, and prove thou art the fool’s! I laugh anew, lest my friends should know me not. Beppo, I dream of new roads, but thou art there! And I do faint, but she ... did kiss my hand.... Aday ... L—a—d—y.”


Very soon after the completion of this story Patience began another one, a Christmas story, a weird, mystical tale of medieval England, having for its central theme a “Stranger” who is visible only to Lady Marye of the Castle. The stranger is not described, nor does he speak a word, but he is presumedly the Christ. There are descriptions of the preparations for the Christmas feast at this lordly stronghold of baronial days, and the coarse wit of the castle servants and the drunken profanity of their master, “John the Peaceful,” form a vivid contrast to the ethereal Lady Marye and the simple love of the herder’s family at the foot of the hill. There are striking characters and many beautiful lines in this story, but it is not as closely woven nor as coherent in plot as the story of the fool and the lady.