II
You must hear, besides the first spring notes of the bluebird and the robin, four bird songs this spring. First (1) the song of the wood thrush or the hermit thrush, whichever one lives in your neighborhood. No words can describe the purity, the peacefulness, the spiritual quality of the wood thrush’s simple “Come to me.” It is the voice of the tender twilight, the voice of the tranquil forest, speaking to you. After the thrush (2) the brown thrasher, our finest, most gifted songster, as great a singer, I think (and I have often heard them both), as the Southern mockingbird. Then (3) the operatic catbird. She sits lower down among the bushes than the brown thrasher, as if she knew that, compared with him, she must take a back seat; but for variety of notes and length of song, she has few rivals. I say she, when really I ought to say he, for it is the males of most birds that sing, but the catbird seems so long and slender, so dainty and feminine, that I think of this singer as of some exquisite operatic singer in a woman’s rôle. Then (4) the bobolink; for his song is just like Bryant’s bubbling poem, only better! Go to the meadows in June and listen as he comes lilting and singing over your head.
