FOR EASTER DAY.
This fine sequence was highly esteemed by Luther and became a favorite in many countries. Its composition was as early as the eleventh century. At first sight it appears to be prose, but proves on closer examination to be rhymed throughout. The dialogue form made possible its dramatic use in the Easter Mystery Plays and the church service. For this and for translations see Julian, p. 1223 ff.
The subject is the Resurrection. Cf. Matthew 28. 1-15; John 20. 1-18.
2. Agnus: John 1. 29. oves: John 10. 11. 3. regnat: Matthew 25. 34. 4-9.
Dic ff.: the conversation supposed to have taken place between Mary
Magdalene and the disciples after her return from the sepulchre.
Surrexit: Luke 24. 34.