INDEX

Adam Bede, [18], [31], [113].

Addison, Joseph, [xi];

Sir Roger de Coverley, [xii].

Æneid, The, [156], [157], [158].

Alcott, Louisa M., [76];

Little Women, [76].

Aldrich, Thomas Bailey, [134];

Marjorie Daw, [134].

Alice in Wonderland, [16].

Ambitious Guest, The, [170].

American Short Stories, [170].

Amiel, Henri-Frédéric, [7].

Andersen, Hans Christian, [9].

Angel in the House, The, [154].

An Habitation Enforced, [110].

Anna Karénina, [xviii].

Arcadia, [100].

Archer, William, [6].

Ariosto, Ludovico, [99];

Orlando Furioso, [99].

Aristotle, [67], [68].

Arnold, Matthew, [180].

Assignation, The, [36].

As You Like It, [10].

At the End of the Passage, [108].

Aubignac, Abbé d', [xiv], [xvi];

Pratique du Théâtre, [xiv].

Aurora Leigh, [154].

Austen, Jane, [4], [19], [26], [88], [127], [128], [215], [217];

Emma, [88], [127], [143];

Pride and Prejudice, [128], [143].

Bacon, Francis, [32].

Baldwin, Charles Sears, [170], [171], [176];

American Short Stories, [170].

Balfour, Graham, [52].

Balzac, Honoré de, [x], [xii], [xiii], [53], [56], [153], [160], [180];

Eugénie Grandet, [168];

Human Comedy, [160].

Barrie, James Matthew, [xx], [10], [26], [132], [133].

Beach of Falesá, The, [178].

Beowulf, [130].

Bernhardt, Sarah, [162].

Besant, Sir Walter, [xxi], [35];

The Art of Fiction, [35].

Beyle, Henri, see Stendhal.

Boccaccio, Giovanni, [x], [62], [99], [176];

Decameron, [62], [99], [176].

Boswell, James, [122].

Brontë, Charlotte, [11];

Jane Eyre, [11], [118], [121], [166].

Brougham, Lord, [xx].

Browne, Sir Thomas, [207].

Browning, Elizabeth Barrett, [154];

Aurora Leigh, [154].

Browning, Robert, [153].

Brunetière, Ferdinand, [x], [164];

History of Classical French Literature, [x].

Brushwood Boy, The, [26], [33], [200], [217].

Buffon, Comte de, [201], [212].

Bunner, Henry Cuyler, [134], [148];

A Sisterly Scheme, [148];

The Documents in the Case, [134].

Bunyan, John, [79];

Pilgrim's Progress, [63], [79].

Burbage, Richard, [162].

Calderon, [213].

Camoëns, [156];

The Lusiads, [156].

Captive, The, [90], [120].

Carlyle, Thomas, [8];

Heroes and Hero-Worship, [8].

Carmen, [169].

Carroll, Lewis, Alice in Wonderland, [16].

Cask of Amontillado, The, [140], [174].

Cervantes, [x], [6], [213];

Don Quixote, [xxii], [159], [213];

The Curious Impertinent, [213].

Chateaubriand, René de, [16].

Child's Dream of a Star, A, [182].

Cimabue, [97].

Collins, Wilkie, [16], [49], [73], [149];

The Moonstone, [73].

Colomba, [168].

Colvin, Sidney, [175].

Cooper, James Fenimore, [xii], [26], [142], [182], [215];

Leatherstocking Tales, [215];

The Last of the Mohicans, [169];

The Spy, [142].

Coppée, François, [155];

The Strike of the Iron-Workers, [155];

The Substitute, [155].

Coquelin, Constant, [162].

Corneille, Pierre, [xvi].

Crawford, F. Marion, [xxi], [24];

The Novel: What It Is, [24].

Criticism and Fiction, [38], [131].

Curious Impertinent, The, [213].

Cyrano de Bergerac, [162].

Daisy Miller, [169].

Daniel Deronda, [127], [146].

D'Annunzio, Gabriele, [4], [16].

Dante Alighieri, [30], [156], [219];

The Divine Comedy, [156], [219].

Daudet, Alphonse, [77], [105], [140], [170], [182], [183];

Sapho, [17], [77];

The Elixir of the Reverend Father Gaucher, [105];

The Last Class, [170].

David Copperfield, [70].

David Swan, [63].

Deal in Cotton, A, [134].

Decameron, [62], [99], [176].

Defoe, Daniel, [xi], [101], [119];

Robinson Crusoe, [101], [119].

De Quincey, Thomas, [7], [208];

The English Mail-Coach, [208].

Dickens, Charles, [xvii], [21], [68], [70], [79], [102], [143], [182];

A Child's Dream of a Star, [182];

A Tale of Two Cities, [66], [144];

David Copperfield, [70];

Martin Chuzzlewit, [84];

Our Mutual Friend, [68], [94], [101], [149];

Pickwick Papers, [xxii];

The Old Curiosity Shop, [102], [103].

Divine Comedy, The, [156], [219].

Documents in the Case, The, [134].

Don Quixote, [xxii], [159], [213].

Doyle, Sir Arthur Conan, [122], [145].

Dr. Jekyll and Mr. Hyde, Strange Case of, [xix], [31], [36], [123], [178].

Dryden, John, [xvi].

Dumas, Alexandre, père, [xii], [xx], [7], [40], [48], [142].

Du Maurier, George, [115].

Eckermann, J. P., [xvi].

Egoist, The, [70], [82], [90], [110].

Elia, Essays of, [218].

Eliot, George, [xiii], [xx], [4], [10], [18], [23], [27], [31], [34], [39], [43], [49], [68], [70], [71], [81], [86], [87], [112], [120], [126], [127], [180], [182], [215];

Adam Bede, [18], [31], [113];

Daniel Deronda, [127], [146];

Middlemarch, [68], [77];

Romola, [25], [34], [112], [145];

Silas Marner, [27], [65];

The Mill on the Floss, [10], [86], [110].

Elixir of the Reverend Father Gaucher, The, [105].

Emerson, Ralph Waldo, [41], [78];

Representative Men, [78].

Emma, [88], [127], [143].

English Mail-Coach, The, [208].

Erasmus, [x.]

Erckmann-Chatrian, [160].

Essays of Elia, [218].

Esther, Book of, [170].

Eugénie Grandet, [168].

Evangeline, [154].

Evan Harrington, [71], [124].

Experimental Novel, The, [109].

Faerie Queene, [100], [157].

Fall of the House of Usher, The, [94], [112], [115], [140].

False Dawn, [111].

Fielding, Henry, [xi], [101];

Tom Jones, [xxii].

Flaubert, Gustave, [xiii], [23], [24], [112];

Madame Bovary, [24];

Salammbô, [112].

Franklin, Benjamin, [78];

Autobiography of, [78].

Freytag, Gustav, [xxi];

Technic of the Drama, [xxi].

Froude, James Anthony, [xx].

Furetière, Antoine, [xiii], [xiv];

Roman Bourgeois, [xiii].

Gentle Boy, The, [186].

Gesta Romanorum, [62], [99].

Gil Blas, [64], [119].

Giotto, [97], [99].

Glanvill, Joseph, [190].

Goethe, J. W. von, [xvi];

Conversations with Eckermann, [xvi].

Goldsmith, Oliver, [xi];

The Vicar of Wakefield, [82], [83].

Goncourt, Jules and Edmond de, [26].

Greene, Robert, [xx].

Gummere, Francis B., [xiii].

Hale, Edward Everett, [178];

The Man Without a Country, [178].

Hamlet, [xv], [6], [7], [80], [162], [165].

Hardy, Thomas, [109];

Tess of the D'Ubervilles, [109].

Hawthorne, Nathaniel, [xiii], [5], [13], [18], [19], [25], [27], [28], [29], [36], [63], [69], [71], [144], [151], [154], [171], [176], [182], [183], [186], [188], [200], [217];

David Swan, [63];

The Ambitious Guest, [170];

The Gentle Boy, [186];

The House of the Seven Gables, [5], [25], [28];

The Marble Faun, [36], [71], [151];

The Scarlet Letter, [xxii], [13], [18], [27], [34], [69], [70], [71], [142], [217];

The White Old Maid, [144].

Hedda Gabler, [144].

Hegel, G. F. W., [xvi].

Henry Esmond, [25], [118].

Henry IV, [47].

Heroes and Hero-Worship, [8].

Hervieu, Paul, [xx].

Homer, [72], [130], [153], [158];

The Iliad, [93], [130], [156], [158];

The Odyssey, [130].

Horace, [72].

House of the Seven Gables, The, [5], [25], [28].

Howells, William Dean, [38], [130], [131], [132];

Criticism and Fiction, [38], [131];

The Rise of Silas Lapham, [169].

Hugo, Victor, [xii], [xx], [23], [24], [48], [109], [141], [146];

Les Miserables, [24];

Notre Dame de Paris, [109], [141], [146], [168].

Human Comedy, [160].

Huxley, Thomas Henry, [xvii].

Ibsen, Henrik, [10], [144];

Rosmersholm, [144];

Hedda Gabler, [144].

Iceland Fisherman, The, [110].

Iliad, The, [93], [130], [156], [158].

Irving, Washington, [4], [177], [216];

Rip Van Winkle, [177];

The Legend of Sleepy Hollow, [177].

James, Henry, [19], [25], [35], [55], [70], [76], [116], [134], [147], [177];

Daisy Miller, [169];

The Art of Fiction, [25], [116];

The Turn of the Screw, [147], [177];

What Maisie Knew, [134].

Jane Eyre, [11], [118], [121], [166].

Jerusalem Liberated, [156].

Johnson, Samuel, [xi], [xv], [xvi], [xx], [122].

Jonson, Ben, [79].

Just So Stories, [21].

Keats, John, [205].

Kenilworth, [146], [169].

Kidnapped, [13], [119], [121].

Kim, [65], [144].

King Lear, [80].

Kipling, Rudyard, [9], [20], [21], [33], [36], [37], [48], [65], [77], [80], [85], [104], [108], [110], [111], [120], [123], [134], [144], [147], [153], [166], [169], [180], [181], [182], [183], [186], [188], [189], [200];

A Deal in Cotton, [134];

An Habitation Enforced, [110];

At the End of the Passage, [108];

False Dawn, [111];

How the Elephant Got His Trunk, [9];

Just So Stories, [21];

Kim, [65], [144];

Lispeth, [188];

"Love-o'-Women," [147];

Mrs. Bathurst, [93], [124], [146];

Only a Subaltern, [11];

Plain Tales from the Hills, [181], [186], [188];

Soldiers Three, [124];

The Brushwood Boy, [26], [33], [200], [217];

The Captive, [90], [120];

The Light that Failed, [169];

They, [20], [33], [85], [166], [200];

Thrown Away, [187];

Without Benefit of Clergy, [19], [104], [170], [187].

Kreutzer Sonata, The, [xviii].

Lady of the Lake, The, [154].

Lady or the Tiger?, The, [150], [179].

Lamb, Charles, [132], [218];

Dream-Children, [218];

Essays of Elia, [218];

The South Sea House, [132].

Last Class, The, [170].

Last Days of Pompeii, The, [111].

Last of the Mohicans, The, [169].

Leatherstocking Tales, [215].

Le Breton, André, [xi], [xix].

Lee, Sidney, [69].

Legend of Sleepy Hollow, The, [177].

Leibnitz, Baron G. W. von, [102].

Leonardo da Vinci, [98].

Le Sage, Alain René, [64];

Gil Blas, [64], [119].

Les Facheux, [64].

Les Miserables, [24].

L'Etourdi, [64].

Lewes, George Henry, [49].

Ligeia, [170], [189], [190], [196], [199].

Light That Failed, The, [169].

Lispeth, [188].

Little Women, [76].

Longfellow, Henry Wadsworth, [154], [219];

Evangeline, [154].

Loti, Pierre, [110];

The Iceland Fisherman, [110].

"Love-o'-Women," [147].

Lowell, James Russell, [xiii], [5].

Lucile, [154].

Lusiads, The, [156].

Macbeth, [5], [80], [149].

MacLeod, Fiona, [110].

Madame Bovary, [24].

Man Without a Country, The, [178].

Manzoni, Alessandro, [xii].

Marble Faun, The, [36], [71], [151].

Marjorie Daw, [134].

Markheim, [xix], [33], [46], [138], [151], [170], [209], [211].

Marmion, [154].

Martin Chuzzlewit, [84].

Masque of the Red Death, The, [138], [146], [151], [174].

Master of Ballantrae, The, [91], [111], [123], [145], [166].

Matthews, Brander, [40], [134], [168], [172];

The Documents in the Case, [134];

The Philosophy of the Short-Story, [172].

Maud, [154].

Maupassant, Guy de, [38], [61], [131], [133], [139], [140], [148], [170], [176], [177], [180], [182], [183], [188], [216];

Pierre et Jean, [38];

The Necklace, [139], [148], [170].

Mendès, Catulle, [26].

Merchant of Venice, The, [66].

Meredith, George, [26], [53], [70], [71], [109], [124], [126], [166], [167], [180], [182];

Evan Harrington, [71], [124];

The Egoist, [70], [82], [90], [110];

The Ordeal of Richard Feverel, [111].

Meredith, Owen, [154];

Lucile, [154].

Merimée, Prosper, [169];

Carmen, [169];

Colomba, [168].

Merry Men, The, [52].

Middlemarch, [68], [77].

Millet, Jean-François, [98].

Mill on the Floss, The, [10], [86], [110].

Milton, John, [156], [158];

Paradise Lost, [156].

Modern Painters, [103].

Molière, J. B. P., [xv], [64], [162];

Les Facheux, [64];

Le Tartufe, [xv], [6];

L'Etourdi, [64].

Moonstone, The, [73].

Motley, John Lothrop, [xx].

Mrs. Bathurst, [93], [124], [146].

Mrs. Knollys, [214].

Murder in the Rue Morgue, The, [73], [217].

Necklace, The, [139], [148], [170].

New Arabian Nights, [25], [83].

Newcomes, The, [123], [169].

Nibelungen Lied, [130].

Norris, Frank, [xix], [160].

Notre Dame de Paris, [109], [141], [146], [168].

Nouvelle Héloise, La, [102].

Novel, The: What It Is, [24].

Odyssey, The, [130].

Oedipus King, [xv].

Old Curiosity Shop, The, [102], [103].

Only a Subaltern, [11].

Ordeal of Richard Feverel, The, [111].

Orlando Furioso, [99].

Ostade, Adrian van, [98].

Othello, [145], [165].

Our Mutual Friend, [68], [94], [101], [149].

Pamela, [18].

Paradise Lost, [156].

Parkman, Francis, [8].

Patmore, Coventry, [154];

The Angel in the House, [154].

Paul and Virginia, [100].

Peele, George, [xx].

Pendennis, [72].

Pepys, Samuel, [45].

Perry, Bliss, [xxi], [26], [27], [178], [179], [180];

A Study of Prose Fiction, [26], [178].

Petrarch, [69].

Philosophy of Composition, The, [189].

Philosophy of the Short-Story, The, [172].

Pickwick Papers, [xxii].

Pierre et Jean, [38].

Pilgrim's Progress, [63], [79].

Pinero, Arthur Wing, [145], [167].

Pit and the Pendulum, The, [179].

Plain Tales from the Hills, [181], [186], [188].

Plato, [7].

Plutarch, [7].

Poe, Edgar Allan, [26], [35], [73], [112], [122], [138], [140], [168], [170], [171], [172], [173], [174], [175], [176], [177], [180], [181], [182], [183], [185], [188], [189], [190], [191], [192], [193], [194], [195], [196], [199], [200], [216], [217];

Ligeia, [170], [189], [190], [196], [199];

The Assignation, [36];

The Cask of Amontillado, [140], [174];

The Fall of the House of Usher, [94], [112], [115], [140];

The Masque of the Red Death, [138], [146], [151], [174];

The Murders in the Rue Morgue, [73], [217];

The Philosophy of Composition, [189];

The Pit and the Pendulum, [179];

The Raven, [189], [196];

The Tell-Tale Heart, [140], [174].

Pride and Prejudice, [128], [143].

Princess, The, [203].

Prodigal Son, The, [170], [175], [196], [197].

Rabelais, François, [x], [16].

Raphael, [98].

Raven, The, [189], [196].

Redgauntlet, [182].

Rembrandt, [137].

Richardson, Samuel, [xi], [18], [124];

Pamela, [18].

Rip Van Winkle, [177].

Rise of Silas Lapham, The, [169].

Robinson Crusoe, [101], [119].

Romeo and Juliet, [12].

Romola, [25], [34], [112], [145].

Ronsard, Pierre, [69].

Rosmersholm, [144].

Rossetti, Dante Gabriel, [69], [70].

Rostand, Edmond, [162];

Cyrano de Bergerac, [162].

Rousseau, Jean Jacques, [102];

La Nouvelle Héloise, [102].

Ruskin, John, [103], [207];

Modern Painters, [103];

Seven Lamps of Architecture, [207].

Ruth, Book of, [170].

Saint-Pierre, Bernardin de, [100];

Paul and Virginia, [100].

Salammbô, [112].

Sapho, [17], [77].

Sardou, Victorien, [162];

La Tosca, [162].

Scarlet Letter, The, [xxii], [13], [18], [27], [34], [69], [70], [71], [142], [217].

School for Scandal, The, [145].

Scott, Sir Walter, [xii], [18], [19], [23], [24], [36], [40], [48], [56], [72], [84], [130], [141], [142], [146], [154], [182], [213];

Kenilworth, [146], [169];

Marmion, [154];

Redgauntlet, [182];

The Lady of the Lake, [154];

The Talisman, [142];

Wandering Willie's Tale, [182];

Waverley, [18].

Seven Lamps of Architecture, The, [207].

Shakspere, William, [xv], [7], [10], [11], [32], [47], [68], [69], [153], [162], [165];

As You Like It, [10];

Hamlet, [xv], [6], [7], [80], [162], [165];

Henry IV, [47];

King Lear, [80];

Macbeth, [5], [80], [149];

Othello, [145], [165];

Romeo and Juliet, [12];

The Merchant of Venice, [66].

Shaw, George Bernard, [7].

Sheridan, Richard Brinsley, [145];

The School for Scandal, [145].

Sidney, Sir Philip, [100], [220];

Arcadia, [100].

Silas Marner, [27], [65].

Sisterly Scheme, A, [148].

Smoke, [xxii].

Smollett, Tobias, [xi].

Soldiers Three, [124].

Sophocles, [xv], [xvi], [xvii], [180], [181];

Oedipus King, [xv].

Spenser, Edmund, [100], [110];

The Faerie Queene, [100], [157].

Spielhagen, Friedrich, [xxi];

Technic of the Novel, [xxi].

Spy, The, [142].

Steele, Sir Richard, [xi].

Stendhal, [xiii].

Sterne, Laurence, [xi].

Stevenson, Robert Louis, [xvii], [xviii], [xix], [14], [21], [25], [31], [33], [36], [38], [46], [48], [54], [58], [59], [60], [68], [71], [83], [106], [111], [169], [174], [178], [183], [205], [217];

A College Magazine, [211];

A Gossip on Romance, [54], [106];

A Humble [Remonstrance], [58], [68];

Kidnapped, [13], [119], [121];

Markheim, [xix], [33], [46], [138], [151], [170], [209], [211];

New Arabian Nights, [25], [83];

On Some Technical Elements of Style in Literature, [206];

Strange Case of Dr. Jekyll and Mr. Hyde, [xix], [31], [36], [123], [178];

The Beach of Falesá, [178];

The Lantern Bearers, [21];

The Master of Ballantrae, [91], [111], [123], [145], [166];

The Merry Men, [52];

The Treasure of Franchard, [169];

Treasure Island, [49], [50], [76], [119], [121].

Stimson, F. J., [214];

Mrs. Knollys, [214].

Stockton, Frank R., [150];

The Lady or the Tiger?, [150], [179].

Strange Case of Dr. Jekyll and Mr. Hyde, [xix], [31], [36], [123], [178].

Strike of the Iron-Workers, The, [155].

Strong, Mrs. Isobel, [14].

Study of Prose Fiction, A, [26], [178].

Substitute, The, [155].

Swift, Jonathan, [xi], [16].

Tale of Two Cities, A, [66], [144].

Talisman, The, [142].

Tartufe, Le, [xv], [6].

Tasso, Torquato, [156], [158];

Jerusalem Liberated, [156].

Taylor, Bayard, [150];

Who Was She?, [150].

Tell-Tale Heart, The, [140], [174].

Teniers, David, the younger, [98].

Tennyson, Alfred, Lord, [154], [203];

Maud, [154];

The Princess, [203].

Tess of the D'Ubervilles, [109].

Thackeray, William Makepeace, [xiii], [12], [19], [24], [25], [61], [69], [72], [77], [96], [123], [131], [132], [182], [213];

Henry Esmond, [25], [118];

Pendennis, [72];

The Newcomes, [123], [169];

The Virginians, [25];

Vanity Fair, [xxii], [18], [69], [77], [96], [143], [148].

Theocritus, [x].

They, [20], [33], [85], [166], [200].

Thrown Away, [187].

Tintoretto, [137].

Tolstoi, Count Leo, [xviii], [4];

Anna Karénina, [xviii];

The Kreutzer Sonata, [xviii];

War and Peace, [xxii].

Tom Jones, [xxii].

Tosca, La, [162].

Treasure Island, [49], [50], [76], [119], [121].

Treasure of Franchard, The, [169].

Trollope, Anthony, [39], [49].

Turgénieff, Ivan, [55], [56], [70], [153], [169];

Smoke, [xxii].

Turn of the Screw, The, [147], [177].

Uncle Tom's Cabin, [159].

Vanity Fair, [xxii], [18], [69], [77], [143], [148].

Verrocchio, Andrea, [137].

Vicar of Wakefield, The, [82], [83].

Virgil, [157];

The Æneid, [156], [157], [158].

Virginians, The, [25].

Wagner, Richard, [144].

Wandering Willie's Tale, [182].

War and Peace, [xxii].

Waverley, [18].

What Maisie Knew, [134].

White Old Maid, The, [144].

Whitman, Walt, [69], [77].

Who Was She?, [150].

Without Benefit of Clergy, [19], [104], [170], [187].

Wordsworth, William, [56].

Zola, Emile, [4], [26], [39], [109], [160];

The Experimental Novel, [109];

The Rougon-Macquart Series, [109], [160].