V.—THE ROMANCE OF AXEL.
Translated by L. A. SHERMAN, Ph.D.
We promised ourselves at the beginning of these papers a little entertainment betweenwhiles, and we have had rather dry reading lately. The political history of Scandinavia is not very fascinating, except here and there a period or a reign. Let us then declare a breathing space, and spend half an hour with Tegnér [Teng-nar´], the most brilliant and popular poet of the Swedes; besides, it will not be out of order, for it is of the glorious Carolinska Tid, or age of Charles XII., that we shall hear. Of Tegnér we shall learn hereafter, and I hope when we have read his poem we shall want to know a great deal about him. The story is called “Axel” [Ahk-sel], from the name of the hero, and explains itself. We make no pretentions to reproducing the poetry, but only something of the directness and force, of the original.
The ancient days are dear to me,
The days of Charles the Twelfth of Sweden,
For they were blithe as peace of Eden,
And they were bold as victory.
Nor yet their after-glow hath faded
From northern skies which time hath shaded,
But tall and stalwart forms we view,
With belts of gold and coats of blue,
Move up and down when evening blushes.
With reverence my spirit hushes
To see you, men of nobler day,
With jerkins buff and steel array.
I knew in childhood’s days long flown
One whom King Charles had held of worth.
He still remained upon the earth
A trophy, ruinous and lone.
From locks a century old there shone
The only silver he possessed,
And scars told on his brow and breast
What runes tell on a bauta-stone.[A]
Though he was poor, he understood
Want was no foe, but friend concealed;
He lived as if still in the field,
His home a hut within the wood.
Yet had he treasures twain in hoard,
And deemed them of all wealth the best,—
His Bible and his ancient sword,
Which bore Carl Twelfth’s name deep impressed.
The mighty king’s illustrious deeds,
Which now no farthest zone but reads
(For wide that eagle flew around),
All lay within the old man’s mind
As urns of warriors lie enshrined
Within the green-clad burial mound.
Oh! when he told of risks gone through
For Charles, and for his lads in blue,
How swelled his frame, how proud and high,
How brightly gleamed his kindled eye!
And mighty as a sabre stroke
Rang every word the old man spoke.
Thus oft till late at night he sat,
And told again the tales we claimed,
And every time King Charles was named
Failed not to lift his tattered hat.
I stood in wonder at his knee
(No higher reached my wistful face),
And pictures of his hero-race
Hath memory kept till now for me;
And many a saga then enshrined
Hath since remained within my mind,
As iris-germs beneath the snow
In slumber wait their time to grow.
The old man sleeps in death forgot:
Peace to his dust! A tale which stirred
My youth receive. When thou hast heard,
Weep, North, with me for Axel’s lot.
Beside the old man’s words sublime
My song is weak, in humble rhyme.
———
In Bender Sweden’s sovereign lay.
His foes had torn his lands away,
His glory sinking out of sight.
His people, like a wounded knight,
Who even feels death’s creeping chill,
Rose on its knees, resisting still,
And hope of rescue there was none,
Except in Charles, the absent one.
Although the leaves in Fate’s dark book
Turned in the storm, though nature shook,
He stood calm like the bomb-proof wall,
When sacked and burning cities fall,
Like rocks lashed wildly by the wave,
Like Resignation on a grave.
The king had called, one afternoon,
Young Axel in, the brave dragoon.
“Here, take this letter, and—away!
Ride for your life both night and day,
And straightway when you reach our land,
Deliver to the council’s hand.
Go with God’s help, set forth to-night,
And greet our hills and northern light!”
Young Axel dearly loved to ride,
And glad he sewed the letter in
His hollow belt. At Holofzin
His father fell the king beside,
And orphaned thus this son of arms
Grew up amid the camp’s alarms.
His frame was strong, such as of old,
Whose like have not yet vanished all,
Fresh as a rose, but slight and tall,
Like pines upon the Swedish mould.
******
The keen-eyed king had placed him in
His body-guard, souls near of kin.
They numbered seven, a slender troop
As are the stars of Charles’s Wain,
At most nine, like the muses’ group,
And hard the honor was to gain.
By sword and fire their claims were tried,
They were a Christian viking-stock,
Not unlike that which once defied
All dangers of the wave and rock.
They never slept upon a bed,
But on their cloaks spread on the ground,
In storms and northwest snows as sound
As if on daisied meads instead.
A horse-shoe they could press together,
And never in the wildest weather
Approached the hearthstone’s crackling light,
But warmed themselves with shot,[B] each one,
As red as when the rayless sun
Goes down in blood some winter’s night.
The rule was when in strife exposed
That one might yield if seven opposed,
His breast still turned to their attack,
For none must ever see his back.
And last there was this law beside,
The most austere, perhaps, of all,
To let no maid bring them in thrall,
Till Charles himself should take a bride.
However blue two eyes might smile,
However red two lips beguile,—
They all must shut their eyes—or flee:
Their swords were pledged, they must be free.
Young Axel saddled glad his steed,
And rode both night and day with speed.
When Ukrane’s boundaries drew near
The sudden gleam of lance and spear
Flashed round him, spurring through a wood.
At once the ambush rose and stood:
“Thou art the bearer of commands;
Give up the letter to our hands,
Dismount and give it up, or die.”
Then rang his sword its swift reply,
And he who spoke, grown wondrous meek,
Bowed to the earth with piercing shriek.
His back now screened against an oak
Now Axel meets each stroke with stroke.
Wherever fell that ponderous sword,
There knees were bent and blood was poured;
And thus he gave his oath support.
Not one to seven, that were but sport,
But one to twenty rang his blade:
Resistance such as Krakë made.
To life by hope no longer bound,
He sought but fellowship in death.
The purple mouth of many a wound,
Now whispers with enfeebled breath
That strength and life are taking flight.
His hand no longer knows the steel,
And swooning darkness sets its seal
Upon his eyes, he sinks in night.
“Halloo!” With shouts the wood resounds,
And falcons bold and faithful hounds
Press hard upon their frightened prey,
And now the hunters dash this way.
And first upon a roan-flecked steed,
And vying with the wind for speed,
An Amazon rides like a queen,
With cheek of rose and robe of green.
The robber gang affrighted fled,
But she whose steed chafed at the dead
Dismounted with a single bound
Where lay he, as within some dale
An oak thrown prostrate by the gale
Lies on the copse which clothes the ground.
How fair he lay, though bathed in gore!
And over him Maria[C] bent,
As fair Diana long before
On Latmos, also well content
That dogs and din of chase were gone,
Bent over her Endymion.
The slumberer who caused her bliss
Was surely not more fair than this.
A spark of life had still endured
Within his breast, and, soon procured,
They raise the fallen to a bier
Of interwoven twigs, and bear
It slowly forth with reverent care,
And seek her dwelling, which was near.
She sat beside his couch, oppressed
With anxious cares that leave their trace,
And fastened on his pallid face
A look well worth a realm’s acquest.
She sat as in the groves of Greece
(That land of beauty overthrown),
The wild rose blooms in noiseless peace
By prostrate Hercules in stone.
At last he wakes to consciousness,
And looks around him in distress.
Alas! his eye before so mild
Now glares deliriously wild.
“Where am I? Girl, why art thou here?
To King Carl’s service I am bound,
And must not look on thee; thy tear
I will not have within my wound.—
My sire beyond the milky way
Is wroth: he heard the oath I took.
How fair, though, is the tempter’s look!
How winning! Satan, hence, away!—
Where is my belt and my commands?
I took them from my king’s own hands.
My father’s sword is good, it smites
With special hate on Muscovites.—
Oh! what delight it was to slay!
I would the king had seen the fray:
Like prostrate harvests lay the dead.
It almost seemed I also bled.—
I bore dispatches from the war,
My honor stands in pledge therefor.
Waste not a moment more,—away!”
She heard his ravings with dismay,
While swooning sank her hero then
Exhausted on his couch again.
Thus grappled life with death anew
Till life had won the youth at last,
And slowly was the danger passed,
When Axel now could calmly view
With glance restored, though weak and dim,
The angel bending over him.
She was not like the idyl’s queen,
Who roves and sighs in groves of green,
The counterfeit of languishing,
With locks bright gold like suns of spring,
And cheeks deep-dyed as Julian flowers,
And eyes like blue-bells after showers.
She was an Oriental maid.
Her dark, rich locks which fell unstayed,
Seemed midnight round a bed of roses;
And on her brow was throned the grace
Of cheerfulness, as in the face
An Amazonian shield exposes,—
The face and mien of victory.
Its hue was like Aurora’s haze,
Which artists paint with clouds of rays.
Of form so shapely, gait so free,
She seemed a Dryad from the grove;
And high and deep her bosom’s sea
Of youth and health swelled ceaselessly.
A body all divinely wove
Of roses red and lilies white,
A soul of only fire and light,—
A summer and a southern sky
With fragrance filled and golden beams.
She cast on all a glance as proud
As looks Jove’s eagle from the cloud,
Yet mild as are the doves that bear
The car of Venus through the air.
O Axel! Wounds soon lose their smart,
And nothing but the scars remain.
Thy breast is healed, thy thoughts are sane,
But ah! how is it with thy heart?
Look not so fondly at the hand
Which bound thy wounds with gentle band;
That hand as white as sculptor’s stone,—
It must not linger in thine own.
It is more dangerous by far
Than angry Turkish hands last year,
In Bender, callous with the spear
And cimeter, and many a scar.
Those lips so fresh in changeless red,
Which only whisper when they ope
In spirit-lays of trust and hope,—
Far better didst thou hear instead
Czar Peter’s hundred cannon roar
In line at Pultava once more.
When pale thou walkest in the heat,
With drooping limbs and stumbling feet,
Lean, Axel, on thy sword alone,
Not on that arm beside thine own,
Which Love hath formed so round and fair
That he might make his pillow there.
O Love! all miracles in one!
Thou breath of universal bliss!
Thou breeze of heaven which comes to kiss
Life’s groves beneath their sweltering sun!
Thou open heart in Nature’s breast,
The solace both of gods and men!
Each ocean-drop clings to the rest,
And all the stars that smile above
Wind on from pole to pole again
Their bride-dance round the suns they love.
Yet love is in the human mind
But twilight of remembered rays
From fairer and from better days,[D]
When once a little maid she twined
The dance in heaven’s azure hall
With silver crowns on arch and wall,
And when in weariness would rest,
Slept nestled on her father’s breast.
Then was she rich as reason’s powers
Of growth, her speech was only prayer,
And each her brother of the fair
And winged sons in heaven’s bowers.
But ah! she fell; and here her love
Is no more pure like that above.
Yet in the lover oft she traces
Lines from her heavenly kindred’s faces,
And hears their voice in notes of spring,
And in the songs the poets sing.
How glad, how sweet that moment is!
As when upon some desert track
The Swiss hears sounds which straight bring back
His Alpine childhood’s memories.
The sun was sinking. Evening lay
Still couched and dreaming in the west,
And mute as priests of Egypt pressed
The stars along their opening way:
And earth stood in the evening’s hush
As blessed as a bride stands fair
With diamonds in her raven hair,
And veil which hides not smile or blush.
From all day sports now seeking rest
The Naiad smiled in glad repose,
While twilight’s blush with hue of rose
Glowed tremblingly upon her breast.
The Cupids, bound while day-beams crown
The gazing sky, are loosed and rove
With bow and arrows up and down
Upon the moon-beams in the grove,—
The darksome green triumphal gate
Which spring had entered through of late.
From dripping oaks the nightingale
Struck notes which echoed through the dale
As tender, innocent and chaste
As lays which Franzen’s[E] muse has graced.
It was as if, her cares dismissed,
Now nature kept her hour of tryst,
All stir, and yet such hush complete
Thou might’st have heard her bosom beat.
Then did the twain in winsome bliss
Together rove the hours away.
As groom and bride change rings, so they
Exchanged their childhood’s memories.
He told her of the days he spent
Still in his mother’s house content,
Which, built of fir and painted red,
Stood lone, with pines on every hand,
And of his cherished fatherland,
And of dear sisters, all now dead.
Then told he how his soul was stirred
By all the battle-songs he heard,
And sagas which, whoever reads,
Will wake desire for valiant deeds,
And how he dreamed full many a night
He sat in armor burnished white
Upon the giant charger Grane,
And rode like Sigurd Fafnisbane
Through Vafur’s flames, to where the maid
Of memory dwells in castle walls
Which gleam afar when evening falls
Throughout the mountain laurel glade.
Thick grew his breath, close grew his room,
He rushed out in the forest’s gloom,
Climbed up and joined with boyish glee
The eagle on the highest tree,
And rocked before the northern blast.
It cooled his cheek, it cooled his heart.
How happy could he but depart
Upon the cloud-wain hurrying past,
And wend him yonder through the air
To that far world, so bright and fair,
Where victory beckons, and renown
Stands holding out her laurel crown,
And where King Charles (though he has known
But seven more years of youth than thou),
Is plucking crowns from Europe’s brow,
And keeping none except his own.
“At length I won at fifteen years
My mother’s blessing, and with tears
Embraced her, and to camp I went;
And there my life has since been spent,
And has shone true as beacon rays
Amid the rage and rush of men.
Yet saw I birds come back again,
And feed their young on summer days,
Or saw I boys who lay and played
Beside some brook in flowers and shade;
Then did the roar of guns grow faint,
For peaceful visions rose between
Of golden harvests, groves of green,
And children glad in unrestraint;
And by a quiet cottage door
A maiden stood, and evening’s flame
Lit up her face, which was the same
I oft in dreams had seen before.
And now these pictures seek me here,
And in my mind throng ceaselessly;
I shut my eyes, and yet I see
Them not less animate and clear,—
And find the maid of my idea
An image of thyself, Maria!”
Embarrassed then replied Marie:
“How blest of fortune is your sex!
No chains of destiny can vex
Your strength, born only to be free;
And danger’s spell, and honor’s throne,—
Yea, earth and heaven, are yours alone.
But woman’s destiny is sealed
As man’s appendage to his life,
A bandage on his wounds in strife,
Forgotten when they once are healed.
She is the sacrifice, but he
The flame that soars, and shines afar.—
My sire fell battling for the Czar;
My mother’s face can memory
But dimly trace, and here her child
In solitude grew strong and wild
Within these halls, without caress,
Where worship serfs, if in each whim
Their master find they humor him,
The idol of their wretchedness.
The noble soul must grow ashamed
Of life so willing to be tamed.
Hast thou seen roam the steppe’s vast space
Our beautiful, wild charger race?
Bold as the chief, fleet like the doe,
It serves and knows no master’s will,
But pricks its ear, and, standing still,
Scents danger in the winds that blow,
Then sudden in a cloud of dust
It darts away from its mistrust,—
Fights all the foes it ever had
With hoof unshod, chafes, or is glad.
‘How blest ye children of the plains,
How sweet and free your green domains?’
So have I cried and bid them stay,
Whenever on my Tartar steed
I have approached with careful speed
Their throng, and myriad-answering neigh.
Obeying not with scornful eye
They looked at us, and passed us by.
These halls, so endlessly the same.
Then zealously I won the skill
To brave the wolves upon the hill,
The vultures in their native air,
And rescued often from the bear
A life before of little worth.
Alas! although we strive from birth,
We can not, Nature, thwart thy will.
Be it a throne she sits upon,
As peasant maid or Amazon,
Thy woman is a woman still,
A withering vine if not upheld,
A being with its half withheld:
No unshared joy can she possess,
For twin-born is her happiness.
Within my heart there ever beats
A pain, yet sweeter borne than not,
A yearning for I know not what,
So grievous, yet so full of sweets.
It has no limits, has no aim:
It is as if with wings it came
And bore me upward from the base
And groveling earth to yonder space,
Where stars and suns with gathering light
Surround God’s throne in farthest night;
Again as if, I fell apace,
Down from the dizzy heights above,
Ye dear existences, to you,
Ye trees with which through life I grew,
Thou brook, with all thy songs of love,
Thou cliff with flowers upon thy brow!
A thousand times have I seen you,
But as a statue’s face might view,—
I love you now—first love you now!
I do not love myself so much,—
A sentiment of nobler touch
I find within, since I. . . .” Then sped
Across her cheek the deepest red,
And what her words left unexpressed
Was in a half-sigh uttered best.
And all was hushed except the lone
Far nightingale renewed its song,
And in a kiss that lingered long,
Their souls communing blissfully
Dissolved in perfect harmony.
They kissed as kiss in sacrifice
Two altar-flames, which thus unite,
And shine with an intenser light
As nearer heaven’s door they rise.
To them the world had fled from sight,
And time desisted from its flight.
Each hour of time’s mortality
Is measured by the strictest line,
But death’s cold kiss, and love’s divine
Are children of eternity.
[To be continued.]
“There is in human nature a general inclination to make people stare; and every wise man has himself to cure of it, and does cure himself. If you wish to make people stare by doing better than others, why make them stare till they stare their eyes out! But consider how easy it is to make people stare by being absurd. I may do it by going into a drawing-room without my shoes. You remember the gentleman in ‘The Spectator,’ who had a commission of lunacy taken out against him for his extreme singularity, such as never wearing a wig, but a night-cap. Now, sir, abstractedly, the night-cap was best: but, relatively, the advantage was overbalanced by his making the boys run after him.”—Boswell, reporting Samuel Johnson.
[PICTURES FROM ENGLISH HISTORY.]
By C. E. BISHOP.