Dorothy, and Other Italian Stories

by Constance Fenimore Woolson

VI

"DO you know where you'll end, Roberta! You'll end with us," said Mrs. Harrowby.

"With you?"

"Yes; in the Church. You've tried everything, beginning with geology and ending with music (I can't help laughing at the last; you never had any ear), and you have found no satisfaction. You are the very kind to come to us; they always do."

The speaker, an American who lived in Naples, had entered the Roman Catholic Church ten years before; in Boston she had been a Unitarian. It was the 10th of September, and she was staying for a day in Pisa on her way southward; she had encountered Miss Spring by chance in the piazza of Santa Caterina at sunset, and the two had had a long talk with the familiarity which an acquaintance in childhood carries with it, though years of total separation may have intervened.

"There is one other alternative," answered Miss Spring; "it was suggested by a pretty little woman who used to be here. She advised me to try crystal scent-bottles and dissipation." This being a joke, Miss Spring had intended to smile; but at this instant her attention was attracted by something on the other side of the street, and her face remained serious.

"Crystal scent-bottles? Dissipation? Mercy!" exclaimed Mrs. Harrowby. "What do you mean?"

But her companion had gone; she was hurrying across the street. "It isn't possible, Maso, that this is you!" She spoke to a ragged, sick-looking boy.

Two hours after her question Maso was in bed in the Palazzo Rondinelli. Madame Corti never came back till October, and the pension was not open, but servants were there. The house-keeper went through the form of making protest: "The signora has always such great alarm about fever."

"You will refer Madame Corti to me; I will pay for her alarm," answered Roberta, marching past her to direct the driver of the carriage, who was assisting Maso up the stairs. "It's not infectious fever. Only malarial." Roberta was something of a doctor herself. She superintended in person the opening of a large, cool room on the second floor, the making of the bed, and then the installation of Maso between linen sheets. The servants were all fond of the boy; in addition, Madame Corti was in Sorrento, and Miss Spring's francs were here. Her francs were few, but she spent them for Maso as generously as though they had been many.

The boy, as soon as he was in bed, whispered to Giulio, "Pencil—paper." Then when Miss Spring had left the room, he scrawled on the page, Giulio holding a book under it, "My dog is ded," and signed his name. He told Giulio to give this to her when she came in; then, as he heard her step, he quickly closed his eyes.

Miss Spring read, and understood. "He was afraid I would ask. And he could not speak of it. He remembers, poor little fellow, that I did not care for the dog."

Maso had refused to tell her where his mother was. "She's coming, on the 22d, to the Bagni di Lucca"; this was all he would say. The next morning at daylight she left him with the nurse (for she had sent immediately for Dr. Prior and for one of the best nurses in Pisa), and, driving to the Street of the Lily, she ascended the unclean stairs, with her skirts held high and her glasses on, to the room at the top of the house. Maso had himself gathered his few possessions together after his meeting with her in the piazza of Santa Caterina, but he had not had the strength to carry them down to the lower door. Miss Spring took the two parcels, which were tied up in newspapers, and after looking about to see that there was nothing left, she descended in the same gingerly way, and re-entered the carriage which was waiting at the door, its wheels grazing the opposite house. "Yes, he is ill; malarial fever. But we hope he will recover," she said to the cobbler's wife, who inquired with grief and affection, and a very dirty face.

To find Mrs. Roscoe's address, so that she could telegraph to her, Miss Spring was obliged to look through Maso's parcels. She could not ask his permission, for he recognized no one now; his mind wandered. One of the bundles contained the best suit, still carefully saved for his mother's arrival. The other held his few treasures: his mother's letters, with paper and envelopes for his own replies; the old fairy-book; and Mr. Tiber's blanket, coverlid, and little collar, wrapped in a clean handkerchief. The latest letter gave the Paris address.

---

"My dear little boy! If I could only have known!" moaned Violet Roscoe, sitting on the edge of the bed with her child in her arms. She had just arrived; her gloves were still on. "Oh, Maso, why didn't you tell me?"

Maso's face, gaunt and brown, lay on her shoulder; his eyes were strange, but he knew her. "You mustn't get sick again, mother," he murmured, anxiously, the fixed idea of the summer asserting itself. Then a wider recollection dawned. "Oh, mother," he whispered with his dry lips, "Mr. Tiber's dead. Little Tiber!"

His fever-hot eyes could not shed tears, but his mother cried for him, overwhelmed by the thought of his lonely sorrow. Then she tried to comfort him: "Tiber was an old dog, Maso; he was not young when we bought him, and we have had him many years. Dogs do not live very long, even the oldest; he had to die some time. And he had a very happy little life with you, always; you loved him, and gave him everything, and he loved you. No dog could have had more."

Roberta overheard this attempt; she came to the bedside to add her item also to the consolation. "Perhaps you will see your pet again, Maso. For he had his vital spark as well as we have, though in a less degree. If ours is to reappear in a future existence, I am inclined to think that his will also. Why not?"

Maso did not understand her; his mother's voice alone reached his dulled intelligence. But at least Roberta had done her best.

A month later Mr. Reuben J. Coe, of Coesville, New Hampshire, said to his brother David: "That foolish wife of Tom's is coming home at last. In spite of every effort on my part, she has made ducks and drakes of almost all her money."

"Is that why she is coming back?"

"No; thinks it will be better for the boy. But I'm afraid it's too late for that."

A FLORENTINE EXPERIMENT

ONE afternoon, three years ago, two ladies were talking together on the heights of Fiesole overlooking Florence. They occupied the stone bench which bears the inscription of its donor, an appreciative Englishman, who in a philanthropical spirit has had it placed there for the benefit of the pilgrims from all nations who come to these heights to see the enchanting view. The two ladies were not speaking of the view, however, but of something more personal. It seemed to be interesting.

"He is certainly much in love with you," said one, who was taller and darker than her companion. As she spoke, she gave back a letter which she had been reading.

"Yes, I think he is," said the other, reflectively, replacing it in its envelope.

"I suppose you are so accustomed to it, Beatrice, that it does not make much impression upon you," continued the first speaker, her glance as she spoke resting not upon her companion, but upon the lovely levels beneath, with the violet-hued mountains rising softly up round about them, so softly that one forgot they were mountains until the eye caught the gleam of snow on the summits towards the east. There was a pause after this question, and it lasted so long that the questioner at length removed her eyes from the landscape and turned them upon her friend; to her surprise she saw that the friend was blushing.

"Why, Beatrice!" she exclaimed, "is it possible—"

"No," said Beatrice, "it is not possible. I know that I am blushing; but you must not think too much of that. I am not as strong as I was, and blush at everything; I am taking iron for it. In the present case, it only means that—" She paused.

"That you like him," suggested the other, smiling.

"I like a number of persons," said Mrs. Lovell, tranquilly, gazing in her turn down the broad, slightly winding valley, dotted with its little white villages, and ending in a soft blue haze, through which the tawny Arno, its course marked by a line of tall, slender, lightly foliaged, seemingly branchless trees, like tall rods in leaf, went onward towards the west.

"I know you do," said the first speaker. "And I really wish," she added, with a slight touch of vehemence, "that your time would come—that I should see you at last liking some one person really and deeply and jealously, and to the exclusion of all the rest."

"I don't know why you should wish me unhappiness, Margaret. You have beautiful theories, I know; but in my experience" (Mrs. Lovell slightly underlined this word as if in opposition to the "theories" of her friend) "the people who have those deeper sort of feelings you describe are almost always very unhappy."

Margaret turned her head, and looked towards the waving line of the Carrara mountains; in her eyes there was the reflection of a sudden inward pain. But she knew that she could indulge in this momentary expression of feeling; the mountains would not betray her, and the friend by her side did not realize that anything especial could have happened to "Margaret." In excuse for Mrs. Lovell it may be said that so much that was very especial had always happened, and still continued to happen, to her, that she had not much time for the more faintly colored episodes of other people.

Beatrice Lovell was an unusually lovely woman. The adjective is here used to signify that she inspired love. Not by an effort, word, action, or hardly interest of her own; but simply because she was what she was. Her beauty was not what is called striking; it touched the eye gently at first, but always grew. People who liked to analyze said that the secret lay in the fact that she had the sweetness, the tints, the surface texture as it were, and even sometimes the expression, of childhood still; and then, when you came to look deeper, you found underneath all the richer bloom of the woman. Her golden hair, not thick or long, but growing in little soft wavelets upon her small head; her delicate rose-leaf skin, showing the blue veins; her little teeth and the shape of her sweet mouth—all these were like childhood. In addition, she was dimpled and round, with delicately cut features, and long-lashed violet eyes, in whose soft depths lay always an expression of gentle trust. This beautiful creature was robed to-day in widow's mourning-garb made in the severest fashion, without one attempt to decorate or lighten it. But the straight-skirted, untrimmed garments, the little close bonnet, and the heavy veil pinned over it with straight crape-pins, only brought out more vividly the tints of her beauty.

"No," she continued, as her companion did not speak, "I by no means wish for the feelings you invoke for me. I am better off as I am; I keep my self-possession. For instance, I told this Sicily person that it was in very bad taste to speak to me in that way at such a time—so soon after Mr. Lovell's death; and that I was much annoyed by it."

"It has not prevented his writing," said Margaret, coming back slowly from the Carrara mountains, and letting her eyes rest upon the tower of the Palazzo Vecchio below, springing above the city roofs like the stem of a flower.

"They always write, I think," said Mrs. Lovell, simply.

"I know they do—to you," said Margaret. She turned as she spoke, and looked at her friend with the same old affection and admiration which she had felt for her from childhood, but now with a sort of speculative curiosity added. How must it feel to live such a life—to be constantly surrounded and accompanied by an atmosphere of devotion and enthralment such as that letter had expressed? Beatrice seemed to divine something of her friend's thought, and answered it after her fashion.

"It is such a comfort to be with you, Margaret," she said, affectionately; "it has always been a comfort, ever since we were children. I can talk freely to you, and as I can talk to no one else. You understand; you do not misunderstand. But all the other women I meet invariably do; or, at least, pretend to enough to excuse their being horribly disagreeable."

Margaret took her hand. They had taken off their gloves, as the afternoon was warm, and they had the heights to themselves; it was early in March, and the crowd of tourists who come in the spring to Italy, and those more loitering travellers who had spent the winter in Naples or Rome, had not yet reached Florence, although it may be said that they were at the door. Mrs. Lovell's hands, now destitute of ornament save the plain band of the wedding-ring, were small, dimpled, very white; her friend Miss Stowe had hands equally small, but darker and more slender.

"You have been happy all your life, have you not, Beatrice?" said Margaret, not questioningly so much as assertively.

"Yes," answered Mrs. Lovell, "I think I have. Of course I was much shocked by Mr. Lovell's death; he was very kind to me."

"Mr. Lovell," as his wife always called him, had died four months previously. He was fifty-six years of age, and Beatrice had been his wife for a little more than a year. He had been very happy with her, and had left her his fortune and his blessing; with these, and his memory, she had come abroad, and had been for six weeks in Sicily, with some elderly friends. She had stopped in Florence to see Miss Stowe, who was spending the winter there with an aunt; but she was not to remain. In her present state of seclusion she was to visit Venice and the Lakes in advance of the season, and spend the summer in "the most quiet village" which could be discovered for her especial benefit on the Brittany coast. The friends had not met for two years, and there had been much to tell—that is, for Beatrice to tell. Her always personal narratives were saved from tediousness, however, because they were not the usual decorated feminine fancies, but plain masculine facts (oh, very plain!); and because, also, the narrator was herself quite without the vanity which might naturally have accompanied them. This last merit seemed to her admirers a very remarkable one; in reality it was only that, having no imagination, she took a simple, practical view of everything, themselves included. This last, however, they never discovered, because her unfailing tact and gentleness lay broadly and softly over all.

"And what shall you do about your Sicily person?" said Margaret, not in the least, however, associating the remark, and knowing also that Beatrice would not associate it, with "Mr. Lovell" and his "memory" (it was quite well understood between them about "Mr. Lovell").

"Of course I shall not answer."

"And if he follows you?"

"He will hardly do that—now. Besides, he is going to America; he sails to-morrow. Our having been together in Sicily was quite by chance, of course; he knows that, and he knows also that I intend to pay, in every way, the strictest respect to Mr. Lovell's memory. That will be fully two years."

"And then?"

"Oh, I never plan. If things do not assert themselves, they are not worth a plan."

"You certainly are the most delightful little piece of common-sense I ever met," said Margaret, laughing, and kissing her. "I wish you would give me a share of it! But come—it is late; we must go."

As they went down the slope together towards the village where their carriage was waiting, they looked not unlike the two seventeen-year-old school-girls of eight years before; Beatrice was smiling, and Margaret's darker face was lighted by the old animation which had always charmed her lovely but unanimated friend. It may here be remarked that the greatest intellectual excitements which Beatrice Lee had known had been when Margaret Stowe had let loose her imagination, and carried her friend up with her, as on strong wings, to those regions of fancy which she never attained alone; Beatrice had enjoyed it, wondered over it, and then had remained passive until the next time.

"Ah well—poor Sicily person!" said Margaret, as they took their places in the carriage. "I know just what you will do with him. You will write down his name in a memorandum-book, so as not to forget it; you will safely burn his poor letter, as you have safely burned so many others; and you will go gently on to Brittany without even taking the ashes!"

"Keep it for me!" said Mrs. Lovell, suddenly, drawing the letter from her pocket and placing it in Margaret's hand. "Yes," she repeated, enjoying her idea and dwelling upon it, delighted to find that she possessed a little fancy of her own, after all, "keep it for me, and read it over once in a while. It is quite well written, and will do you good, because it is not one of your theories, but a fact. There is nothing disloyal in my giving it to you, because I always tell you everything, and this Sicily person has no claim for exemption in that regard. He has gone back to America, and you will not meet him. No—positively, I will not take it. You must keep it for me."

"Very well," said Margaret, amused by this little unexpected flight. "But as I may go back to America also, I want to be quite sure where I stand. Did you happen to mention to this Sicily person my name, or anything about me?"

"No," replied Mrs. Lovell, promptly. "We did not talk on such subjects, you know."

"And he had no idea that you were to stop in Florence?"

"No; he supposed I was to take the steamer at Naples for Marseilles. You need not be so scrupulous; everything is quite safe."

"And when shall I return the epistle?"

"When I ask for it," said Mrs. Lovell, laughing.

The next morning she went northward to Venice.

Two weeks later Miss Stowe formed one of the company at a reception, or, rather, a musical party. She looked quite unlike the "Margaret" of Fiesole as she sat on a small, faded purple satin sofa, listening, rather frowningly, to the rippling movement that follows the march in Beethoven's sonata, opus twenty-six; she had never liked that rippling movement, she did not pretend to like it now. Her frown, however, was slight—merely a little line between her dark eyebrows; it gave her the appearance of attention rather than of disapprobation. The "Margaret" of Fiesole had looked like an animated, almost merry, young girl; the "Miss Stowe" of the reception appeared older than she really was, and her face wore an expression of proud reserve, which, although veiled by all the conventional graciousness required by society, was not on that account any the less apparent. She was richly dressed; but the general effect of her attire was that of simplicity. She fanned herself slowly with a large fan, whose sticks were of carved amber, and the upper part of soft gray ostrich plumes, curled; closed or open, as she used it or as it lay beside her, this fan was an object of beauty. As the music ceased a lady came fluttering across the room, and, with a whispered "Permit me," introduced a gentleman, whose name, in the hum of released conversation, Miss Stowe did not hear.

"He understands everything about old pictures, and you know how ignorant I am!" said this lady, half closing her eyes, and shaking her ringleted head with an air of abnegation. "I have but one inspiration; there is room in me but for one. I bring him, therefore, to you, who have so many! We all know your love for the early masters—may I not say, the earliest?"

Madame Ferri was an American who had married a Florentine; she was now a little widow of fifty, with gray ringlets and emotions regarding music almost too ineffable to be expressed. I say "almost," because she did, after all, express them, as her friends knew. She was a useful person in Florence because she indefatigably knew everybody—the English and Americans as well as the Florentines; and she spent her time industriously at work mingling these elements, whether they would or no. No one thanked her for this especially, or remembered it after it was done; if republics are ungrateful, even more so is a society whose component parts are transient, coming and departing day by day. But Madame Ferri herself appreciated the importance of her social combinations if no one else did; and, like many another chemist, lived on content in the consciousness of it.

"I know very little about old pictures," said the stranger, with a slight smile, finding himself left alone beside Miss Stowe.

"And I—do not like them," she replied.

"If, more than that, you dislike them, we shall have something to talk about. Dislike can generally express itself very well."

"On the contrary, I think it is one of those feelings we do not express—but conceal."

"You are thinking of persons, perhaps. I was speaking of things. Pictures are things."

Miss Stowe felt herself slightly displeased; and the feeling was not lessened when, with a "Will you allow me?" the stranger took a seat at the end of her sofa, in the space left free by the gray silken sweep of her dress. There was in reality an abundance of room for him; other men were seated, and there was no chair near. Still, the sofa was a small one; the three Italians and two Frenchmen who had succeeded each other in the honor of standing beside her for eight or ten minutes' conversation had not thought of asking for the place so calmly taken by this new-comer. She looked at him as he began talking; he was quite unlike the three Italians and two Frenchmen. He was not ruddy enough for an Englishman of that complexion; he had a lethargic manner which was un-American. She decided, however, that he was, like herself, an American; but an American who had lived much abroad.

He was talking easily upon the various unimportant subjects in vogue at a "small party;" she replied in the same strain.

Margaret Stowe was not beautiful; "pretty" was the last word that could have been applied to her. Her features were irregular; she had a well-shaped, well-poised head, and a quantity of dark hair which she wore closely braided in a low knot behind. She was tall, slender, and rather graceful; she had dark eyes. As has been said before, she was not beautiful; but within the past two years she had acquired, her friends thought, an air of what is called distinction. In reality this was but a deep indifference, combined with the wish at the same time to maintain her place unchanged in the society in which she moved. Indifference and good manners taken together, in a tall and graceful person, will generally give that air. Beatrice Lovell had not perceived this change in her friend, but on that day at Fiesole Miss Stowe had been simply the "Margaret" of old.

In accordance with what we have called her good manners, Miss Stowe now gave to the stranger beside her easy replies, several smiles, and a fair amount of intelligent attention. It was all he could have expected; but, being a man of observation, he perceived her indifference lying broadly underneath, like the white sand under a shallow river.

During the same week she met him at a dinner-party, and they had some conversation. Later he was one of the guests at a reception which she attended, and again they talked together awhile. She now mentioned him to her aunt, Miss Harrison, to whom she generally gave, every few days, a brief account of the little events in the circle to which they belonged. She had learned his name by this time; it was Morgan.

"I wonder if he is a grandson of old Adam Morgan," said Miss Harrison, who was genealogical and reminiscent. "If he is, I should like to see him. Has he a Roman nose?"

"I think not," said her niece, smiling.

"Well, describe him, then."

"He is of medium height, neither slender nor stout; he is light, with rather peculiar eyes because they are so blue—a deep, dull blue, like old china; but they are not large, and he does not fully open them. He has a long, light mustache, no beard, and very closely cut hair."

"He must be good-looking."

"No; he is not, especially. He may be anywhere between thirty and forty; his hair in a cross-light shows a slight tinge of gray. He looks fatigued; he looks cynical. I should not be surprised if he were selfish. I do not like him."

"But if he should be the grandson of old Adam, I should have to invite him to dinner," said Miss Harrison, reflectively. "I could not do less, I think."

"I won't poison the soup. But Morgan is a common name, Aunt Ruth; this is the fourth Morgan I have met here this spring. There isn't one chance in a thousand that he belongs to the family you know." She was smiling as she spoke, but did not explain her smile; she was thinking that "Morgan" was also the name signed to that letter locked in her writing-desk—a letter whose expressions she now knew quite well, having obeyed Mrs. Lovell's injunction to "read it over" more than once. They were ardent expressions; it might be said, indeed, that they were very ardent.

But now and then that one chance in a thousand, so often summarily dismissed, asserts its existence and appears upon the scene. It turned out in the present case that the stranger was the grandson of the old Adam Morgan whom Miss Harrison remembered. Miss Stowe, in the meantime, had continued to meet him; but now she was to meet him in a new way—when he would be more upon her hands, as it were; for Miss Harrison invited him to dinner.

Miss Ruth Harrison was an invalid of nearly sixty years of age; she had been for ten years in Europe, but had only had her orphaned niece with her during the past eighteen months. She had a large fortune, and she gave Margaret every luxury; especially she liked to see her richly dressed. But it was quite well understood between them that the bulk of her wealth was to go to another relative in America who bore her family name. It was understood between them, but it was not understood outside. On the contrary, it was generally believed in Florence that Miss Stowe would inherit the whole. It is just possible that this belief may have had a remote influence in shaping the opinion which prevailed there—namely, that this young lady was "handsome" and "gracious," when, in truth, she was neither. But Mr. Morgan, the new-comer, exhibited so far, at least, no disposition to fall in with this fiction. In his estimation Miss Stowe was a conventionally agreeable, inwardly indifferent young lady of twenty-six, who carried herself well, but was too ironical as well as too dark. He came to dinner. And did not change his opinion.

A few days after the dinner Miss Harrison invited her new acquaintance to drive; she was able to go out for an hour or two in the afternoon, and she had a luxurious carriage and fine horses. Miss Stowe did not accompany them; she went off by herself to walk in the Boboli Garden.

Miss Harrison returned in good-humor. "I like him," she announced, as the maid removed her bonnet. "Yes, I think I may hope that the grandson of old Adam is not going to be a disappointment."

"The grandson of Adam—I suppose his name is Adam also—is a fortunate person, Aunt Ruth, to have gained your liking so soon; you do not often take likings to strangers."

"His name is not Adam," pursued Miss Harrison, "and that is a pity; there is character as well as association in Adam. He has a family name—Trafford. His mother was a Miss Trafford, of Virginia, it seems."

Miss Stowe was selecting flowers from a fragrant heap before her to fill the wide-mouthed vases which stood on the floor by her side; but now she stopped. "Trafford Morgan" was the name signed at the end of that letter! It must be he; it was not probable that there were two names of that special combination; it seemed a really remarkable chance. And evidently he had not gone to America, in spite of Mrs. Lovell's belief. She began to smile and almost to laugh, bending her head over a great soft purple heap of Florence lilies in order that her aunt might not observe it. But the large room was dusky, and Miss Harrison near-sighted; she observed nothing. The two ladies occupied an apartment in a house which, if it had not been so new, would have been called a "palace." Although modern, the measurements had been after the old Florentine pattern, and the result was that the occupants moved about in rooms which could have contained entire, each one, a small American house. But they liked the vastness. After a moment Miss Stowe went on arranging her blossoms, but inwardly she was enjoying much entertainment; she was going over in her own mind the expressions of that letter, which now took on quite a new character, coming no longer from some formless stranger, but from a gentleman with whom she had spoken, a person she had met and would meet again. "I never should have dreamed that he was capable of it," she said to herself. "He has seemed indifferent, blasé. But it places me in a nice position! Especially now that Aunt Ruth has taken a fancy to him. I must write to Beatrice immediately, and ask her to take back the stupid letter." She wrote during the same evening.

The next day she was attacked by a severe illness—severe, although short. No one could tell what was the matter with her; even the physician was at fault. She did not eat or sleep, she seemed hardly to know what they said when they spoke to her. Her aunt was alarmed. But at the end of the week, as suddenly as she had fallen ill, she came back to life again, rose, ordered the maid to braid her hair, and appeared at Miss Harrison's lonely little dinner-table quite herself, save that she was tremulous and pale. But by the next day even these signs were no longer very apparent. It was decided that she had had an attack of "nervous prostration;" "although why in the world you should have been seized by it just now, and here, I am at a loss, Margaret, to imagine," said her aunt.

On the day of her reappearance at the dinner-table there came a letter from Beatrice which bore the postmark of a village on one of the Channel islands. Mrs. Lovell had changed her plans, and gone yachting for a month or two with a party of friends, a yacht probably being considered to possess attributes of seclusion more total than even the most soundless village on the Brittany shore. Of course she had not received Margaret's letter, nor could she receive one—their route being uncertain, but nevertheless to the southward—until her return. Communication between them for the present was therefore at an end.

On the afternoon after Margaret's reappearance Madame Ferri was making a visit of congratulation upon the recovery of "our dear girl." It was a cool day, a heavy rain had fallen, and fresh snow gleamed on the summits of the Apennines; our dear girl, very unresponsive and silent, was dressed in black velvet, whose rich, plain folds brought out her slenderness, and made more apparent than usual the graceful shape of her head and hair. But the unrelieved black made her look extremely pale, and it was her recent illness, probably, which made her look also tired and languid. Madame Ferri, who kept constantly in practice her talent for being charming (she was always spoken of as "charming"), looked at her for a time while conversing; then she rose, took all the crimson roses from a vase, and, going to her, placed one in her hair, meditatively; another in a button-hole of the closely fitting high corsage; and, after a moment's reflection, all the others in a bunch in a velvet loop which was on the side of the skirt not quite half-way down, rapidly denuding herself of pins for the purpose as she proceeded. "There!" she said, stepping back a few paces to survey her handiwork, with her head critically on one side, "now you are a picture. Look, dear Miss Harrison, pray look."

Miss Harrison put up her glass and approved. And then, while this climax still lasted, Madame Ferri took her departure; she liked to depart in a climax.

She had hardly gone when another card was brought in: "Mr. Trafford Morgan." He, too, had come to pay his respects to Miss Harrison upon the change for the better in her niece; he had not expected to see the latter person, he had merely heard that there was "an improvement." After he had been there twenty minutes he said to himself that there was, and in more ways than one. She not only looked much better than usual (this may have been owing to the roses), but there was a new gentleness about her; and she listened with a perceptible increase of attention to what he said. Not that he cared much for this; he had not admired Miss Stowe; but any man (this he remarked to himself) likes to be listened to when he is talking better than the contrary; and as the minutes passed he became conscious that Miss Stowe was not only listening, but bestowing upon him also what seemed an almost serious attention. She did not say much—Miss Harrison said more; but she listened to and looked at him. She had not looked at him previously; people can turn their eyes upon one without really looking, and Miss Stowe had excelled in this accomplishment.

During the next week he met her at a dinner-party; she went to these entertainments with a friend of her aunt's, a lady who was delighted to act as chaperon for the heiress. The spring season was now at its height in Florence, and the members of the same circle perforce constantly met each other; on each separate occasion during the two weeks that followed Trafford Morgan was conscious that Miss Stowe was honoring him, although in a studiously guarded and quiet way, with much of a very observant attention. This, in the end, excited in him some curiosity. He had as good an opinion of himself as most men have; but he did not think it probable that the heiress had suddenly fallen in love with him without rhyme or reason, as it were, the "rhyme" being that he was neither an Apollo, an Endymion, nor a military man; the "reason," that he had never in the least attempted to make himself agreeable to her. Of course, if he had attempted—But he had not. She was not in need of entertainment; she had enough of that, of all sorts, including apparently the sort given by suitors. She showed no sign of having troublesomely impulsive feelings; on the contrary, she seemed cold. "She is playing some game," he thought; "she has some end in view. But if she wishes to make use of me she must show her hand more. I may assist her, and I may not; but, at any rate, I must understand what it is—I will not be led." He made up his mind that her aim was to excite remark in their circle; there was probably some one in that circle who was to be stimulated by a little wholesome jealousy. It was an ancient and commonplace method, and he had not thought her commonplace. But human nature at heart is but a commonplace affair, after all, and the methods and motives of the world have not altered much, in spite of the gray lapse of ages.

Morgan was an idle man; at present he was remaining in Italy for a purpose, and had nothing to do there. The next time he met Miss Stowe he followed out his theory and took the lead; he began to pay her attention which might, if pursued, have aroused observation. To his surprise she drew back, and so completely that he was left stranded. He tried this three times on three different occasions, and each time met the same rebuff. It became evident, therefore, that Miss Stowe did not wish for the kind of attention which he had supposed was her point; but as, whenever she could do it unobserved, she continued to turn upon him the same quiet scrutiny, he began to ask himself whether she wished for any other. An opportunity occurred which made him think that she did.

It was in the Boboli Garden, where he had gone to walk off a fit of weariness; here he came upon Miss Stowe. There seemed to be no one in the garden save themselves—at least, no one whom they knew; only a few stray tourists wandering about, with Baedeker, Horner, and Hare. The world of fashion was at the Cascine that day, where races were going on. Morgan did not feel like talking; he exchanged the usual phrases with Miss Stowe, and then prepared to pass on. But she said, gently, "Are you going now? If not, why not stroll awhile with me?"

After this, as he mentally observed, of course he was forced to stroll awhile. But, on the whole, he found himself entertained, because his companion gave him an attention which was almost devout. Its seriousness, indeed, compelled him to be serious likewise, and made him feel as though he were in an atmosphere combining the characteristics of a church and a school; he was partly priest, partly pedagogue, and the sensation was amusing. She asked him what he liked best in Florence; and she called it, gravely, "enchanting Florence."

"Giotto and Botticelli," he answered.

"I wish you would be in earnest; I am in earnest."

"With all the earnestness in the world, Miss Stowe, I could only repeat the same reply."

"What is it you find to like in them? Will you tell me?"

"It would take an age—a full half-hour; you would be quite tired out. Women are so much quicker in their mental processes than we are that you would apprehend what I was going to say before I could get it out; you would ascend all the heights, scour all the plains, and arrive at the goal before I came even in sight, where you would sit waiting, patiently or impatiently, as I, slowly and with mortified perception, approached."

"Yes, we are quick; but we are superficial. I wish you would tell me."

He glanced at her; she was looking at him with an expression in her eyes which was extremely earnest. "I cannot deliver a discourse while walking," he said. "I require a seat."

"Let us go to the amphitheatre; I often sit there for a while on the stone benches under the old statues. I like to see them standing around the circle; they are so serenely indifferent to the modern pencil-scrawlings on their robes, so calmly certain that their time will come again."

"What you say is entirely charming. Still, I hardly think I can talk to the statues. I must have something more—more secluded." He was aware that he was verging upon a slight impertinence; but he wished to see whether she would accede—what she would do. He made no effort to find the seclusion of which he spoke; he left that to her.

She hesitated a moment; then, "We might go to a seat there is under a tree at the top of the slope," she said. "It is a pleasant place."

He assented; and they went up the path by the side of the tall, stately hedges, and past the fountain and the great statue of Abbondanza. The stone bench was not one of those sought for; it was not in front, but on the western side. It commanded a view of the city below, with the Duomo and Giotto's lovely bell-tower; of the fruit-trees, all in flower on the outskirts; of the treetops of the Cascine, now like a cloud of golden smoke with their tender brown leaflets, tasselled blossoms, and winged seeds; of the young grain, springing greenly down the valley; and the soft, velvety mountains rising all around. "How beautiful it is!" she said, leaning back, closing her parasol and folding her hands.

"Beautiful—yes; but barren of human interest save to those who are going to sell the fruit, or who depend upon the growth of the grain. The beauty of art is deeper; it is all human."

"I must be quite ignorant about art," she answered, "because it does not impress me in that way; I wish it did. I wish you would instruct me a little, Mr. Morgan."

"Good!" he thought. "What next?" But although he thought, he of course was obliged to talk also, and so he began about the two art masters he had mentioned. He delivered quite an epic upon Giotto's two little frescos in the second cloister of Santa Maria Novella, and he openly preferred the third there—the little Virgin going up the impossible steps—to Titian's splendid picture of the same subject, in Venice. He grew didactic and mystic over the round Botticelli of the Uffizi and the one in the Prometheus room at the Pitti; he invented as he went along, and amused himself not a little with his own unusual flow of language. His companion listened, and now and then asked a question. But her questions were directed more towards what he thought of the pictures (after a while he noticed this), and what impressions they made upon him, than to the pictures themselves or their claims to celebrity. As he went on he made some slight attempts to diverge a little from the subject in hand, and skirt, if ever so slightly, the borders of flirtation; he was curious to see if she would follow him there. But she remained unresponsive; and, while giving no sign of even perceiving his digressions, she brought him back to his art atmosphere, each time he left it, with a question or remark very well adapted for the purpose; so well, indeed, that it could not have been by chance.

She declined his escort homeward, pretexting a visit she wished to pay; but she said, of her own accord, that she would sing for him the next time he came. He knew this was a favor she did not often grant; Madame Ferri had so informed him.

He went, without much delay; and she sang several songs in the dusky corner where her piano stood while he sat near. The light from the wax candles at the other end of the large room, where Miss Harrison was knitting, did not penetrate here; but she said she liked to sing in a semi-darkness, as she had only a twilight voice. It was in truth not at all powerful; but it was sweet and low, and she sang with much expression. Trafford Morgan liked music; it was not necessary to make up a conviction or theory about that; he simply had a natural love for it, and he came more than once to hear Miss Stowe sing.

In the meantime Miss Harrison continued to like "the grandson of old Adam," and again invited him to drive. A month went by, and, by the end of it, he had seen in one way and another a good deal of these two ladies. The "later manner" (as he mentally called it) of Miss Stowe continued; when they were in company, she was as she had been originally, but when they were unobserved, or by themselves, she gave him the peculiar sober attention which he did not quite comprehend. He had several theories about it, and varied between them. He was a man who did not talk of persons, who never told much. If questioned, while answering readily and apparently without reserve, it was noticed afterwards that he had told nothing. He had never spoken of Sicily, for instance, but had talked a good deal of Sweden. This reticence, so exasperating to many women, seemed agreeable to Miss Stowe, who herself did not tell much, or talk of persons—that is, generally. One person she talked about, and with persistence. Morgan was hardly ever with her that she did not, sooner or later, begin to talk to him about himself. Sometimes he was responsive, sometimes not; but responsive or unresponsive, in society or out of it, he had talked, all told, a goodly number of hours with Miss Stowe when May attained its zenith and the season waned.

The tourists had gone to Venice; the red gleam of guide-books along the streets and the conscientiousness of woollen travelling-dresses in the galleries were no longer visible. Miss Stowe now stepped over the boundary-line of her caution a little; many of the people she knew had gone; she went with Trafford to the Academy and the Pitti; she took him into cool, dim churches, and questioned him concerning his creed; she strolled with him through the monastery of San Marco, and asked what his idea was of the next world. She said she liked cloisters; she would like to walk in one for an hour or two every day.

He replied that there were a number of cloisters in Florence; they might visit them in succession and pace around quietly. The effect would be heightened if she would read aloud, as they paced, short sentences from some ancient, stiff-covered little book like De Contemptu Mundi.

"Ah," she said, "you are not in earnest. But I am!"

And she seemed to be; he said to himself that he had hardly had a look or word from her which was not only earnest, but almost portentously so. She now began to do whatever he asked her to do, whether it was to sing Italian music or to read Dante's Vita Nuova, both of which she had said she did not like. It is probable that he asked her to do a number of things about this time which he did not especially care for, simply to see if she would comply; she always did.

"If she goes on in this sort of way," he thought, "never showing the least opposition, or personal moods different from mine, I really don't know where we shall end!"

But at last she did show both. It was in the evening, and she was at the piano; after one or two ballads he asked her to sing a little English song he had found among her music, not printed, but in manuscript.

"Oh, that is nothing," she said, putting out her hand to take it from him. "I will sing this of Schumann's instead; it is much prettier."

But he maintained his point. "I like this better," he said. "I like the name—of course it is impossible, but it is pleasant—'Semper Fidelis.'"

She took it, looked at it in silence for a moment, and then, without further reply, began to sing. There was nothing remarkable in the words or the music; she did not sing as well as usual, either; she hurried the time.

"SEMPER FIDELIS

"Dumb and unchanged my thoughts still round thee hover,

Nor will be moved;

E'en though I strive, my heart remains thy lover,

Though unbeloved;

Yet there is sad content in loyalty,

And, though the silent gift is naught to thee,

It changes never—

Faithful forever."

This was the verse; but at the fifth line she faltered, stopped, and then, rising abruptly, left the room.

"Margaret is very uneven at times," said Miss Harrison, apologetically, from her easy-chair.

"All interesting persons are uneven," he replied. He went over and took a seat beside his hostess, remaining half an hour longer; but as he went back to his hotel he said to himself that Miss Stowe had been for many weeks the most even woman he had ever known, showing neither variation nor shadow of turning. She had been as even as a straight line.

On this account her sudden emotion made an impression upon him. The next day he mentioned that he was going to Trieste.

"Not Venice?" said Miss Harrison. "I thought everybody went to Venice."

"Venice," he replied, "is pre-eminently the place where one needs either an actual, tangible companionship of the dearest sort, or a memory like it. I, who have neither, keep well away from Venice!"

"I rather think, Mr. Morgan, that you have had pretty much what you wanted, in Venice or elsewhere," said Miss Harrison, with a dry humor she sometimes showed. Here she was called from the room to see a poor woman whom she befriended; Miss Stowe and Morgan were left alone.

He was looking at her; he was noting what effect, if any, the tidings of his departure (he had named to-morrow) would have upon her. She had not been conventional; would she resort to conventionality now?

Her gaze was bent upon the floor; after a while she looked up. "Where shall you be this summer?" she said, slowly. "Perhaps we shall be there too." Her eyes were fixed upon his face, her tone was hardly above a whisper.

Perhaps it was curiosity that made him do what he did; whether it was or not, mingled with it there was certainly a good deal of audacity. He rose, went to her, and took her hand. "Forgive me," he said; "I am in love with some one else."

It implied much. But had not her manner implied the same, or more?

She rose; they were both standing now.

"What do you mean!" she demanded, a light coming into her eyes—eyes usually abstracted, almost dull.

"Only what I have said."

"Why should you say it to me?"

"I thought you might be—interested."

"You are mistaken. I am not in the least interested. Why should I be?"

"Are you not a little unkind?"

"Not more unkind than you are insolent."

She was very angry. He began to be a little angry himself.

"I ask your pardon with the deepest humility, Miss Stowe. The insolence of which you accuse me was as far as possible from my mind. If I thought you might be somewhat interested in what I have told you, it was because you have honored me with some small share of your attention during the past week or two; probably it has spoiled me."

"I have; and for a month or two, not a week or two. But there was a motive—It was an experiment."

"You have used me for experimental purposes, then?"

"Yes."

"I am immensely grateful to have been considered worthy of a part in an experiment of yours, even although a passive one. May I ask if the experiment is ended?"

"It is."

"Since when? Since I made that confession about some one else?"

Miss Stowe's face was pale, her dark eyes were brilliant. "I knew all the while that you were in love—hopelessly in love—with Mrs. Lovell," she said, with a proud smile. "That was the reason that, for my experiment, I selected you."

A flush rose over his face as she spoke. "You thought you would have the greater triumph?" he asked.

"I thought nothing of the kind. I thought that I should be safe, because you would not respond."

"And you did not wish me to respond?"

"I did not."

"Excuse me—we are speaking frankly, are we not?—but do you not contradict yourself somewhat? You say you did not wish me to respond; yet, have you not tried to make me?"

"That was not my object. It was but a necessary accompaniment of the experiment."

"And if I had responded?" he said, looking at her.

"I knew you could not. I knew quite well—I mean I could imagine quite well—how much you loved Beatrice. But it has all been a piece of folly upon my part—I see it now." She turned away, and went across to the piano. "I wish you would go now," she said, in a low voice, vaguely turning over the music. "I cannot, because my aunt will think it strange to find me gone."

Instead of obeying her, he crossed the room and stood beside her; and then he saw in the twilight that her eyes were full of tears and her lips quivering, in spite of her effort to prevent it.

"Margaret," he said, suddenly, and with a good deal of feeling in his voice, "I am not worth it! Indeed I am not!" And again he touched her hand.

But she drew it from him. "Are you by any chance imagining that my tears are for you?" she said, in a low tone, but facing him like a creature at bay. "Have you interpreted me in that way? I have a right to know; speak!"

"I am at a loss to interpret you," he said, after a moment's silence.

"I will tell you the whole, then—I must tell you; your mistake forces it from me." She paused, drew a quick breath, and then went on, rapidly: "I love some one else. I have been very unhappy. Just after you came I received a letter which told me that he was soon to be married; he is married now. I had an illness in consequence. You may remember my illness? I made up my mind then that I would root out the feeling if possible, no matter at what cost of pain and effort and long patience. You came in my way. I knew you were deeply attached elsewhere—"

"How did you know it?" he said. He was leaning against the piano watching her; she stood with her hands folded, and pressed so tightly together that he could see the force of the pressure.

"Never mind how; but quite simply and naturally. I said to myself that I would try to become interested in you, even if only to a small degree; I would do everything in my power to forward it. It would be an acquired interest; still, acquired interests can be deep. People can become interested in music, in pictures, in sports, in that way; why not, then, in persons also, since they are more human?"

"That is the very reason—because they are too human," he answered.

But she did not heed. "I have studied you; I have tried to find the good in you; I have tried to believe in you, to idealize you. I have given every thought that I could control to you, and to you alone, for two long months," she said, passionately, unlocking her hands, reddened with their pressure against each other, and turning away.

"It has been a failure?"

"Complete."

"And if you had succeeded?" he asked, folding his arms as he leaned against the piano.

"I should have been glad and happy. I should never have seen you again, of course; but at least the miserable old feeling would have been laid at rest."

"And its place filled by another as miserable!"

"Oh no; it could never have been that," she said, with an emphasis of scorn.

"You tried a dangerous remedy, Margaret."

"Not so dangerous as the disease."

"A remedy may be worse than a disease. In spite of your scornful tone, permit me to tell you that if you had succeeded at all, it would have been in the end by loving me as you loved—I mean love—this other man. While I, in the meantime, am in love (as you are kind enough to inform me—hopelessly) with another woman! Is Beatrice a friend of yours?"

"My dearest friend."

"Has it never occurred to you that you were playing towards her rather a traitorous part?"

"Never."

"Supposing, during this experiment of yours, that I had fallen in love with you?"

"It would have been nothing to Beatrice if you had," responded Mrs. Lovell's friend instantly and loyally, although remembering, at the same moment, that Fiesole blush. Then, in a changed voice, and with a proud humility which was touching, she added, "It would have been quite impossible. Beatrice is the loveliest woman in the world; any one who had loved her would never think of me."

At this moment Miss Harrison's voice was heard in the hall; she was returning.

"Good-bye," said Morgan. "I shall go to-morrow. You would rather have me go." He took her hand, held it an instant, and then raised it to his lips. "Good-bye," he said, again. "Forgive me, Margaret. And do not entirely—forget me."

When Miss Harrison returned they were looking at the music on the piano. A few moments later he took leave.

"I am sorry he has gone," said Miss Harrison. "What in the world is he going to do at Trieste? Well, so goes life! nothing but partings! One thing is a consolation, however—at least, to me; the grandson of old Adam did not turn out a disappointment, after all."

"I do not think I am a judge," replied Miss Stowe.

In June Miss Harrison went northward to Paris, her niece accompanying her. They spent the summer in Switzerland; in the autumn returned to Paris; and in December went southward to Naples and Rome.

Mrs. Lovell had answered Margaret's letter in June. The six weeks of yachting had been charming; the yacht belonged to an English gentleman, who had a country-seat in Devonshire. She herself, by-the-way, might be in Devonshire during the summer; it was so quiet there. Could not Miss Harrison be induced to come to Devonshire? That would be so delightful. It had been extremely difficult to wear deep mourning at sea; but of course she had persisted in it. Much of it had been completely ruined; she had been obliged to buy more. Yes—it was amusing—her meeting Trafford Morgan. And so unexpected, of course. Did she like him? No, the letter need not be returned. If it troubled her to have it, she might destroy it; perhaps it was as well it should be destroyed. There were some such pleasant qualities in English life; there was not so much opportunity, perhaps, as in America—"That blush meant nothing, then, after all," thought the reader, lifting her eyes from the page, and looking musingly at a picture on the wall. "She said it meant only a lack of iron; and, as Beatrice always tells the truth, she did mean that, probably, and not irony, as I supposed." She sat thinking for a few moments, and then went back to the letter: There was not so much opportunity, perhaps, as in America; but there was more stability, more certainty that things would continue to go on. There were various occurrences which she would like to tell; but she never wrote that sort of thing, as Margaret knew. If she would only come to Devonshire for the summer—and so forth, and so forth.

But Beatrice did sometimes write "that sort of thing," after all. During the next February, in Rome, after a long silence, Margaret received a letter from her which brought the tidings of her engagement. He was an Englishman. He had a country-seat in Devonshire. He owned a yacht. Beatrice seemed very happy. "We shall not be married until next winter," she wrote. "I would not consent, of course, to anything earlier. I have consistently endeavored to do what was right from the beginning, and shall not waver now. But by next January there can be no criticism, and I suppose that will be the time. How I wish you were here to advise me about a hundred things! Besides, I want you to know him; you will be sure to like him. He is"—and so forth, and so forth.

"She is following out her destiny," thought the reader in Rome.

In March Miss Harrison found the Eternal City too warm, and moved northward as far as Florence. Madame Ferri was delighted to see them again; she came five times during the first three days to say so.

"You will find so many whom you knew last year here again as well as yourselves," she said, enthusiastically. "We shall have some of our charming old reunions. Let me see—I think I can tell you." And she ran over a list of names, among them that of "Mr. Morgan."

"What, not the grandson of Adam?" said Miss Harrison.

"He is not quite so old as that, is he?" said Madame Ferri, laughing. "It is the one who dined with you several times last year, I believe—Mr. Trafford Morgan. I shall have great pleasure in telling him this very day that you are here."

"Do you know whether he is to remain long?" said Miss Stowe, who had not before spoken.

"I am sorry to say he is not; Mr. Morgan is always an addition, I think—don't you? But he told me only yesterday that he was going this week to—to Tarascon, I think he said."

"Trieste and Tarascon—he selects the most extraordinary places!" said Miss Harrison. "The next time it will be Tartarus."

Madame Ferri was overcome with mirth. "Dear Miss Harrison, you are too droll! Isn't she, dear Miss Stowe?"

"He probably chooses his names at random," said Miss Stowe, with indifference.

The next day, at the Pitti, she met him. She was alone, and returned his salutation coldly. He was with some ladies who were standing near, looking at the "Madonna of the Chair." He merely asked how Miss Harrison was, and said he should give himself the pleasure of coming to see her very soon; then he bowed and returned to his friends. Not long afterwards she saw them all leave the gallery together.

Half an hour later she was standing in front of one of Titian's portraits, when a voice close beside her said, "Ah! the young man in black. You are not admiring it?"

There had been almost a crowd in the gorgeous rooms that morning. She had stood elbow to elbow with so many persons that she no longer noticed them; Trafford Morgan had been able, therefore, to approach and stand beside her for several minutes without attracting her recognition. As he spoke she turned, and, in answer to his smile, gave an even slighter bow than before; it was hardly more than a movement of the eyelids. Two English girls, with large hats, sweet, shy eyes, and pink cheeks, who were standing close beside them, turned away towards the left for a minute to look at another picture.

"Do not treat me badly," he said. "I need kindness. I am not very happy."

"I can understand that," she answered. Here the English girls came back again.

"I think you are wrong in admiring it," he said, looking at the portrait; "it is a quite impossible picture. A youth with that small, delicate head and face could never have had those shoulders; they are the shoulders of quite another type of man. This is some boy whom Titian wished to flatter; but he was artist enough to try and hide the flattery by that overcoat. The face has no calm; you would not have admired it in life."

"On the contrary, I should have admired it greatly," replied Miss Stowe. "I should have adored it. I should have adored the eyes."

"Surely there is nothing in them but a sort of pugnacity."

"Whatever it is, it is delightful."

The English girls now turned away towards the right.

"You are quite changed," he said, looking at her.

"Yes, I think I am. I am much more agreeable. Every one will tell you so; even Madame Ferri, who is obliged to reconcile it with my having been always more agreeable than any one in the world, you know. I have become lighter. I am no longer heavy."

"You mean you are no longer serious."

"That is it. I used to be absurdly serious. But it is an age since we last met. You were going to Trieste, were you not? I hope you found it agreeable?"

"It is not an age; it is a year."

"Oh, a great deal can happen in a year," said Miss Stowe, turning away.

She was as richly dressed as ever, and not quite so plainly. Her hair was arranged in little rippling waves low down upon her forehead, which made her look, if not what might be called more worldly, at least more fashionable, since previously she had worn it arranged with a simplicity which was neither. Owing to this new arrangement of her hair, her eyes looked larger and darker.

He continued to walk beside her for some moments, and then, as she came upon a party of friends, he took leave.

In the evening he called upon Miss Harrison, and remained an hour. Miss Stowe was not at home. The next day he sent to Miss Harrison a beautiful basket of flowers.

"He knows we always keep the rooms full of them," remarked Miss Stowe, rather disdainfully.

"All the same, I like the attention," said Miss Harrison. And she sent him an invitation to dinner. She liked to have one guest.

He came. During the evening he asked Miss Stowe to sing. "I have lost my voice," she answered.

"Yes," said Miss Harrison, "it is really remarkable; Margaret, although she seems so well, has not been able to sing for months—indeed, for a full year. It is quite sad."

"I am not sad about it, Aunt Ruth; I am relieved. I never sang well—I had not voice enough. There was really nothing in it but expression; and that was all pretence."

"You are trying to make us think you very artificial," said Morgan.

"I can make you think what I please, probably. I can follow several lines of conduct, one after the other, and make you believe them all." She spoke lightly; her general tone was much lighter than formerly, as she herself had said.

"Do you ever walk in the Boboli Garden now?" he asked, later.

"Occasionally; but it is a dull place. And I do not walk as much as I did; I drive with my aunt."

"Yes, Margaret has grown indolent," said Miss Harrison; "and it seems to agree with her. She has more color than formerly; she looks well."

"Wonderfully," said Morgan. "But you are thinner than you were," he added, turning towards her.

"And darker!" she answered, laughing. "Mr. Morgan does not admire arrangements in black and white, Aunt Ruth; do not embarrass him." She wore that evening a white dress, unrelieved by any color.

"I see you are bent upon being unkind," he said. It was supposed to be a society remark.

"Not the least in the world," she answered, in the same tone.

He met her several times in company, and had short conversations with her. Then, one afternoon, he came upon her unexpectedly in the Cascine; she was strolling down the broad path alone.

"So you do walk sometimes, after all," he said.

"Never. I am only strolling. I drove here with Aunt Ruth, but, as she came upon a party of American friends who are going to-morrow, I gave up my place, and they are driving around together for a while, and no doubt settling the entire affairs of Westchester County."

"I am glad she met them; I am glad to find you alone. I have something I wish much to say to you."

"Such a beginning always frightens me. Pray postpone it."

"On the contrary, I shall hasten it. I must make the most of this rare opportunity. Do you remember when you did me the honor, Miss Stowe, to make me the subject of an experiment?"

"You insist upon recalling that piece of folly?" she said, opening her parasol. Her tone was composed and indifferent.

"I recall it because I wish to base something upon it. I wish to ask you—to allow yourself to be passively the subject of an experiment on my part, an experiment of the same nature."

She glanced at him; he half smiled. "Did you imagine, then, that mine was in earnest?" she said, with a fine, light scorn, light as air.

"I never imagine anything. Imaginations are useless."

"Not so useless as experiments. Let yours go, and tell me rather what you found to like in—Trieste."

"I suppose you know that I went to England?"

"I know nothing. But yes—I do know that you are going to—Tarascon."

"I shall not go if you will permit what I have asked."

"Isn't it rather suddenly planned?" she said, ironically. "You did not know we were coming."

"Very suddenly. I have thought of it only since yesterday."

They had strolled into a narrow path which led by one of those patches of underwood of which there are several in the Cascine—little bosky places carefully preserved in a tangled wildness which is so pretty and amusing to American eyes, accustomed to the stretch of real forests.

"You don't know how I love these little patches," said Miss Stowe. "There is such a good faith about them; they are charming."

"You were always fond of nature, I remember. I used to tell you that art was better."

"Ah! did you?" she said, her eyes following the flight of a bird.

"You have forgotten very completely in one year."

"Yes, I think I have. I always forget, you know, what it is not agreeable to remember. But I must go back; Aunt Ruth will be waiting." They turned.

"I will speak more plainly," said Morgan. "I went to England during July last—that is, I followed Mrs. Lovell. She was in Devonshire. Quite recently I have learned that she has become engaged in—Devonshire, and is soon to be married there. I am naturally rather down about it. I am seeking some other interest. I should like to try your plan for a while, and build up an interest in—you."

Miss Stowe's lip curled. "The plans are not alike," she said. "Yours is badly contrived. I did not tell you beforehand what I was endeavoring to do!"

"I am obliged to tell you. You would have discovered it."

"Discovered what a pretence it was? That is true. A woman can act a part better than a man. You did not discover! And what am I to do in this little comedy of yours?"

"Nothing. It is, in truth, nothing to you; you have told me that, even when you made a great effort towards that especial object, it was impossible to get up the slightest interest in me. Do not take a violent dislike to me; that is all."

"And if it is already taken?"

"I shall have to conquer that. What I meant was—do not take a fresh one."

"There is nothing like precedent, and therefore I repeat your question: what if you should succeed—I mean as regards yourself?" she said, looking at him with a satirical expression.

"It is my earnest wish to succeed."

"You do not add, as I did, that in case you do succeed you will of course never see me again, but that at least the miserable old feeling will be at rest?"

"I do not add it."

"And at the conclusion, when it has failed, shall you tell me that the cause of failure was—the inevitable comparisons?"

"Beatrice is extremely lovely," he replied, turning his head and gazing at the Arno, shining through an opening in the hedge. "I do not attempt to pretend, even to myself, that she is not the loveliest woman I ever knew."

"Since you do not pretend it to yourself you will not pretend it to me."

She spoke without interrogation; but he treated the words as a question. "Why should I?" he said. And then he was silent.

"There is Aunt Ruth," said Miss Stowe; "I see the horses. She is probably wondering what has become of me."

"You have not altogether denied me," he said, just before they reached the carriage. "I assure you I will not be in the least importunate. Take a day or two to consider. After all, if there is no one upon whom it can really infringe (of course I know you have admirers; I have even heard their names), why should you not find it even a little amusing?"

Miss Stowe turned towards him, and a peculiar expression came into her eyes as they met his. "I am not sure but that I shall find it so," she answered. And then they joined Miss Harrison.

The day or two had passed. There had been no formal question asked, and no formal reply given; but as Miss Stowe had not absolutely forbidden it, the experiment may be said to have been begun. It was soon reported in Florence that Trafford Morgan was one of the suitors for the hand of the heiress; and, being a candidate, he was of course subjected to the searching light of Public Inquiry. Public Inquiry discovered that he was thirty-eight years of age; that he had but a small income; that he was indolent, indifferent, and cynical. Not being able to find any open vices, Public Inquiry considered that he was too blasé to have them; he had probably exhausted them all long before. All this Madame Ferri repeated to Miss Harrison, not because she was in the least opposed to Mr. Morgan, but simply as part of her general task as gatherer and disseminator.

"Trafford Morgan is not a saint, but he is well enough in his way," replied Miss Harrison. "I am not at all sure that a saint would be agreeable in the family."

Madame Ferri was much amused by this; but she carried away the impression also that Miss Harrison favored the suitor.

In the meantime nothing could be more quiet than the manner of the supposed suitor when he was with Miss Stowe. He now asked questions of her; when they went to the churches, he asked her impressions of the architecture; when they visited the galleries, he asked her opinions of the pictures. He inquired what books she liked, and why she liked them; and sometimes he slowly repeated her replies.

This last habit annoyed her. "I wish you would not do that," she said, with some irritation. "It is like being forced to look at one's self in a mirror."

"I do it to analyze them," he answered. "I am so dense, you know, it takes me a long time to understand. When you say, for instance, that Romola is not a natural character because her love for Tito ceases, I, who think that the unnatural part is that she should ever have loved him, naturally dwell upon the remark."

"She would have continued to love him in life. Beauty is all powerful."

"I did not know that women cared much for it," he answered. Then, after a moment, "Do not be too severe upon me," he added; "I am doing my best."

She made no reply.

"I thought certainly you would have answered, 'By contrast?'" he said, smiling. "But you are not so satirical as you were. I cannot make you angry with me."

"Have you tried?"

"Of course I have tried. It would be a step gained to move you—even in that way."

"I thought your experiment was to be all on one side?" she said. They were sitting in a shady corner of the cloisters of San Marco; she was leaning back in her chair, following with the point of her parasol the lines of the Latin inscription on the slab at her feet over an old monk's last resting-place.

"I am not so consistent as I should be," he answered, rising and sauntering off, with his hands in the pockets of his short morning-coat, to look at St. Peter the Martyr.

At another time they were in the Michael Angelo chapel of San Lorenzo. It was past the hour for closing, but Morgan had bribed the custode to allow them to remain, and the old man had closed the door and gone away, leaving them alone with the wondrous marbles.

"What do they mean?" he said. "Tell me."

"They mean fate, our sad human fate: the beautiful Dawn in all the pain of waking; the stern determination of the Day; the recognition of failure in Evening; and the lassitude of dreary, hopeless sleep in Night. It is one way of looking at life."

"But not your way?"

"Oh, I have no way; I am too limited. But genius takes a broader view, and genius, I suppose, must always be sad. People with that endowment, I have noticed, are almost always very unhappy."

He was sitting beside her, and, as she spoke, he saw a little flush rise in her cheeks; she was remembering when Mrs. Lovell had used the same words, although in another connection.

"We have never spoken directly, or at any length, of Beatrice," she said, suddenly. "I wish you would tell me about her."

"Here?"

"Yes, here and now; Lorenzo shall be your judge."

"I am not afraid of Lorenzo. He is not a god; on the contrary, he has all our deepest humanity on his musing face; it is for this reason that he impresses us so powerfully. As it is the first time you have expressed any wish, Miss Stowe, I suppose I must obey it."

"Will it be difficult?"

"It is always difficult, is it not, for a man to speak of an unhappy love?" he said, leaning his elbow on the back of the seat, and shading his eyes with his hand as he looked at her.

"I will excuse you."

"I have not asked to be excused. I first met Mrs. Lovell in Sicily. I was with her almost constantly during five weeks. She is as lovable as a rose—as a peach—as a child." He paused.

"Your comparisons are rather remarkable," said Miss Stowe, her eyes resting upon the grand massiveness of Day.

"They are truthful. I fell in love with her; and I told her so because there was that fatal thing, an opportunity—that is, a garden-seat, starlight, and the perfume of flowers. Of course these were irresistible."

"Indeed?"

"Do not be contemptuous. It is possible that you may not have been exposed to the force of the combination as yet. She rebuked me with that lovely, gentle softness of hers, and then she went away; the Sicilian days were over. I wrote to her—"

He was sitting in the same position, with his hand shading his eyes, looking at her; as he spoke the last phrase he perceived that she colored, and colored deeply.

"You knew the story generally," he said, dropping his arm and leaning forward. "But it is not possible you saw that letter!"

She rose and walked across, as if to get a nearer view of Day. "I admire it so much!" she said, after a moment. "If it should stretch out that great right arm, it could crush us to atoms." And she turned towards him again.

As she did she saw that he had colored also; a deep, dark flush had risen in his face, and covered even his forehead.

"I am safe—very safe!" he said. "After reading such a letter as that, written to another woman, you are not likely to bestow much regard upon the writer, try as he may!"

Miss Stowe looked at him. "You are overacting," she said, coldly. "It is not in your part to pretend to care so soon. It was to be built up gradually."

"Lorenzo understands me," he said, recovering himself. "Shall I go on?"

"I think I must go now," she answered, declining a seat; "it is late."

"In a moment. Let me finish, now that I have begun. I had thought of returning to America; indeed, Beatrice had advised it; she thought I was becoming expatriated. But I gave it up and remained in Italy because I did not wish to appear too much her slave (women do not like men who obey them too well, you know). After this effort I was consistent enough to follow her to England. I found her in—Devonshire, lovelier than ever; and I was again fascinated; I was even ready to accept beforehand all the rules and embargo of the strictest respect to the memory of Mr. Lovell."

Miss Stowe's eyes were upon Day; but here, involuntarily, she glanced towards her companion. His face remained unchanged.

"I was much in love with her. She allowed me no encouragement. But I did not give up a sort of vague hope I had until this recent change. Then, of course, I knew that it was all over for me."

"I am sorry for you," replied Miss Stowe after a pause, still looking at Day.

"Of course I have counted upon that—upon your sympathy. I knew that you would understand."

"Spare me the quotation, 'A fellow-feeling,' and so forth," she said, moving towards the door. "I am going; I feel as though we had already desecrated too long this sacred place."

"It is no desecration. The highest heights of art, as well as of life, belong to love," he said, as they went out into the cool, low hall, paved with the gravestones of the Medici.

"Don't you always think of them lying down below?" she said. "Giovanni in his armor, and Leonore of Toledo in her golden hair?"

"Since when have you become so historical? They were a wicked race."

"And since when have you become so virtuous?" she answered. "They were at least successful."

Time passed. It has a way of passing rapidly in Florence; although each day is long and slow and full and delightful, a month flies. Again the season was waning. It was now believed that Mr. Morgan had been successful, although nothing definite was known. It was remarked how unusually well Miss Stowe looked: her eyes were so bright and she had so much color that she really looked brilliant. Madame Ferri repeated this to Miss Harrison.

"Margaret was always brilliant," said her aunt.

"Oh, extremely!" said Madame Ferri.

"Only people never found it out," added Miss Harrison.

She herself maintained a calm and uninquiring demeanor. Sometimes she was with her niece and her niece's supposed suitor, and sometimes not. She continued to receive him with the same affability which she had bestowed upon him from the first, and occasionally she invited him to dinner and to drive. She made no comment upon the frequency of his visits, or the length of his conversations upon the little balcony in the evening, where the plash of the fountain came faintly up from below. In truth she had no cause for solicitude; nothing could be more tranquil than the tone of the two talkers. Nothing more was said about Mrs. Lovell; conversation had sunk back into the old impersonal channel.

"You are very even," Morgan said one evening. "You do not seem to have any moods. I noticed it last year."

"One is even," she replied, "when one is—"

"Indifferent," he suggested.

She did not contradict him.

Two things she refused to do: she would not sing, and she would not go to the Boboli Garden.

"As I am especially fond of those tall, ceremonious old hedges and serene statues, you cut me off from a real pleasure," said Morgan.

It was on the evening of the 16th of May; they were sitting by the open window; Miss Harrison was not present.

"You can go there after we have gone," she said, smiling. "We leave to-morrow."

"You leave to-morrow!" he repeated. Then, after an instant, "It is immensely kind to tell me beforehand," he said, ironically. "I should have thought you would have left it until after your departure!"

She made no reply, but fanned herself slowly with the beautiful gray fan.

"I suppose you consider that the month is more than ended, and that you are free?"

"You have had all you asked for, Mr. Morgan."

"And therefore I have now only to thank you for your generosity, and let you go."

"I think so."

"You do not care to know the result of my experiment—whether it has been a failure or a success?" he said. "You told me the result of yours."

"I did not mean to tell you. It was forced from me by your misunderstanding."

"Misunderstandings, because so slight that one cannot attack them, are horrible things. Let there be none between us now."

"There is none."

"I do not know." He leaned back in his chair and looked up at the soft darkness of the Italian night. "I have one more favor to ask," he said, presently. "You have granted me many; grant me this. At what hour do you go to-morrow?"

"In the afternoon."

"Give me a little time with you in the Boboli Garden in the morning."

"You are an accomplished workman, Mr. Morgan; you want to finish with a polish; you do not like to leave rough ends. Be content; I will accept the intention as carried out, and suppose that all the last words have been beautifully and shiningly spoken. That will do quite as well."

"Put any construction upon it you please," he answered. "But consent."

But it was with great difficulty that he obtained that consent.

"There is really nothing you can say that I care to hear," she declared, at last.

"The king is dead! My time is ended, evidently! But, as there is something you can say which I care to hear, I again urge you to consent."

Miss Stowe rose, and passed through the long window into the lighted empty room, decked as usual with many flowers; here she stood, looking at him, as he entered also.

"I have tried my best to prevent it," she said.

"You have."

"And you still insist?"

"I do."

"Very well; I consent. But you will not forget that I tried," she said. "Good-night."

The next morning at ten, as he entered the old amphitheatre, he saw her; she was sitting on one of the upper stone seats, under a statue of Diana.

"I would rather go to our old place," he said, as he came up; "the seat under the tree, you know."

"I like this better."

"As you prefer, of course. It will be more royal, more in state; but, to be in accordance with it, you should have been clothed in something majestic, instead of that soft, yielding hue."

"That is hardly necessary," she answered.

"By which you mean, I suppose, that your face is not yielding. And indeed it is not."

She was dressed in cream color from head to foot; she held open, poised on one shoulder, a large, heavily fringed, cream-colored parasol. Above this soft drapery and under this soft shade the darkness of her hair and eyes was doubly apparent.

He took a seat beside her, removed his hat, and let the breeze play over his head and face; it was a warm summer morning, and they were in the shadow.

"I believe I was to tell you the result of my experiment," he said, after a while, breaking the silence which she did not break.

"You wished it; I did not ask it."

If she was cool, he was calm; he was not at all as he had been the night before; then he had seemed hurried and irritated, now he was quiet. "The experiment has succeeded," he said, deliberately. "I find myself often thinking of you; I like to be with you; I feel when with you a sort of satisfied content. What I want to ask is—I may as well say it at once—Will not this do as the basis of a better understanding between us?"

She was gazing at the purple slopes of Monte Morello opposite. "It might," she answered.

He turned; her profile was towards him, he could not see her eyes.

"I shall be quite frank," he continued; "under the circumstances it is my only way. You have loved some one else. I have loved some one else. We have both been unhappy. We should therefore, I think, have a peculiar sympathy for and comprehension of each other. It has seemed to me that these, combined with my real liking for you, might be a sufficient foundation for—let us call it another experiment. I ask you to make this experiment, Margaret; I ask you to marry me. If it fails—if you are not happy—I promise not to hold you in the slightest degree. You shall have your liberty untrammelled, and, at the same time, all shall be arranged so as to escape comment. I will be with you enough to save appearances; that is all. In reality you shall be entirely free. I think you can trust my word."

"I shall have but little from my aunt," was her answer, her eyes still fixed upon the mountain. "I am not her heiress, as you suppose."

"You mean that to be severe; but it falls harmless. It is true that I did suppose you were her heiress; but the fact that you are not makes no difference in my request. We shall not be rich, but we can live; it shall be my pleasure to make you comfortable."

"I do not quite see why you ask this," she said, with the same slow utterance and her eyes turned away. "You do not love me; I am not beautiful; I have no fortune. What, then, do you gain?"

"I gain," he said—"I gain—" Then he paused. "You would not like me to tell you," he added; and his voice was changed.

"I beg you to tell me." Her lips were slightly compressed, a tremor had seized her; she seemed to be exerting all her powers of self-control.

He watched her a moment, and then, leaning towards her while a new and beautiful expression of tenderness stole into his eyes, "I gain, Margaret," he said, "the greatest gift that can be given to a man on this earth, a gift I long for—a wife who really and deeply loves me."

The hot color flooded her face and throat; she rose, turning upon him her blazing eyes. "I was but waiting for this," she said, her words rushing forth, one upon the other, with the unheeding rapidity of passion. "I felt sure that it would come. With the deeply-rooted egotism of a man you believe that I love you; you have believed it from the beginning. It was because I knew this that I allowed this experiment of yours to go on. I resisted the temptation at first, but it was too strong for me; you yourself made it so. It was a chance to make you conscious of your supreme error; a chance to have my revenge. And I yielded. You said, not long ago, that I was even. I answered that one was even when one was— You said 'indifferent,' and I did not contradict you. But the real sentence was that one was even when one was pursuing a purpose. I have pursued a purpose. This was mine: to make you put into words your egregious vanity, to make you stand convicted of your dense and vast mistake. But towards the end a better impulse rose, and the game did not seem worth the candle. I said to myself that I would go away without giving you, after all, the chance to stultify yourself, the chance to exhibit clearly your insufferable and amazing conceit. But you insisted, and the impulse vanished; I allowed you to go on to the end. I love you! You!"

He had risen also; they stood side by side under the statue of Diana; some people had come into the amphitheatre below. He had turned slightly pale as she uttered these bitter words, but he remained quite silent. He still held his hat in his hand; his eyes were turned away.

"Have you nothing to say?" she asked, after some moments had passed.

"I think there is nothing," he answered, without turning.

Then again there was a silence.

"You probably wish to go," he said, breaking it; "do not let me detain you." And he began to go down the steps, pausing, however, as the descent was somewhat awkward, to give her his hand.

To the little Italian party below, looking at the Egyptian obelisk, he seemed the picture of chivalry, as, with bared head, he assisted her down; and as they passed the obelisk, these children of the country looked upon them as two of the rich Americans, the lady dressed like a picture, the gentleman distinguished, but both without a gesture or an interest, and coldly silent and pale.

He did not accompany her home. "Shall I go with you?" he said, breaking the silence as they reached the exit.

"No, thanks. Please call a carriage."

He signalled to a driver who was near, and assisted her into one of the little rattling Florence phaetons.

"Good-bye," she said, when she was seated.

He lifted his hat. "Lung' Arno Nuovo," he said to the driver.

And the carriage rolled away.

Countries attract us in different ways. We are comfortable in England, musical in Germany, amused in Paris (Paris is a country), and idyllic in Switzerland; but when it comes to the affection, Italy holds the heart—we keep going back to her. Miss Harrison, sitting in her carriage on the heights of Bellosguardo, was thinking this as she gazed down upon Florence and the valley below. It was early in the next autumn—the last of September; and she was alone.

A phaeton passed her and turned down the hill; but she had recognized its occupant as he passed, and called his name—"Mr. Morgan!"

He turned, saw her, bowed, and, after a moment's hesitation, ordered his driver to stop, sprang out, and came back to speak to her.

"How in the world do you happen to be in Florence at this time of year?" she said, cordially, giving him her hand. "There isn't a soul in the place."

"That is the reason I came."

"And the reason we did, too," she said, laughing. "I am delighted to have met you; one soul is very acceptable. You must come and see me immediately. I hope you are going to stay."

"Thanks; you are very kind. But I leave to-morrow morning."

"Then you must come to-night; come to dinner at seven. It is impossible you should have another engagement when there is no one to be engaged to—unless it be the pictures; I believe they do not go away for the summer."

"I really have an engagement, Miss Harrison; you are very kind, but I am forced to decline."

"Dismiss your carriage, then, and drive back with me; I will set you down at your hotel. It will be a visit of some sort."

He obeyed. Miss Harrison's fine horses started, and moved with slow stateliness down the winding road, where the beggars had not yet begun to congregate; it was not "the season" for beggars; they were still at the sea-shore.

Miss Harrison talked on various subjects. They had been in Switzerland, and it had rained continuously; they had seen nothing but fog. They had come over the St. Gothard, and their carriage had broken down. They had been in Venice, and had found malaria there. They had been in Padua, Verona, and Bologna, and all three had become frightfully modern and iconoclastic. Nothing was in the least satisfactory, and Margaret had not been well; she was quite anxious about her.

Mr. Morgan "hoped" that it was nothing serious.

"I don't know whether it is or not," replied Miss Harrison. "Margaret is rather a serious sort of a person, I think."

She looked at him as if for confirmation, but he did not pursue the subject. Instead, he asked after her own health.

"Oh, I am as usual. It is only your real invalids who are always well; they enjoy their poor health, you know. And what have you been doing since I last saw you? I hope nothing out of the way. Let me see—Trieste and Tarascon; you have probably been in—Transylvania?"

"That would be somewhat out of the way, wouldn't it? But I have not been there; I have been in various nearer places, engaged rather systematically in amusing myself."

"Did you succeed? If you did you are a man of genius. One must have a rare genius, I think, to amuse one's self in that way at forty. Of course I mean thirty-five, you know; but forty is a better conversational word—it classifies. And you were amused?"

"Immensely."

"So much so that you have to come to Florence in September to rest after it!"

"Yes."

Miss Harrison talked on. He listened, and made the necessary replies. The carriage entered the city, crossed the Carraja bridge, and turned towards his hotel.

"Can you not come for half an hour this evening, after your engagement is over?" she said. "I shall be all alone, for Margaret cannot be there before midnight; she went into the country this morning with Madame Ferri—some sort of a fête at a villa, a native Florentine affair. You have not asked much about her, I think, considering how constantly you were with her last spring," she added, looking at him calmly.

"I have been remiss; pardon it."

"It is only forgetfulness, of course. That is not a fault nowadays; it is a virtue, and, what is more, highly fashionable. But there is one little piece of news I must tell you about my niece: she is going to be married."

"That is not little; it is great. Please present to her my sincere good wishes and congratulations."

"I am sorry you cannot present them yourself. But at least you can come and see me for a little while this evening—say about ten. The grandson of your grandfather should be very civil to old Ruth Harrison for old times' sake." Here the carriage stopped at his door. "Remember, I shall expect you," she said, as he took leave.

At about the hour she had named he went to see her; he found her alone, knitting. It was one of her idiosyncrasies to knit stockings "for the poor." No doubt there were "poor" enough to wear them; but as she made a great many, and as they were always of children's size and black, her friends sometimes thought, with a kind of amused dismay, of the regiment of little funereal legs running about for which she was responsible.

He had nothing especial to say; his intention was to remain the shortest time possible; he could see the hands of the clock, and he noted their progress every now and then through the twenty minutes he had set for himself.

Miss Harrison talked on various subjects, but said nothing more concerning her niece; nor did he, on his side, ask a question. After a while she came to fashions in art. "It is the most curious thing," she said, "how people obediently follow each other along a particular road, like a flock of sheep, no matter what roads, equally good and possibly better, open to the right and the left. Now there are the wonderfully spirited frescos of Masaccio at the Carmine, frescos which were studied and copied by Raphael himself and Michael Angelo. Yet that church has no vogue; it is not fashionable to go there; Ruskin has not written a maroon-colored pamphlet about it, and Baedeker gives it but a scant quarter-page, while the other churches have three and four. Now it seems to me that—"

But what it seemed Morgan never knew, because here she paused as the door opened. "Ah, there is Margaret, after all," she said. "I did not expect her for three hours."

Miss Stowe came across the large room, throwing back her white shawl and taking off her little plumed hat as she came. She did not perceive that any one was present save her aunt; the light was not bright, and the visitor sat in the shadow.

"It was very stupid," she said. "Do not urge me to go again." And then she saw him.

He rose, and bowed. After an instant's delay she spoke his name, and put out her hand, which he took as formally as she gave it. Miss Harrison was voluble. She was "so pleased" that Margaret had returned earlier than was expected; she was "so pleased" that the visitor happened to be still there. She seemed indeed to be pleased with everything, and talked for them both; in truth, save for replies to her questions, they were quite silent. The visitor remained but a short quarter of an hour, and then took leave, saying good-bye at the same time, since he was to go early in the morning.

"To Trent?" said Miss Harrison.

"To Tadmor, I think, this time," he answered, smiling.

The next morning opened with a dull gray rain. Morgan was late in rising, missed his train, and was obliged to wait until the afternoon. About eleven he went out, under an umbrella, and, after a while, tired of the constant signals and clattering followings of the hackmen, who could not comprehend why a rich foreigner should walk, he went into the Duomo. The vast church, never light even on a bright day, was now sombre, almost dark, the few little twinkling tapers, like stars, on an altar at the upper end, only serving to make the darkness more visible. He walked down to the closed western entrance, across whose wall outside rises slowly, day by day, the new façade under its straw-work screen. Here he stood still, looking up the dim expanse, with the dusky shadows, like great winged, formless ghosts, hovering over him.

One of the south doors, the one near the choir, was open, and through it a slender ray of gray daylight came in, and tried to cross the floor. But its courage soon failed in that breadth and gloom, and it died away before it had gone ten feet. A blind beggar sat in a chair at this entrance, his patient face faintly outlined against the ray; there seemed to be no one else in the church save the sacristan, whose form could be dimly seen moving about, renewing the lights burning before the far-off chapels.

The solitary visitor strolled back and forth in the shadow. After a while he noted a figure entering through the ray. It was that of a woman; it had not the outlines of the usual church beggar; it did not stoop or cringe; it was erect and slender, and stepped lightly; it was coming down towards the western end, where he was pacing to and fro. He stopped and stood still, watching it. It continued to approach—and at last brushed against him. Coming in from the daylight, it could see nothing in the heavy shadow.

"Excuse me, Miss Stowe," he said; "I should have spoken. My eyes are accustomed to this light, and I recognized you; but of course you could not see me."

She had started back as she touched him; now she moved away still farther.

"It is grandly solitary here on a rainy day, isn't it?" he continued. "I used often to come here during a storm. It makes one feel as if already disembodied—as if he were a shade, wandering on the gray, unknown outskirts of another world."

She had now recovered herself, and, turning, began to walk back towards the ray at the upper door. He accompanied her. But the Duomo is vast, and cannot be crossed in a minute. He went on talking about the shadows; then stopped.

"I am glad of this opportunity to give you my good wishes, Miss Stowe," he said, as they went onward. "I hope you will be quite happy."

"I hope the same, certainly," she answered. "Yet I fail to see any especially new reason for good wishes from you just at present."

"Ah, you do not know that I know. But Miss Harrison told me yesterday—told me that you were soon to be married. If you have never forgiven me, in the light of your present happiness I think you should do so now."

She had stopped. "My aunt told you?" she said, while he was still speaking. But now, as he paused, she walked on. He could not see her face; although approaching the ray, they were still in the shadow, and her head was turned from him.

"As to forgiveness, it is I who should ask forgiveness from you," she said, after some delay, during which there was no sound but their footsteps on the mosaic pavement.

"Yes, you were very harsh. But I forgave you long ago. I was a dolt, and deserved your sharp words. But I want very much to hear you say that you forgive me."

"There is nothing to forgive."

"That is gently spoken. It is your marriage present to me, and I feel the better for it."

A minute later they had reached the ray and the door. He could see her face now. "How ill you look!" he said, involuntarily. "I noticed it last evening. It is not conventional to say so, but it is at least a real regret. He should take better care of you."

The blind beggar, hearing their footsteps, had put out his hand. "Do not go yet," said Morgan, giving him a franc. "See how it is raining outside. Walk with me once around the whole interior for the sake of the pleasant part of our Florentine days—for there was a pleasant part; it will be our last walk together."

She assented silently, and they turned into the shadow again.

"I am going to make a confession," he said, as they passed the choir; "it can make no difference now, and I prefer that you should know it. I did not realize it myself at the time, but I see now—that is, I have discovered since yesterday—that I was in love with you, more or less, from the beginning."

She made no answer, and they passed under Michael Angelo's grand, unfinished statue, and came around on the other side.

"Of course I was fascinated with Beatrice; in one way I was her slave. Still, when I said to you, 'Forgive me; I am in love with some one else,' I really think it was more to see what you would say or do than any feeling of loyalty to her."

Again she said nothing. They went down the north aisle.

"I wish you would tell me," he said, leaving the subject of himself and turning to her, "that you are fully and really happy in this marriage of yours. I hope you are, with all my heart; but I should like to hear it from your own lips."

She made a gesture as if of refusal; but he went on. "Of course I know I have no right; I ask it as a favor."

They were now in deep obscurity, almost darkness; but something seemed to tell him that she was suffering.

"You are not going to do that wretched thing—marry without love?" he said, stopping abruptly. "Do not, Margaret, do not! I know you better than you know yourself, and you will not be able to bear it. Some women can; but you could not. You have too deep feelings—too—"

He did not finish the sentence, for she had turned from him suddenly, and was walking across the dusky space in the centre of the great temple whose foundations were so grandly laid six centuries ago.

But he followed her and stopped her, almost by force, taking both her hands in his. "You must not do this," he said; "you must not marry in that way. It is dangerous; it is horrible; for you, it is a crime." Then, as he stood close to her and saw two tears well over and drop from her averted eyes, "Margaret! Margaret!" he said, "rather than that, it would have been better to have married even me."

She drew her hands from his, and covered her face; she was weeping.

"Is it too late?" he whispered. "Is there a possibility—I love you very deeply," he added. And, cold and indifferent as Florence considered him, his voice was broken.

When they came round to the ray again, he gave the blind beggar all the small change he had about him; the old man thought it was a paper golconda.

"You owe me another circuit," he said; "you did not speak through fully half of the last one."

So they went around a second time.

"Tell me when you first began to think about me," he said, as they passed the choir. "Was it when you read that letter?"

"It was an absurd letter."

"On the contrary, it was a very good one, and you know it. You have kept it?"

"No; I burned it long ago."

"Not so very long! However, never fear; I will write you plenty more, and even better ones. I will go away on purpose."

They crossed the east end, under the great dome, and came around on the other side.

"You said some bitter things to me in that old amphitheatre, Margaret; I shall always hate the place. But after all—for a person who was quite indifferent—were you not just a little too angry?"

"It is easy to say that now," she answered.

They went down the north aisle.

"Why did you stop and leave the room so abruptly when you were singing that song I asked for—you know, the 'Semper Fidelis?'"

"My voice failed."

"No; it was your courage. You knew then that you were no longer 'fidelis' to that former love of yours, and you were frightened by the discovery."

They reached the dark south end.

"And now, as to that former love," he said, pausing. "I will never ask you again; but here and now, Margaret, tell me what it was."

"It was not 'a fascination'—like yours," she answered.

"Do not be impertinent, especially in a church. Mrs. Lovell was not my only fascination, I beg to assure you; remember, I am thirty-six years old. But now—what was it?"

"A mistake."

"Good; but I want more."

"It was a will-o'-the-wisp that I thought was real."

"Better; but not enough."

"You ask too much, I think."

"I shall always ask it; I am horribly selfish; I warn you beforehand that I expect everything, in the most relentless way."

"Well, then, it was a fancy, Trafford, that I mistook for—" And the Duomo alone knows how the sentence was ended.

As they passed, for the third time, on their way towards the door, the mural tablet to Giotto, Morgan paused. "I have a sort of feeling that I owe it to the old fellow," he said. "I have always been his faithful disciple, and now he has rewarded me with a benediction. On the next high-festival his tablet shall be wreathed with the reddest of roses and a thick bank of heliotrope, as an acknowledgment of my gratitude."

It was; and no one ever knew why. If it had been in "the season," the inquiring tourists would have been rendered distracted by the impossibility of finding out; but to the native Florentines attending mass at the cathedral, to whom the Latin inscription, "I am he through whom the lost Art of Painting was revived," remains a blank, it was only a tribute to some "departed friend."

"And he is as much my friend as though he had not departed something over five centuries ago," said Trafford; "of that I feel convinced."

"I wonder if he knows any better, now, how to paint an angel leaning from the sky," replied Margaret.

"Have you any idea why Miss Harrison invented that enormous fiction about you?" he said, as they drove homeward.

"Not the least. We must ask her."

They found her in her easy-chair, beginning a new stocking. "I thought you were in Tadmor," she said, as Trafford came in.

"I started; but came back to ask a question. Why did you tell me that this young lady was going to be married?"

"Well, isn't she?" said Miss Harrison, laughing. "Sit down, you two, and confess your folly. Margaret has been ill all summer with absolute pining—yes, you have, child, and it is a woman's place to be humble. And you, Trafford, did not look especially jubilant, either, for a man who has been immensely amused during the same space of time. I did what I could for you by inventing a sort of neutral ground upon which you could meet and speak. It is very neutral for the other man, you know, when the girl is going to be married; he can speak to her then as well as not! I was afraid last night that you were not going to take advantage of my invention; but I see that it has succeeded (in some mysterious way out in all this rain) better than I knew. It was, I think," she concluded, as she commenced on a new needle, "a sort of experiment of mine—a Florentine experiment."

Trafford burst into a tremendous laugh, in which, after a moment, Margaret joined.

"I don't know what you two are laughing at," said Miss Harrison, surveying them. "I should think you ought to be more sentimental, you know."

"To confess all the truth, Aunt Ruth," said Trafford, going across and sitting down beside her, "Margaret and I have tried one or two of those experiments already!"

A WAITRESS

AS the evening was delightful, their coffee was served in the garden. Modesta brought out a low table and a tray; then, returning to the kitchen, she came forth again with the coffee-pot, fresh from the fire, and filled the two cups, one for Dennison, the other for his guest, Edward Gray. The coffee was fragrant, very hot, very black. John Dennison never took at night more than this one small cupful; but it was necessary that the quality of the drops within should be of the purest, and Peppino, the cook, knew that he must not fail. The dinner which had preceded the coffee had been excellent.

"Well, Jack, you live well!" Gray had remarked, after he had spent two days with his former school-fellow.

"Yes, good cooking has become a sine qua non with me," Dennison answered. "I don't take much, but it must be just so; I can't put up with even a trifling deficiency. I give Peppino very high wages for this economical land; but, on my side, I require of him unfailingly his very best skill. I am afraid," he added, with a quizzical smile, "that I couldn't get through my day and cultivate lofty thoughts if I did not feel certain that at the end of it there would be a capital little dinner waiting on the table. Physical comfort has become enormously important to me. Result: I'm corpulent!"

"Oh no," said Gray.

"Well on the way to it, then. Do you remember how lean I used to be?"

"You look in much better trim than you did when—"

"When I was young. You needn't hesitate about saying it; we're in the same box in that respect. How old do we call ourselves now?"

"We're fifty-two," answered Gray. "But I to-day look fifty-eight or nine, and you about forty. To me, Jack, it's marvellous—your youth."

"Yes, I'm plump. I no longer worry; I take life easily. But it's such an immense change in every way that I've stopped watching it myself. Why, I remember when I liked pictures that tell a story, good heavens! and books with a moral, and iron-fronted blocks, and plenty of gaslight."

"Well, it's awfully tempting," said Gray, slowly, as he looked about him.

"Plenty of gaslight?"

"No; this place—the whole thing."

They were sitting at one end of a flower-bordered walk which leads to a terrace with a parapet; from here opens out a panorama of the velvety hills of Tuscany, with a crowd of serried mountain-peaks rising behind them; below, in the narrow valley of a winding stream, is the small mediæval town of Tre Ponti, or Three Bridges. The garden retains a distinctly monastic air, though its last monk took leave of it several hundred years ago; here are no statues of goddesses and muses, so common in Italy; instead there are two worn stone crosses, with illegible Latin inscriptions at their bases. An arcade along one side is paved with flag-stones, and has the air of a cloister; at its end is a fresco representing a monk with his finger on his lips, as if inculcating silence; the face is dim, all save the eyes, but these have a strange vitality, and appear to follow the gazer with intelligence as he turns away. There are two ancient sundials, and there is a relic which excites curiosity—a flight of stone steps attached to a high boundary wall; the steps go up for a distance of eight or nine feet, and then stop, leading to nothing. On the north and west, where it stretches to the verge of the hill, the garden is open, defended only by its parapet. Across its south edge it is shut in by the irregular stone house called Casa Colombina. On the east there is the boundary wall already mentioned, and above this wall there rises outside, not fifteen yards away, a massive square battlemented tower, one hundred and thirty feet high, named Torre Colombina, or Tower of the Dove. This tower is now occupied only by owls, and travellers suppose vaguely that it belongs in some way to the little church of Santa Lucia, which nestles at its feet; they even fancy that it is the campanile for Santa Lucia's bells. But the great stone Tower of the Dove dates from the thirteenth century, and although Santa Lucia cannot be called young, her two hundred and fifty years are nothing to the greater antiquity of her ponderous, overshadowing neighbor. Santa Lucia's bells, indeed, would be lost in the Tower of the Dove. The saint has but three, each twelve inches in length, and the miniature peal is suspended in a belfry about as large as a pigeon-house which perches on the roof of her own small temple—a yellow sanctuary adorned with a flat pointed façade which looks (it is a characteristic of many church façades in Italy) as if it would come up and off if pulled strongly at the top, like the front of a box or the slide of a lantern.

Edward Gray's compliment had drawn from Dennison a disparaging "Oh, it's all dilapidated, forlorn—"

"Spare your adjectives," responded the other man. "They're pure hypocrisy. You needn't pretend you don't like it!"

"Of course I don't pretend. Haven't I lived here for nearly twenty years because I do like it? That tells the story."

"Though my occupation at home is the making of boiler-plate," Gray continued, pursuing the current of his own thoughts, "and though I couldn't and wouldn't live here as you do, giving up your own country (the greatest country in the world), yet don't imagine, Jack, that I can't take it in!"

He had risen while speaking. Now he went down to the parapet and stood looking at the view. Each mountain-peak was bathed in the light of sunset; all was softly fair—the ineffable loveliness of Italy. He came back. "It's probable that I take it in more than you do," he went on.

"Oh yes, of course; new-comers always think so. They think that we don't comprehend either the country or the people because we take them calmly. They believe that they themselves show far more discrimination in only coming now and then. For in that way they preserve their power of appreciating; they don't grow dull-eyed and stupid as we do."

"Exactly. That's just what I think," answered Gray. "What do you suppose those stairs were for?" he added, as he sat down again beside the table and lighted a cigarette.

"Probably they led to a small out-door pulpit which has fallen down. The whole top of this hill was covered by a monastery—a fortified place, I believe, with four towers. Only one of the towers remains, and nothing above ground of all the other buildings but that piece of high wall; I dare say there are plenty of substructures and vaults below. But though the monastery has gone, this old garden of the monks remains very much as it was, I fancy."

Modesta now came to take the tray. She was accompanied by a cat and a dog. The dog was a small dachshund, black, with long silky ears and very crooked paws. The cat, a sinuous yellow matron, appeared to believe that she was the favorite, for she rubbed herself against her mistress's ankles caressingly. As Modesta, with murmured "excuses," lifted the tray, four kittens rushed from the house, gambolling and tumbling over each other; they all made their way to her feet, round which they curled themselves so that she walked in a tangle of cats. She returned towards the house with her tray, laughing, and careful not to step on them. The dog waited a moment with dignity. "Here, Hannibal! Here!" said Dennison. But the dachshund paid no attention to him; he trotted back to the house as fast as his short legs could carry him.

"He is supposed to be my property. But he spends his life in the kitchen," commented Dennison.

"That girl of yours has a passion for animals; one might rather call it compassion, perhaps, for I have even seen her petting that preternaturally ill-tempered and hideous donkey who turns your water-wheel," remarked Gray. "It seems to extend in all directions, for she runs out to help the old milkman up the hill with his cans, and she gives tidbits to that idiot boy who haunts the main road."

"That isn't half. She feeds regularly two children who live a little below here, on the way down to the valley. Partly she robs me to do it, after the easy Italian fashion; but she also robs herself—I have had proof of that. She almost always has some forlorn object, varying anywhere from a lame chicken to a blind man, stowed away in a corner of the court or the kitchen, where she can see to and comfort it. And every Friday, when the regular beggars of Tre Ponti—the authorized humbugs—make the round of the villas and poderes on this side of the valley, invariably she has saved something for each one of them."

"She is extraordinarily handsome. With her full throat, her large, soft eyes, and that classic head and hair, she looks like a Madonna of one of the old painters. I have never seen a more kindly and beautiful smile."

"It's well enough. But the great thing is that she is perfect as a servant. What she has to do is done without a fault."

"And she is so placid and sweet-tempered, too, as well as skilful," Gray went on. "She's a regular marvel!"

"She's a regular Tuscan!"

"Didn't I tell you that you don't half appreciate the beautiful natures of these people? As to this particular girl—come back to America, and see what we have to put up with! A waitress like that, over there, would be worth her weight in silver—if not gold."

"A what?" asked Dennison.

"A waitress; that's what we call 'em now; we've given up 'help.' Is she married to your cook?"

"Oh no; Peppino is nearly sixty. She is only twenty-five, though she looks thirty. She is a widow, and she is thinking of taking another husband before long. Have you noticed a young fellow working in the vineyard just under your windows?"

"I have noticed some one loafing there."

"That's the man."

"Poor good-natured woman—he has imposed upon her; she will have to earn his living as well as her own. As it happens, I have watched him, and a lazier creature I never saw; he looks at the vines occasionally, and he calls down jokes to the other men below; that is the extent of his exertions. Come out for a walk."

"I don't walk after dinner."

"Come at least as far as the tower."

Thus adjured, Dennison rose. In spite of his own assertion, he was not corpulent; he was a tall man whose outlines had grown large; but he was muscular still. Gray also was tall. If Edward Gray had a hobby, it was to show to the world that an American business-man can be as athletic as an English fox-hunter or an ancient Greek; his face, which was thin and deeply lined, did not come up to his ambition; but his erect figure, wiry and elastic, was well-developed and strong.

As they passed through the house, now growing dim in the twilight, they caught a glimpse of the waitress in the distance, seated in the kitchen, knitting. On the table by her side two of the tall, slender Tuscan lamps were burning, each with its three little wicks and its three brass chains; in her lap two kittens were curled asleep. The light illumined also a gaudy print on the wall, apparently a Madonna. Beneath the print was a jug filled with flowers.

"Is that little piece of piety your cook's?" Gray asked, as they passed out.

"No. The cook is a free-thinker. It's Modesta; she is overwhelmingly devout. She has the whole house blessed at regular intervals—priest and holy-water."

The outer door of Casa Colombina opens directly upon the small square or piazza of Santa Lucia, a grassy space dotted with minute pink daisies. One side of this square is bordered by a low wall. In the daytime this wall's broad, flat top was adorned not infrequently by the recumbent figure of one of Modesta's protégés, who, after enjoying her bounty, was taking a siesta here, in the sunshine or the shade, according to the season; sometimes it was Hannibal, with his nose on his paws; sometimes it was the cat; very often it was a beggar or the idiot boy. To-night the slab was empty, and, after a stroll of half an hour up the road and back, Dennison and his visitor sat down here for a moment; it made an excellent seat. It was now dark; the lights of Tre Ponti were twinkling in the valley, the evening-star shone above the Tower of the Dove; the soft air of the Italian May was filled with the fragrance of blossoms. Suddenly on one of the mountains in the northern sky there appeared, flashing out, a gleam. Then a blaze.

"Woods on fire up there," said Gray, who was accustomed to forest fires at home.

But while he was speaking a similar glare appeared on a mountain in the south. And then a third in the east. Many summits and flanks of the Apennines were in sight, and before long there were fifty of the blazing signals visible, some near, some distant, but all at high points.

"It's the vigil of the Ascension, the night when the mountain peasants light bonfires on their peaks as a species of religious rite," explained Dennison. "In reality it is a relic of pagan times. Their belief is that the ceremony will bring tranquillity to their families during the year."

A figure which had come from the house now passed them. "Lordships will pardon," said Modesta's voice; "they know that I would not wish to disturb. But from the kitchen it is not possible to count the mountain fires. And to count them all is important, since tranquillity is most surely a blessed thing. Excuses." She passed on to a distant angle of the wall, where she stood for five or ten minutes.

"What did she say?" asked Gray, who was sure that he could learn to speak Italian in a week or two. Simplest thing in the world—so much like Latin.

Dennison translated the phrases—the lordships, the excuses, and the proffered opinion as to tranquillity.

"It's awfully pretty," said Gray, admiringly.

Modesta, after finishing her counting, crossed the piazza to the little church. In the starlit darkness they could see her kneel down there in the porch.

"She is clinching it—the tranquillity—by a few private orisons," said Dennison.

Presently, her devotions concluded, the waitress returned to the house. The two men remained where they were. They had all sorts of subjects to thresh out together. They took them up, or rather Gray did, by fits and starts.

"Well, Jack, it's settled, then, that you're never coming home?" he remarked, as he accepted another cigarette.

"Not at all," Dennison answered. "I shall come back by-and-by, when I feel like it. In the meanwhile I pay my taxes regularly over there, and I subscribe to all the charities I believe in—three or four. If there were to be another war (but there won't be) I should return at once."

"Well, I don't call it a useful life."

"Is it more useful to make money—at somebody else's expense?"

"It's more useful to be a good citizen; to bring up one's family well; to—"

"Let's stop there," Dennison interposed. "People with families never approve of the people who haven't those blessings. It doesn't occur to them that nobody forced them to marry; they selected the lot, and therefore they accepted responsibilities. But a man who has not undertaken family life ought not to be saddled with its cares. You chose your boys and girls; I chose Italy. Each to his taste. You may ask, 'Isn't the world to be peopled, then?' No trouble about that; it always will be. Personally my own answer to the same question might be, however, the old one, 'Je n'en vois pas la nécessité.'"

"That's where you all end; dreary nihilism!"

A figure was now passing the piazza, following the road which ascends from the valley. "Let us see if Hannibal gives tongue from the house," said Dennison. "It's a man they call the Professor; he lives behind the church, and he and the dog detest each other. Generally, Hannibal knows his step even from the depths of the olive-grove! You don't want to watch those fires all night, do you?"

They returned to the house. The outer door of Casa Colombina bore no relation to the drawing-room, dining-room, or library. It led to the court, to the cellar, to the gardens, to the podere, to the kitchen, to whatever you please; but it was only by a circuitous route through corridors and purposeless anterooms that Dennison could reach his own apartments. As he and his guest were following this route they caught another glimpse across the court of Modesta in her kitchen. The door was more widely open this time, and they could see the whole interior of the large, vaulted, hall-like room, with the rows of copper pans on the wall. The kittens were now in their basket on the floor, and Modesta's lap was occupied by the dachshund, who had curled himself into a ball. The waitress was still knitting, her head bent forward over her work. With her smoothly braided hair and her white apron, in her neat, quiet room, with her cats and her dog and her flower-decked shrine, she was the image of peace.

"Tranquillity is most surely a blessed thing," quoted Gray. "If it were not for the moving needles, I should say she was asleep."

"She probably is asleep; she is knitting unconsciously. She appears to require about fifteen hours of slumber out of the twenty-four," said Dennison, as he lighted wax matches, one after the other, to show the way. When he reached the sitting-room he rang for lights, and presently Modesta appeared, carrying the lamp, her eyes drowsy.

"As soon as Peppino comes in you may close the house," said Dennison. "We shall require nothing more to-night."

The waitress put down the lamp, adjusting its wick so that it burned brightly. Then she lighted the shaded candles which stood on a side table. Hannibal had followed her; when she had finished her task she stooped and picked him up. "If the master allows, he must be washed to-morrow," she said. "Or, rather, not to-morrow, for it is a festa, but the day after. As it is now warm weather, Peppino shall take him to the pond, instead of bathing him in the green crockery basin. Annibale himself will not wish to go—silly cherub!" (Here she stroked the dog's head.) "But—what do they wish? It is necessary. Good-night to the lordships." And she disappeared, carrying the dog, and murmuring endearments to him as she went.

The next morning Gray, always an early riser, found himself awake at the abnormal hour of dawn; for in May and in Italy one can see the beginnings of light in the east soon after midnight. Long before four o'clock he was dressed and out. He had a fancy to see the dew on the blossoms, to watch the sun rise above the Apennines and touch, one by one, the gray towers with which in that part of Tuscany all the hills are crowned. Peppino was up, for the kitchen door was open. Hannibal, hearing steps, looked into the court, and seeing that some one was going for a walk, he decided to go too, announcing his intention by a bark of one syllable—"wow!" This drew forth a "Be quiet!" in Tuscan from Peppino within. For no unnecessary sound must disturb the master of the house, who never appeared before eight o'clock; in winter an hour later. Gray went quietly through the corridors to the irrelevant outer door, opened it, and let himself out, followed by the dog. He walked up the road for a short distance; then he turned into a winding lane. Here he saw the thick dew on the hedges and fields, but only one bird; with great care Dennison had kept three birds'-nests in the garden of Casa Colombina, but they were probably the only nests for miles. Presently the sun rose above the eastern mountains, its first rays illumining distant high-up villages which are invisible later in the day. Then came the gleam of the towers. Some of these stand alone, like the Tower of the Dove; two belong to ruined castles; but the majority are now attached to villas which were built later, or rather the villas have attached themselves to the towers. These villas, now old in their turn, are for the most part large, solid, blank-looking structures, yellow in hue, with a dignified group of cypresses near by. When the tints of the sunrise were all gone, merged in the broad, clear light of the Tuscan summer day, Gray turned back. He was following the main road. As the cluster of houses which stand next to Santa Lucia, behind the piazza, came into view, he saw a large white dog appear suddenly on the broad top of a wall which bounds one of the gardens. This dog began to bark in a deep tone at Hannibal, who was below; for Hannibal had hurried on far in advance of his companion, with the air of expecting something. This was what he had expected; and he now answered the challenge by leaping up as high as he could towards his mocking aggressor, and barking in his turn with all his strength. As the top of the wall was ten feet above the roadway, the big dog could loftily send down his derisive scorn at intervals without lowering the dignity of his pose; and his derision was plainly increased when two other dogs appeared on the wall by his side and added their voices to the tumult. Hannibal meanwhile nearly turned himself inside out in his efforts to reply with appropriate contempt; he defied them all three at the top of his voice. Suddenly from a house opposite appeared a singular figure—a tall, thin man in his night-shirt, scantily covered by a short dressing-gown—who rushed into the mêlée, brandishing a cane and trying to strike the vociferous dachshund. Hannibal, relinquishing for the moment his warfare with the canine foes, turned his attention towards this new enemy, but not quickly enough to escape a blow which changed his proud bark into a yelp of dismay.

"Don't strike the dog!" called Gray, futilely, in English, as he hurried towards the scene of action. But before he could reach the spot a flying figure had intervened, coming from the opposite direction. Modesta rushed to the dodging Hannibal and picked him up, while she sent a flood of Tuscan sarcasms after his now retreating antagonist. "Two-legged brutes are much worse than four-legged ones," she announced, loudly; "and as to the quality of the legs, there can be no comparison." The thin human limbs were, indeed, only too plainly visible below the insufficient garments, and she wittily enumerated their weak points for the benefit of the gazing heads which had now appeared at all the windows of the neighborhood, as the distracted man, losing first one of his slippers and then the other, finally seized them in his hand, and, getting his door open at last, disappeared within. "Figure it to yourself—a Professor! Legs like that for the literary profession!" was the waitress's final thrust.

After breakfast, as Dennison and Gray were sitting in the garden, she appeared. "Lordships will excuse, but it seemed best that they should know. The paw of Annibale is wounded; likewise his shoulder and one ear. I have put on a lotion and bandaged him, and he has shown the patience of an angel. But that he suffers is visible, and I therefore ask the master, could I leave him here while I go to mass, so that he may not be lonely, Peppino having gone to town?"

"Oh, bring him, if you like," said Dennison. "Little scamp!" he added in English.

Modesta went off, returning after a minute or two, carrying Hannibal in his basket. The dog reposed on his cushions with the air of a wounded hero; he was arrayed in a complicated bandage of coarse white linen, which swathed one paw and encircled his shoulder and head. "To think of any one's being such a brute as to injure a creature so small!" said Modesta, after she had put the basket gently down in the shade. "But, without doubt, there are in this world absolute demons!"

"You hypocrite!" said Dennison to Hannibal, after the waitress had departed. "You go every morning of your life at dawn to wake up that poor man by a row with the Ciardelli dogs—you know you do! He is a teacher of languages from Florence, who is here for six months of rest," he added to Gray. "He has not had much rest so far! He has already thrown all his boots and shoes at Hannibal through the window more than once. This morning I suppose he was desperate."

"Is your paw very bad, Hannibal?" inquired Gray.

The bandage had slipped down, so that Hannibal had only one eye visible. With this eye he appeared to wink.

After lunch the two men went out for a stroll. The roads were gay with the country-folk, celebrating the festa in the Italian fashion by the simple amusement of being together in the open air. The wrinkled faces of the old women were framed in their new red-and-yellow kerchiefs, which were folded over their heads and tied under their chins. Each girl wore a flower in her hair, and this hair was always thick, rising up round the face in a dense mass, no matter how closely the long ends were braided and coiled behind. The men were dressed in their best, but they all carried their jackets folded and tossed over one shoulder.

The younger men were entertaining themselves.

"They will end by slicing us in two at the ankles," said Gray, indignantly, after he had jumped aside three or four times to escape a sharp disk which met them suddenly as they turned a corner, whizzing past them as it flew down the road, almost invisible from its speed.

"It's a game," said Dennison.

"Oh, is it? I thought it was assassination."

Presently they came to a little stone building adorned with a rusty tin cross. On the side towards the road it has a small, iron-barred window, whose glass within is so thickly covered with dust that it looks as if it had been painted yellow. There is a Latin inscription cut in stone over its long-closed door: "Pul—pulsate, et—Knock and it shall be opened to you," translated Gray, making out the words with difficulty.

"Nobody would dare to knock. And the last thing they wish is to have it opened," remarked Dennison. "It is the private chapel of that old villa across the fields, but for the last two hundred years there has been a tomb inside, whose occupant is supposed to rise and come to the window now and then to glare at the passers-by. She was a Countess Alberoni, who had a tragical end, if the legend is true. Her own children are said to have locked her up in that villa with one attendant and the plainest food, until at last, from sheer melancholy, she died. On the other hand, it is added that the world was well rid of her, for a more wicked old woman never lived. Her crimes, however, whatever they were, have not prevented Modesta, I see, from decorating her with the others," he continued. For as they walked on they perceived that a faded shrine, set in the outer wall of the chapel at its eastern end, had been adorned with a long garland made of fresh green leaves and blossoms.

"The others? What others?"

"Your Madonna beauty decorates every way-side shrine within a mile of Casa Colombina on all the principal festas," said Dennison. "She starts out after lunch, carrying a pile of garlands in her arms, and another poised on her head, so that she is like a walking hay-stack."

They now took a narrow track which leads to the valley. This path winds round a small low house, brilliantly pink on the outside, with a dark and gloomy interior.

"There she is now," said Gray, who, looking at everything with the keen attention of a stranger, had discovered the figure of the Casa Colombina servant within. Her back was towards them; she was talking to some one who was not visible from the road. Hearing their footsteps, she turned. And then, as the light from the doorway fell upon her, they saw that she had Hannibal in her arms.

"Put down that ridiculous animal!" called Dennison.

The waitress came out, and, joining in their laughter, placed the dog on the ground. "With his bandages, yes, he does look comical," she said, assentingly. "But it seemed best to give him a breath of fresh air."

"Have you lugged him all the way from the house?" asked Dennison, who had paused to roll two cigarettes. "The dog and the flowers too?"

"It is nothing; lordship knows his gentleness. He lay among them like a lamb."

"But why did you give a wreath to the wicked countess, Modesta?" Dennison went on. "The Signor Gray is astonished at such an action."

"Povera! to be so treated by her own children," answered the Italian; "that seems to me abominable. She was their mother, even if a bad one. And then one feels for her; only on a festa does any one pass that chapel, and so she has very little to see even when she does look out. The master may not know? This is the home of Pietro."

"The idiot boy?"

"The afflicted of God," said Modesta, gently.

The boy, hearing his name, had come shuffling out. He was a repulsive-looking child, but Modesta smoothed his hair. "To me he appears constantly more intelligent," she said, hopefully.

Dennison and his visitor, having lighted their cigarettes, now passed on. The moment their figures had disappeared round a curve the waitress stooped and took up the waiting Hannibal. "To call thee comical, with thy little paw in pain!" she murmured in his ear. "But thou knowest that I did not mean it. 'Twas but politeness for the masters."

The masters went down to Tre Ponti, where they took horses and a rattling phaeton, and went off on one of those quests with whose mild excitements Dennison enlivened his quiet Italian days. This time it was a search for some tapestry, which had been discovered, so it was said, in a villa six miles distant. The villa was one of those which had degenerated, having been used for the last hundred years as a farm-house. During the preceding week an addition had been pulled down, and the demolition had uncovered a window which corresponded to nothing within; further search had revealed a walled-up chamber, and it was this chamber which contained the tapestry. The chamber was there—a small room with a high ceiling. It contained no tapestry; nothing, in fact, but one singular object: a lady's toilet-table with a lace cover, an old mirror, two candlesticks, and various saucers, vials, and boxes. The lace, which was falling to pieces from age, was ordinary in quality; the mirror-frame and the candlesticks were made of metal that imitates bronze; and the saucers, vials, and boxes were of glass that imitates crystal; nothing, therefore, had intrinsic value. Dennison made a small offer for the whole just as it stood, in case the government should not lay claim to the objects.

"It's only for the riddle," he said to his companion, as they drove back to Tre Ponti. "There is a history, of course, and nobody can ever know it; that is the charm; one can fancy anything one pleases. If I get the table, I'll put it in one of the unused bedrooms. And then when there comes a wild windy night, such as we sometimes have in Tuscany, I'll go there after midnight, and see if she don't glide slowly in and look at herself in her old glass."

It was late in the afternoon when they drove through the eastern gate of Three Bridges. Leaving the phaeton at the stable, they strolled about the village for a while before returning to Casa Colombina.

But village is hardly the word. Although Tre Ponti has never contained more than two thousand inhabitants (at present there are but fifteen hundred), it is surrounded by an important stone wall with bastions, and two of the old gateways, massive arched portals, are still in use. The narrow winding streets are paved with broad flag-stones, which reach to the house walls on each side, so that one seems to be following hallways open at the top rather than roads. Nowhere is there an inch of garden; the high blocks stand side by side in solid rows. The only breathing-place is the central square; one side of this piazza is embellished by a palazzo-pubblico, or town-hall, decorated with griffins and armorial bearings. Along another side there is an arcade ornamented with a row of heads by Andrea della Robbia, old women, monks, knights, children, and others, each looking out with life-like expression from a heavy frame of clustered porcelain fruit.

"Those frames of fruit would do for a State fair," said Gray, irreverently. "Queer, solid, stony little place! Somehow it looks fierce, too."

"Naturally. They did almost nothing here but fight for hundreds of years; they fought with every town in Tuscany. And almost every town in Tuscany responded by fighting with them."

When Gray had seen everything, they passed through the western gate, taking the road which leads down the hill and across one of the three bridges; on the other side of this bridge begins the path which is a short-cut to Casa Colombina.

In the open space outside of this gate there stands a small café of the most modern type. Its exterior is adorned in fresco on one side of the door with a portrait of Garibaldi as large as life. On the other side there is a second work of art, a painted open window from whose lattice leans a damsel, dressed in the remarkable apparel which is produced by a translation of the latest Paris fashions into Italian. This damsel hospitably offers to the passers-by a glass of wine. "Let's breathe," said Dennison, seating himself on one of the benches which, with a green table, was placed before the door.

"You want to attach yourself to every bench you see, Jack."

"On the contrary, I much prefer my own, at home. It's only for your sake that I go tramping about the country in this way, on my feet."

"What do they have in such a place as this?" asked Gray, fanning himself with his hat. "We can't sit here without ordering something."

"Yes, we can. Don't be throwing your money about."

"Only a quarter. What can I get for that?"

"Red vinegar."

At this moment the proprietor of the café came forth, carrying a three-legged stool and a brazier filled with hot coals. He saluted the gentlemen with a beaming smile, but made no effort to solicit their patronage; placing the stool and the brazier at a little distance, he returned to the house, and came forth again with a large shallow pan, whose bottom was covered with a layer half an inch deep of coffee in the berry. Seating himself on the stool, he began to roast the coffee, holding the pan over the coals by its long handle, and swaying it slightly from side to side with a rhythmical motion. He was a picturesque young man, with a brilliant pink silk handkerchief round his neck. Whenever his roving glance happened to meet that of either of the Americans he smiled genially, as though he wished to assure them that, whatever their mood might be, he should be sure to sympathize with it if admitted to their confidence.

"Ask him for the wine," said Gray.

"You can't possibly drink it," expostulated Dennison.

"I'll take it to Modesta—for her Friday beggars. You won't? Very well, then, I'll do it myself. Here, vyno! Vyno, do you hear? Vyno bono. Oon liry. Oon!" And he held up one finger.

The young landlord, with cordial smiles, put down his pan, hurried into the house, and returned with two little tumblers, and one of the graceful Tuscan flasks swathed in its covering of plaited straw. Taking out the stopper, he removed with exaggerated care the protecting layer of oil by means of a long wisp, and then placed the flask on the table with a flourish. "Ecco!"

"They always understand me," said Gray, complacently, when the coffee roasting had begun again.

"They would understand a Patagonian; one who was a lunatic, and dumb!"

"That is what I mean; they are so extraordinarily intelligent," replied Gray, declining to be snubbed.

Tre Ponti was keeping the festa with much gayety; the streets were full of strolling figures; the benches in front of all the cafés were full. This little way-side hostlery beyond the gate now began to receive its share; four men coming to town from a distant podere stopped here to refresh themselves with wine and chunks of the dark Italian bread. Then came a procession of youths returning from an expedition up the valley. They wore branches of blossoms in their hats, and kept step as they marched. More wine was brought out, and they all drank.

"I have not seen a drunken man in Italy," said Gray; "it's perfectly wonderful. Think of the whiskey and whiskey-brawls at home! Think of the gin and horrible wife-beating in England!"

"I don't know why I should think of them. They're not pleasant subjects."

A party of women now appeared, coming through the gateway from the town; one of them had a baby in her arms, and another was carrying a heavy boy of three, whose head, adorned with a red cap, lay sleepily on her shoulder. Set in the wall outside of this gateway there is a large shrine shielded by a grating. It bears an inscription in Italian—"Erected in token of mercies felt on this spot." There is a low marble step outside of the grating, and the woman who had the older child knelt down here for a moment, and made the child kneel by her side; taking some flowers from the knot at her belt, she showed him how to throw them through the grating as far as he could, as an offering to the Madonna within. The boy obeyed her; and then she gently bent his head forward with her hand as salutation. The other women knelt also, after this one had risen; but they did it perfunctorily; they bobbed down and bobbed up again, crossing themselves, the whole process taking about two seconds.

"The one carrying the red-capped boy is your waitress again," said Gray, as the women, their devotions over, drew nearer on their way to the bridge. "What is she doing down here?"

"It's her home; she is a Tre Ponti girl—was born here; and her family live here still. She herself much prefers the town to the country; she shares to the full the ideas which Browning expressed in 'Up in a Villa, Down in the City.'"

Modesta had now discovered them, and paused, while the women who were with her gave such a general greeting to "lordships" that it seemed to Gray that he beheld several yards of white teeth, surmounted by rows of dark eyes whose depths held a sweetness which no Northern orbs could ever contain.

"I accompany for a short distance my friend Paola," explained the waitress, "Paola being tired, and having already the baby to carry. This, the one I have, is her Angelo—as the master can perceive for himself, an angel indeed—though his little ankles are not strong. But—what would they have? That requires patience; it will improve. The masters would like without doubt to see also the baby? A miracle of beauty!" And giving the older child to one of her companions, she took the swaddled infant from its mother, and brought it to Dennison and his friend, a smile of pure enthusiasm irradiating her face. "His cheeks—do the masters behold them? And his eyes like stars? Lordships can note the quality of his arms."

Gray lightly pinched the dimpled roll of fat extended towards him. "Oui, oui. Grandeena!" he said, emphatically.

Modesta appeared to be charmed with this attention; she thanked him warmly. Then she carried the baby back to its mother, kissing it before she gave it up, and, taking the other child, led the way down the hill, the whole party making fresh obeisances before they turned away.

"What frank, pleasant faces they all have!" said Gray.

"Very frank. They never changed a muscle when, as a token of your admiration of the baby, you told them that it was hailing."

"Hailing? What are you talking about? I said the baby's arm was big."

"Grandina happens to mean 'it is hailing'; that's all."

"It couldn't; it wouldn't be such a fool! Are we going to stay here all night? It's awfully dusty."

For the open space outside of the gate was now filled with loungers, and the café of Garibaldi was crowded both inside and out; the two Americans left their bench and strolled down the hill. When they reached the bridge they stopped to watch the water. As they did so they heard music; down the gorge beside the stream came a party of girls, two and two, with linked arms; they were singing all together something slow and sweet, and as they passed under the bridge each gave a glance upward towards the two gentlemen who were leaning over the parapet to look at them.

"What are they singing?" asked Gray.

"A hymn to the Virgin, with an endless number of verses; stay here a month, and you'll hear it so often that you'll sing it in your sleep."

"That girl who was last did not look like an Italian," Gray went on, as the musical band disappeared round a bend.

"She isn't; she is a Swede. She was brought here last summer by a queer old English woman, who has lived for ten years, off and on, in that villa just above the second bridge; she had a fancy for servants who could not speak a word of English, and she picked up this girl in Stockholm during one of her journeys—for when she wasn't in Tuscany, she was trotting all over the globe. She died, at the last, suddenly; it was two months ago, and, so far, her heirs in England, distant cousins, I believe, have refused to do anything for this stranded maid. The Swedish consul, however, has taken it up, and I hear that there is prospect of a remittance some time or other—enough to pay her expenses back to Stockholm. Fortunately for herself, she had learned to speak Italian. And she had made friends in Tre Ponti; she is staying with these friends now, and turning her hand meanwhile to anything that offers in order to support herself until the money comes. Let's go home and have some tea. Dinner will be very late this evening on account of the festa; no hope of its being on the table before nine o'clock."

"Just a minute more," said Gray.

It was no wonder that the man who was unfamiliar with the scene should wish to linger. The sun was sinking out of sight, sending up broad shafts of gold as he disappeared; above the gold a deep rose tint filled the sky. The water of the stream was gilded, and gilded were the bristling turrets of a fourteenth-century monastery, which here crowns a crag where the gorge makes a bend towards the south. Opposite, beyond Casa Colombina, the soaring Tower of the Dove was flushed with pink. And on the eastern side, over their heads, the little stone town with its bastioned walls was colored in bars of salmon and pearl. The close circle of hills, the wider amphitheatre of mountains behind, all of them clothed in the violet mantle which mountains wear in Italy, were tipped with orange. And somehow all these lovely hues seemed to deepen as the chimes of Tre Ponti began to ring the Angelus. The peal of the monastery on the crag soon joined in the anthem, these latter bells flinging themselves far out from their open belfry against the sky, to and fro, to and fro, with an abandon which was in itself a picture. And when the chime stopped, music of another kind took its place, for coming up the road appeared the same band of girls singing their slow hymn; they had left the gorge, and were returning by way of the bridge to Tre Ponti.

They were no longer a small company; a dozen women had joined them, and six or eight youths followed behind. Modesta accompanied the girls, having finished her duties as escort to Paola and her children.

"Here is your waitress coming back," said Gray. "How handsome she looks!"

The arch of the bridge is high, and the ascent which leads to it steep; the two gentlemen were standing in a small projecting half-bastion, which once served, no doubt, as a sentry-box; their figures were therefore inconspicuous from below, and no one saw them. Modesta walked beside one of the girls. Her arms were folded, her hands resting upon them tranquilly; she was clad in a dress of dark blue tint, with a kerchief of cream-colored silk folded over her breast, and in her hair there was a crimson rose; she was singing as she walked, joining in the hymn to the Virgin, and her eyes were slightly raised, fixed dreamily upon the tinted sky. As the group approached the ascent leading to the bridge, a girl at the end of the procession began playfully to push against one of her companions, and the pushing ended in a hoidenish race, the two turning and rushing back down the road, the one who had been attacked in pursuit of the aggressor. The others paused, and stood watching the chase, but without stopping their hymn, which went steadily on, though, as the pursued girl doubled unexpectedly and baffled her pursuer, the mouths of the singers became so widely stretched in their glee that it was impossible for them to pronounce their syllables, and they carried the melody on mechanically, without words and almost in a shriek.

"Modesta is the only one who appears to remember that it is a hymn," remarked Gray.

"Hymn? It's a him of another kind. She probably doesn't know that she is singing at all; much less what. And she doesn't even see those racing tomboys. She only knows one thing, sees one thing, and that is her Goro."

"Goro?"

"Yes; the young fellow she is going to marry. He is just behind her—there at her elbow. You've seen him in our vineyard half a dozen times."

"He appeared dull enough there! To-day he looks very smart. However, he is much too young for her—hardly more than a boy."

The pursued girl had now escaped, and was returning. The pursuer followed, and as they both reached the waiting group she made a last desperate effort, and succeeded in grasping the other again, and so firmly that they both fell to the ground. The hymn now ceased abruptly, drowned in the general laughter as the two girls struggled in the dust. After a moment they rose, shaking their skirts, and joining in the merriment, until suddenly there came from one of them a high yell. Drawing herself away from the others, she stood with her body stiffened as though it had been turned into wood, and her eyes closed, while she poured forth in a shrill voice a flood of rapid Italian. Her companions meanwhile were so overcome with their laughter as they listened that they rocked to and fro, and clapped their hands on their sides.

"What was she saying?" asked Gray, when at last the piercing voice stopped.

"You wish a sample? She said, 'Brute, thou! Beast, thou! Thou it is who hast done it, pig of a Vanna! For thou puttest me in a fury so that I said evil words. And now what is the use of my Lent? Didn't I drop with fasting? Wasn't I faint? Didn't I do every one of my devotions? And now all lost through thee. Serpent! and frog!'"

Modesta had paid no more attention to this raving outburst than she had paid to the race which had preceded it; she had stopped singing when the others stopped, but her eyes still gazed dreamily at the sky. After a moment or two she turned so that her glance could take in Goro, and then she stood tranquilly waiting, her face serene, content.

Presently the little company, its laugh out, began to move on again, coming up the ascent in a straggling band, the girl who had yelled forth her accusations with her body stiffened so strangely accompanying them, her fit of excitement ended. She even tried to frolic in a shamefaced sort of way; she took the flower from her hair, threw it up and caught it, as though it were a ball, humming a tune to herself carelessly. As they reached the bridge the band perceived the two gentlemen in the semi-bastion; all, that is, save Modesta. In her absorption the waitress saw nothing, until the girl who was beside her pulled her sleeve.

"The master, thine," she whispered. "Thy two lordships."

The waitress now came back to actual life. She waited a moment, until the others had passed on. "It is Goro," she said, presenting him. "The masters already know him well."

"Not in his festival clothes," answered Dennison. "He is nothing," he added, banteringly; "not half good enough! I wouldn't have him, Modesta, if I were you."

When Dennison said "He is nothing," Goro answered, "È vero" (It is true), and laughed lightly. He was a tall, strong youth, with curling hair and a joyous smile.

"Eh—he wishes me so much good!" replied Modesta, fondly.

The next morning Gray took another sunrise walk; he had but five days more to spend in Tuscany, and he wished to make every hour tell. When he came back the waitress was in the court, occupied in tying a long cord to Hannibal's collar; beside her were two towels and a cake of soap.

"It is Annibale, who goes now for his bath," she explained; "Peppino takes him. A bath is excellent for Annibale."

The dog's spirits were deeply depressed; his elongated little body seemed almost to sweep the ground, owing to the dejected state of his short legs. "It is nothing, thou silly one!" said Modesta, affectionately. "Thou must be washed—that thou knowest. And as the morning is so warm, thou art to go to the pond."

Peppino now came from the kitchen, ready for the expedition. With a salute to their visitor, he took the end of the cord in his hand, and turned down the path which leads to the fields below.

"I'll go too," said Gray. "Ego," he added, tapping his breast violently, to show that he meant himself.

The two servants were charmed with this idea; Modesta said that it would give Hannibal courage to be accompanied by the gentleman, and Peppino added that it was "too much honor." The cook was very tall, with the countenance of a seer; in his spotless white linen jacket, his long white apron, and white linen cap, his appearance, with his dark eyes and thick gray hair, was striking. He was suspected of belonging to a secret society of nihilistic principles; but his nihilism must have applied only to mankind, for he went down the hill as slowly as he could, in order that Hannibal's neck should not be hurt by undue pressure from his collar. For the dog was following at the extreme length of his cord, dragging back obstinately with all his might, and digging his crooked little paws as deeply into the sand as he possibly could with each reluctant step; as Peppino was six feet in height, and Hannibal ten inches, the spectacle was amusing. At the foot of the hill the glitter of the pond became visible, and Hannibal's resistance grew so desperate that Peppino went back and picked him up, carrying him onward in his arms as though he had been a baby. "Most surely he must not be permitted to strangle himself," he explained to Gray in his serious voice.

The valley fields belonging to Casa Colombina are six in number; five are for grain and one for vegetables, and all are bordered by rows of fruit-trees, with grape-vines trained to swing from trunk to trunk. These fields are watered by artificial rivulets, which are fed from the pond. And the pond is in reality a reservoir for the water of a spring above. They passed the spring first. It is covered by a roof which extends some distance beyond it, supported by pillars of brick; the ground beneath is paved with flag-stones, and here were assembled a collection of the large tubs, of red earthen-ware, in shape and hue like mammoth flower-pots, which the Tuscan peasants use for washing clothes. Above the spring, fastened to one of the pillars, was a china image of St. Agnes, and beneath the image there was a hanging lamp with one wick, its tiny flame like a pale yellow point in the brilliant morning light.

"Modesta?" said Gray, indicating the lamp as they passed.

The cook nodded affirmatively.

"She is foolishly superstitious," he said. "But women—" A shrug completed the sentence.

The pool was square, paved within, and bordered by a low stone parapet; the water was not quite a foot deep. Peppino soaped Hannibal carefully until he was a mass of white lather; then he placed him gently in the pool, and kept him from returning to the shore by the aid of a long branch. "Walk about, then; walk! Agitate thyself," he said, pressing him softly with the twigs. Hannibal walked as little as he possibly could; his indignation was plainly visible even in the tip of his nose, which was the only part of him above the water. When he was judged to be sufficiently laved the branch was withdrawn, and as he leaped out the cook caught him and dried him with a towel. Another towel was then folded closely round him and fastened with long tapes, leaving only his head and paws and tail free. "Now must thou run back, so as not to take cold," said Peppino, putting on the collar and readjusting the cord. And then the procession returned, the swathed Hannibal this time as far in advance as the cord would permit, and pulling up the hill like a miniature steam-engine. "He is anxious to get back to Modesta," said Gray.

The cook comprehended. "It is true. She spoils him with her indulgence; it is a melancholy weakness in her character," he replied, as with his disengaged hand he took his red handkerchief from his pocket and wiped his face, which was heavily bedewed with drops of perspiration, owing to his exertions at the pond.

As they reached the level ground behind the house the cat could be seen audaciously reposing in Hannibal's basket, which had been set outside to air. The dachshund barked angrily; the cook did not set him free, but hurried forward himself to eject the intruder; and as he did so, in some way his foot slipped, and he came down full length on the grass with a thud. And then Modesta, who had appeared at the kitchen door, began to call out in excitement: "He laughs—behold him! Annibale laughs!" And, in truth, the dog had that look as, with his mouth set in a broad grin, his tongue hanging out a little, his tail wagging, and his eyes brilliant with glee, he surveyed his prostrate companion. Modesta ran and took him up. "Didst thou laugh, little one? Like a human creature? And, indeed, thou art one; 'tis a man thou art!" Peppino, as soon as he was on his feet again, was almost as much interested as she was; between them they took off the towel, and dried him anew with a fresh one, watching him tenderly meanwhile with bated breath, as though they were expecting every instant to hear him speak.

In spite of her mirth, Gray had noticed that the eyes of the waitress were reddened, as though she had been shedding tears.

At breakfast Dennison also noticed this. "Anything the matter?" he said.

"Ah, nothing, nothing," replied Modesta, waving her hand contemptuously. "It is only that I am of so great a carelessness—I have shame about it. Will they figure it to themselves that I actually took off the cover of the large pepper-jar and emptied the contents into a bowl, my face held over it meanwhile and a breeze blowing through the pantry! That was acting like a fool; the pepper naturally flew into my eyes. But enough; it will pass."

After breakfast Dennison went down to Tre Ponti on business connected with his olive-grove. But he returned very soon, and, entering the library, rang the bell sharply.

"What's up?" said Gray, who was writing letters by the window.

"A poor old man was terribly injured while passing the house this morning; his donkey slipped on a rolling stone and fell, and the man was thrown from his two-wheeled cart with great violence. Peppino was out apparently—I can't imagine where, at that hour, as it's not his day for going to town."

"He was down at the pond washing the dog; I was with him."

"That explains it. Modesta, therefore, having the field to herself, absolutely refused to allow them to bring the poor creature in here; she let him go in a jolting wagon down to Tre Ponti, telling me nothing whatever about it. What makes it worse is that the man is a contadino who used to work for me; he worked for me, in fact, until he grew too old to work anywhere."

"Probably she has some reason for disliking him."

"On the contrary, she likes him; I happen to know it. And she has a very soft heart for old people, for all kinds of infirmity and suffering. She will fly down to see him upon the very first opportunity; she will rob herself to take him the best food and wine, and everything else she can think of; she will take the very pillows from her bed! She had cried her eyes out over him, that was evident. With her yarn about the pepper!"

"But why in the world, then—"

"Simply because her idea is never to speak of unpleasant subjects to her superiors if she can possibly avoid it; if forced to tell something of the truth, she envelops it in roundabout, optimistic phrases that would deceive even Solomon! But you'll hear for yourself. I'll translate what she says afterwards."

Modesta now appeared in answer to the ring.

"Two men are coming to-day to work in the olive-grove," said Dennison; "tell Peppino to have the tools ready; they will come every afternoon for a week. Your eyes are better, I trust?"

"Almost well, as lordship can behold. It was too much carelessness—mine—with that pepper!"

"Pepper, indeed; I feel peppery myself," replied Dennison. "Why didn't you tell me about the man who was injured here this morning?"

"Eh—lordship has heard? It was a slight accident."

"His leg and his arm were broken, and you know it. Also his head was cut."

"Most surely that is an error. It was a sprain, a wrench; nothing more."

"But I have seen him myself. And it was old Niccolo."

"Lordship has seen him? It is possible that it was Niccolo; I did not observe closely."

"You should have come to my door and wakened me, instead of taking it upon yourself to give orders," said Dennison.

"Oh!" exclaimed the waitress, with a vivid expression of repugnance in her eyes. "Waken lordship to tell him of a trouble—a misfortune like that? What, then, would become of his repose—his tranquillity?"

"You need not concern yourself about my tranquillity," answered Dennison. But he gave it up. "You may go," he said. "Stay a minute," he added; "I have provided a nurse for Niccolo, and a doctor, and he is to be paid so much a day for the best food and wine; he will therefore require nothing from you."

"Save my compassion," answered the waitress, the tears now rolling freely down her cheeks, and reddening her eyes anew. "And that I give with all my heart!" She lifted a corner of her apron to wipe away the drops. "It was sad to see—the masters can imagine! So old a man, and feeble. His white hair in the dust. But he knew me when I ran out. I wept much."

"How about the pepper?" inquired Dennison, as she left the room.

But the waitress was not disturbed by the detection of her falsehood.

"The whole thing seems to her only the most ordinary duty to me," said Dennison, after she had gone. "And if I had not happened to see Niccolo with my own eyes, she would have stuck to her lie to the judgment-day. Personally it was dreadful to her to send him away; she would have liked nothing better than to have him here, in one of those cool rooms off the court, where she could coddle him to her heart's content."

"Do you know, then, I think what she did was in one way charming," said Gray. "All these Italian peasants seem to me to have the most wonderful civility; their manners are always agreeable; they are almost polished. Think of the manners of—"

"I refuse to think of anything; the discoveries made by you new-comers are only exceeded by your conceit. For a thorough knowledge of the Italian character give me the man who has spent, in all, six weeks in Italy?"

The last day of Gray's visit came. As they sat at the breakfast-table, his host said: "There's a powwow to-night, to celebrate something or other, at one of the poderes about a mile from here. Modesta is going if I give her permission. If I do, she won't be back until after midnight, and the table service at dinner will therefore be at sixes and sevens. As the day is so fine, we might take it for a drive to that tower on the mountain—the one which is adorned, according to you, with a winding outside stairway!"

"There certainly is a stairway," persisted Gray.

"And then we could get something in the way of a dinner at a little summer hotel, which is already open for the season. There is a moon for the drive back, and we could stop and have a look at the powwow before coming home—as you're so athirst for everything Tuscan."

"Excellent. Jar!" said Gray.

"Jar? What jar?"

"Jar. Jarr, then, since you say I always cut my r's. You ought to know Italian when you hear it. Jar is what they all say to me when they mean yes."

"You ridiculous object, 'già' is the word."

"That's exactly what I said: jar."

It was three o'clock when they started, and a beautiful May afternoon. A pair of horses and the rattling phaeton had been sent to Casa Colombina from Tre Ponti. Modesta had already departed.

"The celebration begins early," said Gray, as he saw her start.

"She isn't going there now," answered Dennison. "She will go first to the house of Goro's mother, about half a mile from here; there she will sit braiding straw and gossiping with the old woman in a dark, cellar-like room, until the beloved object comes home and is ready to accompany her. I dare say she is taking him something with which to make himself smart for the occasion—a new necktie or a silk handkerchief."

As they passed out on their way to the carriage they caught a glimpse of the distant white figure of the cook seated with his back towards them outside of his kitchen door in the shade, occupying his leisure in playing the flute; his notes, which just reached them, were soft and long-drawn as sighs.

"What is it?" said Gray, listening. "I'm sure I know it."

"'Com' è gentil'; that is, 'O summer night.' Peppino is very sentimental in his musical tastes."

"He doesn't go to the party, then?"

"He despises parties. He goes in for bombs."

It was between eight and nine o'clock in the evening when, on their return from the drive, Dennison checked his horses in a hedge-bordered lane, and stopped. (It may be mentioned that they did not reach the tower; no one—that is, no stranger—has ever reached it. Italians are indifferent to its mystery.) "This is the place," he said. "The house is a quarter of a mile from here, and I could have taken you nearer by keeping to the main road; but in that case they might have heard the sound of our wheels. I haven't let any one know we were coming, so that you can have a glimpse of the scene as it really is, and not tamed by the presence of strangers." He tied the horses to the hedge, and, climbing over a stone wall, led the way across a broad field, freshly ploughed. On the other side of this field the ground ascended, and the slope was covered by an olive-grove. The sparse gray foliage of the pruned trees cast hardly more than a lace-work of shade upon the moonlit ground, and the two men made their way upward easily; in ten minutes they had reached the top. Here, on a broad plateau, stood the farm-house with its out-buildings. Beyond the plateau the ground ascended again, decked by another grove. The door and windows of the house were open, and sounds of laughter came forth. The two Americans drew near cautiously, walking as quietly as they could in the shadow of the trees. But their care was unnecessary; all were assembled within, and no one was looking either from the door or the windows; the noise, too, was so great that no sound outside could have been heard even by a listening ear. Dennison, making a détour, led the way round to one of the back casements. This window, a small one, was breast-high; its little lattices of lead-bordered panes had been thrown back; they opened into the room, as the exterior of the window was guarded by iron rods set close together. The two spectators outside, by looking between these rods, obtained a view of the scene within. The room was large, low, and smoke-browned; it was lighted by all the lamps the house could muster—lamps of the old Tuscan pattern for olive-oil; there were also earthen-ware saucers filled with the same oil, and carrying a floating wick. Two candles illumined a supper-table which was placed across one end of the apartment. This table bore upon its white linen cloth the dishes of the feast—dishes and little else, as everything had been eaten save bread, of which there was still a supply (in case any one should feel a return of hunger). There were also fresh flasks of wine for future thirst, and over a handful of coals on the hearth there was a long-handled coffee-pot. A game was now going on, or, rather, a pantomime; two men in masks were jumping about like harlequins, and every now and then they seized a person from the ranks of spectators, and whirled him or her round and round dizzily; there was guessing connected with it in some way, as everybody called out names loudly; the uproar was incessant, with occasional applause and a great deal of laughter. The feet of the harlequins had raised much dust, and at last the room became dim. "More light, more light, Filippo. We can't see," called several voices.

Filippo, a sinewy little man who had been acting as harlequin himself (for the men took turns), consulted with his wife. They had no more candles, and no more saucers and wicks; but they could make a blaze of brushwood on the hearth, if the company would not mind the additional heat? The wife, a laughing ample matron who still showed a handsome face above her rotund person, opened a door into an out-building, and, after some rummaging, produced three fagots of small, dry twigs; one of these she placed over the coals, and in a minute or two a blaze leaped up the wide chimney, lighting the room brilliantly. The game now went on with redoubled vigor and glee, and the gazers without could see all the faces of the circle distinctly.

"There is Modesta by the table," whispered Gray. "How she does laugh! It doesn't seem natural."

"Oh yes, it is. That is the way they laugh sometimes; they can go on for hours like children."

"Isn't that the Swedish girl with one of the harlequins? How light-colored she looks in that tanned, black-haired crowd! She is rather pretty; instead of letting her go back to Stockholm, one of these Italian youths had better marry her."

"She probably holds herself above them," answered Dennison, in the same low tone. "But, in any case, Tuscan peasants are extremely slow to marry a person who is not a Tuscan. They call even Romans foreigners; generally, too, they call them brutes! Well, we've been here twenty minutes: had enough?"

They turned, and, making a second circuit of the house, they crossed the plateau noiselessly, and re-entered the grove. They had gone but a few paces down the slope when the distant voices and laughter suddenly grew louder; looking back, they saw that the whole company had come outside, following the harlequins, each one of whom held a girl by the elbows, and was whirling her over the grass in the brilliant moonlight. Presently four more couples began to whirl in the same manner, and all the others, inspired by the sight, joined hands, and made a long chain which moved to and fro with rhythmical steps, forming now a star, now a square, now a figure 8. The game was at an end; everybody was dancing. One of the harlequins changed his partner every few minutes, but the other did not loosen his grasp of the girl whom he had brought with him from the house. After a while this second harlequin moved away from the other dancers, and came waltzing across the plateau towards the grove where Dennison and Gray were standing, each hidden in the shadow of a tree trunk; at the top of the slope the man did not stop, but began to descend, still dancing, or pretending to dance, and pulling his unwilling partner with him.

At this instant a woman detached herself from the distant groups of revellers and rushed towards the grove. And as she came on her figure was such a vision of swiftness of motion and of intensity of purpose that Gray unconsciously held his breath as he watched her. The plateau was broad; she was a full minute in crossing it. As she drew near the grove she lifted her head a little, and the moonlight, which had been behind her, fell across her forehead; then he saw that it was Modesta.

The harlequin also had recognized her, for, suddenly ceasing his gyrations, he released his companion, and ran off in the opposite direction, bounding as he went, in accordance with his assumed character, and joining the chain of dancers near the house with a high leap which gained for him their loud applause. Meanwhile his partner, freed at last, stood still for an instant with her eyes closed, dizzy from the whirling.

It was during this instant that Modesta reached her; coming down the slope with all the gathered impetus of her tremendous speed, she swooped upon the girl, bore her to the ground, struck her across the cheek, and then, holding her down with one hand, she fumbled in her own pocket with the other.

Dennison meanwhile, as soon as he had recognized his waitress at the top of the descent (he had not distinguished who it was before, his eyesight not being so keen as Gray's), had left his tree, and, darting across the intervening space, he now caught her arm tightly at the elbow, while her hand was still in her pocket. Gray hurried to his aid, and seized her other wrist, dragging her fingers away from the girl on the ground; thus holding her between them, they pulled her to her feet. As they did so her right hand came out of her pocket. It held a murderous-looking knife.

"You devil," said Dennison, in Italian, "drop that knife!"

They held her so closely that she could not move, but her face glared at them in the moonlight. It was like nothing human; her head was thrust out, the eyes were narrowed and glittering, the nostrils flattened, and the lips drawn up and back from the set, fierce teeth. Their four figures—three standing, one on the ground—were below the slope, and no one saw them. There had been no sound from the prostrate girl, who had lost consciousness from fright, paralyzed by the terrible countenance of the woman who had attacked her; and the waitress herself had made no sound as she came. She made no sound now, save that she panted as she breathed; she was like a wild beast who had made one spring and is about to make another.

"Drop the knife, or you shall go to prison," said Dennison, sternly, his hands on her shoulder like a vise.

Her fingers did not move.

"Listen. If you don't drop it, I swear to you I'll send Goro to America by the next Leghorn steamer, with five hundred lire in his pocket."

The knife dropped.

"Pick it up," said Dennison to Gray, in English. "Now see if you can lift that girl and carry her down the hill. Get her across the field somehow to that stone wall where we climbed over; wait there for me—unless she should come to on the way, in which case perhaps she will be able to climb over the wall herself. If she does, wait there with her by the phaeton. I sha'n't be long. But I must take this she-wolf back to the house first."

Gray had bent down; he lifted the inert body at their feet, raising it a little, and as he did so the head fell back, and the moonlight, shining on the hair and temples, showed that it was the Swede. Modesta, as she too saw the face, made a spring at it. But Dennison jerked her back. Then, with a snarling sound in her throat, she twisted her head round, and bit savagely at his hand where it held her shoulder.

"Do hurry. She is perfectly insane," he said to Gray.

Gray, having got the Swede off the ground, put his left arm under her back at the shoulders, and his right under her knees, and, lifting her in this position, he carried her down the hill with as much speed as was possible. This was not great, because the ground was uneven, and as he could not see where to place his steps, he was obliged to feel his way with his feet as he advanced—to shuffle along cautiously. In time, however, he reached the bottom of the hill. Then slowly he began to cross the field. This, too, was difficult, owing to the soft, crumbling earth of the freshly ploughed furrows. But here at last the girl opened her eyes.

"Can you stand?" asked Gray, breathlessly. Then he thought, with irritation, "None of them can speak anything!"

But the Swede now made of her own accord the motion of trying to get to her feet, and gladly enough he let her slip down and stand on the ground, as his arms were aching. He still supported her, however, lest she should fall.

But the girl seemed to be more terrified than weak; the instant her feet touched the earth she began to run towards the stone boundary wall, looking back every half-minute to see that no one was following. He went with her, trying to help her over the furrows; and as they hurried onward side by side, her face was such a picture of deathly fear that the feeling took possession of him also; he found himself regretting that their figures were so plainly visible on the moonlit expanse, and he too looked nervously over his shoulder, as though he expected to see the Italian woman coming after them madly, with her glittering eyes and the shining knife.

They reached the wall, and climbed over into the road outside, the Swede needing no help, but quicker in her movements than he was. In the road he tried to stop her, but she pulled herself from him. Still holding her, he showed her the horses tied in the shadow of the hedge. This she comprehended. She waited, therefore; but she kept herself several yards away from him, so that he should not stop her in case she should again wish to flee. She was a slender young creature, and she stood there much as a bird poises itself on a twig; not resting, not bearing its full weight, but perched provisionally, as it were—ready to fly away again in an instant.

Gray, who had now recovered his composure, tried to soothe her. With his most encouraging inflections he repeated: "All safe now. All-ll safe! Stay right here with me."

She paid not the least attention to him. Her eyes continued their strained watch of the lower trees of the grove. At length a man's figure emerged from these trees, and the girl gave a muffled scream. But Gray had caught hold of her arm; pointing to the horses and then to Dennison, he said, gesticulating energetically: "Horses are his. Dennison's. My friend. Your friend. (Oh, what is 'friend?') Amicus! Don't you see he's alone? Nobody with him? Solo? Sola?"

And the girl could indeed see for herself that the person approaching was alone. She had understood the fact that the horses belonged to this person, and her hope was in the horses; they could take her away—away from here!

As soon as Dennison was near enough he began speaking in Italian, and he continued to talk to her as he climbed over the wall, calming her, explaining and arranging. Then he turned the phaeton, and they all took their places within, the Swede sitting between the two men on the broad seat. Dennison drove down the lane, still talking encouragingly. When they reached the main road he took a direction which led them away from Casa Colombina and Tre Ponti. "We're in for it!" he said in English to Gray. "I shall take her to the nearest railway station—not the one you know, but another—and pack her off to Florence; there her consul can see to her. I have explained it to her clearly. She is glad enough to go."

"What was it all about, anyhow?"

"Didn't you comprehend? That harlequin (I'll mention no names, and then she won't be startled) was no less a person than the lover of your Madonna beauty—the youth she expects to marry. During the game he was flirting, or trying to flirt after his fashion, with our present companion. This was too much for the older woman. Hence the knife."

"Which I have in my pocket, by-the-bye."

"Don't take it out now; you can throw it away after we have disposed of our Scandinavian. I suppose she has never before seen such a thing as a brandished weapon of that sort. It's a knife used by the peasants about here to cut hides with; your Madonna probably took it from among Filippo's tools somehow while the festivities were going on. She must have been jealous even then."

"I told you that her laugh wasn't natural. 'Twas an awful sight, though! She would certainly have murdered the girl if we hadn't happened to be standing just where we were."

"Very likely," answered Dennison. "Tchk, tchk," he added to the horses.

"I hope she is safely locked up by this time."

"Locked up! She is probably dancing with her harlequin."

"You don't mean to say that you let her go?"

"Quite so. She is all right now; she has come back to her senses. I had six words with the youth, however; he'll treat her better—for the present, at least; I have frightened him."

"What did you mean when you said you'd send him away?"

"That was what brought her round. He has had a hankering for a long time to emigrate to—to the land of the free; he would go in a minute if his passage were paid and he had a hundred dollars in his pocket—go and never think of her again; she knows this. But the land of the free doesn't want him—he is incorrigibly lazy; and his departure would end her as far as I am concerned—make her perfectly useless."

"Good heavens! you're not going to take that murderess back?"

"I can't take her back without sending her away first. And that I haven't done," answered Dennison.

"But won't she be arrested, in any case? Every one will know that she attacked this girl, and that the girl has fled."

"No one knows that she attacked her. And even if it is guessed, Tuscan peasants are not so easily alarmed as you suppose; they understand each other. As to the disappearance of this one, I shall explain it by saying that I decided to advance the money to send her as far as Florence, instead of making her wait for the remittance which is expected from the consul; it is known that she was to go before long, in any case. It will cost me something, but I like peace and quietness. The other woman is perfect as a servant, and the cause of her jealousy removed she will continue perfect."

"Brrrr!" said Gray, uttering the sound that accompanies a shudder.

The Swede recognized the meaning of this; she looked at him quickly with parted lips and her hand extended. She was ready to spring from the phaeton.

"Do be quiet!" said Dennison. Then he spoke to the girl in Italian, quieting her dread.

They reached the station in safety, and soon after sunrise the Northerner, her breath still hurried, her hands cold, was placed in the care of the official who had charge of the Florence train. Dennison gave her his white silk handkerchief to tie over her uncovered head. The daylight had revealed the discolored lines of the bruise on her cheek produced by Modesta's blow. "Poor thing!" said Gray, as the train started on its way, and they had a last glimpse of her frightened eyes at the window.

"Yes. But she will get over it in time—she is strong and healthy. I have telegraphed to the consul at Florence to meet her, and take every care of her; he is to give her money from me, and then he is to send her to Stockholm, comfortably, in the charge of a suitable person. When she arrives there she will find a tidy little sum to her credit at a banker's."

"You're paying well for her scare."

"I'm paying well for my comfort."

They took fresh horses and returned to Casa Colombina.

As the Tower of the Dove came into sight on its hill, Gray said: "She won't be there, will she—I mean at the house?"

"Oh yes."

"What will she do when she sees us?"

"She will bring in the breakfast just as she brings it every morning, and Hannibal and the cats will follow behind. Perhaps she will talk rather more than usual; if she does, it will be on the most agreeable topics, and her smile (which you admire so much) will be sweeter than ever; her hair will be braided to perfection, and, what is more important, her work will be done to perfection. We shall pretend, both of us, she and I, that we don't see the mark of the bite on my hand. Shall I go on? In a week or two, probably, she will marry her Goro, and then he will be so constantly under my feet that I shall end by installing him as my gardener for life. He will do no work of importance; but, owing to his presence, I shall continue to enjoy the services of a waitress whom you yourself have described as a regular marvel."

It may be added that this prophecy has been exactly fulfilled.

AT THE CHÂTEAU OF CORINNE

ON the shores of Lake Leman there are many villas. For several centuries the vine-clad banks have been a favorite resting-place for visitors from many nations. English, French, Germans, Austrians, Poles, and Russians are found in the circle of strangers whose gardens fringe the lake northward from Geneva, eastward from Lausanne, and southward from Vevey, Clarens, and Montreux. Not long ago an American joined this circle. The American was a lady named Winthrop.

Mrs. Winthrop's villa was not one of the larger residences. It was an old-fashioned square mansion, half Swiss, half French, ending in a high-peaked roof, which came slanting sharply down over several narrowed half-stories, indicated by little windows like dove-perches—four in the broadest part, two above, then one winking all alone under the peak. On the left side a round tower, inappropriate but picturesque, joined itself to the square outline of the main building; the round tower had also a peaked roof, which was surmounted by a contorted ornament of iron somewhat resembling a letter S. Altogether the villa was the sort of a house which Americans are accustomed to call "quaint." Its name was quaint also—Miolans la Tour, or, more briefly, Miolans. Cousin Walpole pronounced this "Miawlins."

Mrs. Winthrop had taken possession of the villa in May, and it was now late in August; Lake Leman therefore had enjoyed her society for three long months. Through all this time, in the old lake's estimation, and notwithstanding the English, French, Germans, Austrians, Poles, and Russians, many of them titled, who were also upon its banks, the American lady remained an interesting presence. And not in the opinion of the old lake only, but in that also of other observers, less fluid and impersonal. Mrs. Winthrop was much admired. Miolans had entertained numerous guests during the summer; to-day, however, it held only the bona fide members of the family—namely, Mrs. Winthrop, her cousin Sylvia, and Mr. H. Walpole, Miss Sylvia's cousin. Mr. H. Walpole was always called "Cousin Walpole" by Sylvia, who took comfort in the name, her own (a grief to her) being neither more nor less than Pitcher. "Sylvia Pitcher" was not impressive, but "H. Walpole" could shine for two. If people supposed that H. stood for Horace, why, that was their own affair.

Mrs. Winthrop, followed by her great white dog, had strolled down towards the lake. After a while she came within sight of the gate; some one was entering. The porter's lodge was unoccupied save by two old busts that looked out from niches above the windows, much surprised that no one knew them. The new-comer surveyed the lodge and the busts; then opened the gate and came in. He was a stranger; a gentleman; an American. These three items Mrs. Winthrop's eyes told her, one by one, as she drew nearer. He now caught sight of her—a lady coming down the water-path, followed by a shaggy dog. He went forward to meet her, raising his hat. "I think this is Mrs. Winthrop. May I introduce myself? I am John Ford."

"Sylvia will be delighted," said Mrs. Winthrop, giving her hand in courteous welcome. "We have been hoping that we should see you, Mr. Ford, before the summer was over."

They stood a few moments, and then went up the plane-tree avenue towards the house. Mrs. Winthrop spoke the usual phrases of the opening of an acquaintance with grace and ease; her companion made the usual replies. He was quite as much at his ease as she was, but he did not especially cultivate grace. Sylvia, enjoying her conversation with Cousin Walpole, sat just within the hall door; she was taken quite by surprise. "Oh, John, how you startled me! I thought you were in Norway. But how very glad I am to see you, my dear, dear boy!" She stood on tiptoe to kiss him, with a moisture in her soft, faded, but still pretty eyes.

Mrs. Winthrop remained outside; there were garden chairs in the small porch, and she seated herself in one of them. She smiled a little when she heard Sylvia greet this mature specimen of manhood as a "dear, dear boy."

Cousin Walpole now came forward. "You are welcome, sir," he said, in his slender little voice. Then bethinking him of his French, he added, with dignity, "Welcome to Miaw-lins—Miaw-lins-lay-Tower."

Ford took a seat in the hall beside his aunt. She talked volubly: the surprise had excited her. But every now and then she looked at him with a far-off remembrance in her eyes: she was thinking of his mother, her sister, long dead. "How much you look like her!" she said at last. "The same profile—exact. And how beautiful Mary's profile was! Every one admired it."

Ford, who had been gazing at the rug, looked up; he caught Mrs. Winthrop's glance, and the gleam of merriment in it. "Yes, my profile is like my mother's, and therefore good," he answered, gravely. "It is a pity that my full face contradicts it. However, I live in profile as much as possible; I present myself edgewise."

"What do you mean, dear?" said Sylvia.

"I am like the new moon," he answered; "I show but a rim. All the rest I keep dark."

Mrs. Winthrop laughed; and again Ford caught her glance. What he had said of himself was true. He had a regular, clearly cut, delicately finished profile, but his full face contradicted it somewhat, showing more strength than beauty. His eyes were gray, without much expression, unless calmness can be called an expression; his hair and beard, both closely cut, were dark brown. As to his height, no one would have called him tall, yet neither would any one have described him as short. And the same phrasing might have been applied to his general appearance: no one would have called him handsome, yet neither would any one have classed him as ordinary. As to what is more important than looks, namely, manner, although his was quiet, and quite without pretension, a close observer could have discovered in it, and without much effort, that the opinions of John Ford (although never obtruded upon others) were in general sufficiently satisfactory to John Ford; and, furthermore, that the opinions of other people, whether accordant or discordant with his own, troubled him little.

After a while all went down to the outlook to see the after-glow on Mont Blanc. Mrs. Winthrop led the way with Cousin Walpole, whose high, bell-crowned straw hat had a dignity which no modern head-covering could hope to rival.

Sylvia followed, with her nephew. "You must come and stay with us, John," she said. "Katharine has so much company that you will find it entertaining, and even at times instructive. I am sure I have found it so; and I am, you know, your senior. We are alone to-day; but it is for the first time. Generally the house is full."

"But I do not like a full house," said Ford, smiling down upon the upturned face of the little "senior" by his side.

"You will like this one. It is not a commonplace society—by no means commonplace. The hours, too, are easy; breakfast, for instance, from nine to eleven—as you please. As to the quality of the—of the bodily support, it is sufficient to say that Marches is house-keeper. You remember Marches?"

"Perfectly. Her tarts no one could forget."

"Katharine is indebted to me for Marches," continued Sylvia. "I relinquished her to Katharine upon the occasion of her marriage, ten years ago; for she was totally inexperienced, you know—only seventeen."

"Then she is now twenty-seven."

"I should not have mentioned that," said Miss Pitcher, instinctively. "It was an inadvertence. Could you oblige me by forgetting it?"

"With the greatest ease. She is, then, sensitive about her age?"

"Not in the least. Why should she be? Certainly no one would ever dream of calling twenty-seven old!" (Miss Pitcher paused with dignity.) "You think her beautiful, of course?" she added.

"She is a fine-looking woman."

"Oh, John, that is what they always say of women who weigh two hundred! And Katharine is very slender."

Ford laughed. "I supposed the fact that Mrs. Winthrop was handsome went without the saying."

"It goes," said Sylvia, impressively, "but not without the saying; I assure you, by no means without the saying. It has been said this summer many times."

"And she does not find it fatiguing?"

The little aunt looked at her nephew. "You do not like her," she said, with a fine air of penetration, touching his coat-sleeve lightly with one finger. "I see that you do not like her."

"My dear aunt! I do not know her in the least."

"Well, how does she impress you, then, not knowing her?" said Miss Pitcher, folding her arms under her little pink shawl with an impartial air.

He glanced at the figure in front. "How she impresses me?" he said. "She impresses me as a very attractive, but very complete, woman of the world."

A flood of remonstrance rose to Sylvia's lips; but she was obliged to repress it, because Mrs. Winthrop had paused, and was waiting for them.

"Here is one of our fairest little vistas, Mr. Ford," she said as they came up, showing him an oval opening in the shrubbery, through which a gleam of blue lake, a village on the opposite shore, and the arrowy, snow-clad Silver Needle, rising behind high in the upper blue, were visible, like a picture in a leaf frame. The opening was so narrow that only two persons could look through it. Sylvia and Cousin Walpole walked on.

"But you have seen it all before," said Mrs. Winthrop. "To you it is not something from fairy-land, hardly to be believed, as it is to me. Do you know, sometimes, when waking in the early dawn, before the prosaic little details of the day have risen in my mind, I ask myself, with a sort of doubt in the reality of it all, if this is Katharine Winthrop living on the shores of Lake Leman—herself really, and not her imagination only, her longing dream." It is very well uttered, with a touch of enthusiasm which carried it along, and which was in itself a confidence.

"Yes—ah—quite so. Yet you hardly look like a person who would think that sort of thing under those circumstances," said Ford, watching a bark, with the picturesque lateen-sails of Lake Leman, cross his green-framed picture from east to west.

Mrs. Winthrop let the hand with which she had made her little gesture drop. She stood looking at him. But he did not add anything to his remark, or turn his glance from the lateen-sails.

"What sort of a person, then, do I look like?" she said.

He turned. She was smiling; he smiled also. "I was alluding merely to the time you named. As it happened, my aunt had mentioned to me by chance your breakfast hours."

"That was not all, I think."

"You are very good to be interested."

"I am not good; only curious. Pray tell me."

"I have so little imagination, Mrs. Winthrop, that I cannot invent the proper charming interpretation as I ought. As to bald truth, of course you cannot expect me to present you with that during a first visit of ceremony."

"The first visit will, I hope, be a long one; you must come and stay with us. As to ceremony, if this is your idea of it—"

"—What must I be when unceremonious! I suppose you are thinking," said Ford, laughing. "On the whole, I had better make no attempts. The owl, in his own character, is esteemed an honest bird; but let him not try to be a nightingale."

"Come as owl, nightingale, or what you please, so long as you come. When you do, I shall ask you again what you meant."

"If you are going to hold it over me, perhaps I had better tell you now."

"Much better."

"I only meant, then, that Mrs. Winthrop did not strike me as at all the sort of person who would allow anything prosaic to interfere with her poetical, heartfelt enthusiasms."

She laughed gayly. "You are delightful. You have such a heavy apparatus for fibbing that it becomes fairly stately. You do not believe I have any enthusiasms at all," she added. Her eyes were dark blue, with long lashes; they were very fine eyes.

"I will believe whatever you please," said John Ford.

"Very well. Believe what I tell you."

"You include only what you tell in words?"

"Plainly, you are not troubled by timidity," said the lady, laughing a second time.

"On the contrary, it is excess of timidity. It makes me desperate and crude."

They had walked on, and now came up with the others. "Does he amuse you?" said Sylvia, in a low tone, as Cousin Walpole in his turn walked onward with the new-comer. "I heard you laughing."

"Yes; but he is not at all what you said. He is so shy and ill at ease that it is almost painful."

"Dear me!" said the aunt, with concern. "The best thing, then, will be for him to come and stay with us. You have so much company that it will be good for him; his shyness will wear off."

"I have invited him, but I doubt his coming," said the lady of the manor.

The outlook was a little terrace built out over the water. Mrs. Winthrop seated herself and took off her garden-hat (Mrs. Winthrop had a very graceful head, and thick, soft, brown hair). "Not so close, Gibbon," she said, as the shaggy dog laid himself down beside her.

"You call your dog Gibbon?" said Ford.

"Yes; he came from Lausanne, where Gibbon lived; and I think he looks just like him. But pray put on your hat, Mr. Ford. A man in the open air, deprived of his hat, is always a wretched object, and always takes cold."

"I may be wretched, but I do not take cold," replied Ford, letting his hat lie.

"John does look very strong," said Sylvia, with pride.

"O fortunate youth—if he but knew his good-fortune!" said Cousin Walpole. "From the Latin, sir; I do not quote the original tongue in the presence of ladies, which would seem pedantic. You do look strong indeed, and I congratulate you. I myself have never been an athlete; but I admire, and with impartiality, the muscles of the gladiator."

"Surely, Cousin Walpole, there is nothing in common between John and a gladiator!"

"Your pardon, Cousin Sylvia. I was speaking generally. My conversation, sir," said the bachelor, turning to Ford, "is apt to be general."

"No one likes personalities, I suppose," replied Ford, watching the last hues of the sunset.

"On the contrary, I am devoted to them," said Mrs. Winthrop.

"Oh no, Katharine; you malign yourself," said Sylvia. "You must not believe all she says, John."

"Mr. Ford has just promised to do that very thing," remarked Mrs. Winthrop.

"Dear me!" said Sylvia. Her tone of dismay was so sincere that they all laughed. "You know, dear, you have so much imagination," she said, apologetically, to her cousin.

"Mr. Ford has not," replied the younger lady; "so the exercise will do him no harm."

The sky behind the splendid white mass of Mont Blanc was of a deep warm gold; the line of snowy peaks attending the monarch rose irregularly against this radiance from east to west, framed by the dark nearer masses of the Salève and Voirons. The sun had disappeared, cresting with glory as he sank the soft purple summits of the Jura, and sending up a blaze of color in the narrow valley of the Rhone. Then, as all this waned slowly into grayness, softly, shyly, the lovely after-glow floated up the side of the monarch, tingeing all his fields of pure white ice and snow with rosy light as it moved onward, and resting on the far peak in the sky long after the lake and its shores had faded into night.

"This lake, sir," said Cousin Walpole, "is remarkable for the number of persons distinguished in literature who have at various times resided upon its banks. I may mention, cursorily, Voltaire, Sismondi, Gibbon, Rousseau, Sir Humphry Davy, D'Aubigné, Calvin, Grimm, Benjamin Constant, Schlegel, Châteaubriand, Byron, Shelley, the elder Dumas, and in addition that most eloquent authoress and noble woman Madame de Staël."

"The banks must certainly be acquainted with a large amount of fine language," said Ford.

"And oh, how we have enjoyed Coppet, John! You remember Coppet?" said Miss Pitcher. "We have had, I assure you, days and conversations there which I, for one, can never forget. Do you remember, Katharine, that moment by the fish-pond, when, carried away by the influences of the spot, Mr. Percival exclaimed, and with such deep feeling, 'Etonnante femme!'"

"Meaning Mrs. Winthrop?" said Ford.

"No, John, no; meaning Madame de Staël," replied the little aunt.

Mr. Ford did not take up his abode at Miolans, in spite of his aunt's wish and Mrs. Winthrop's invitation. He preferred a little inn among the vineyards, half a mile distant. But he came often to the villa, generally rowing himself down the lake in a skiff. The skiff, indeed, spent most of its time moored at the water-steps of Miolans, for its owner accompanied the ladies in various excursions to Vevey, Clarens, Chillon, and southward to Geneva.

"I thought you had so much company," he said one afternoon to Sylvia, when they happened to be alone. "I have been coming and going now for ten days, and have seen no one."

"These ten days were reserved for the Storms," replied Miss Pitcher. "But old Mrs. Storm fell ill at Baden-Baden, and what could they do?"

"Take care of her, I should say."

"Gilbert Storm was poignantly disappointed. He is, I think, on the whole, the best among Katharine's outside admirers."

"Then there are inside ones?"

"Several. You know Mr. Winthrop was thirty-five years older than Katharine. It was hardly to be expected, therefore, that she should love him—I mean in the true way."

"Whatever she might have done in the false."

"You are too cynical, my dear boy. There was nothing false about it; Katharine was simply a child. He was very fond of her, I assure you. And died most happily."

"For all concerned."

Sylvia shook her head. But Mrs. Winthrop's step was now heard in the hall; she came in with several letters in her hand. "Any news?" said Miss Pitcher.

"No," replied the younger lady. "Nothing ever happens any more."

"As Ronsard sang,

"'Le temps s'en va, le temps s'en va, ma dame!

Las! le temps non; mais nous nous en allons,'"

said Ford, bringing forward her especial chair.

"That is true," she answered, soberly, almost sombrely.

That evening the moonlight on the lake was surpassingly lovely; there was not a ripple to break the sheen of the water, and the clear outline of Mont Blanc rose like silver against the dark black-blue of the sky. They all strolled down to the shore; Mrs. Winthrop went out with Ford in his skiff, "for ten minutes." Sylvia watched the little boat float up and down for twenty; then she returned to the house and read for forty more. When Sylvia was down-stairs she read the third canto of "Childe Harold"; in her own room she kept a private supply of the works of Miss Yonge. At ten Katharine entered. "Has John gone?" said the aunt, putting in her mark and closing the Byronic volume.

"Yes; he came to the door, but would not come in."

"I wish he would come and stay. He might as well; he is here every day."

"That is the very point; he also goes every day," replied Katharine.

She was leaning back in her chair, her eyes fixed upon the carpet. Sylvia was going to say something more, when suddenly a new idea came to her. It was a stirring idea; she did not often have such inspirations; she remained silent, investigating it. After a while, "When do you expect the Carrols?" she said.

"Not until October."

Miss Pitcher knew this perfectly, but she thought the question might lead to further information. It did. "Miss Jay has written," pursued Mrs. Winthrop, her eyes still fixed absently on the carpet. "But I answered, asking her to wait until October, when the Carrols would be here. It will be much pleasanter for them both."

"She has put them off!" thought the little aunt. "She does not want any one here just at present." And she was so fluttered by the new possibilities rising round her like a cloud that she said good-night, and went up-stairs to think them over; she did not even read Miss Yonge.

The next day Ford did not come to Miolans until just before the dinner hour. Sylvia was disappointed by this tardiness, but cheered when Katharine came in; for Mrs. Winthrop wore one of her most becoming dresses. "She wishes to look her best," thought the aunt. But at this moment, in the twilight, a carriage came rapidly up the driveway and stopped at the door. "Why, it is Mr. Percival!" said Sylvia, catching a glimpse of the occupant.

"Yes; he has come to spend a few days," said Mrs. Winthrop, going into the hall to greet her new guest.

Down fell the aunt's cloud-castle; but at the same moment a more personal feeling took its place in the modest little middle-aged breast; Miss Pitcher deeply admired Mr. Percival.

"You know who it is, of course?" she whispered to her nephew when she had recovered her composure.

"You said Percival, didn't you?"

"Yes; but this is Lorimer Percival—Lorimer Percival, the poet."

Katharine now came back. Sylvia sat waiting, and turning her bracelets round on her wrists. Sylvia's bracelets turned easily; when she took a book from the top shelf of the bookcase they went to her shoulders.

Before long Mr. Percival entered. Dinner was announced. The conversation at the table was animated. From it Ford gathered that the new guest had spent several weeks at Miolans early in the season, and that he had also made since then one or two shorter visits. His manner was that of an intimate friend. The intimate friend talked well. Cousin Walpole's little candle illuminated the outlying corners. Sylvia supplied an atmosphere of general admiration. Mrs. Winthrop supplied one of beauty. She looked remarkably well—brilliant; her guest—the one who was not a poet—noticed this. He had time to notice it, as well as several other things, for he said but little himself; the conversation was led by Mr. Percival.

It was decided that they would all go to Coppet the next day—"dear Coppet," as Sylvia called it. The expedition seemed to be partly sacred and partly sylvan; a pilgrimage-picnic. When Ford took leave, Mrs. Winthrop and Mr. Percival accompanied him as far as the water-steps. As his skiff glided out on the calm lake, he heard the gentleman's voice suggesting that they should stroll up and down awhile in the moonlight, and the lady's answer, "Yes; for ten minutes." He remembered that Mrs. Winthrop's ten minutes was sometimes an hour.

The next day they went to Coppet; Mrs. Winthrop and Mr. Percival in the carriage, Sylvia and Cousin Walpole in the phaeton, and Ford on horseback.

"Oh! isn't this almost too delightful!" said Miss Pitcher, when they reached the gates of the old Necker château. Cousin Walpole was engaged in tying his horse, and Mr. Percival had politely stepped forward to assist her from the phaeton. It is but fair, however, to suppose that her exclamation referred as much to the intellectual influences of the home of Madame de Staël as to the attentions of the poet. "I could live here, and I could die here," she continued, with ardor. But as Mr. Percival had now gone back to Mrs. Winthrop, she was obliged to finish her sentence to her nephew, which was not quite the same thing. "Couldn't you, John?" she said.

"It would be easy enough to die, I should say," replied Ford, dismounting.

"We must all die," remarked Cousin Walpole from the post where he was at work upon the horse. He tied that peaceful animal in such intricate and unexpected convolutions that it took Mrs. Winthrop's coachman, later, fully twenty minutes to comprehend and unravel them.

The Necker homestead is a plain, old-fashioned château, built round three sides of a square, a court-yard within. From the end of the south side a long, irregular wing of lower outbuildings stretches towards the road, ending in a thickened, huddled knot along its margin, as though the country highway had refused to allow aristocratic encroachments, and had pushed them all back with determined hands. Across the three high, pale-yellow façades of the main building the faded shutters were tightly closed. There was not a sign of life, save in a little square house at the end of the knot, where, as far as possible from the historic mansion he guarded, lived the old custodian, who strongly resembled the portraits of Benjamin Franklin.

Benjamin Franklin knew Mrs. Winthrop (and Mrs. Winthrop's purse). He hastened through the knot in his shuffling woollen shoes, and unlocked the court-yard entrance.

"We must go all through the dear old house again, for John's sake," said Sylvia.

"Do not sacrifice yourselves; I have seen it," said her nephew.

"But not lately, dear John."

"I am quite willing to serve as a pretext," he answered, leading the way in.

They passed through the dark old hall below, where the white statue of Necker gleams in solitude, and went up the broad stairway, the old custodian preceding them, and throwing open the barred shutters of room after room. The warm sunshine flowed in and streamed across the floors, the dim tapestries, the spindle-legged, gilded furniture, and the Cupid-decked clocks. The old paintings on the walls seemed to waken slowly and survey them as they passed. Lorimer Percival seated himself in a yellow arm-chair, and looked about with the air of a man who was breathing a delicate aroma.

"This is the room where the 'incomparable Juliette' danced her celebrated gavotte," he remarked, "probably to the music of that old harpsichord—or is it a spinet?—in the corner."

"Pray tell us about it," entreated Sylvia, who had seated herself gingerly on the edge of a small ottoman embroidered with pink shepherdesses on a blue meadow, and rose-colored lambs. Mrs. Winthrop meanwhile had appropriated a spindle-legged sofa, and was leaning back against a tapestried Endymion.

Percival smiled, but did not refuse Sylvia's request. He had not the objection which some men have to a monologue. It must be added, however, that for that sort of thing he selected his audience. Upon this occasion the outside element of John Ford, strolling about near the windows, was discordant, but not enough so to affect the admiring appreciation of the little group nearer his chair.

"Madame de Staël," he began, with his eyes on the cornice, "was a woman of many and generous enthusiasms. She had long wished to behold the grace of her lovely friend Madame Récamier, in her celebrated gavotte, well known in the salons of Paris, but as yet unseen by the exile of Coppet. By great good-fortune there happened to be in the village, upon the occasion of a visit from Madame Récamier, a French dancing-master. Madame de Staël sent for him, and the enchanted little man had the signal honor of going through the dance with the beautiful Juliette, in this room, in the presence of all the distinguished society of Coppet: no doubt it was the glory of his life. When the dance was ended, Corinne, carried away by admiration, embraced with transport—"

"The dancing-master?" said Cousin Walpole, much interested.

"No; her ravissante amie."

Cousin Walpole, conscious that he had made a mistake, betook himself to the portrait near by. "Superb woman!" he murmured, contemplating it. "Superb!"

The portrait represented the authoress of Corinne standing, her talented head crowned by a majestic aureole of yellow satin turban, whose voluminous folds accounted probably for the scanty amount of material left for the shoulders and arms.

"If I could have had the choice," said Miss Pitcher, pensively gazing at this portrait, "I would rather have been that noble creature than any one else on history's page."

Later they went down to the old garden. It stretched back behind the house for some distance, shut in by a high stone wall. A long, straight alley, shaded by even rows of trees, went down one side like a mathematical line; on the other there was some of the stiff landscape-gardening of the last century. In the open space in the centre was a moss-grown fish-pond, and near the house a dignified little company of clipped trees. They strolled down the straight walk: this time Ford was with Mrs. Winthrop, while Sylvia, Mr. Percival, and Cousin Walpole were in front.

"I suppose she used to walk here," observed Mrs. Winthrop.

"In her turban," suggested Ford.

"Perhaps she has sat upon that very bench—who knows?—and mused," said Sylvia, imaginatively.

"Aloud, of course," commented her nephew. But these irreverent remarks were in undertone; only Mrs. Winthrop could hear them.

"No doubt they all walked here," observed the poet; "it was one of the customs of the time to take slow exercise daily in one of these dignified alleys. The whole society of Coppet was no doubt often here, Madame de Staël and her various guests, Schlegel, Constant, the Montmorency, Sismondi, Madame Récamier, and many others."

"Would that I too could have been of that company!" said Cousin Walpole, with warmth.

"Which one of the two ladies would you have accompanied down this walk, if choice had been forced upon you?" said Mrs. Winthrop.

"Which one?—Madame de Staël, of course," replied the little bachelor, chivalrously.

"And you, Mr. Percival?"

"With the one who had the intellect," replied the poet.

"We must be even more lacking in beauty than we suppose, Sylvia, since they all chose the plain one," said Katharine, laughing. "But you have not spoken yet, Mr. Ford: what would your choice have been?"

"Between the two, there would hardly have been one."

"Isn't that a little enigmatical?"

"John means that he admires them equally," explained the aunt.

"That is it," said her nephew.

Lunch was spread upon the grass. Mrs. Winthrop's coachman had made an impromptu carpet of carriage rugs and shawls. Percival threw himself down beside the ladies; Cousin Walpole, after trying various attitudes, took the one denominated "cross-legged." Ford surveyed their group for a moment, then went off and came back with a garden bench; upon this he seated himself comfortably, with his back against a tree.

"You are not sufficiently humble, Mr. Ford," said Katharine.

"It is not a question of humility, but of grace. I have not the gifts of Mr. Percival."

Percival said nothing. He was graceful; why disclaim it?

"But you are very strong, John," said Sylvia, with an intention of consolation. "And if not exactly graceful, I am sure you are very well shaped."

Her hearers, including Ford himself, tried not to laugh, but failed. There was a burst of merriment.

"You think John does not need my encouragement?" said the little lady, looking at the laughers. "You think I forget how old he is? It is quite true, no doubt. But I remember him so well, you know, in his little white frock, with his dear little dimpled shoulders! He always would have bread and sugar, whether it was good for him or not, and he was so pretty and plump!"

These reminiscences provoked another peal.

"You may laugh," said Miss Pitcher, nodding her head sagely, "but he did eat a great deal of sugar. Nothing else would content him but that bowl on the high shelf."

"Do you still retain the same tastes, Mr. Ford?" said Katharine. "Do you still prefer what is out of reach—on a high shelf?"

"When one is grown," said Ford, "there is very little that is absolutely out of reach. It is, generally speaking, a question merely of determination, and—a long arm."

The sun sank; his rays came slanting under their tree, gilding the grass in bars. The conversation had taken a turn towards the society of the eighteenth century. Percival said the most. But a poet may well talk in a memorial garden, hushed and sunny, on a cushioned carpet under the trees, with a long-stemmed wineglass near his hand, and fair ladies listening in rapt attention. Ford, leaning back against his tree, was smoking a cigarette; it is to be supposed that he was listening also.

"Here is something I read the other day, at least as nearly as I can recall it," said the speaker. He was gazing at the tops of the trees on the other side of the pond. He had a habit of fixing his eyes upon something high above his hearers' heads when speaking. Men considered this an impertinence; but women had been known to allude to it as "dreamy."

"'Fair vanished ladies of the past,'" quoted the poet in his delightful voice, "'so charming even in your errors, do you merit the judgment which the more rigid customs of our modern age would pronounce upon you? Was that enthusiasm for virtue and for lofty sentiments with which your delicious old letters and memoirs, written in faded ink and flowing language, with so much wit and so much bad spelling, are adorned—was it all declamation merely, because, weighed in our severer balances, your lives were not always in accordance with it? Are there not other balances? And were you not, even in your errors, seeking at least an ideal that was fair? Striving to replace by a sensibility most devoted and tender a morality which, in the artificial society that surrounded you, had become well-nigh impossible? Let us not forget how many of you, when the dread hour came, faced with unfaltering courage the horrors of the Revolution, sustained by your example the hearts of strong men which had failed them, and atoned on the red guillotine for the errors and follies of your whole generation with your delicate lives.'"

He paused. Then, in a lighter tone, added: "Charming vanished dames, in your powder and brocade, I salute you! I, for one, enroll myself among your faithful and tender admirers."

Mr. Percival remained two weeks at Miolans. He was much with Mrs. Winthrop. They seemed to have subjects of their own for conversation, for on several occasions when Ford came over in the morning they were said to be "in the library," and Miss Pitcher was obliged to confess that she did not feel at liberty to disturb them. She remarked, with a sigh, that it must be "very intellectual," and once she asked her nephew if he had not noticed the poet's "brow."

"Oh yes; he is one of those tall, slim, long-faced, talking fellows whom you women are very apt to admire," said Ford.

Miss Pitcher felt as much wrath as her gentle nature allowed. But again her sentiments were divided, and she sacrificed her personal feelings. That evening she confided to Katharine, under a pledge of deepest secrecy, her belief that "John" was "jealous."

Mrs. Winthrop greeted this confidence with laughter. Not discouraged, the aunt the next day confided to her nephew her conviction that, as regarded the poet, Katharine had not yet "at all made up her mind."

"That is rather cruel to Percival, isn't it?" said Ford.

"Oh, he too has many, many friends," said Sylvia, veering again.

"Fortunate fellow!"

At last Percival went. Ford was again the only visitor. And if he did not have long mornings in the library, he had portions not a few of afternoons in the garden. For if he came up the water-steps and found the mistress of the house sitting under the trees, with no other companion than a book, it was but natural that he should join her, and possibly make some effort to rival the printed page.

"You do not like driving?" she said, one day. They were in the parlor, and the carriage was coming round; she had invited him to accompany them, and he had declined.

"Not with a coachman, I confess."

"There is always the phaeton," she said, carelessly.

He glanced at her, but she was examining the border of her lace scarf. "On the whole, I prefer riding," he answered, as though it were a question of general preferences.

"And Katharine rides so well!" said Sylvia, looking up from her wax flowers. Sylvia made charming wax flowers, generally water-lilies, because they were "so regular."

"There are no good horses about here," observed Ford. "I have tried them all. I presume at home in America you keep a fine one?"

"Oh, in America! That is too far off. I do not remember what I did in America," answered Mrs. Winthrop.

A day or two later. "You were mistaken about there being no good saddle-horses here," she remarked. "My coachman has found two; they are in the stable now."

"If you are going to be kind enough to offer one of them to me," he said, rather formally, after a moment's silence, "I shall then have the pleasure of some rides with you, after all."

"Yes," answered Mrs. Winthrop. "As you say—after all!" She was smiling. He smiled too, but shook his head. Sylvia did not see this little by-play. Whatever it meant, however, it did not prevent Ford's riding with Mrs. Winthrop several times, her groom following. Miss Pitcher watched these little excursions with much interest.

Meanwhile letters from Lorimer Percival came to Miolans almost daily. "That is the Percival crest," said Sylvia to her nephew, one of these epistles, which had just arrived, being on the hall table, seal upward, as they passed. "So appropriate for a poet, I think—a flame."

"Ah! I took it for steam," said Ford.

Now the elder Percival had been a successful builder of locomotives. "John," said Miss Pitcher, solemnly, "do you mean that for derision?"

"Derision, my dear aunt! There is nothing in the world so powerful as steam. If I only had more, I too might be a poet. Or if my father had had more, I too might have enjoyed a fortune."

"Mr. Percival enjoys no fortune," said Sylvia, still solemnly.

"What has he done with it, then? Enjoyed it all out?"

"He tells me that it dissolved, like a mist, in his grasp."

"Yes; they call it by various names," said Ford.

Mrs. Winthrop, dressed in her habit, now came down the stairway; she took the letter and put it in her pocket. That day the groom could not accompany them: the horse he rode was lame. "We are sufficiently brave to do without him for one afternoon, are we not?" said the lady.

"I confess I am timid; but I will do my best," answered Ford, assisting her to mount. Sylvia, standing in the doorway, thought this a most unfortunate reply.

They rode southward. "Shall we stop for a few moments?" said Katharine, as they came towards Coppet.

"Yes; for ten," he answered.

The old custodian let them in, and threw open the windows as before. The visitors went out on the little shelf-like balcony which opened from the drawing-room.

"You notice there is no view, or next to none," said Ford, "although we are on the shore of Lake Leman, and under the shadow of Mont Blanc. They did not care for views in the eighteenth century—that is, views of the earth; they were all for views of the 'soul.' Madame de Staël detested the country; to the last, Coppet remained to her a dreary exile. She was the woman who frankly said that she would not cross the room to look at the Bay of Naples, but would walk twenty miles to talk with an agreeable man."

"They were as rare then, it seems, as they are now," said Mrs. Winthrop. "But to-day we go more than twenty miles; we go to Europe."

"She did the same—that is, what was the same in her day; she went to Germany. There she found two rather agreeable men—Goethe and Schiller. Having found them, she proceeded to talk to them. They confessed to each other, long afterwards, the deep relief they felt when that gifted woman departed."

"Ah, well, all she wanted, all she was seeking, was sympathy."

"She should have waited until it came to her."

"But if it never came?"

"It would—if she had not been so eager and voracious. The truth is, Corinne was an inordinate egotist. She expected all minds to defer to her superiority, while at the very moment she was engaged in extracting from them any poor little knowledge or ideas they might possess which could serve her own purposes. All her books were talked into existence; she talked them before she wrote them. It was her custom, at the dinner-table here at Coppet, to introduce the subject upon which she was engaged, and all her guests were expected, indeed forced, to discuss it with her in all its bearings, to listen to all she herself had to say, and never to depart from the given line by the slightest digression until she gave the signal. The next morning, closeted in her own room, she wrote out the results of all this, and it became a chapter."

"She was a woman of genius, all the same," said Mrs. Winthrop, in a disagreeing tone.

"A woman of genius! And what is the very term but a stigma? No woman is so proclaimed by the great brazen tongue of the Public unless she has thrown away her birthright of womanly seclusion for the miserable mess of pottage called 'fame.'"

"The seclusion of a convent? or a prison?"

"Neither. Of a home."

"You perhaps commend obedience, also?"

"In one way—yes."

"I'm glad to know there are other ways."

"I shall be very obedient to the woman I love in several of those other ways," replied Ford, gathering some of the ripening grapes near the balcony rail.

Mrs. Winthrop went back into the faded drawing-room. "It is a pity there is no portrait here of Madame Récamier," she remarked. "That you might have admired."

"The 'incomparable Juliette' was at least not literary. But in another way she was as much before the public as though she had been what you call a woman of genius. It may be said, indeed, that she had genius—a genius for attracting admiration."

"You are hard to please."

"Not at all; I ask only the simple and retiring womanly graces. But anything retiring was hard to find in the eighteenth century."

"You dislike literary women very much," said Mrs. Winthrop. She had crossed the room to examine an old mirror made of squares of glass, welded together by little leaden frames, which had once been gilded.

"Hardly. I pity them."

"You did not know, then, that I was one?"

He had crossed the room also, and was now standing behind her; as she asked the question she looked at his image in the glass.

"I did not know it," he answered, looking at hers.

"I am, anonymously."

"Better anonymously than avowedly."

"Will you read something I have written?"

"Thanks. I am not in the least a critic."

"I know that; you are too prejudiced, too narrow, to be one. All the same, will you read?"

"If you insist."

"I do insist. What is more, I have it with me. I have had it for several days, waiting for a good opportunity." She drew from her pocket a small flat package, and gave it to him.

"Must it be now?"

"Here and now. Where could we find a more appropriate atmosphere?"

He seated himself and opened the parcel; within was a small square book in flexible covers, in decoration paper and type, a daintily rich little volume.

"Ah! I know this," he said. "I read it when it first came out."

"So much the better. You can give me your opinion without the trouble of reading."

"It received a good deal of praise, I remember," he said, turning over the leaves.

She was silent.

"There was a charming little description somewhere—about going out on the Campagna to gather the wild narcissus," he went on, after a pause.

And then there was another silence.

"But—" said Mrs. Winthrop.

"But, as you kindly suggest, I am no judge of poetry. I can say nothing of value."

"Say it, valuable or not. Do you know, Mr. Ford, that you have scarcely spoken one really truthful word to me since we first met. Yet I feel sure that it does not come natural to you, and that it has cost you some trouble to—to—"

"To decorate, as I have, my plain speech. But if that is true, is it not a compliment?"

"And do I care for your compliments? I have compliments in abundance, and much finer ones than yours. What I want from you is the truth, your real opinion of that little volume in your hand. You are the only man I have met in years who seems to feel no desire to flatter me, to make me think well of myself. I see no reason why I should not think well of myself; but, all the same, I am curious. I can see that you judge me impartially, even severely."

She paused. He did not look up or disclaim; he went on turning the pages of the little volume.

She had not seated herself; she was standing beside a table opposite him. "I can see that you do not in the least like me," she added, in a lower tone.

"My dear lady, you have so many to like you!" said Ford.

And then he did look up; their eyes met.

A flush came to her cheeks. He shut the little book and rose.

"Really, I am too insignificant a victim," he said, bowing as he returned it.

"You mean that I—that I have tried—"

"Oh no; you do it naturally."

For the moment her self-possession had failed her. But now she had it in hand again. "If I have tried, naturally or artificially, I have made a failure—have I not?"

"It must be a novel experience for Mrs. Winthrop."

She turned away and looked at a portrait of Voltaire. After some moments, "Let us come back to the real point between us," she said, as he did not speak—"that is, your opinion of my little book."

"Is that the real point between us?"

"Of course it is. We will walk up and down Corinne's old rooms, and you shall tell me as we walk."

"Why do you force me to say unpleasant things?"

"They are unpleasant, then? I knew it! Unpleasant for me."

"For us both."

"For you, I doubt it. For me, they cannot be more unpleasant than the things you have already said. Yet you see I forgive them."

"Yes; but I have not forgiven you, Mrs. Winthrop."

"For what, pray?"

"For proposing to make me a victim."

"Apparently you had small difficulty in escaping."

"As you say—apparently. But perhaps I conceal my wounds."

"You are trying to turn the subject, so that I will not insist about the little book."

"I wish, indeed, that you would not insist."

"But if I am the sort of woman you have indicated, I should think you would enjoy punishing me a little."

"A little, perhaps. But the punishment would be too severe."

They were walking slowly through the rooms; she turned her head and looked at him. "I have listened to you, Mr. Ford; I have let you say pretty much what you pleased to me, because it was amusing. But you cannot seriously believe that I really care for what you say, severe or otherwise?"

"Only as any right-minded woman must care."

"Say on. Now I insist."

"Good-bye to Miolans, then. You will never admit me within its gates again; that is, unless you have the unusual justice—unusual in a woman—to see that what I say is but the severity of a true friend."

"A friend is not severe."

"Yes, he is; in such a case as this, must be."

"Go on. I will decide afterwards."

They entered the third room. Ford reflected a moment; then began. "The poem, which you now tell me is yours, had, as its distinguishing feature, a certain daring. Regarding its other points: its rhythm was crude and unmelodious; its coloring was exaggerated—reading it, one was cloyed with color; its logic—for there was an attempt at logic—was utterly weak." He paused. Mrs. Winthrop was looking straight before her at the wall across the end of the last room in the vista. Her critic did not lift his eyes, but transferred his gaze from one section of the dark old floor to the next as they walked onward.

"All this, however," he resumed, "could be forgiven. We do not expect great poems from women any more than we expect great pictures; we do not expect strong logic any more than we expect brawny muscle. A woman's poetry is subjective. But what cannot be forgiven—at least in my opinion—is that which I have called the distinguishing feature of the volume, a certain sort of daring. This is its essential, unpardonable sin. Not because it is in itself dangerous; it has not force enough for that; but because it comes, and can be recognized at once as coming, from the lips of a woman. For a woman should not dare in that way. Thinking to soar, she invariably descends. Her mental realm is not the same as that of man; lower, on the same level, or far above, it is at least different. And to see her leave it, and come in all her white purity, which must inevitably be soiled, to the garish arena where men are contending, where the dust is rising, and the air is tainted and heavy—this is indeed a painful sight. Every honest man feels like going to her, poor mistaken sibyl that she is, closing her lips with gentle hand, and leading her away to some far spot among the quiet fields, where she can learn her error, and begin her life anew. To the pity of it is added the certain truth that if the words she sang could be carried out to their logical end, if they were to be clothed in the hard realities of life and set up before her, they would strike first the poor creature who was chanting them, and crush her to the dust. Fortunately there is no danger of this; it is among the impossibilities. And sometimes the poor sibyls learn, and through the teachings of their own hearts, their great mistake." As he ended, for the first time he lifted his eyes from the floor and looked at her.

Katharine Winthrop's face was flushed; the dark color extended over her forehead and dyed even her throat, and there was an expression as though only by a strong effort was a tremor of the lips controlled. This gave to her mouth a fixed look. She was so unlike herself, veiled in that deep, steady, painful blush, that, involuntarily and earnestly, Ford said, "I beg you not to mind it so much."

"I mind only that you should dare to say such things to me," she answered, slowly, as though utterance was an effort.

"Remember that you forced me to speak."

"I did not expect—this."

"How could I know what you expected? But in one way I am glad you made me go on; it is well that you should have for once a man's true opinion."

"All men do not think as you think."

"Yes, they do; the honest ones."

"Mr. Percival does not."

"Oh, Percival! He's effeminate."

"So you judge him," said Mrs. Winthrop, to whose utterance anger had now restored the distinctness.

"We will not quarrel about Lorimer Percival," said Ford; "he is not worth it—at least, he is not worth it to me." Then, as they entered the last room, "Take it as I meant it, Katharine," he said, the tone of his voice changing—"take it as a true woman should. Show me the sweet side of your nature, the gentle, womanly side, and I will then be your suitor indeed, and a far more real and earnest one than though I had become the victim you intended me to be. You may not care for me; you may never care. But only let me see you accept for your own sake what I have said, in the right spirit, and I will at least ask you to care, as humbly and devotedly as man ever asked woman. For when she is her true self she is so far above us that we can only be humble."

The flush still covered her forehead; her eyes looked at him, strangely and darkly blue in all this red.

"Curious, isn't it, how things come about?" she said. "You have made me a declaration, after all."

"A conditional one."

"No, not conditional in reality, although you might have pleased yourself with the fancy. For I need not have been in earnest. I had only to pretend a little, to pretend to be the acquiescent creature you admire, and I could have turned you round my little finger. It is rather a pity I did not do it. It might have been entertaining."

He had watched her as she spoke. "I do not in the least believe you," he said, gravely.

"It is not of much consequence whether you believe me or not. I think, on the whole, however, that I may as well take this occasion to tell you what you seem not to have suspected: I am engaged to Mr. Percival."

"Of course, then, you were angry when I spoke of him as I did. But I beg you will do me the justice to believe that I never for a moment dreamed that he was anything to Mrs. Winthrop."

"Your dreams must be unobservant."

"I knew that he was with you, of course, and that you received his letters—there is one in your pocket now. But it made no impression upon me—that is, as far as you were concerned."

"And why not? Even in the guise of an apology, Mr. Ford, you succeed in insinuating your rudeness. What you have said, when translated, simply means that you never dreamed that Mrs. Winthrop could be interested in Mr. Percival. And why should she not be interested? But the truth is, there is such an infinite space between you that you cannot in the least comprehend him." She turned towards the door which led to the stairway.

"That is very possible," said Ford. "But I have not now the honor to be a rival of Mr. Percival's, even as an unfavored suitor; you did not comply with my condition."

They went down the stairs, past the shining statue of Necker, and out into the sunshine. Benjamin Franklin brought forward the horses, and Ford assisted her to mount. "You prefer that I should not go with you," he said; "but of course I must. We cannot always have things just as we wish them in this vexatious world, you know."

The flush on her face was still deep; but she had recovered herself sufficiently to smile. "We will select subjects that will act as safe conductors down to commonplace," she said. They did. Only at the gate of Miolans was any allusion made to the preceding conversation.

He had said good-bye; the two riding-gloves had formally touched each other. "It may be for a long time," he remarked. "I start towards Italy this evening; I shall go to Chambéry and Turin."

She passed him; her horse turned into the plane-tree avenue. "Do not suppose that I could not have been, that I could not be—if I chose—all you described," she said, looking back.

"I know you could. It was the possibilities in you which attracted me, and made me say what I did."

"That for your possibilities!" she answered, making the gesture of throwing something lightly away.

He lifted his hat; she smiled, bowed slightly, and rode onward out of sight. He took his horse to the stables, went down to the water-steps, and unmoored his skiff. The next day Sylvia received a note from him; it contained his good-bye, but he himself was already on the way to Italy.

The following summer found Miss Pitcher again at Miolans. But although her little figure was still seen going down to the outlook at sunset, although she still made wax flowers and read (with a mark) "Childe Harold," it was evident that she was not as she had been. She was languid, mournful, and by August these adjectives were no longer sufficient to describe her condition, for she was now seriously ill. Her nephew, who was spending the summer in Scotland, was notified by a letter from Cousin Walpole. In answer he travelled southward to Lake Leman without an hour's delay; for Sylvia and himself were the only ones of their blood on the old side of the Atlantic, and if the gentle little aunt was to pass from earth in a strange land, he wished to be beside her.

But Sylvia did not pass. Her nephew read her case so skilfully, and with the others tended her so carefully, that in three weeks' time she was lying on a couch by the window, with "Childe Harold" again by her side. But if she was now well enough for a little literature, she was also well enough for a little conversation.

"I suppose you were much surprised, John, to find Katharine still Mrs. Winthrop?"

"No, not much."

"But she told me that she had mentioned to you her engagement."

"Yes, she mentioned it."

"You speak as though she was one of the women who make and break engagements lightly. But she is not, I assure you: far from it."

"She broke this one, it seems."

"One breaking does not make a—breaker," said Sylvia, thinking vaguely of "swallows," and nearly saying "summer." She paused, then shook her head sadly. "I have never understood it," she said, with a deep sigh. "It lasted, I know, until the very end of June. I think I may say, without exaggeration, that I spent the entire month of July, day and night, picturing to myself his sufferings."

"You took more time than he did. He was married before July was ended."

"Simply despair."

"Despair took on a cheerful guise. Some of the rest of us might not object to it in such a shape."

But Miss Pitcher continued her dirge. "So terrible for such a man! A mere child—only seventeen!"

"And he is—"

"Thirty-seven years, eight months, and nine days," answered the lady, in the tone of an obituary. "Twenty years younger than he is! Of course, she cannot in the least appreciate the true depth of his poetry."

"He may not care for that, you know, if she appreciates him," said Ford—Miss Pitcher thought, heartlessly.

During these three weeks of attendance upon his aunt he had, of course, seen Mrs. Winthrop daily. Generally he met her in the sick-room, where she gave to the patient a tender and devoted care. If she was in the drawing-room when he came down, Cousin Walpole was there also; he had not once seen her alone. He was not staying at Miolans, although he spent most of his time there; his abode nominally was a farm-house near by. Sylvia improved daily, and early in September her nephew prepared for departure. He was going to Heidelberg. One beautiful morning he felt in the mood for a long farewell ride. He sent word to Sylvia that he should not be at Miolans before evening, mounted, and rode off at a brisk pace. He was out all day under the blue sky, and enjoyed it. He had some wonderful new views of Mont Blanc, some exhilarating speed over tempting stretches of road, a lunch at a rustic inn among the vineyards, and the uninterrupted companionship of his own thoughts. Towards five o'clock, on his way home, he came by Coppet. Here the idle ease of the long day was broken by the small accident of his horse losing a shoe. He took him to the little blacksmith's shop in the village; then, while the work was in slow Swiss progress, he strolled back up the ascent towards the old château.

A shaggy white dog came to meet him; it was his friend Gibbon, and a moment later he recognized Mrs. Winthrop's groom, holding his own and his mistress's horse. Mrs. Winthrop was in the garden, so Benjamin Franklin said. He opened the high gate set in the stone wall and went down the long walk.

She was at the far end; her back was towards him, and she did not hear his step; she started when he spoke her name. But she recovered herself immediately, smiled, and began talking with much the same easy, graceful manner she had shown upon his first arrival at Miolans, when they met at the gate the year before. This meant that she had put him back as an acquaintance where he was then.

He did not seem unwilling to go. They strolled onward for ten minutes; then Mrs. Winthrop said that she must start homeward; they turned towards the gate. They had been speaking of Sylvia's illness and recovery. "I often think, when I look at my little aunt," said Ford, "how pretty she must have been in her youth. And, by-the-way, just before leaving Scotland I met a lady who reminded me of her, or rather of my idea of what she must have been. It was Mrs. Lorimer Percival."

"She is charming, I am told," said the lady beside him.

"I don't know about the charming; I dislike the word. But she is very lovely and very lovable."

"Did you see much of her?"

"I saw her several times; but only saw her. We did not speak."

"You judge, then, by appearance merely."

"In this case—yes. Her nature is written on her face."

"All are at liberty to study it, then. Pray describe her."

He was silent. Then, "If I comply," he said, "will you bear in mind that I am quite well aware that that which makes this little lady's happiness is something that Mrs. Winthrop, of her own accord, has cast aside as nothing worth?" As he rounded off this phrase he turned and looked at her.

But she did not meet his eyes. "I will remember," she answered.

He waited. But she said nothing more.

"Mrs. Percival," he resumed, "is a beautiful young girl, with a face like a wild flower in the woods. She has an expression which is to me enchanting—an expression of sweet and simple goodness, and gentle, confiding trust. One is thankful to have even seen such a face."

"You speak warmly. I am afraid you are jealous of poor Mr. Percival."

"He did not strike me as poor. If I was jealous, it was not the first time. He was always fortunate."

"Perhaps there are other wild flowers in the woods; you must search more diligently." She opened the gate, passed through, and signalled to her groom.

"That is what I am trying to do; but I do not succeed. It is terribly lonely work sometimes."

"What a confession of weakness!"

He placed her in the saddle. "It may be. At any rate, it is the truth. But women do not believe in truth for its own sake; it strikes them as crude."

"You mean cruel," said Katharine Winthrop. She rode off, the groom and Gibbon following. He went back to the blacksmith's shop. The next day he went to Heidelberg.

But he had not seen the last of Corinne's old château. On the 25th of October he was again riding up the plane-tree avenue of Miolans, this time under bare boughs.

"Oh, John! dear John!" said Miss Pitcher, hurrying into the drawing-room when she was told he was there. "How glad I am to see you! But how did you know—I mean, how did you get here at this time of year?"

"By railway and on horseback," he answered. "I like autumn in the country. And I am very glad to see you looking so well, Aunt Sylvia."

But if Sylvia was well in body, she was ill at ease in mind. She began sentences and did not finish them; she often held her little handkerchief to her lips as if repressing herself. Cousin Walpole had gone to Geneva, "on business for Katharine." No, Katharine was not with him; she was out riding somewhere. She was not well, and needed the exercise. Katharine, too, was fond of autumn in the country. But Sylvia found it rainy. After a while Ford took leave, promising to return in the evening. When he reached the country road he paused, looking up and down it for a moment; then he turned his horse southward. It was a dreary day for a ride; a long autumn rain had soaked the ground, clouds covered the sky, and a raw wind was blowing. He rode at a rapid pace, and when he came towards Coppet he again examined the wet track, then turned towards the château. He was not mistaken; Mrs. Winthrop's horse was there. There was no groom this time; the horse was tied in the court-yard. Benjamin Franklin said that the lady was in the garden, and he said it muffled in a worsted cap and a long wadded coat that came to his heels. No doubt he permitted himself some wonder over the lady's taste.

The lady was at the end of the long walk as before. But to-day the long walk was a picture of desolation; all the bright leaves, faded and brown, were lying on the ground in heaps so sodden that the wind could not lift them, strongly as it blew. Across one end of this vista stretched the blank stone wall, its grayness streaked with wet spots; across the other rose the old château among the bare trees, cold, naked, and yellow, seeming to have already begun its long winter shiver. But men do not mind such things as women mind them. A dull sky and stretch of blank stone wall do not seem to them the end of the world—as they seemed at that moment to Katharine Winthrop. This time she heard his step; perhaps he intended that she should hear it. She turned.

Her face was pale; her eyes, with the dark shadows under them, looked larger than usual. She returned his greeting quietly; her trouble, whatever it was, did not apparently connect itself with him.

"You should not be walking here, Mrs. Winthrop," he said as he came up; "it is too wet."

"It is wet; but I am going now. You have been at Miolans?"

"Yes. I saw my aunt. She told me you were out riding somewhere. I thought perhaps you might be here."

"Is that all she told you?"

"I think so. No; she did say that you were fond of autumn in the country. So am I. Wouldn't it be wise to stop at the old man's cottage, before remounting, and dry your shoes a little?"

"I never take cold."

"Perhaps we could find a pair in the village that you could wear."

"It is not necessary. I will ride rapidly; the exercise will be the best safeguard."

"Do you know why I have come back?" he said, abandoning the subject of the shoes.

"I do not," answered the lady. She looked very sad and weary.

"I have come back, Katharine, to tell you plainly and humbly that I love you. This time I make no conditions; I have none to make. Do with me as you please; I must bear it. But believe that I love you with all my heart. It has been against my will; I have not been willing to admit it to myself; but of late the certainty has forced itself upon me so overwhelmingly that I had no resource left save to come to you. I am full of faults; but—I love you. I have said many things that displeased you deeply; but—I love you. Do not deliberate. Send me away—if go I must—now. Keep me—if you will keep me—now. You can punish me afterwards."

They had been walking onward, but now he stopped. She stopped also; but she said nothing; her eyes were downcast.

"It is a real love I offer you," he said, in a low tone. Then, as still she did not speak, "I will make you very happy, Katharine," he added.

Her face had remained pale, but at this assertion of his a slight color rose, and a smile showed itself faintly. "You are always so sure!" she murmured. And then she laughed, a little low, sweet, sudden laugh.

"Let him laugh who wins," said Ford, triumphantly. The old streaked stone wall, if dreary, was at least high; no one saw him but one very wet and bedraggled little bird, who was in the tree above. This bird was so much cheered (it must have been that) that he immediately chirruped one note quite briskly, and coming out on a drier twig, began to arrange his soaked feathers.

"Now," said Ford, "we will have those shoes dried, whether you like it or not. No more imprudence allowed. How angry you were when I said we might find a pair in the village that you could wear! Of course I meant children's size." He had drawn her hand through his arm, and was going towards the gate.

But she freed herself and stopped. "It is all a mistake," she said, hurriedly. "It means nothing. I am not myself to-day. Do not think of it."

"Certainly I shall not trouble myself to think of it much when—what is so much better—I have it."

"No; it is nothing. Forget it. I shall not see you again. I am going back to America immediately—next week."

He looked at her as she uttered these short sentences. Then he took her hands in his. "I know about the loss of your fortune, Katharine; you need not tell me. No, Sylvia did not betray you. I heard it quite by chance from another source while I was still in Heidelberg. That is the reason I came."

"The reason you came!" she repeated, moving from him, with the old proud light coming back into her eyes. "You thought I would be overwhelmed—you thought that I would be so broken that I would be glad—you pitied me—you came to help me? And you were sure—" She stopped; her voice was shaking.

"Yes, Katharine, I did pity you. Yes, I came to help you if you would let me. But I was not sure. I was sure of nothing but my own obstinate love, which burst out uncontrollably when I thought of you in trouble. I have never thought of you in that way before; you have always had everything. The thought has brought me straight to your side."

But she was not softened. "I withdraw all I have said," she answered. "You have taken advantage."

"As it happens, you have said nothing. As to taking advantage, of course I took advantage: I was glad enough to see your pale face and sad eyes. But that is because you have always carried things with such a high hand. First and last, I have had a great deal of bad treatment."

"That is not true."

"Very well; then it is not. It shall be as you please. Do you want me to go down on my knees to you on this wet gravel?"

But she still turned from him.

"Katharine," he said, in a graver tone, "I am sorry on your account that your fortune is gone, or nearly gone; but on my own, how can I help being glad? It was a barrier between us, which, as I am, and as you are—but principally as you are—would have been, I fear, a hopeless one. I doubt if I should ever have surmounted it. Your loss brings you nearer to me—the woman I deeply love, love in spite of myself. Now if you are my wife—and a tenderly loved wife you will be—you will in a measure be dependent upon your husband, and that is very sweet to a self-willed man like myself. Perhaps in time I can even make it sweet to you."

A red spot burned in each of her cheeks. "It is very hard," she said, almost in a whisper.

"Well, on the whole, life is hard," answered John Ford. But the expression in his eyes was more tender than his words. At any rate, it seemed to satisfy her.

"Do you know what I am going to do?" he said, some minutes later. "I am going to make Benjamin Franklin light a fire on one of those old literary hearths at the château. Your shoes shall be dried in the presence of Corinne herself (who must, however, have worn a much larger pair). And while they are drying I will offer a formal apology for any past want of respect, not only to Corinne, but to all the other portraits, especially to that blue-eyed Madame Necker in her very tight white satin gown. We will drink their healths in some of the native wine. If you insist, I will even make an effort to admire the yellow turban."

He carried out his plan. Benjamin Franklin, tempted by the fee offered, and relying no doubt upon the gloomy weather as a barrier against discovery, made a bright fire upon one of the astonished hearths, and brought over a flask of native wine, a little loaf, and some fine grapes. Ford arranged these on a spindle-legged table, and brought forward an old tapestried arm-chair for Katharine. Then while she sat sipping her wine and drying her shoes before the crackling flame, he went gravely round the room, glass in hand, pausing before each portrait to bow ceremoniously and drink to its health and long life—probably in a pictorial sense. When he had finished the circuit, "Here's to you all, charming vanished ladies of the past," he said; "may you each have every honor in the picturesque, powdered, unorthographic age to which you belong, and never by any possibility step over into ours!"

"That last touch has spoiled the whole," said the lady in the tapestried chair.

But Ford declared that an expression in Madame Necker's blue eye approved his words.

He now came back to the hearth. "This will never do," he said. "The shoes are not drying; you must take them off." And with that he knelt down and began to unbutton them. But Katharine, agreeing to obey orders, finished the task herself. The old custodian, who had been standing in the doorway laughing at Ford's portrait pantomime, now saw an opportunity to make himself useful; he came forward, took one of the shoes, put it upon his hand, and, kneeling down, held it close to the flame. The shoes were little boots of dark cloth like the habit, slender, dainty, and made with thin soles; they were for riding, not walking. Ford brought forward a second arm-chair and sat down. "The old room looks really cheerful," he said. "The portraits are beginning to thaw, presently we shall see them smile."

Katharine too was smiling. She was also blushing a little. The blush and slight embarrassment made her look like a school-girl.

"Where shall we go for the winter?" said Ford. "I can give you one more winter over here, and then I must go home and get to work again. And as we have so little foreign time left, I suggest that we lose none of it, and begin our married life at once. Don't be alarmed; he does not understand a word of English. Shall we say, then, next week?"

"No."

"Are you waiting to know me better? Take me, and make me better."

"What are your principal faults—I mean besides those I already know?" she said, shielding her face from the heat of the fire with her riding gauntlets.

"I have very few. I like my own way; but it is always a good way. My opinions are rather decided ones; but would you like an undecided man? I do not enjoy general society, but I am extremely fond of the particular. I think that is all."

"And your obstinacy?"

"Only firmness."

"You are narrow, prejudiced; you do not believe in progress of any kind. You would keep women down with an iron hand."

"A velvet one."

The custodian now took the other shoe.

"He will certainly stretch them with that broad palm of his," said Ford. "But perhaps it is as well; you have a habit of wearing shoes that are too small. What ridiculous little affairs those are! Will twelve pairs a year content you?"

A flush rose in her cheeks; she made no reply.

"It will be very hard for you to give up your independence, your control of things," he said.

But she turned towards him with a very sweet expression in her eyes. "You will do it all for me," she answered.

He rose, walked about the room, coming back to lean over the gilded top of her chair and say, with emphasis, "What in the world does that old wretch mean by staying here so persistently all this time?"

She laughed. Benjamin Franklin, looking up from his task, laughed too—probably on general principles of sociability and appreciation of his fee.

"To go back to your faults," she said; "please come and sit down, and acknowledge them. You have a very jealous nature."

"You are mistaken. However, if you like jealousy, I can easily take it up."

"It will not be necessary. It is already there."

"You are thinking of some particular instance; of whom did you suppose I was jealous?"

But she would not say.

After a while he came back to it. "You thought I was jealous of Lorimer Percival," he said.

The custodian now announced that both shoes were dry; she put them on, buttoning them with an improvised button-hook made of a hair-pin. The old man stood straightening himself after his bent posture; he still smiled—probably on the same general principles. The afternoon was drawing towards its close; Ford asked him to bring round the horses. He went out; they could hear his slow, careful tread on each of the slippery stairs. Katharine had risen; she went to the mirror to adjust her riding-hat. Ford came up and stood behind her. "Do you remember when I looked at you in the glass, in this same way, a year ago?" he said.

"How you talked to me that day about my poor little book! You made me feel terribly."

"I am sorry. Forgive it."

"But you do not forgive the book?"

"I will forget it, instead. You will write no more."

"Always so sure! However, I will promise, if you acknowledge that you have a jealous disposition."

She spoke gayly. He watched her in the glass a moment, then drew her away. "Whether I have a jealous disposition or not I do not know," he answered. "But I was never jealous of Lorimer Percival; I held him in too light estimation. And I did not believe—no, not at any time—that you loved him; he was not a man whom you would love. Why you allowed yourself to become engaged to him I do not know; but I suspect it was because he flattered what you thought your literary talent. I do not believe you would ever have married him; you would have drawn back at the last moment. To be engaged to him was one thing, to marry him another. You kept your engagement along for months, when there was no reason at all for the delay. If you had married him I should have thought the less of you, but I should not have been jealous." He paused. "I might never have let you know it, Katharine," he went on; "but I prefer that there should be nothing but the truth between us. I know that it was Percival who broke the engagement at the last, and not you. I knew it when I was here in the summer. He himself told me when I met him in Scotland just after his marriage."

She broke from him. "How base are all men!" she said, in a voice unlike her own.

"In him it was simply egotism. He knew that I had known of his engagement to you, and he wished me to appreciate that in order to marry that sweet young girl, who was quite without fortune, he had been obliged to make, and had made, a great sacrifice."

"Great indeed!" she commented, bitterly. "You do well to commend him."

"I do not commend him. I simply say that he was following out his nature. Being a poet, he is what is called sympathetic, you know; and he wanted my appreciation and sympathy—I will not say applause."

She was standing with her back towards him. She now walked towards the door. But her courage failed, she sank into a chair and covered her face with her hands. "It is too much," she said. "You wait until I have lost my fortune and am overwhelmed; you wait until I am rejected, cast aside; and then you come and win from me an avowal of my love, telling me afterwards—afterwards"—Her voice broke, she burst into tears.

"Telling you afterwards nothing but that I love you. Telling you afterwards that I have not had one really happy moment since our conversation in this old house a year ago. Telling you afterwards that my life has resolved itself into but one unceasing, tormenting wish—the wish, Katharine, that you would love me, I suppose I ought to say a little, but I mean a great deal. Look at me; is this humble enough for you?"

He drew her hands away; she saw that he was kneeling at her feet; and, not only that, but she saw also something very like a mist in the gray eyes she had always thought too cold.

In the library of Mr. John Ford, near New York, there hangs in the place of honor a water-color sketch of an old yellow château. Beneath it, ranged by themselves, are all the works of that eloquent authoress and noble woman, Madame de Staël.

"You admire her?" said a visitor recently, in some surprise. "To me she always seemed a—a little antique, you know."

"She is antiquity itself! But she once lent me her house, and I am grateful. By-the-way, Katharine, I never told you, although I found it out afterwards: Benjamin Franklin understood English, after all."

THE END

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By MARY E. WILKINS.

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This typographical error was corrected by the etext transcriber:

Roberta overhead this attempt=>Roberta overheard this attempt

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