III
CHANGELESS CHANGE
TRINITY, CONSONANCE, DIVERSITY IN MONOTONY, BALANCE, RHYTHMIC CHANGE, RADIATION
The preceding essay was devoted for the most part to that "inevitable duality" which finds concrete expression in countless pairs of opposites, such as day and night, fire and water, man and woman; in the art of music by two chords, one of suspense and the other of fulfilment; in speech by vowel and consonant sounds, epitomized in a and in m; in painting by warm colors and cold, epitomized in red and blue; in architecture by the vertical column and the horizontal lintel, by void and solid—and so on.