III.—Treitschke as a Writer.
“Le style est l’homme.” Never was Buffon’s dictum more strikingly verified, and never did any literary style reveal so completely the personality of the man. Treitschke’s style is imperious and aggressive. It has the ring of the General who gives the word of command. His sentences are not involved, as German sentences generally are. They are pregnant and concise. Treitschke often reminds one of a writer whom of all others he most cordially detests. Like Heine, Treitschke is incisive, epigrammatic. His phrase has always muscle and nerve: it has warmth and fervour. Treitschke has not the gift of humour. A German seldom possesses that redeeming gift. But he wields the weapon of trenchant irony with terrible force, and he adds the poet’s power of vision and the true historian’s sense of reality and sense of individuality. He has Macaulay’s gift of orderly narrative. He is equally masterly in describing a battle scene, a meeting of diplomatists, a revolutionary movement. His picture of the Congress of Vienna is unsurpassed in historical literature. Like Saint-Simon, he can sum up a character in a few lines. German historians are seldom skilful portrait-painters. Treitschke forms an exception. His portraits of Talleyrand, of Metternich, of Tsar Alexander I., of Leopold I., King of the Belgians, are masterpieces of the literary craft.