THE WOMAN AND HER CRAFTSMANSHIP
In his weaving, painting, and embroidery of beads and quills the red man has shown a marked color sense, and his blending of brilliant hues is subtle and Oriental in effect. The women did most of this work and displayed vast ingenuity in the selection of native materials and dyes. A variety of beautiful grasses, roots, and barks are used for baskets by the different tribes, and some even used gorgeous feathers for extra ornamentation. Each was perfectly adapted in style, size, and form to its intended use.
Pottery was made by the women of the [Southwest] for household furniture and utensils, and their vessels, burned in crude furnaces, were often gracefully shaped and exquisitely decorated. The designs were both imprinted on the soft clay and modeled in relief. The nomadic tribes of the plains could not well carry these fragile wares with them on their wanderings, and accordingly their dishes were mainly of bark and wood, the latter sometimes carved. Spoons were prettily made of translucent horn. They were fond of painting their rawhide cases in brilliant colors. The most famous blankets are made by the Navajoes upon rude hand looms and are wonderfully fine in weave, color, and design.
This native skill combined with love of the work and perfect sincerity—the qualities which still make the Indian woman's blanket or basket or bowl or moccasins of the old type so highly prized—are among the precious things lost or sacrificed to the advance of an alien civilization. Cheap machine-made garments and utensils, without beauty or durability, have crowded out the old; and where the women still ply their ancient trade, they do it now for money, not for love, and in most cases use modern materials and patterns, even imported yarns and "Diamond dyes!" Genuine curios or antiques are already becoming very rare, except in museums, and sometimes command fabulous prices. As the older generation passes, there is danger of losing altogether the secret of Indian art and craftsmanship.