SILVANA.
Romantic Opera in four acts by WEBER.
Text by ERNST PASQUÉ.
This opera was left unfinished by Weber. It has however recently been completed, the text by Ernest Pasqué, and the music by Ferdinand Langer, who rearranged the manuscript with loving care, interweaving different compositions from Weber, as for instance his "Invitation à la valse", and his "Polonaise", which are dexterously introduced into the ballet of the second act.
The action is taken from an old German legend which comes to us from the land of the Rhine. There we may still find the ruins of the two castles Sternberg and Liebenstein.
Of these our legend says, that they belonged to two brothers, who hated each other, for the one, Boland, loved his brother's bride and was refused by her. By way of revenge he slew his brother and burnt down his castle. But in this fray the wife he coveted disappeared with her child and both were supposed to have perished in the flames.
Since then Boland has fallen into deep melancholy and the consequences of his dreadful deed have never ceased to torment him. His only son, who lost his mother in early childhood, has grown up solitary, knowing nothing of woman's sweetness, of peace and happiness. His only passion is the hunt. He has grown into manhood and his father as well as his vassals wish him to marry, by [Transcriber's note: but?] never yet has he found a woman, who has touched his heart with love.
In the beginning of the first act we see him hunting in the forest. He has lost his way and his companions and finds himself in a spot, which he has never before seen. A beautiful maiden comes out of a small cottage and both fall in love at first sight. The returning collier would fain keep his only child, who has not yet seen anything of the world; but the nymph of the forest, Silvana's protectrice, beckons him away. When at length the Count's fellow-hunters find him, he presents Silvana to them as his bride. The unfortunate collier is made drunk with wine, and during his sleep they take his daughter away to the castle of the old Rhinegrave.
But Silvana is protected in the new world into which she enters, by the nymph, who follows her in the guise of a young minstrel. The old Count, hearing of his son's resolution, is quite willing to receive the bride and even consents to go to the peasant's festival, and look at the dancing and frolicking, given in honor of his son's bridal.
There we find Ratto, the collier, who seeks his daughter Silvana, telling everybody that robbers took her away from him, and beseeching help to discover her. Meanwhile Silvana arrives in rich and costly attire between Gerold, the young Count and the old Rhinegrave. The latter, attracted by her fairness and innocence has welcomed her as his daughter without asking for antecedents. When the dances of the villagers have ended, the nymph enters in the guise of a minstrel, asking to be allowed to sing to the hearers, as was the custom on the banks of the Rhine.
She begins her ballad, the contents of which terrify the Rhinegrave, for it is his own awful deed, which he hears. Springing up, he draws his sword against the minstrel, but Silvana rises, protecting him with outstretched arms. All are stupefied; Gerold looks with suspicion on his bride, hanging on the breast of the stranger. He asks for an explanation, but Silvana is silent. It is part of her trial, not to betray the nymph. At the same moment Ratto, the collier, recognizes and claims Silvana as his daughter. Everybody now looks with contempt on the low-born maiden, and the Rhinegrave commands them to be put into prison; but Gerold believing in his bride's innocence though appearances are against her, entreats her once more to defend herself. Silvana only asserts her innocence and her love for Gerold, but will give no proofs. So the collier with his daughter and the minstrel are taken to prison. But when the keeper opens the door in the morning, the minstrel has disappeared.
The old Count, disgusted at the idea of his son's union with a collier's daughter accuses her of being a sorceress. He compels her to confess that she seduced his son by magic arts, and Silvana consents to say anything rather than injure her lover.—She is conducted before a court and condemned to the funeral pile. Gerold, not once doubting her, is resolved to share her death, when in the last critical moment the minstrel once more raises his voice and finishes the ballad, which the Rhinegrave had interrupted so violently. He tells the astonished hearers, that the wife and daughter of the Count, who was slain by his brother, were not burnt in the castle, but escaped to the forest, finding kindly refuge in a poor collier's hut where the mother died, leaving her child, Silvana, under his protection.
The Rhinegrave, full of remorse, embraces Silvana, beseeching her forgiveness, and the lovers are united.