THE PEOPLE

Origin of the Greeks.—The people who inhabited this charming little land were an Aryan people, related to the Hindoos and the Persians, and like them come from the mountains of Asia or the steppes beyond the Caspian Sea. The Greeks had forgotten the long journey made by their ancestors; they said that they, like the grasshoppers, were the children of the soil.[47] But their language and the names of their gods leave no doubt of their origin.... Like all the Aryans, the primitive Greeks nourished themselves with milk and with the flesh of their herds; they moved about under arms, always ready to fight, and grouped themselves in tribes governed by patriarchs.

The Legends.—The Greeks like all the other ancient peoples were ignorant of their origin. They neither knew whence their ancestors had come nor when they had established themselves in Greece, nor what they had done there. To preserve the exact memory of things as they occur, there is need of some means of fixing them; but the Greeks did not know how to write; they did not employ writing until about the eighth century B.C. They had no way of calculating the number of years. Later they adopted the usage of counting the years according to the great feast which was celebrated every four years at Olympia; a period of four years was called an olympiad. But the first olympiad was placed in 776 B.C., and the chronology of the Greeks does not rise beyond this date.

And yet they used to tell in Greece a great number of legends about this primitive period. These were especially the exploits of ancient kings and of heroes who were adored as demi-gods. These stories were so mingled with fable that it is impossible to know how much truth they may contain. They said at Athens that the first king, Cecrops, was half man and half serpent; at Thebes, that Cadmus, founder of the city, had come from Phœnicia to seek his sister Europa who had been stolen by a bull; that he had killed a dragon and had sowed his teeth, from which was sprung a race of warriors, and that the noble families of Thebes descended from these warriors. At Argos it was said that the royal family was the issue of Pelops to whom Zeus had given a shoulder of ivory to replace the one devoured by a goddess. Thus each country had its legends and the Greeks continued to the end to relate them and to offer worship to their ancient heroes—Perseus, Bellerophon, Herakles, Theseus, Minos, Castor and Pollux, Meleager, Œdipus. The majority of the Greeks, even among the better educated, admitted, at least in part, the truth of these traditions. They accepted as historical facts the war between the two sons of Œdipus, king of Thebes, and the expedition of the Argonauts, sailing forth in quest of the Golden Fleece, which was guarded by two brazen-footed bulls vomiting flames.

The Trojan War.—Of all these legends the most fully developed and the most celebrated was the legend of the Trojan War. It recounted that about the twelfth century, Troy, a rich and powerful city, held sway over the coast of Asia. Paris, a Trojan prince, having come to Greece, had abducted Helen, wife of Menelaus, king of Sparta. Agamemnon, king of Argos, made a league of the kings of Greece; a Greek army went in a fleet of two hundred galleys to besiege Troy. The siege endured ten years because the supreme god, Zeus, had taken the side of the Trojans. All the Greek chiefs participated in this adventure. Achilles, the bravest and the most beautiful of these, killed Hector, the principal defender of Troy, and dragged his corpse around the city; he fought clad in divine armor which had been presented him by his mother, a goddess of the sea; in turn he died, shot by an arrow in the heel. The Greeks, despairing of taking the city by force, employed a trick: they pretended to depart, and left an immense horse of wood in which were concealed the chiefs of the army. The Trojans drew this horse into the city; during the night the chiefs came forth and opened the city to the Greeks. Troy was burnt, the men slaughtered, the women led away as slaves. But the chiefs of the Greeks on their return were beset by tempest. Some perished in the sea, others were cast on foreign shores. Odysseus, the most crafty of the chiefs, was for ten years buffeted from one land to another, losing successively all his ships, himself the sole survivor of the disasters.

All antiquity had steadfast faith in the Trojan War. 1184 B.C. was set as the date of the ending of the siege, and men pointed out the site of the city. In 1874 Schliemann purposed to excavate this site; it was necessary to traverse the débris of many cities which lay over it; at last at a depth of about fifty feet he found in the deepest bed of débris the traces of a mighty city reduced to ashes, and in the ruins of the principal edifice a casket filled with gems of gold which he called the Treasury of Priam. There was no inscription, and the city, the whole wall of which we have been able to bring to light, was a very small one. A large number of small, very rude idols have been found, which represent an owl-headed goddess (the Greeks thus represented the goddess Pallas). Beyond this no proof has been found that this city was called Troy.

The Homeric Poems.—It is the two poems attributed to Homer which have made the taking of Troy renowned throughout the world—the Iliad, which related the combats of the Greeks and the exploits of Achilles before Troy; and the Odyssey, which recounts the adventures of Odysseus (Ulysses) after the capture of Troy.

These two poems were handed down for centuries without being committed to writing; the rhapsodists, wandering singers, knew long passages from them by heart and recited them at feasts. It is not till the sixth century that Pisistratus, a prince of Athens, had them collected and edited.[48] The two poems became from that time and always remained the most admired works of Greek literature.

The Greeks said that the author of these poems was Homer, a Greek of Ionia, who lived about the tenth or the ninth century B.C. They represented him as a blind old man, poor and a wanderer. Seven towns disputed the honor of being his birth-place. This tradition was received without hesitation. But at the end of the eighteenth century a German scholar, Wolf, noticed certain contradictions in these poems, and at last asserted that they were not the work of a single poet, but a collection of fragments from several different poets. This theory has been attacked and supported with great energy: for a half century men have flown into a passion for or against the existence of Homer. Today we begin to think the problem insoluble. What is certain is that these poems are very old, probably of the ninth century. The Iliad was composed in Asia Minor and is perhaps the result of the union of two poems—one dedicated to the combats of the Trojans, and the other to the adventures of Achilles. The Odyssey appears to be the work of one author; but it cannot be affirmed that it is of the same author as the Iliad.

The Greeks at the Time of Homer.—We are not able to go back very far in the history of the Greeks; the Homeric poems are their oldest historical document. When these were composed, about the ninth century B.C., there was not yet any general name to designate all the inhabitants of Greece: Homer mentions them under the names of their principal tribes. From his description it appears that they have made some progress since their departure from Asia. They know how to till the ground, how to construct strong cities and to organize themselves into little peoples. They obey kings; they have a council of old men and an assembly of the people. They are proud of their institutions, they despise their less advanced neighbors, the Barbarians, as they call them. Odysseus, to show how rude the Cyclops were, says, "They have no rules of justice nor places where they deliberate; each one governs himself, his wife, and children, and has no association with others." But these Greeks themselves are half barbarians; they do not know how to write, to coin money, nor the art of working in iron. They hardly dare to trust themselves on the sea and they imagine that Sicily is peopled with monsters.

The Dorians.—Dorians was the name given to those sons of the mountaineers who had come from the north and had expelled or subjected those dwelling in the plains and on the shore of the Peloponnesus; the latter, crowded into too narrow limits, sent colonies into Asia. Of these mountain bands the most renowned came from a little canton called Doris and preserved the name Dorians. These invaders told how certain kings of Sparta, the posterity of Herakles, having been thrust out by their subjects, had come to seek the Dorians in their mountains. These people of the mountains, moved by their love for Herakles, had followed his descendants and had replaced them on their throne. By the same stroke they dispossessed the inhabitants and took their place. They were a martial, robust, and healthy race, accustomed to cold, to meagre food, to a scant existence. Men and women wore a short tunic which did not reach to the knee. They spoke a rude and primitive dialect. The Dorians were a race of soldiers, always obliged to keep themselves under arms; they were the least cultivated in Greece, since, situated far from the sea, they preserved the customs of the barbarous age; they were the most Greek because, being isolated, they could neither mingle with strangers nor imitate their manners.

The Ionians.—The peoples of Attica, the isles, and the coast of Asia were called Ionians; no one knows the origin of the name. Unlike the Dorians, they were a race of sailors or traders, the most cultured of Greece, gaining instruction from contact with the most civilized peoples of the Orient; the least Greek, because they associated with Asiatics and had in part adopted their dress. They were peaceful and industrious, living luxuriously, speaking a smooth dialect, and wearing long flowing garments like the Orientals.

The Hellenes.—Dorians and Ionians—these are the two opposing races, the most remarkable of Greece, and the most powerful: Sparta is Dorian, Athens is Ionian. But the majority of the Greeks are neither Dorians nor Ionians: they are called Æolians, a vague name which covers very different peoples.

All the Greeks from early times take the name "Hellenes" which they have kept to this day. What is the origin of the term? They did not know any more than we: they said only that Dorus and Æolus were sons of Hellen, and Ion was his grandson.

Cities.—The Hellenes were still in little peoples as at the time of Homer. The land of Greece, cut by mountains and sea, breaks naturally into a large number of small cantons, each isolated from its neighbor by an arm of the sea or by a wall of rocks, so that it is easy to defend the land and difficult to communicate with other parts. Each canton constituted a separate state which was called a city. There were more than a hundred of these; counting the colonies, more than a thousand. To us a Greek state seems a miniature. The whole of Attica was but little larger than the state of Delaware, and Corinth or Megara was much smaller. Usually the state was only a city with a strip of shore and a harbor, or some villages scattered in the plain around a citadel. From one state one sees the citadel, mountains, or harbor of the next state. Many of them count their citizens only by thousands; the largest included hardly 200,000 or 300,000.

The Hellenes never formed one nation; they never ceased to fight and destroy one another. And yet all spoke the same language, worshipped the same gods, and lived the same sort of a life. In these respects they recognized the bonds of a common race and distinguished themselves from all other peoples whom they called barbarians and regarded with disdain.

THE HELLENES BEYOND SEA

Colonization.—The Hellenes did not inhabit Greece alone. Colonists from the Greek cities had gone forth to found new cities in all the neighboring countries. There were little states in all the islands of the Archipelago, over all the coast of Asia Minor, in Crete and Cyprus, on the whole circumference of the Black Sea as far as the Caucasus and the Crimea, along the shore of Turkey in Europe (then called Thrace), on the shore of Africa, in Sicily, in south Italy, and even on the coasts of France and Spain.

Character of These Colonies.—Greek colonies were being founded all the time from the twelfth century to the fifth; they issued from various cities and represented all the Greek races—Dorian, Ionian, and Æolian. They were established in the wilderness, in an inhabited land, by conquest, or by an agreement with the natives. Mariners, merchants, exiles, or adventurers were their founders. But with all this diversity of time, place, race, and origin, the colonies had common characteristics: they were established at one stroke and according to certain fixed rules. The colonists did not arrive one by one or in small bands; nor did they settle at random, building houses which little by little became a city, as is the case now with European colonists in America. All the colonists started at once under a leader, and the new city was founded in one day. The foundation was a religious ceremony; the "founder" traced a sacred enclosure, constructed a sacred hearth, and lighted there the holy fire.

Traditions Concerning the Colonists.—The old stories about the founding of some of these colonies enable us to see how they differed from modern colonies. The account of the settlement of Marseilles runs as follows: Euxenus, a citizen of Phocæa, coming to Gaul in a merchant galley, was invited by a Gallic chief to the marriage of his daughter; according to the custom of this people, the young girl about the time of the feast entered bearing a cup which she was to present to the one whom she would choose for a husband; she stopped before the Greek and offered him the cup. This unpremeditated act appeared to have been inspired from heaven; the Gallic chief gave his daughter to Euxenus and permitted him and his companions to found a city on the gulf of Marseilles. Later the Phocæans, seeing their city blockaded by the Persian army, loaded on their ships their families, their movables, the statues and treasures of their temple and went to sea, abandoning their city. As they started, they threw into the sea a mass of red-hot iron and swore never to return to Phocæa until the iron should rise to the surface of the water. Many violated this oath and returned; but the rest continued the voyage and after many adventures came to Marseilles.

At Miletus the Ionians who founded the city had brought no wives with them; they seized a city inhabited by the natives of Asia, slaughtered all the men, and forcibly married the women and girls of the families of their victims. It was said that the women, affronted in this manner, swore never to eat food with their captors and never to call them by the name of husband; this custom was for centuries preserved among the women of Miletus.[49]

The colony at Cyrene in Africa was founded according to the express command of the oracle of Apollo. The inhabitants of Thera, who had received this order, did not care to go to an unknown country. They yielded only at the end of seven years since their island was afflicted with dearth; they believed that Apollo had sent misfortune on them as a penalty. Nevertheless the citizens who were sent out attempted to abandon the enterprise, but their fellow-citizens attacked them and forced them to return. After having spent two years on an island where no success came to them, they at last came to settle at Cyrene, which soon became a prosperous city.[50]

Importance of the Colonies.—Wherever they settled, the colonists constituted a new state which in no respect obeyed the mother town from which they had come out. And so the whole Mediterranean found itself surrounded by Greek cities independent one of the others. Of these cities many became richer and more powerful than their mother towns; they had a territory which was larger and more fertile, and in consequence a greater population. Sybaris, it was said, had 300,000 men who were capable of bearing arms. Croton could place in the field an infantry force of 120,000 men. Syracuse in Sicily, Miletus in Asia had greater armies than even Sparta and Athens. South Italy was termed Great Greece. In comparison with this great country fully peopled with Greek colonies the home country was, in fact, only a little Greece. And so it happened that the Greeks were much more numerous in the neighboring countries than in Greece proper; and among these people of the colonies figure a good share of the most celebrated names: Homer, Alcæus, Sappho, Thales, Pythagoras, Heraclitus, Democritus, Empedocles, Aristotle, Archimedes, Theocritus, and many others.


FOOTNOTES:

[46] "Balmy and clement," says Euripides, "is our atmosphere. The cold of winter has no extremes for us, and the shafts of the sun do not wound."

[47] Autochthones.

[48] The story of the collection of the Homeric poems by Pisistratus is without foundation—"eine blosse Fabel." Busolt, "Griechische Geschichte." Gotha, 1893, i., 127.—ED.

[49] Probably this custom has another origin the recollection of which was lost.—ED.

[50] Herodotus, iv., 150-158.


CHAPTER X[ToC]

GREEK RELIGION

The Gods. Polytheism.—The Greeks, like the ancient Aryans, believed in many gods. They had neither the sentiment of infinity nor that of eternity; they did not conceive of God as one for whom the heavens are only a tent and the earth a foot-stool. To the Greeks every force of nature—the air, the sun, the sea—was divine, and as they did not conceive of all these phenomena as produced by one cause, they assigned each to a particular god. This is the reason that they believed in many gods. They were polytheists.

Anthropomorphism.—Each god was a force in nature and carried a distinct name. The Greeks, having a lively imagination, figured under this name a living being, of beautiful form and human characteristics. A god or goddess was represented as a beautiful man or woman. When Odysseus or Telemachus met a person peculiarly great and beautiful, they began by asking him if he were not a god. Homer in describing the army pictured on the shield of Achilles adds, "Ares and Athena led the army, both clad in gold, beautiful and great, as becomes the gods, for men were smaller." Greek gods are men; they have clothing, palaces, bodies similar to ours; if they cannot die, they can at least be wounded. Homer relates how Ares, the god of war, struck by a warrior, fled howling with pain. This fashion of making gods like men is what is called Anthropomorphism.

Mythology.—The gods, being men, have parents, children, property. Their mothers were goddesses, their brothers were gods, and their children other gods or men who were half divine. This genealogy of the gods is what is called the Theogony. The gods have also a history; we are told the story of their birth, the adventures of their youth, their exploits. Apollo, for example, was born on the island of Delos to which his mother Latona had fled; he slew a monster which was desolating the country at the foot of Parnassus. Each canton of Greece had thus its tales of the gods. These are called myths; the sum of them is termed Mythology, or the history of the gods.

The Local Gods.—The Greek gods, even under their human form, remained what they were at first, phenomena of nature. They were thought of both as men and as forces of nature. The Naiad is a young woman, but at the same time a bubbling fountain. Homer represents the river Xanthus as a god, and yet he says, "The Xanthus threw itself on Achilles, boiling with fury, full of tumult, foam, and the bodies of the dead." The people itself continued to say "Zeus rains" or "Zeus thunders." To the Greek the god was first of all rain, storm, heaven, or sun, and not the heaven, sun, or earth in general, but that corner of the heaven under which he lived, the land of his canton, the river which traversed it. Each city, then, had its divinities, its sun-god, its earth-goddess, its sea-god, and these are not to be confounded with the sun, the earth, and the sea of the neighboring city. The Zeus of Sparta is not the same as the Zeus of Athens; in the same oath one sometimes invokes two Athenas or two Apollos. A traveller who would journey through Greece[51] would therefore meet thousands of local gods (they called them Poliades, or gods of the city). No torrent, no wood, no mountain was without its own deity,[52] although often a minor divinity, adored only by the people of the vicinity and whose sanctuary was only a grotto in the rock.

The Great Gods.—Above the innumerable legion of local gods of each canton the Greeks imagined certain great divinities—the heaven, the sun, the earth, and the sea—and these everywhere had the same name, and had their temple or sanctuary in every place. Each represented one of the principal forces of nature. These gods common to all the Greeks were never numerous; if all are included, we have hardly twenty.[53] We have the bad habit of calling them by the name of a Latin god. The following are their true names: Zeus (Jupiter), Hera (Juno), Athena (Minerva), Apollo, Artemis (Diana), Hermes (Mercury), Hephaistos (Vulcan), Hestia (Vesta), Ares (Mars), Aphrodite (Venus), Poseidon (Neptune), Amphitrite, Proteus, Kronos (Saturn), Rhea (Cybele), Demeter (Ceres), Persephone (Proserpina), Hades (Pluto), Dionysos (Bacchus). It is this little group of gods that men worshipped in all the temples, that men ordinarily invoked in their prayers.

Attributes of the Gods.—Each of these great gods had his form, his costume, his instruments (which we call his attributes); it is thus that the faithful imagined him and that the sculptors represented him. Each has his character which is well known to his worshippers. Each has his rôle in the world, performing his determined functions, ordinarily with the aid of secondary divinities who obey him.

Athena, virgin of clear eye, is represented standing, armed with a lance, a helmet on the head, and gleaming armor on the breast. She is the goddess of the clear air, of wisdom, and of invention, a goddess of dignity and majesty.

Hephaistos, the god of fire, is figured with a hammer and in the form of a lame and ugly blacksmith. It is he who forges the thunderbolt.

Artemis, shy maiden, armed with bow and quiver, courses the forests hunting with a troop of nymphs. She is the goddess of the woods, of the chase, and of death.

Hermes, represented with winged sandals, is the god of the fertile showers. But he has other offices; he is the god of streets and squares, the god of commerce, of theft, and of eloquence. He it is who guides the souls of the dead, the messenger of the gods, the deity presiding over the breeding of cattle.

Almost always a Greek god has several functions, quite dissimilar to our eyes, but to the Greeks bearing some relation to one another.

Olympus and Zeus.—Each one of these gods is like a king in his own domain. Still the Greeks had remarked that all the forces of nature do not operate by chance and that they act in harmony; the same word served them for the idea of order and of universe. They supposed, then, that the gods were in accord for the administration of the world, and that they, like men, had laws and government among them.

In the north of Greece there was a mountain to whose snowy summit no man had ever climbed. This was Olympus. On this summit, which was hidden by clouds from the eyes of men, it was imagined the gods assembled. Meeting under the light of heaven, they conferred on the affairs of the world. Zeus, the mightiest of them, presided over the gathering: he was god of the heavens and of the light, the god "who masses the clouds," who launches the thunderbolt—an old man of majestic mien, with long beard, sitting on a throne of gold. It is he who commands and the other gods bow before him. Should they essay to resist, Zeus menaces them; Homer makes him say,[54] "Bind to heaven a chain of gold, and all of you, gods or goddesses, throw your weight upon it; all your united efforts cannot draw Zeus, the sovereign ordainer, to the earth. On the contrary, if I wished to draw the chain to myself, I should bring with it the earth and the very sea. Then I would attach it to the summit of Olympus and all the universe would be suspended. By so much am I superior to gods and men."

Morality of the Greek Mythology.—The greater part of their gods were conceived by the Greeks as violent, sanguinary, deceitful, dissolute. They ascribed to them scandalous adventures or dishonest acts. Hermes was notorious for his thieving, Aphrodite for her coquetry, Ares for his ferocity. All were so vain as to persecute those who neglected to offer sacrifices to them. Niobe had seen all her children pierced with arrows by Apollo because she herself had boasted of her numerous family. The gods were so jealous that they could not endure seeing a man thoroughly happy; prosperity for the Greeks was the greatest of dangers, for it never failed to draw the anger of the gods, and this anger became a goddess (Nemesis) about whom were told such anecdotes as the following: Once Polycrates of Samos, become very powerful, feared the jealousy of the gods; and so a ring of gold which he still retained was cast into the sea that his good fortune might not be unmixed with evil. Some time after, a fisherman brought to Polycrates an enormous fish and in its belly was found the ring. This was a certain presage of evil. Polycrates was besieged in his city, taken, and crucified. The gods punished him for his good fortune.

Greek mythology was immoral in that the gods gave bad examples to men. The Greek philosophers were already saying this and were inveighing against the poets who had published these stories. A disciple of Pythagoras affirmed that his master, descending to hell, had seen the soul of Homer hanging to a tree and that of Hesiod bound to a column to punish them for calumniating the gods. "Homer and Hesiod," Said Xenophanes, "attribute to the gods all the acts which among men are culpable and shameful; there is but one god who neither in body nor in soul resembles men." And he added this profound remark: "If oxen and lions had hands and could manipulate like men, they would have made gods with bodies similar to their own, horses would have framed gods with horses' bodies, and cattle with cattle's.... Men think that the gods have their feelings, their voice, and their body." Xenophanes was right; the primitive Greeks had created their gods in their own image. As they were then sanguinary, dissolute, jealous, and vain, their gods were the same. Later, as the people became better, their descendants were shocked with all these vices; but the history and the character of the gods were fixed by the ancient traditions, and later generations, without daring to change them, had received the gross and dishonest gods of their ancestors.

THE HEROES

The Hero.—The hero in Greece is a man who has become illustrious, and after death a mighty spirit—not a god, but a demi-god. The heroes do not live on Olympus in the heaven of the gods, they do not direct the life of the world. And yet they, too, possess a power higher than that of any human, and this permits them to aid their friends and destroy their enemies. For this reason the Greeks rendered them worship as to the gods and implored their protection. There was not a city, not a tribe, not a family but had its hero, a protecting spirit which it adored.

Different Kinds of Heroes.—Of these heroes many are legendary persons (Achilles, Odysseus, Agamemnon); some without doubt never existed (Herakles, Œdipus); others like Hellen, Dorus, Æolus are only names. But their worshippers regarded them as men of the olden time; and, in fact, the most of the heroes lived at one time. Many are historical personages: generals like Leonidas, Lysander; philosophers like Democritus and Aristotle; legislators like Lycurgus and Solon. The people of Croton adored even one of their fellow-citizens, Philip by name, because he had been in his time the most beautiful man in Greece. The leader who had guided a band of colonists and founded a city became for the inhabitants the Founder; a temple was raised to him and every year sacrifices were offered to him. The Athenian Miltiades was thus worshipped in a city of Thrace. The Spartiate Brasidas, killed in the defence of Amphipolis, had divine honors paid to him in that city, for the inhabitants had come to regard him as their Founder.

Presence of the Heroes.—The hero continued to reside in the place where his body was interred, either in his tomb or in the neighborhood. A story told by Herodotus (v. 67) depicts this belief in a lively way. The city of Sicyon adored the hero Adrastus and in a public place was a chapel dedicated to his honor. Cleisthenes, the tyrant of Sicyon, took a fancy to rid himself of this hero. He went to the oracle at Delphi to ask if it would aid him in expelling Adrastus. The oracle replied to his question that Adrastus was king of the Sicyonians and Cleisthenes was a brigand. The tyrant, not daring to evict the hero, adopted a ruse; he sent to Thebes to seek the bones of Melanippus, another hero, and installed them with great pomp in the sanctuary of the city. "He did this," says Herodotus, "because Melanippus during his life had been the greatest enemy of Adrastus and had killed his brother and his son-in-law." Then he transferred to Melanippus the festivals and the sacrifices formerly paid to the honor of Adrastus. He was persuaded, and all the Greeks with him, that the hero would be irritated and would flee.

Intervention of the Heroes.—The heroes have divine power; like the gods, they can according to their whim send good or evil. The poet Stesichorus had spoken ill of the famous Helen (that Helen who the legend states was carried away to Troy); he suddenly became blind; when he retracted what he had said, the heroine restored his sight.

The protecting heroes of a city kept it from plagues and famine and even fought against its enemies. At the battle of the Marathon the Athenian soldiers saw in the midst of them Theseus, the mythical founder of Athens, clad in shining armor. During the battle of Salamis the heroes Ajax and Telamon, once kings of Salamis, appeared on the highest point of the island extending their hands to the Greek fleet. "It is not we," said Themistocles, "that have vanquished the Persians; it is the gods and heroes." In "Œdipus at Colonus," a tragedy of Sophocles, Œdipus at the point of death receives the visit of the king of Athens and of the king of Thebes, both of whom as gods request him to have his body interred in their territory, and to become a protecting hero. Œdipus at last consents to be buried in the soil of the Athenians, and says to the king, "Dead, I shall not be a useless inhabitant of this country, I shall be a rampart for you, stronger than millions of warriors." In himself alone a hero was as efficient as a whole army; his spirit was mightier than all living men.

WORSHIP

Principles of Worship of the Gods.—Gods and heroes, potent as they were, bestowed on men all good or evil fortune according to their will. It was dangerous to have them against you, wise to have them on your side. They were conceived as like men, irritated if they were neglected, contented if they were venerated. On this principle worship was based. It consisted in doing things agreeable to the gods to obtain their favor. Plato expresses as follows[55] the thought of the common man, "To know how to say and do those things that are pleasing to the gods, either in prayers or in offerings, this is piety which brings prosperity to individuals and to states. The reverse is impiety which ruins everything." "It is natural," says Xenophon at the end of his treatise on Cavalry, "that the gods should favor those especially who not only consult them in need, but honor them in the day of prosperity." Religion was first of all a contract; the Greek sought to delight the gods and in return required their services. "For a long time," says a priest of Apollo to his god, "I have burned fat bullocks for you; now grant my petitions and discharge your arrows against my enemies."

The Great Festivals.—Since the gods had the feelings of men they were to be pleased in the same way as men. Wine, cakes, fruits, food were brought to them. Palaces were built for them. Festivals were given in their honor, for they were "joyous gods" who loved pleasure and beautiful spectacles. A festival was not, as with us, purely an occasion of rejoicing, but a religious ceremony. On those days free from the daily toil men were required to rejoice in public before the god. The Greek, without doubt, delighted in these fêtes; but it is for the god and not for himself that he celebrates them. "The Ionians," says an ancient hymn to Apollo, "delight thee with trial of strength, the hymn, and the dance."

The Sacred Games.—From these diversions offered to the gods originated the solemn games. Each city had them to the honor of its gods; ordinarily only its citizens were admitted to them; but in four districts of Greece were celebrated games at which all Greeks could be present and participate. These are called the Four Great Games.

The principal of these four festivals was that at Olympia. This was given every four years in honor of Zeus and continued five or six days. The multitude coming from all parts of Greece filled the amphitheatre. They commenced by sacrificing victims and addressing prayers to Zeus and the other gods. Then came the contests; they were:

The foot-race around the stadion.

The Pentathlon, so called because it comprised five exercises. The competitors were to leap, run from one end of the stadion to the other, make a long throw of the metal discus, hurl the javelin, and wrestle.

Boxing, in which one fought with arms bound with thongs of hide.

The chariot races, which were held in the hippodrome; the cars were light and were drawn by four horses.

The judges of the games were clothed in purple, crowned with laurel. After the combat a herald proclaimed before the whole assembly the name of the victor and of his city. A crown of olive was the only reward given him; but his fellow-citizens on his return received him as a conquering hero; sometimes they threw down a section of the city wall to give him entrance. He arrived in a chariot drawn by four horses, clothed in purple, escorted by all the people. "These victories which we leave today to the athletes of the public shows appeared then the greatest of all. Poets of greatest renown celebrated them; Pindar, the most illustrious lyric poet of antiquity, has hardly done more than sing of chariot races. It is related that a certain Diagoras, who had seen his two sons crowned on the same day, was borne in triumph by them in the sight of the spectators. The people, holding such an honor too great for a mortal, cried out, 'Perish, Diagoras, for after all you cannot become a god.' Diagoras, suffocated with emotion, died in the arms of his sons. In his eyes and the eyes of the Greeks the fact that his sons possessed the stoutest fists and the nimblest limbs in Greece was the acme of earthly happiness."[56] The Greeks had their reasons for thus admiring physical prowess: in their wars in which they fought hand to hand the most vigorous athletes were the best soldiers.

Omens.—In return for so much homage, so many festivals and offerings, the Greeks expected no small amount of service from their gods. The gods protected their worshippers, gave them health, riches, victory. They preserved them from the evils that menaced them, sending signs which men interpreted. These are called Omens. "When a city," says Herodotus,[57] "is about to suffer some great misfortune, this is usually anticipated by signs. The people of Chios had omens of their defeat: of a band of one hundred youths sent to Delphi but two returned; the others had died of the plague. About the same time the roof of a school of the city fell on the children who were learning to read; but one escaped of the one hundred and twenty. Such were the anticipating signs sent them by the deity."

The Greeks regarded as supernatural signs, dreams, the flight of birds in the heavens, the entrails of animals sacrificed—in a word, everything that they saw, from the tremblings of the earth and eclipses to a simple sneeze. In the expedition to Sicily, Nicias, the general of the Athenians, at the moment of embarking his army for the retreat, was arrested by an eclipse of the moon; the gods, thought he, had sent this prodigy to warn the Athenians not to continue their enterprise. And so Nicias waited; he waited twenty-seven days offering sacrifices to appease the gods. During this inactivity the enemy closed the port, destroyed the fleet, and exterminated his army. The Athenians on learning this news found but one thing with which to reproach Nicias: he should have known that for an army in retreat the eclipse of the moon was a favorable sign. During the retreat of the Ten Thousand, Xenophon, the general, making an address to his soldiers, uttered this sentiment: "With the help of the gods we have the surest hope that we shall save ourselves with glory." At this point a soldier sneezed. At once all adored the god who had sent this omen. "Since at the very instant when we are deliberating concerning our safety," exclaimed Xenophon, "Zeus the savior has sent us an omen, let us with one consent offer sacrifices to him."[58]

The Oracles.—Often the god replies to the faithful who consult him not by a mute sign, but by the mouth of an inspired person. The faithful enter the sanctuary of the god seeking responses and counsel. These are Oracles.

There were oracles in many places in Greece and Asia. The most noted were at Dodona in Epirus, and at Delphi, at the foot of Mount Parnassus. At Dodona it was Zeus who spoke by the rustling of the sacred oaks. At Delphi it was Apollo who was consulted. Below his temple, in a grotto, a current of cool air issued from a rift in the ground. This air the Greeks thought[59] was sent by the god, for he threw into a frenzy those who inhaled it. A tripod was placed over the orifice, a woman (the Pythia), prepared by a bath in the sacred spring, took her seat on the tripod, and received the inspiration. At once, seized with a nervous frenzy, she uttered cries and broken sentences. Priests sitting about her caught these expressions, set them to verse, and brought them to him who sought advice of the god.

The oracles of the Pythia were often obscure and ambiguous. When Crœsus asked if he should make war on the Persians, the reply was, "Crœsus will destroy a great empire." In fact, a great empire was destroyed, but it was that of Crœsus.

The Spartans had great confidence in the Pythia, and never initiated an expedition without consulting her. The other Greeks imitated them, and Delphi thus became a sort of national oracle.

Amphictyonies.—To protect the sanctuary of Delphi twelve of the principal peoples of Greece had formed an association called an Amphictyony.[60] Every year deputies from these peoples assembled at Delphi to celebrate the festival of Apollo and see that the temple was not threatened; for this temple contained immense wealth, a temptation to pillage it. In the sixth century the people of Cirrha, a neighboring city of Delphi, appropriated these treasures,[61] The Amphictyons declared war against them for sacrilege. Cirrha was taken and destroyed, the inhabitants sold as slaves, the territory left fallow. In the fourth century the Amphictyons made war on the Phocidians also who had seized the treasury of Delphi, and on the people of Amphissa who had tilled a field dedicated to Apollo.

Still it is not necessary to believe that the assembly of the Amphictyons ever resembled a Greek senate. It was concerned only with the temple of Apollo, not at all with political affairs. It did not even prevent members of the Amphictyony fighting one another. The oracle and the Amphictyony of Delphi were more potent than the other oracles and the other amphictyonies; but they never united the Greeks into a single nation.


FOOTNOTES:

[51] See the account of the traveller Pausanias.

[52] "There are," says Hesiod, "30,000 gods on the fruitful earth."

[53] Greek scholars formed a select society of twelve gods and goddesses, but their choice was arbitrary, and all did not agree on the same series. The Greeks of different countries and of different epochs often represented the same god under different forms. Further, the majority of the gods seem to us to have vague and undetermined attributes; this is because they were not the same everywhere.

[54] Iliad, viii., 18.

[55] In the dialogue "Eutyphron."

[56] Taine, "Philosophy of Art."

[57] Herodotus, vi., 27

[58] Xenophon, "Anabasis," iii, 2.

[59] This idea gained currency only in the later periods of Grecian history.—ED.

[60] There were similar amphictyonies at Delos, Calauria, and Onchestus.

[61] The special charge against Cirrha was the levying of toll on pilgrims coming to Delphi.—ED.


CHAPTER XI[ToC]

SPARTA