CHAPTER VI.
The Editor of Our Daily Paper—The Appearance and Personal Characteristics of Colonel Bangs—The Affair with the Tombstone—Art News—Colonel Bangs in the Heat of a Political Campaign—Peculiar Troubles of Public Singers—The Phenomena of Menageries—Extraordinary Sagacity of the Animals—The Wild Man of Afghanistan.
The editor of our daily paper, The Morning Argus, is Col. Bangs—Colonel Mortimer J. Bangs. The colonel is an exceedingly important personage in the village, and he bears about him the air of a man who is acutely conscious of the fact. The gait of the colonel, the peculiar way in which he carries his head, the manner in which he swings his cane, and the art he has of impressing any one he happens to address with a feeling that he is performing an act of sublime condescension in permitting himself to hold communication with an inferior being, combine to excite in the vulgar mind a sentiment of awe. The eminent journalist manifests in his entire bearing his confidence in the theory that upon him devolves the responsibility of forming the public opinion of the place; and there is a certain grandeur in the manner in which he conveys to the public mind, through the public eye, the fact that while he appreciates the difficulties of what seemed to be an almost superhuman task, which would surely overwhelm men of smaller intellectual calibre, the work presents itself to his mind as something not much more formidable than pastime.
The appearance of Colonel Bangs is not only imposing, but sometimes it inclines to be almost ferocious. The form in which he wears his whiskers, added to the military nature of his title, would be likely to give to timid strangers an idea not only that the colonel has a raging and insatiable thirst for blood and an almost irresistible appetite for the horrors of war, but that upon very slight provocation he would suddenly grasp his sword, fling away the scabbard, and then proceed to wade through slaughter to a throne and shut the gates of mercy on mankind. But I rejoice to say that the colonel has not really such murderous and revolutionary inclinations. His title was obtained in those early years of peace when he led the inoffensive forces of the militia upon parade, and marshaled them as they braved the perils of the target-shooting excursion.
I think I am warranted in saying that Colonel Bangs would never voluntarily stand in the imminent deadly breach if there happened to be a man there with a gun who wanted him to leave, and that he will never seek the bubble reputation at the cannon's mouth unless the cannon happens to be unloaded. Place Colonel Bangs in front of an empty cannon, and for a proper consideration he would remain there for years without the quiver of a muscle. Charge that piece of ordnance with powder and ball, and not all the wealth of the world would induce him to stand anywhere but in the rear of the artillery.
The Argus has never appeared to me to be an especially brilliant journal. To the intelligent and critical reader, indeed, the controlling purpose of the colonel seems to be to endeavor to ascertain how near he can bring the paper to imbecility without actually reaching that condition; and it is surprising how close a shave he makes of it. When we first came to the village, a gleam of intelligence now and then appeared in the editorial columns of the Argus, and this phenomenon was generally attributed to the circumstance that Colonel Bangs had permitted his assistant editor to spread his views before the public. On such occasions it was entertaining to observe in what manner the colonel would assume the honors of the authorship of his assistant's articles. Cooley, for instance, meeting him upon the street would observe:
"That was an uncommonly good thing, colonel, which appeared in the Argus this morning on The Impending Struggle; whose was it?"
Colonel Bangs (with an air of mingled surprise and indignation). "Whose was it? Whose was that article? I suppose you are aware, sir, that I am the editor of The Morning Argus!"
Cooley. "Yes; but I thought perhaps—"
Colonel (with grandeur). "No matter, sir, what you thought. When an article appears in my own paper, Mr. Cooley, there is but a single inference to be drawn. When I find myself unable to edit the Argus, I will sell out, sir—I will sell out!"
Cooley (calmly). "Well, but Murphy, your assistant, told me distinctly that he wrote that editorial himself."
Colonel (coming down). "Ah! yes, yes! that is partly true, now I remember. I believe Murphy did scratch off the body of the article, but I overhauled it; it was necessary for me to revise it, to touch it up, to throw it into shape, as it were, before it went into type. Murphy means well, and with a little guidance—just a l-e-e-t-l-e careful training—he will do."
But Murphy did not remain long. One of the colonel's little nephews died, and a man who kept a marble-yard in Wilmington thought he might obtain a gratuitous advertisement by giving to the afflicted uncle a substantial expression of his sympathy. So he got up a gravestone for the departed child. The design, cut upon the stone in bas-relief, represented an angel carrying the little one in his arms and flying away with it, while a woman sat weeping upon the ground. It was executed in a most dreadful manner. The tombstone was sent to the colonel, with a simple request that he would accept it. As he was absent, Mr. Murphy determined to acknowledge the gift, although he had not the slightest idea what it meant. So the next morning he burst out in the Argus with the following remarks: