CHAPTER XV. IN THE DANCE-HOUSE.

"Chassey to the right, chassey to the left, swing your partners round, and all promenade!" sang Old Dad, fiddler and master of ceremonies at Antler, British Columbia.

It was early in June. The moon was riding high above the pine-trees, and the men of the night-shifts were dropping in one by one for a dance with Lilla and Katchen before going to supper.

Claw-hammer coats and boiled shirts were not insisted upon in the Antler dance-house, so most of the men swaggered in in their gray suits and long gum boots, all splashed with blue mud, and took their waltz just as we should take our sherry and bitters, as a pleasant interlude between business and dinner.

Some fellows found time to eat and sleep, and a few were said to wash, but no one could afford to waste time in changing his clothes at the Cariboo gold-mines in '62. When your overalls wore out you just handed your dust over the store-keeper's counter and got into a new pair right there, and some fellows took off their gum boots when they lay down for a sleep. Wasn't that change enough?

At any rate the hurdy girls were content with their partners, and their partners were all in love with the "hurdies."

Now, it may be that some unfortunate person who knows nothing of anything west of Chicago may read this book, and may want to know what a "hurdy" is or was, for, alas! the "hurdies," like the dodo, are extinct.

Be it known then to all who do not know it already, that the hurdy-gurdy girls (to give them their full title) were douce, honest lassies from Germany, who, being fond of dancing and fond of dollars, combined business with pleasure, and sold their dances to the diggers at so many pinches of dust per dance. It was an honest and innocent way of earning money, and if any sceptic wants to sneer at the gentle hurdies, there need be no difficulty in finding an "old-timer" to argue with him; only the arguments used in Cariboo are forcible certainly, and might even seem somewhat "rocky" to a mild-mannered man.

Well, now you know what a "hurdy" was, and when I tell you that a troop of hurdies had just come up from Kamloops, you will understand that Antler was very much en fête on this particular June night.

Indeed, the long wooden shanty known as the dance house was full to overflowing, full of miners having what they considered a good time—dancing in gum boots, drinking bad whisky, singing songs, and swearing wonderfully original "swears." But there was no popping of pistols, no flashing of bowie-knives at Antler. That might do very well in Californian mining camps, but in British Columbia, in early days, even the strong men had been taught by a stronger to respect the law.

So Old Dad took command in the noisy room, and was under no apprehension for his personal safety. He might be dead drunk before morning or "dead-broke" before the end of the season, but there was very little chance that a stray bullet would end his career before that terrible time came round when the camp would be deserted, and he would have to sneak away to the lower country to earn his living by pig-feeding and "doing chores."

But the pig-feeding days were far distant still, so that this most dissolute yet tuneful fiddler continued to incite his clients to fresh efforts in dancing.

There were those, though, even at Antler, who were too staid, or too shy, or too stolid to dance, and for the benefit of such as these small tables had been arranged, not too far from the refreshments—small tables at which they could sit and smoke in peace.

At one of these, in a pause between the dances, a tall, fair-haired girl, all smiles and ribbons, came to a halt before a solitary, dark-visaged misanthrope, who sat abstractedly chewing the end of an unlit cigar.

LILLA ACCOSTS THE COLONEL IN THE DANCE-HOUSE.

"What's the trouble, Colonel? Have you anyone murdered?"

The words were lightly spoken, and a laugh rippled over the speaker's pretty face, but no answering smile came into the smoker's deep-set eyes. On the contrary, he sprang to his feet with so fierce an oath that Lilla started back, and the smokers at the next table turned with savage scowls to see who it was who dared to swear at their little German sweetheart.

"By mighty, I believe the girl's right!" said one of these; "the fellow looks pretty scared."

"Like enough. A fellow who cain't speak civil to a woman might do anything," growled another. This last was a Yankee, and Yankees have a great respect for the ladies, all honour to them for it.

Meanwhile the colonel and the dancing-girl stood facing each other, the smile dying out of her face as the scowl died out of his. She was half-frightened, and he had overheard his neighbours' remarks, and recognized the necessity for self-control.

"I beg your pardon, Lilla. What a brute you must think me! But don't you know better than to wake a sleeping dog suddenly?"

"But no dog is so mean as to bite a woman," protested Lilla.

"That's so, and I only barked. I've been so long packing all alone that I have lost my company manners. Won't you forgive me, Lilla?" and he held out his hand to her. Now it was part of Lilla's business to pour oil upon the troubled waters of society at Antler, and, besides, the colonel was an old acquaintance and excellent dancer, so Lilla took his hand.

"Well, I'll try, but you pay me a fine. See, not once have you asked me to dance this time in Antler. Now dance with me."

"Is that all, Lilla? Come then." And so saying he offered the girl his arm, and walked away with her to another part of the room out of ear-shot of the angry Yankee.

"I wanted to talk to you, Lilla," he began; but just then the music struck up, and the girl, who had quite recovered her spirits, beat the ground with a pretty impatient toe, exclaiming, "The talk will keep; come on now, we mustn't lose a bar of it." And then, as her partner steered her gracefully over the floor, she gave a little contented sigh and muttered, "So you have not forgotten. Ach, himmel! this is to dance."

And indeed the dark-faced man might have committed many crimes, but he was not one to trample upon a woman's tenderest feelings by treading on her toes, tearing her dress out at the gathers, and disregarding good music.

On the contrary, he had a perfect ear for time, steered by instinct, and held his partner like one who was proud of her and wanted to show her off to advantage.

When the music ceased, and not until then, Lilla and the colonel stopped dancing, and the girl had just enough breath left to say in a tone of absolute conviction:

"You must be a good man, I think, you dance so well."

"Of course I'm a good man, Lilla," laughed her partner. "Why should I not be?"

"Well, I don't know, but you frightened me pretty bad just now. What was it with you?"

"Oh, nothing—at least nothing much. I was sulky and you startled me. Are you never sulky, Lilla?"

"What is that sulky, traurig?" asked the girl.

"No, not quite. More like what you feel when a frock won't fit you, Lilla."

"So! I understand: well, wherefore are you sulky?"

"I can't sell my freight at my price. Just think what rough luck it was for me that Bacon Brown got in so soon after me. And after bringing the stuff so far and at such a cost too!" and again for a moment the colonel's face looked white and drawn in the lamp light.

The Frazer river trail was a bad one, but once its perils were passed there seemed to be no reason why an old packer should turn pale at the mere memory of them.

"Ach, sacrifice!" cried the girl. "You sell your bacon a dollar a pound, and you call that sacrifice. Have you no shame?"

"All very well for you, Lilla. You are a girl who owns a gold-mine; I'm only a poor packer. By the way, have you done anything more about Pete's Creek since last season?"

"No, but I think I'll do something soon."

"Better send me to find it for you, Lilla, before someone else gets hold of it, and give me a share in it for my work. I'll take you, and you keep the creek. How will that do?"

"And what do I become—ach, I mean what shall I get for my share?"

Her partner laid his hand upon his heart and made her his most impressive bow, but the girl only burst out laughing merrily. Perhaps the noise and bright lights of a dance-house are unfavourable to sentiment.

"Ach so, Colonel. Bacon a dollar a pound, and you will trade yourself for the richest gold-mine in Cariboo and me! Danke schön," and she curtsied to him laughingly.

"As you please, Lilla. But will you bet me that I don't know where your creek is?"

"I know you don't know anything about it, except what I told you last fall."

"Don't be too sure. You'd better trust me, Lilla. It isn't the other side of the Frazer in the Chilcotin country, is it?"

"I told you so much, and then—"

"It isn't up at the head of the Chilcotin?"

"On which bank?"

"The right."

"Ach so! I knew you didn't know," and then the girl stopped, and for a moment suspicion looked out from her simple blue eyes. Lilla wasn't quite sure whether her dancing partner had not been trying to pump her.

But the colonel saw the look, and knowing that he had obtained all the information which he was likely to get, he deftly turned the conversation into a fresh channel.

"Of course it's only my chaff, Lilla. I would rather have the pretty gold on your head than all the gold in Pete's Creek, even if there was such a place, which I doubt. But who is the new invalid you are nursing?"

"A Britisher as you are, Colonel; only I find him better-looking," replied Lilla mischievously.

"He might easily be that, Lilla. I'm getting old, my dear, with waiting for you. But how did you find this new treasure?"

"Bacon Brown brought him in."

"Brown brought him in! When?"

"Three days from to-day—when his train came along."

"Where did he find him? Is he one of his men?"

"Ach no. I tell you he is English not Yankee. Brown found him dying on the trail."

"On the trail! Where?"

"I don't know quite where, but somewhere between this place and where the trail forks for Williams Creek."

Whilst the girl had been speaking her companion had shifted his position, so that he now stood with his back to the light, so that no casual observer would have noticed even if his face should turn white and his hand shake.

"What is your friend like, and what was the matter with him, Lilla?" asked the colonel after a while, with a certain show of carelessness, dropping out his words disjointedly between his efforts to light a cigar.

"Well, I can hardly tell you, he lies down all the time. He is too weak to stand up, but he looks a fine man, tall and big—oh, very big, and hair like a Deutscher's, and blue eyes, more blue, I think, than mine;" and she opened those pretty orbs very wide to let her questioner see how very blue eyes would have to be to be bluer than her own.

"Is that so, and Lilla is half in love with him already? Oh, Lilla, Lilla! And when will this beautiful person be well again?"

"Don't talk foolishness," replied the girl, blushing furiously. "How could I love a man who has the 'jim-jams?'"

"The 'jim-jams!' What! from drink?"

"I don't know. But there, there's the music, come along;" and once more Lilla bore away the best waltzer in Antler to the tune of some slow rhythmical German air.

During the dance the girl said nothing, and after it was over she left her partner for someone else (mind you, dancing meant business for Lilla); but towards the end of the evening she sought out the colonel again, and leading him on one side, said:

"What will you do when you have sold your freight?"

"I don't know. Anything. Why?"

"I have a fancy, and you shall not laugh at me. Pete gave me the map to find his creek when he died. That is good. Now comes another Englishman, also dying. I am, what do you call it—abergläubig?"

"I don't know superstitious perhaps?"

"Perhaps superstitious. Suppose this man gets well, he has no money, he is dead-broke, and very young. Do you see?"

"I see. You say he is ill and a 'dead-beat.' Most of your patients are that way, Lilla."

"No, he is not a 'dead-beat.' I think he is—ach, well no matter. But see here, if you will give money for the outfit and grub, and take this man along when he is well again, I will give you the map, and you two can take half the mine between you. Is that good?"

"But why give him a quarter of your mine?"

"I give you a quarter also; and I tell you Pete was English, and you say you are English, and he is English. I think Pete would have liked it so, and this shall bring me luck."

"As you please, Lilla. I would go for you for nothing. Shall I have the map to-night?" And at that moment the light fell upon the man's face, which he had moved somewhat during the conversation, and showed that the mouth was twitching and the eyes glittering with strong excitement which would not be entirely suppressed.

"No, not to-night. When Corbett is well. I may change my mind before then, you know, and give you all the mine, and myself too—who knows!"

And with a nod and a smile, half mocking, half friendly, Lilla the hurdy girl turned on her heel and left the dancing-room for a little poorly furnished chamber, where, behind a Hudson Bay blanket hung up as a curtain, lay Ned Corbett in the first quiet sleep he had enjoyed since Bacon Brown found him insensible upon the trail which leads to Antler.