The “Miraculous Wineglasses.”
As a rule, magicians are very generous fellows, always ready to give their audiences something, such as coins and handkerchiefs, but, just when one thinks they have the gift safely in their grasp, it mysteriously vanishes. However, there are a few exceptions to this rule, one of whom is a very popular English performer.
Fig. 55.—The “Miraculous Wineglass.”
Fig. 56.—The Glass
Covered with Rubber.
This magician goes among the audience and borrows a gentleman’s handkerchief, and immediately produces from it a glass filled with sherry. This he offers to the ladies, then, shaking the handkerchief, he produces a second glass full of port for the gentlemen, next one of ginger beer for the younger members, and one of milk for the very young, but there being present one or two teetotalers, he next produces a glass of water, and lastly a glass of stout for himself. All of these are pronounced by the audience to be excellent.
The glasses are of the small stem wineglass pattern. On both sides of the magician’s coat, inside, of course, are large pockets, and in each pocket is placed in a prearranged form three of the glasses. To prevent a possible spilling of their contents (and, as each glass is filled to the brim, this would be very difficult), there is fastened over the mouth of each glass a thin soft rubber cap or cover, as shown in the small engraving.
To produce the glass, the performer spreads the borrowed handkerchief, which should be a large one, over his breast in such a manner that one hand is concealed under it; and with this hand he reaches in the pocket and brings forth the proper glass, removing the rubber cover and leaving it in the pocket. This move is repeated until all the glasses have been brought out. After producing three of the glasses with, say, the left hand, he must spread the handkerchief so as to cover the right hand, leaving the left one free to manipulate the handkerchief, as it would be most awkward to try and produce the glasses from both sides of the coat with the same hand.
Fig. 57.—The Miraculous Wine Bottle.
This trick is a most effective one, as the spectators cannot understand how it would be possible for the performer to conceal a glass filled to the brim, as these are, about his person.
After distributing the glasses, and offering an apology for his inability to treat all present, he pretends to overhear a remark that his audience is not satisfied, and that many think they have been slighted. He states that he will endeavor to comply with the demands of his thirsty audience, and retires to fetch a bottle. Off the stage he removes his coat and places under his right arm a rubber bag filled with wine. To the bag is attached a rubber pipe with a small metal point, which pipe he holds next to his right arm and replaces his coat, leaving the metal end just within the cuff.
Fig. 58.—The Miraculous Wine Bottle.
The bottle has a small hole in the side, near the bottom, of such a size as to fit the metal point on the rubber pipe. In rinsing the bottle the performer keeps one finger over the hole, thus preventing the audience discovering that the bottle differs from an ordinary one. In rinsing the bottle the outside has become wet, and in drying it with a cloth the performer places the metal point on the rubber pipe in the hole in the side of the bottle, thus making connections with the bag of wine. By holding the bottle well down toward the neck, and close to his wrist, he can venture among the audience without fear of detection.
By pressing the right arm against his side the bag is compressed, forcing the wine through the pipe into the bottle.
The glasses are of special make and of very thick glass, making quite a bulky appearance, but of very limited capacity. An assistant carries a tray containing one hundred of the glasses.