III.
Without going here into the purely formal and artistic qualities of Goethe’s works, there is one fact which, perhaps more than any other, impressed itself on the imagination of the world, and that is the realization of his own personality, the achievement of his own destiny. Of all his poems, the rarest and most perfect is the poem of his life. Hitherto no such life had ever been allotted to a favourite of the Muses. He seemed to have received a bountiful abundance of all the gifts of the fairies—superb health, comfort, and wealth, the love of an adoring mother and sister, the loyalty of illustrious friends, the favour of Princes, the homage of women, and the admiration of men. To him was opened every province of human activity. He exhausted every form of enjoyment. His life until the end was like the unfolding of a glorious version of a happy dream. At eighty years of age he remained the one surviving giant of the golden age of German literature. In his lifetime he was considered by Europe, as well as by Germany, as the most glorious exemplar of his race, and the city of his adoption had become a pilgrimage attracting worshippers from all parts of Europe. Death was merciful to him. The last act of his life was as beautiful as the others. It was not preceded by the gradual dissolution of his physical and intellectual strength; rather was it like the burning out of a flame. He passed away in an apotheosis, and the last words uttered by the dying poet, “Mehr Licht, mehr Licht” (More light, more light), have become for all future generations the final expression of his philosophy and the symbol of his personality.