| ARTIST | | |
| The Lion’s Last Charge | C. Whymper | Frontispiece | |
| A Close Shot | Major H. Jones | to face p. | [8] |
| Molopo River | Joseph Wolf | ” | [10] |
| Odds—3 to 1 | ” | ” | [90] |
| Feeling both Horns of a Dilemma | ” | ” | [116] |
| The Drop Scene | ” | ” | [120] |
| Elephants—Zouga Flats | ” | ” | [128] |
| Threatening of Elephantiasis | ” | ” | [140] |
| A Difficult Stalk | C. Whymper | ” | [166] |
| ‘Teeming with Game’ | ” | ” | [174] |
| Camp with Boma at side | From a photograph by E. Gedge | ” | [176] |
| The Bushman’s Stratagem | C. Whymper | ” | [198] |
| Resting the 4-bore on the fallen Tree | ” | ” | [212] |
| Good Guides | ” | ” | [244] |
| The Rhino raised herself like a huge Pig | ” | ” | [258] |
| A Family Group | ” | ” | [276] |
| A Group of South African Antelopes | ” | ” | [314] |
| Standing still as Stone Images | ” | ” | [368] |
| Moose at Home | ” | ” | [398] |
| Wapiti in the Emerald Pass, British Columbia | C. W., from a photograph | ” | [402] |