BUILDINGS OF THE ROMANS.
The temples in Rome were not, as in Greece and Egypt, the structures on which the architect lavished all the resources of his art and his science. They were, in a general way, copies of Greek originals, and did not equal the models after which they were fashioned, nor greatly honor the metropolis of the world. Few remains of them exist. The Church of Santa Maria Ezizica was once a heathen temple, and after some necessary changes, used for Christian worship. This was tetrastyle, with half columns around it, and of the kind called by Vitruvius pseudo-peripteral. A few fragmentary remains of other temples are found in Rome, but there are much finer specimens in some of the provinces. The best is the Maison Carrée at Nêmes. This was probably erected during the reign of Hadrian. There is a portico in front, while the sides and rear have columns attached. The details of the capitals and entablature are almost pure Greek.
At Baalbec, the ancient Heliopolis in Syria, not far from Damascus, are the ruins of another magnificent, provincial Roman temple. It was built in the time of the Antonines, and must have been of very extensive dimensions. At the western end of an immense court, on an artificial elevation, stand the remains of what is called the Great Temple. This was 290 feet long by 160 feet wide, and had 54 columns supporting its roof, only six of which now remain erect. Their height, including base and capital, is 75 feet, and their diameter at the base 7 feet. They are of the Corinthian order, and above them rises an elaborately moulded entablature, 14 feet in height. The most striking feature of these buildings is the colossal size of the stones used in their construction.
Among the most remarkable public buildings, whether in the mother city, or in the provinces, were the Basilicas, or halls of justice, used also as commercial exchanges. These were generally oblong, covered halls, divided into three or five aisles by rows of columns. At one end was a semi-circular recess, the floor of which was raised considerably above the level of the rest of the floor, and here the presiding magistrate had his seat.
Although the Romans were not particularly interested in dramatic representations, they were passionately fond of shows and games of all kinds. Hence they built many theatres and amphitheatres in all their cities and large towns. The most stupendous fabric of the kind that was ever erected was the Flavian amphitheater or Colosseum, whose ruins attest its pristine magnificence.
“Arches on arches, as if it were that Rome, collecting the chief trophies of her line, would build up all the triumphs in one dome.” It was oblong, 620 feet in length, and 513 feet wide. It was favorably situated between the Esquiline and the Cœlian hills, and admirably planned for the convenience of the vast audiences, estimated at from 50,000 to 80,000. Recent excavations have revealed the communications that existed between the arena and the dens, where the wild animals, slaves, and prisoners were confined. The external façade is composed of four stories, separated by entablatures that run completely round the building, without a break. The three lower stories consist of a series of semi-circular arched openings, eighty in number, separated by piers with attached columns in front of them, the Doric order being used in the lowest story, the Ionic in the second, and the Corinthian in the third.
From these meager facts the reader must imagine the magnificence and grandeur of the Colosseum, or seek for fuller information in works of ancient art. Nothing can give us a more impressive idea of the grandeur and lavish display of Imperial Rome, than the remains of the huge Thermæ or bathing establishments. These belong mostly to the Christian era.
Agrippa built the first, A. D. 10, and thence to 324 A. D., no less than twelve of these vast establishments were erected by different emperors, including Constantine, and bequeathed to the people. The baths of Caracalla and Diocletian are the only ones that remain in any state of preservation, and were probably the finest and most extensive of them all.
There is one ancient building in Rome more impressive than any other—not only because of its better state of preservation, but because of the dignity with which it was designed, the perfection of execution, and the effectiveness of the mode in which the interior is lighted—the Pantheon. It is the finest example of a domed hall that is left. It has the circular form with a diameter of 145 feet, and a height to the top of the dome of 147 feet. The magnificent dome is enriched with boldly recessed panels, and these covered with bronze ornaments.
The domestic architecture of the Romans at an early day was rich, but few traces of it remain. The buildings were of two kinds; the insula, or block of buildings, containing a number of buildings, and the domus, or detached mansion.
Their buildings, in the first centuries rude, came, in time, to have a very decided architectural character. We gather from them that daring, energy, readiness, structural skill, and a not too fastidious taste were characteristics of Roman architects and their works.