Lantern Towers
The use of a lantern tower with windows opening into the church below its roof was destined to give rise to a number of interesting vaults. That such towers existed in France as early as the sixth century, is proved by the texts of Gregory of Tours and Fortunatus, in which such lanterns are mentioned as existing over the churches of Saint Martin at Tours, the cathedrals of Clermont-Ferrand, Narbonne, and Paris, as well as at Bordeaux and Nantes,[311] while Rivoira’s contention[312] that the church of San Salvatore or del Crocifisso at Spoleto dates from the fourth century, if correct, would give an earlier though isolated Italian example of such a feature. Whatever its origin, such a lantern was a particularly pleasing feature of church construction, especially in Romanesque churches, which were without direct light in the nave and thus received a much needed addition to their interior illumination. It is not surprising, therefore, to find many of the more daring Romanesque builders including this central feature even in crossings with domes, as has already been noted. As a rule the pendentives were introduced beneath the wall of the clerestory drum which was therefore either of octagonal or circular plan. The examples of such lanterns are too numerous to cite though certain of them are worthy of some remark. In Auvergne, for example, in Notre Dame-du-Port at Clermont-Ferrand (Figs. [49], [50]), at Orcival (Puy-de-Dôme),[313] Saint Nectaire (Puy-de-Dôme),[314] and elsewhere the system of transept and crossing vaulting already described[315] made possible the introduction of windows in either the east or west walls of the central towers, or both, though rarely in those to the north or the south, where there were half or full tunnel vaults to abut the dome. In two churches of Central France, those at Bénévent-l’Abbaye (Creuse)[316] and Le Dorat (Haute Vienne),[317] the lanterns are especially beautiful. They are covered with domes raised on a drum supported upon spherical pendentives. In such churches, where there is no direct light in the nave, the lantern adds much to the appearance of an otherwise oppressively dark interior.