Dyes and dyeing

by Charles Ernest Pellew

INDEX

There is no mention either of the Plate illustrations or of the Figure illustrations in the index; these may be found in a list of the illustrations in the front of the book.

• Acid Azo Colors, [123], [124]
• Acid Colors, [52], [54], [123-131], [131-136], [148-150], [152], [165-168], [219], [258]
• After-treatment, [18], [67], [68], [89]
• Alizarine and Alizarine Dyestuffs, [22], [23], [42]
• Alizarine Assistant or Turkey Red Oil, [88], [106], [232]
• Aniline, [40], [41]
• Aniline Black—for Stencilling, [224-228]
• Aniline Colors, [109]. Also see [Basic Colors]
• Aniline Red or Fuchsine, Magenta, [40], [109]
• Animal Dyes, [11-14].
• Also see [Cochineal], [Kermes], [Lac], [Tyrian purple]
• Artificial Silk, [39], [87], [112], [181], [184-192]
• Artificial or Synthetic Indigo, [92], [93]
• Bagobo Tied Work, [196], [199], [200], [202], [206]
• Basic Colors, [52], [54], [108-123], [148-153], [220-223], [258]
• Basketry, Dyeing of, [113], [114], [116-123], [258]
• Batik or Wax Resist, [241-260]
• Benedict, Miss Laura (Tied Work from Philippines), [199], [200], [206]
• Bismarck Brown, [109], [115], [124]
• Bistre or Permanganate Bronze, [32-35]
• Black Dyeing—with Coal-Tar Colors, [69], [86], [89], [114], [168], [169]
• Black Dyeing—with Logwood, [21], [138], [169-172]
• Black Stencilling, [224-228]
• Bleaching Powder, [208-211], [234-236]
• Boiled-off Liquor, [161], [162], [164], [168], [174]
• Bone-colored by Batik Process, [258]
• British uniforms, dyed with cochineal, [19]
• Bronze on Leather, [153-155]
• Bronze (Permanganate) or Bistre, [32-35]
• Brown (Bismarck), [109], [115], [124]
• Brown, dyed with Permanganate of Potash, [32-35]
• Cachou de Laval, [85]
• Catechu. See [Cutch]
• Chardonnet Silk, [184], [185], [189]
• Chloride of Lime. See [Bleaching Powder]
• Chrome Orange, [32]
• Chrome Yellow, [32]
• Chrome Tanning, [144]
• Chundries or Chunaries (Indian Tied Work), [196-199]
• Classification of Coal-Tar Colors, for Craftsmen, [51], [52]
• Cochineal, [11], [18], [19]
• Congo Red, [55], [56], [57]
• Cordovan Leather, [142]
• Cotton Colors. See [Salt Colors]
• Cotton Dyeing, [59-64], [86], [88-90], [98], [99]
• “Covering,” [83]
• Crackle Effect—in Batik, [244], [246], [247]
• Cutch, [18], [85], [146], [171]
• Direct Coloring, [193]
• Direct Cotton Dyeing. See [Salt Colors] and [Sulphur Colors]. Also [17], [53], [55], [85]
• Discharge Stencilling, [233-241]
• Discharge work, [193], [208-211]
• Discovery of Acid Colors, [123], [124];
• Aniline or Coal-Tar Colors, [40], [41], [46];
• Basic Colors, [108], [109];
• Indigo, [9], [10], [91], [92];
• Salt Colors, [55], [56];
• Sulphur Colors, [85], [86];
• Vat Colors, modern, [103]
• Discovery (Perkin’s), [40], [41], [46], [54], [108], [109]
• Dyeing Directions—for Acid Colors, [127-131], [132-137], [148-153], [162], [163];
• Artificial Silk, [187], [189], [190];
• Basic Colors, [117-123], [148-150];
• Basketry, [117-123];
• Batik, [254-258];
• Cotton and Linen, [27], [30], [33], [59-64], [87-89], [98], [99], [105-108];
• Feathers, [132-137];
• Imitation Silk, [183];
• Indigo, [98], [99];
• Iron Buff (Iron Rust), [27-29];
• Iron Grey, [30];
• Leather, [148-150];
• Permanganate Bronze, [33];
• Raffia, [120-123];
• Resist Stencilling, [232];
• Salt Colors, [59-64], [175], [176], [233];
• Silk, [162-165], [174-181], [207];
• Straw, [117-120];
• Sulphur Colors, [87-89], [180], [207], [232];
• Tied and Dyed Work, [206], [207];
• Vat Colors, [105-108], [177-181];
• Wild Silk, [164], [165];
• Wool, [24], [127-131]
• Eastern Dyes, [10], [13], [17-21], [22], [199], [200], [245]
• Elberfeld Silk, [185], [189]
• Embroidery-fast Silk, [175-181]
• Equipment needed for Dyeing, [35-39]
• Fastness to Light, [42], [49], [63-66], [89], [100], [102], [103], [112], [114], [126], [153]
• Fastness to Washing, [64-67], [89], [100], [103], [124], [137], [174-181]
• Feathers and Feather-dyeing, [39], [131-141]
• Fermentation Method of Vat dyeing, [94]
• Finishing—Artificial Silk, [39], [189], [190];
• Feathers, [39], [134], [135];
• Leather, [153];
• Silk, [39], [163], [164]
• Fustic, [20]
• Gambier, [146], [171]
• Gelatin or Glue, used as Reagent, [87]
• Glanzstoff (Elberfeld Silk), [185], [189]
• Glucose, [33], [87], [179]
• Grain Colors (Cochineal, Kermes, Lac), [11], [12], [19]
• Grey, Miss Mary—Tied Work, [203]
• Grey, from mixture of colors, [72], [73], [82], [83]
• Grey, from Iron Salts and Tannin, [29], [31]
• Heating devices, used in Dyeing, [36]
• History. See [Discovery].
• Also Ancient Dyestuffs, [8-16];
• Artificial Silk, [184-187];
• Batik, [241-245];
• Dyes of our Ancestors, [17-24];
• Imitation Silk, [182], [183];
• Leather, [141-144];
• Silk, [156], [157];
• Stencils and Stencilling, [211], [212];
• Tied and Dyed Work, [192-200]
• Horses, dyed Brown with Permanganate, [34]
• Hydrosulphite of Sodium, [35], [97], [98], [104], [105], [118], [209], [210], [237-241]
• Imitation Silk, [181-184]
• Indian Dyes, [17], [18], [199]
• Indian Tied and Dyed Work, [196-199], [202], [206]
• Indigo and Vat Colors, [9], [10], [14], [91-108], [222-225]
• Indigo, Application of, [93], [98-100]
• Introduction, [5-8]
• Iron Buff (Iron Rust), [25-29], [103]
• Iron Grey, [29-31]
• Japanese Practice, [31], [211-219], [228-231]
• Javanese Practice (Batik), [242-256]
• Kermes, [12]
• Khaki, [28]
• Lac Dye, [11], [19], [20]
• Leather, [141-156];
• Dyeing and Staining of, [111], [148-153];
• Finishing of, [153];
• History of, [141-144];
• Preparation of, [143-148];
• Stencilling of, [219]
• Linen—Dyeing of. See [Cotton Dyeing], [59-64], [86], [88-90], [98], [99]
• Local Dyeing Formulæ, [24]
• Logwood, [21], [138], [169-172]
• Madder, [10]
• Manufacturers of Coal-Tar Colors, [48]
• Matching Shades, [77], [78], [101]
• Matching Shades by Night, [84]
• Mauvine (Perkin’s Violet), [40], [41], [108], [109]
• Metal, Etching of by Batik Process, [259]
• Methyl Violet. See [Basic Colors], also [49], [108]
• Methylene Blue. See [Basic Colors], also [109], [112], [114], [149]
• Mineral Dyes, [25-35]
• Mixed Shades, with Diagram, [78-84]
• Modern and Ancient Dyestuffs, compared, [5], [6]
• Mordants and Mordanting, [11], [18-25], [53], [55], [110]
• Murex Brandaris (Tyrian Purple Fish), [12]
• Murex Trunculus, [12]
• Night, Matching Shades by, [84]
• North Carolina Practice, [24]
• Perkin, Sir Wm. Henry, [40-43], [46], [108], [109]
• Perkin’s Discovery. See [Perkin]
• Permanganate Bronze (Permanganate Brown, Bistre), [32-35]
• Peruvian Tied Work, [196]
• Philippine Tied Work, [196], [199-201]
• Primary Colors, [72], [73]
• Purpura Lapillus (Tyrian Purple Fish), [12]
• Raffia, Dyeing of, [120], [121]
• Rainbow Dyeing, [74], [75], [82], [83], [119-122], [129], [136]
• Rajput Tied Work (Chundries), [196-199], [202], [206]
• Resist Stencil Paste, [229-234]
• Resist Work, [194], [195], also 196-209, [229-234], [241-260]
• Rubber Gloves—Useful for Dyeing, [37]
• “Rubbing,” [101], [102]
• Rush, Dr. Benjamin, [211]
• Ruskin, John, Opinion on Modern Dyestuffs, [5]
• Safflower, [17], [55]
• Saffron, [10]
• Saffron, Indian (Turmeric), [17]
• Salt—used in Dyeing, [62], [87], [88], [107]
• Salt Colors (Direct Cotton Colors), [51], [55-71], [111], [175], [220], [237], [238-240];
• List of Properties and Uses, [69]
• Sarongs, [243]
• Selected Dyestuffs, Lists of—
• Acid Colors, [127], [152], [166];
• Basic Colors, [114], [115], [149];
• Salt Colors, [66];
• Sulphur Colors, [90];
• Vat Colors, [103], [179]
• Shades, Matching of, [81]
• Shikar, Chundries (Tied Work from India), [197]
• Silk, Artificial, [39], [87], [112], [181], [184-192]
• Silk, [156-181];
• Dyeing, [58], [86], [87], [161-164], [174-181];
• Imitation, [181-184];
• Preparation of for Dyeing, [159-162];
• Stencilling of, [219-223], [240];
• Tests for Weighted, [173], [174];
• Varieties of, [157-160];
• Weighting of, [169-175];
• Wild, [157-159], [164-167]
• Skein Dyeing [129], [130], [163]
• Soap, uses of, in Dyeing, [60], [61], [161-166], [171]
• Soda Ash (Sodium Carbonate), [27], [28], [88]
• Sodium Bicarbonate, [27], [28]
• Sodium Carbonate. See [Soda Ash]
• Sodium Hydrosulphite, [35], [97], [98], [104], [105], [118], [209], [210], [237-241]
• Sodium Hydroxide (Caustic Soda), [97], [105]
• Sodium Sulphate (Glauber’s Salt), [128]
• Sodium Sulphide, [85], [86], [88]
• Starching (for Feathers), [134-136]
• Stencils and Stencilling, [211-228], [228-241]
• Stencil Salt, [223], [224], [239]
• Stripping, [126], [137], [166], [167]
• Sulphur Colors, [85-90], [102], [111], [179], [180], [224], [237], [238]
• Tannin (Tannic Acid), [18], [30], [31], [145], [146], [171]
• Tanning, [143-148]
• Three-Color Shades, [79-81]
• Tied and Discharged Work, [208-211]
• Tied and Dyed Work, [31], [192-211]
• Ties and Stops, [214-217]
• Tin salts as Mordants, [11], [19]
• Tin Weighting of Silk, [171-175]
• Tjantings. See [Batik], [244-254]
• “Topping,” [111]
• Turkey Red, [11], [22], [56], [57]
• Turkey Red Oil (Alizarine Assistant), [88], [106], [232]
• Turmeric (Indian Saffron), [17]
• Tussah Silk. See [Wild Silk]
• Tyrian Purple, [12-16], [91]
• Vat Colors. See [Indigo], also [102-108], [222-225]
• Vat Dyeing, [94-100], [178-180]
• Vegetable Colors, [8-11], [17-19], [20-25]
• Viscose (in Artificial Silk), [185], [186]
• Washing, Fastness to, [64-67], [89], [100], [103], [124], [125], [137], [166], [174-181]
• Weighting of Silk, [170-175]
• Woad, [9], [10]
• Wood, Dyeing of, [258]
• Wood, Etching of, by Batik Process, [259]
• Wool, Dyeing of, [58], [86], [128-131]
• Wool, Stencilling on, [221]
• Wringers, Use of in Dyeing, [38]

TRANSCRIBER’S NOTE

Illustrations in this eBook have been positioned between paragraphs and outside quotations. In versions of this eBook that support hyperlinks, the page references in the List of Illustrations lead to the corresponding illustrations.

Illustrations without captions have had a description added, this is denoted with parentheses.

The index was not checked for proper alphabetization or correct page references.

Obvious typographical errors and punctuation errors have been corrected after careful comparison with other occurrences within the text and consultation of external sources.

Some hyphens in words have been silently removed, some added, when a predominant preference was found in the original book.

Except for those changes noted below, all misspellings in the text, and inconsistent or archaic usage, have been retained.

Pg [101]: removed duplicate ‘to’ in ‘are apt to to “rub.”’.