Marlborough, and Other Poems

by Charles Hamilton Sorley

I

RICHARD JEFFERIES ([p. 27])

I am sweatily struggling to the end of Faust II, where Goethe’s just showing off his knowledge. I am also reading a very interesting book on Goethe and Schiller; very adoring it is, but it lets out quite unconsciously the terrible dryness of their entirely intellectual friendship and (Goethe’s at least) entirely intellectual life. If Goethe really died saying “more light,” it was very silly of him: what he wanted was more warmth. G. and S. apparently made friends, on their own confession, merely because their ideas and artistic ideals were the same, which fact ought to be the very first to make them bore one another.

All this is leading to the following conclusion. The Germans can act Shakespeare, have good beer and poetry, but their prose is cobwebby stuff. Hence I want to read some good prose again. Also it is summer. And for a year or two I had always laid up “The Pageant of Summer” as a treat for a hot July. In spite of all former vows of celibacy in the way of English, now’s the time. So, unless the cost of book-postage here is ruinous, could you send me a small volume of Essays by Richard Jefferies called The Life of the Fields, the first essay in the series being the Pageant of Summer? No particular hurry, but I should be amazingly grateful if you’ll send it (it’s quite a little book), especially as I presume the pageant of summer takes place in that part of the country where I should be now had——had a stronger will than you. In the midst of my setting up and smashing of deities—Masefield, Hardy, Goethe—I always fall back on Richard Jefferies wandering about in the background. I have at least the tie of locality with him. (July 1914.)

I’ve given up German prose altogether. It’s like a stale cake compounded of foreign elements. So I have laid in a huge store of Richard Jefferies for the rest of July, and read him none the less voraciously because we are countrymen. (I know it’s wrong of me, but I count myself as Wiltshire....) When I die (in sixty years) I am going to leave all my presumably enormous fortune to Marlborough on condition that a thorough knowledge of Richard Jefferies is ensured by the teaching there. I think it is only right considering we are bred upon the self-same hill. It would also encourage Naturalists and discourage cricketers....

But, in any case. I’m not reading so much German as I did ought to. I dabble in their modern poetry, which is mostly of the morbidly religious kind. The language is massively beautiful, the thought is rich and sleek, the air that of the inside of a church. Magnificent artists they are, with no inspiration, who take religion up as a very responsive subject for art, and mould it in their hands like sticky putty. There are magnificent parts in it, but you can imagine what a relief it was to get back to Jefferies and Liddington Castle. (July 1914.)